Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.
Hardcover. Atlanta, Whitman Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, 120 pages. Full color illustrations. Covers show minor wear. Clean, tight copy. Hardcover, no dust jacket.
Softcover. NY, Thames & Hudson, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover in a cardboard slipcase. A large-scale publication dedicated to the 1950s as captured in the pages of American Vogue. This book is illustrated by fashion's greatest photographs of that period-the era when the magazine became the cultural force it is today. One of only seven editors in chief in American Vogue's history, Jessica Daves has remained one of fashion's most enigmatic figures. Diana Vreeland's direct predecessor in the role, it is Daves who first catapulted the magazine into modernity. A testament to a changing America on every level, Daves's Vogue was the first to embrace a "high/low" blend of fashion in its pages and to introduce world-renowned artists, literary greats, and cultural icons into every issue, offering the reader a complete vision of how design, interiors, architecture, entertaining, art, literature, and culture all connected and contributed to refining and defining taste and personal style. Daves profiled icons of American style, from John and Jackie Kennedy to Charles and Ray Eames, alongside Dior, Chanel, Givenchy, and Balenciaga creations. Organized in multifaceted, thematic chapters, 1950s in Vogue features carefully curated photographs, illustrations, and page spreads from the Vogue archives (with iconic images as well as lesser-known wonders), and unpublished photographs and letters from Jessica Daves's personal archives. Clean, bright copy. Slipcase with minor wear, line in bottom edge. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. New York , Princeton Architectural Press, 2nd printing, 2002, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Light edgewear to wrappers, else a clean, tight copy. 45 RPM: A Visual History of the Seven-Inch Record celebrates a often overlooked, yet vital form of art, that of the seven inch sleeve. Not only are there more than 200 pictures display in this book, but an excellent history detailing the rise and fall of this format. There are basically five main chapters starting with the 50's all the way to the 90's. Each chapter is preceded by a written piece authored by different individuals, ranging from a record collector, renown sleeve artists, a music journalist and a music critic. Each provides thoughful, authorative, and interesting insights into the period of time they are introducing. The real meat is the pictures, and there are a lot of them.
Hardcover. Boston, Houghton Mifflin, 3rd Ed., 1891, Book: Good, Dust Jacket: None, Hardcover, 3/4 leather over marbled boards, ribbed spine with gilt lettering. Frontispiece with tissue guard. Marbled endpapers with gilt pattern. Black and white plates and illustrations. 349 pages. Front cover starting to split from spine but still holding. Mild edgewear to covers, bookplate on inside front cover, otherwise clean copy.
Hardcover. New Castle DE, Oak Knoll, 1st, 2004, Hardcover in a bright dust jacket. A History of the Eragny Press, 1894-1914, is a full and exceptionally well-researched account of the Press. It begins with a brief survey of Lucien Pissarro's early career in France in order to establish the influences and motivations for his book designs and proceeds to examine Lucien's association with Charles Ricketts, the establishment of the Eragny Press, and the Press' relationship to the publishers Hacon & Ricketts. Eragny was not a commercial publisher, yet profits was an important motivation for the Pissarros. Included here is the first major account for a private press of the costs of production, profits, and marketing and distribution practices. Eragny Press books were promoted and sold in England, the Continent, and the United States. Two of the Eragny Press books were the results of commissions from French bibliophile clubs. This history of the Eragny Press includes a discussion of the influences and artistic theories that are the basis for the Pissarros' books and provides a critical reassessment of their significance within the history of the English Arts and Crafts Private Press movement. About half the book is devoted to an exhaustive and detailed bibliography of all the Eragny Press publications, with critical commentary on each. Accompanying the text and the descriptive bibliography are more than seventy-five reproductions of rare Eragny wood engravings ( by Lucien Pissarro, T. Sturge Moore, and others), title pages, borders and decorated initials, binding papers, and book covers. A History of the Eragny Press, 1894-1914, is an important book for anyone interested in the history of printing, the Arts and Crafts movement, Impressionism, private presses, the art of wood engraving, and illustrated and fine books.
