Art Reference

Hardcover. New York, Hearst Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographs. "Celebrates the design of the book in the broadest possible meaning of the word, gathering together the most exciting examples of recent book and jacket design, it also includes work for CD booklets, publicity for industry and the arts, self-promotional and experimental work." Clean copy in a bright dust jacket.

Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.

Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.

Softcover. Cambridge MA, Boatner Norton Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, Illustrated with black & white examples of works by Robert Crumb - 4 pages in full color.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy.

Hardcover. New York, W. W. Norton & Company, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover. Full color and black & white illustrations. Remainder marks on top edge at spine. Light wear. Clean, unmarked copy.

Hardcover. New York, Thames and Hudson, 3rd Revised, 1988, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Minor yellowing to dust jacket edges and spine. Previous owners inscription in pen to top edge of front flyleaf. An otherwise very clean, unmarked copy with only minor edgewear. 206 photographs, 16 in color. Follows the developments in the art and science of photography from the invention of the wet-collodion process through the evolution of dry plates.

Hardcover. Tarrytown NY, Sleepy Hollow Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 310 pages. includes index, bibliography, b/w illustrations throughout the book plus middle section of full-color photos. Covers Phillipsburg Manor, Upper Mills & Van Cortland Manor and Washington Irving's Sunnyside.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 450 color illustrations.

Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 224 pages, 450 color illustrations.

Softcover. New York, Sotheby's, 1st, 1995, Book: Very Good, Dust Jacket: None, 75 pages. Softcover with paper warppers. Like new. Color photographs throughout.

Hardcover. Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 559 pages. First comprehensive bio-bibliography of one of the most loved children's book authors and illustrators in America and around the world. Not only does this book describe Tudor's sixty-year career, but also readers will enjoy the poignant stories about Tudor written by her two daughters, Bethany and Efner, and her editors, Patricia Gauch and Dorothy Haas. The daughter of naval architect, W. Starling Burgess, and portrait painter, Rosamond Tudor, Tasha Tudor, as a child, was greatly influenced by her father's engineering background and her mother's artistic life. She became particularly fascinated by life in the 1830's, which inspires her art, writing, and her own life. From 1938 onward, Tudor's children's books captivated a wide audience. Her fans are still intrigued by her magical stories and her romantic illustration of New England's countryside, drawn from her own experiences of family life. Her work is published in more than 90 books, which have been reprinted and republished many times. Through her eighties, Tudor remained active in publishing, meeting her fans, and autographing her books. In loving tribute, this work is illustrated with many drawings by Tudor's daughter, Bethany, as well as rare early photos of Tudor as a young woman, by Nell Dorr, and 16 pages of color photos of Tudor's book covers. The bibliography includes every known book illustrated and/or written by Tudor, including those published in the first half of 1998.

Hardcover. New Castle DE, Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust wrapper. The Hares have collected and researched Tudor's works for over 15 years, and have worked closely with her two daughters, who granted them access to surviving publisher files and records at the Library of Congress. This work catalogs all of Tudor's work as well as those of her talented daughters and her husband. 559 pages includes index, bibliography, B&W and color plates.

Softcover. Brooklyn, Higgins Ink Co., reprint, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, staple bound. 64 pages, Illustrated throughout with instructional drawings as well as example of cartoon art by leading artists of the day. A vintage look on the theory of humor, instruction for drawings figures, faces, etc.; materials, brush exercises, the comic strip, gag cartoons, the cartoon in advertising, sports cartoons, etc. Clean copy.

Hardcover. Dallas TX, Taylor Publishing, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright, unclipped dust jacket. 168 pages. A brief history with some 300 color and b&w illustrations of covers, posters, publicity shots of detective and spy stories, TV, and cinema.

Hardcover. NY, DK, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages. Meticulously researched and expertly written, The DC Book is packed with stunning, painstakingly selected artwork, illuminating infographics, and incisive, specially curated essays that shed new light on the ever-evolving DC Multiverse. From the world's finest Super Heroes such as Superman, Batman, and Wonder Woman, to iconic villains like the Joker, Lex Luthor, and Darkseid, to mythic realms like Apokolips and Themyscira, to cosmic energies like The Source and The Speed Force, The DC Book explores the key concepts, characters, and events that have defined and shaped DC Comics over the past 80 years. Clean copy.

Hardcover. Holdrege NE, privately printed, 1st, 1984, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black and gilt, 92 pages. 11 1/4" x 8 1/2". Errata slip loosely laid in. A survey of this Italian-American modernist painter's etchings of highly realistic and romanticized still lifes, landscapes, and portraits. Clean copy.

Hardcover. Garden City, NY, Doubleday & Company, Inc., 1st thus, 1970, Book: Very Good, Dust Jacket: None, 1715 pages. Hardcover. color illustrations throughout, illustrated by Salvador Dali. Pages unmarked (including back pages intedend for recording of family information). 2 red ribbon book marks attached at spine. No slipcase. Marbled decorated endpapers. leather cover boards, gilt title and decoration on spine and front cover board. Gilt edges (slightly faded). Binding beautiful. Spine straight. DOMESTIC SHIPPING ONLY.

Softcover. Greenwich CT, Fairview Printers, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, glossy pictorial stiff wraps, softcover; 187 pages plus index; black and white illustrations and photographic illustrations; very good.

Hardcover. Gerber Publishing, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, This is a two volume set of a total of 336 pages still in the original unopened cellophane wrapping that holds both volumes as originally received. Folios - over 12 - 15" tall. Each with pictorial dust jackets. The set consists of Volume Three A-J: which has. 3,800 color photos of Marvel Comics Covers and Volume Four K-Z: with 3.900 color photos. ISBN for Volume Four is 0-962-33285-2. Great guides to Marvel comic book covers with a wealth of information on collecting. Introduction by Stan Lee. Due to weight DOMESTIC SHIPPING ONLY.

Hardcover. NY, Hudson Hills Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. 243 color and 181 duo-tone illustrations. Extensive bibliography included at the back. Showcases these works by American artist Robert Motherwell (1915-1991). "Provides a definitive study of the artist's work as a printmaker. It includes a catalogue raisonne of all his graphic work from 1943 through 1984, covering nearly 350 prints in virtually every medium: engraving, lithography, silkscreen, etching, aquatint, mezzotint, monotype, collage, and others. Each work is documented and reproduced, more than 200 of them in full color." Clean copy.

Tulsa OK, Thomas Gilcrease Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with black lettering, 255 pages, b&w plates throughout. Thomas Moran (1837-1926) from Bolton, England was an American painter & printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. This catalog features 129 prints with extensive notes. Bibliography and index. Bright, clean copy.

Hardcover. Princeton, Princeton University Press, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 226 pages of text followed by section of corresponding black & white photographic illustrations. Hardcover. Clean, tight copy. No dust jacket.