Hardcover. NY, Random House, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 500 pages, b&w illustrations. In this second volume of his definitive biography of Pablo Picasso, John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research and personal experience that made a bestseller out of the first volume and vividly re-creates the artist's life and work during the crucial decade of 1907-1917--a period during which Picasso and Georges Braque invented cubism. Clean copy in a bright dust jacket.
Softcover. North Clarendon, VT, Periplus, 1st, 2005, Book: Very Good, Dust Jacket: None, 267 pages. Softcover with little to no wear on edges. Clean, tight copy with color pictures throughout. Includes CD. Absolut Sequel is the eagerly anticipated follow-up to the New York Times bestseller, Absolut Book. This companion volume provides a definitive illustrated history of the last ten years of one of the most successful ad campaigns in history. Since Absolut Book's release, the Absolut advertising campaign has broadened its scope from movies to websites and gone global with its international reach. The clever ads found in Absolut Sequel are organized into themes including Cities, Artists, Writers, Album Covers, Collectors, Movies, and the Internet. This is the ultimate collection of the last ten years of Absolut ads, many never before seen, including controversial advertising created, but never used in print. Absolut Sequel is sure to make readers fall in love with the ads, and the vodka, all over again. As Goran Lundquist, president of Absolut, says about the Absolut sensation, "the consumers drink the ads as much as they drink the vodka."
Softcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 190 pages, pictorial wrappers. Now the world's foremost blues, rockabilly, soul and rock 'n' roll reissue label, Ace Records has been responsible for unearthing lost classics and neglected pioneers for over three decades, and provided some of the finest and most influential records of the post-war era. Illustrated with many unseen archive photographs dating back to the 1920s, rare artwork and newspaper clippings. Written by established music journalist and author David Stubbs.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement.
Hardcover. East Sussex, Ammonite Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 300 pages, color and b&w photographs. Hardcover in a very good dust jacket, clean. As pointed out in the introduction by Elizabeth Roberts, this book isn't aiming to be a history of fashion of the past century. It explores the ideas behind it; the influences of clothing by society we live in, and to convey this the outstanding work of the Press Association is used. This book is a visual, eye-watering history that tells the story of how we've become today.The book is split into five chapters followed by a page-to-page picture index. 1. FILMSTARS, FULL SKIRTS AND FUR: POST-WAR GLAMOUR 2. ROMANCE AND REVOLUTION: 1960's 3. FROM THE QUEEN TO POSH: FASHION ICONS 4. ON THE STREETS AND IN THE SHOPS: WHAT WE REALLY WORE 5. FANTASY AND REALITY: LONDON FASHION WEEK 2008-2009
Hardcover. Berkeley, University of California Press, Revised 2nd, 1975, Book: Very Good, Dust Jacket: Good, 201 pages. Hardcover. Black & white illustrations. Dust jacket with moderate wear, closed tear. Previous owners name on front endpaper. Clean, tight copy.
Hardcover. Boston, Little Brown & Co , 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages, b&w illustrations. Previous owner's inscription on prelim page. Light shelf-wear and rubbing to price clipped dust jacket, else a clean, tight copy.
Softcover. Raleigh NC, TwoMorrows, 1st, 2024, Book: Very Good, Softcover, staoled, 80 pages. Issue devoted to Edmond Hamilton, science fiction author. "Writer of Two Worlds" by Glen Cadigan. Iiiustrated in color and b&w. Clean copy.
Hardcover. New York, Bulfinch Press, First Edition, 2004, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Wine cloth boards with silver titles to spine. Full page, black & white photographs throughout. Clean, unmarked copy.
Hardcover. New York, Abbeville Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 295 pages, illustrated in color and b&w, index. Great collection of comic strip art and a history of the art form seen through careers of 16 famous cartoonists: Outcault, Dirks, McKay, Herriman, others. Large, heavy book. Bright, clean copy in a dust jacket.
Hardcover. NY, Abrams, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 311 pages, 394 illustrations including 41 tipped-in color plates. Small previous owner's embossed mark on title page, otherwise like new in a bright dust jacket. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 182 pages, hardcover illustrated in color and b&w. Like new in publishers shrink-wrap. Accompanies a major exhibition at The Museum at the Fashion Institute of Technology, New York, reveals that great design and great style were consistent elements in the work of American's best fashion designers. Patricia Mears introduces many great forgotten figures, as well as many familiar names: work by lesser-known figures such as Jessie Franklin Turner, Ronaldus Shamask, and Charles Kleibecker is discussed alongside pieces by more celebrated creators, such as Halston and Charles James; work by designers of the past is juxtaposed with that of present-day designers such as Rick Owens, Yeolee Teng, and Maria Comejo.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 182 pages, hardcover illustrated in color and b&w. Like new in publishers shrink-wrap. Accompanies a major exhibition at The Museum at the Fashion Institute of Technology, New York, reveals that great design and great style were consistent elements in the work of American's best fashion designers. Patricia Mears introduces many great forgotten figures, as well as many familiar names: work by lesser-known figures such as Jessie Franklin Turner, Ronaldus Shamask, and Charles Kleibecker is discussed alongside pieces by more celebrated creators, such as Halston and Charles James; work by designers of the past is juxtaposed with that of present-day designers such as Rick Owens, Yeolee Teng, and Maria Comejo.
Hardcover. Bloomington, IN, Indiana University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Christopher Felver has collected over 240 photographs from tours and encounters with musicians over the past 25 years. From Doc Watson to John Cage and Mavis Staples to Sonny Rollins, this collection celebrates the tapestry and diversity of musical styles that make up the American sonic landscape.
Hardcover. Albuquerque, University of New Mexico Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 page, illustrated throughout with 126 plates in b&w. Lightly bumped corners and mild shelf-wear, else a clean, tight copy. Artists include: James McNeill Whistler, Joseph Pennell, Albert Sterner, Margaret Lowengrund, Tatyana Grosman, June Wayne, George Bellows, Thomas Hart Benton, Rockwell Kent, and others.
Hardcover. Lubbock, Texas, Texas Tech University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 374 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. Each chronological section covers the full range of men's clothing by category, including suits and evening wear, outerwear, sportswear, accessories, sleepwear, swimwear, underwear, and grooming. Documenting the panorama of men's dress with 650 illustrations.
Softcover. US, Laurence King Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 186 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, else a clean, tight copy. This is the first comprehensive survey of Modernist graphic design as it emerged in America in the period from 1920 and 1960 in various media--advertising, information design, brand identity, magazine design, book design, and posters. It examines the great works which by mid-century had defined American graphic design. The book begins with a section devoted to the emergence of Modernism and its major historical influence, such as European avant-garde movements, popular culture, educational innovations such as the Bauhaus School, architecture, industrial design, and photography. The heart of the book includes the key works of mid-century Modernism as it matured into a fully-formed American style, bringing together such great names as Alexey Brodovitch, Lester Beall, Paul Rand, Saul Bass, Will Burtin, and Alvin Lustig. The final section looks at the impact of and reactions to this new movement as graphic design in America matured in the 1960s and beyond.
Softcover. Princeton NJ, Princeton University Press, reprint, 1970, Book: Good, Dust Jacket: None, Softcover, 243 pages, 150 b&w plates. Illustrated covers, perfect binding, divided into seven sections organized by historical period, profusely illustrated with b&w plates. Mild rubbing to covers, very minor markings to bottom of page block, front top right corner creased; otherwise a very clean, tight copy.
Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.
Softcover. Princeton NJ, Princeton University Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 282 pages. 113 color plates, 47 in b&w. The painters who came to be known as the Hudson River School - Thomas Cole, Asher B. Durand, Frederic Edwin Church, Jasper Cropsey, Sanford Robinson Gifford, and others - found inspiration in our young country's natural wonders and were the first to paint many of its still-wild vistas. As America was settled and the wilderness receded, their successors - most notably Albert Bierstadt and Thomas Moran - carried their quest for the sublime to the Far West, communicating its breathtaking grandeur in brilliant views of Rocky Mountain peaks, roaring waterfalls, and vast canyons. Within a single generation these artists established the dramatic approach to American landscape painting that is celebrated in this stirringly beautiful book. The freshness of their vision, the intensity of their invention, and the energy of their execution were all born of the urgency these artists sensed in the life of America itself. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Like new in publisher's shrink-wrap. The enigmatic and charismatic John Graham (1886-1961) was an important influence on his fellow New York artists in the 1920s through 1940s. Graham and his circle, which included Stuart Davis, Arshile Gorky, and Willem de Kooning, helped redefine ideas of what painting and sculpture could be. They, along with others in Graham's orbit, such as Jackson Pollock and David Smith, played a critical role in developing and defining American modernism. American Vanguards showcases about eighty-seven works of art from this vital period that demonstrate the interconnections, common sources, and shared stimuli among the members of Graham's circle. Three essays by notable scholars investigate the complex relationships among Graham and his New York artist-colleagues during this formative period. William C. Agee positions Graham and his circle within the movement of New Classicism, which drew upon classical and Renaissance examples in an attempt to overcome the devastation of World War I. Irving Sandler focuses on the social, political, and intellectual dynamics among Davis, Gorky, Graham, and de Kooning in the mid-1930s. Karen Wilkin discusses the circumstances that brought these artists together, their common commitment to modernism, and the fascinating artistic cross-fertilization evident in their work. This critical reconsideration sheds new light on the New York School, Abstract Expressionism, and the vitality of American modernism between the two world wars.
Hardcover. NY, Princeton Architectural Press, 1st US, 2019, Book: Very Good, Dust Jacket: None, Hardcover, decorated cloth covers, oblong format. This is the first book to catalog comparative maps and tableaux that visualize the heights and lengths of the world's mountains and rivers. Produced predominantly in the nineteenth century, these beautifully rendered maps emerged out of the tide of exploration and scientific developments in measuring techniques. Beginning with the work of explorer Alexander von Humboldt, these historic drawings reveal a world of artistic and imaginative difference. Many of them give way--and with visible joy--to the power of fantasy in a mesmerizing array of realistic and imaginary forms. Most of the maps are from the David Rumsey Historical Map Collection at Stanford University.
Hardcover. New Haven, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. 55 B&w illustrations and 21 plates in full color. Debates the relationship between art, science and religion by exploring the 19th century landscape painters fascination with geology. Scarce. Pictorial boards, black cloth spine. Pictorial dust jacket. Like new. In original shrinkwrap.
Softcover. Washington, D. C., National Gallery of Art, 1st, 1990, Book: Very Good, Dust Jacket: None, 383 pages. Softcover. Illustrated in full color and black & white. Covers show light wear along edges. Clean, tight copy.Essays by various art historians in the field.
Hardcover. New York, Van Nostrand Reinhold Company, 1st, 1975, Book: Very Good, Dust Jacket: Good, Historical evaluation of North American country furniture. Hardcover, 228 pp. Includes hundreds of black/white illustrations, both photographs and drawings. Very good condition, dust jacket shows slight rubbing.
Hardcover. Salem, MA, Essex Institute, 1983, Book: Very Good, Dust Jacket: Good, Hardcover. Reference guide to historical architecture in Salem, Massachusetts, with reviews of over 350 buildings. 311 pages, fully illustrated with black/white photographs and maps. Cloth bound book is in near fine condition, no internal marks; dust jacket has wear at the corners and on the ends of the spine, two rips along the top edge.
Softcover. Princeton, New Jersey, Princeton University Press, 1998, Book: Very Good, Dust Jacket: None, Softcover. Historical and biographical volume on the architect Frank Lloyd Wright. 544 pages. Includes drawings, notes, and writings by Frank Lloyd Wright. Near fine condition; book is still in shrinkwrap that has some tears near the spine and on some corners.
Hardcover. London, Country Life, 1st, 1922, Book: Very Good, Dust Jacket: None, Two volumes complete, large folio (15" X 12"). 344 and 361 pages plus 100 appendix and index pages. pale green cloth with gilt lettering and design, top edge gilt. Color frontispiece in Volume II, profusely illustrated with about 700 b&w illustrations, plans and drawings. Clean, bright set. First edition of Arthur T. Bolton's monumental monograph on the architecture of Robert (1728-1792) and James Adam (1732-1794), two Scottish brothers who were renowned neoclassical architects, interior and furniture designers.
Hardcover. Notre Dame IN, University of Notre Dame Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black and gilt. 227 pages plus a section of b&w plates in rear.. A series of nine papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships. The aim of the Notre Dame Conference was to consider the relationship between politics and the literary and visual arts. The visual arts considered in this volume range from the traditional fine arts categories of painting, sculpture and architecture to minor art objects such as medals, badges, banners and seals. In general terms, the study of politics denotes the study of power relationships. Within this larger framework political scientists and anthropologists have chosen to focus on the institutions and structures that express these relationships and/or the actions that are undertaken by individuals and groups to define, alter, or reinforce them. Clean copy.
Softcover. New Haven, Yale University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. This gorgeous volume was published in conjunction with the Metropolitan Museum of Art exhibition "Art and the Empire City: New York, 1825-1861." Its 636 pages include a stunning array of prints and photographs. A painted overlook of New York City wraps around the front and back cover. The front cover has a small crease at the top left edge. On page 240, type is slightly out of register but remains readable.
Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth stamped in gilt. Oblong folio, 306 pages, 13" x 12". 256 illustrations, thirty color plates. Comprehensive survey and critical evaluation of the contributions made to the theater by major painters and sculptors of the twentieth century, such as Chagall; Schlemmer; Toulouse-Lautrec; the German Impressionists; Picasso; Calder; Kandinsky; Dada; and Dali, etc. Bibliography. List of Exhibitions. Index. Name on front fly leaf, otherwise clean. No dustjacket, mild wear to covers. DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. New York, W.W. Norton, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 237 pages. Hardcover with dust jacket. Ex-Lib copy with only one sticker on board spine and one sticker on rear cover board. Dust jacket has no evidence of ex-lib. Tight, clean copy, otherwise.
Hardcover. Boston, Massachusetts, Little, Brown, and Company, na, 1900, Book: Good, Dust Jacket: None, Biography of American artist William Morris Hunt. 219 pages with 16 black/white plates of Hunt's paintings. Cloth bound book is in good condition, some marks on the cover and corners slightly bumped. Some pages still uncut. Previous owner's name and date written in ink inside the cover.
Softcover. Paris, Books & Co., 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 169 pages. A volume on French Art Nouveau design, architecture and interior decoration. Features designs by Emile Galle, Alphonse Mucha, Paul Signac and others. Color illustrations throughout.
Hardcover. Toronto, McClelland & Stewart, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, A fully illustrated, stylish look back at the story behind a Canadian design icon. With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography,The Art of Clairtone is a candid and in-depth look at the company's skyrocketing success and sensational collapse.
Hardcover. New York, Abrams ComicArts, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Throughout his 25-year career, alternative cartoonist/screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. Clowes has been praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times-bestselling creator. It includes all of Clowes's best-known illustrations as well as rare and previously unpublished work, all reproduced from the original art.
Hardcover. New York, The Vendome Press, Reprint, 1980, Book: Very Good, Dust Jacket: Very Good, 204 pages. Hardcover. Purple covers with gilt titles to black cloth spine, gilt vase design to cover. Full page, full color and bw illustrations throughout. Dust jacket with light marginal wear to edges. Clean & unmarked pages throughout. Glass from the turn of the 19th - 20th century; the "Belle Epoque" era. Features many glass artists, including Philippe-Joseph Brocard, Auguste Jean, Ernest-Baptiste Leveille, Emile Galle, Les Freres Daum, Henri Cros, Albert Dammouse, Francois Decorchemont, and several others.
Hardcover. San Francisco, Chronicle Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publisher's shrink-wrap. Features concept art from the making of the film, including character studies and sculpture, color scripts, storyboards and more, alongside interviews and with the film's artists about the making of this adventurous animated film. 159 pages.
Hardcover. London, The Library Association, 1st, 1970, Book: Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Black and white illustrations throughout. Ex-Lib with usually markings and stamping on end papers, copyright, etc. Light edgewear to cover boards, fray on spine and corners, otherwise good copy.
Hardcover. Trumbull, CT, Greenwich Workshop Press Inc., 1st, 1993, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket. Includes a bonus colored print with publishers note. Color illustrations throughout. A tight copy. James Bama is one of the best contemporary artists working today. His portraits - of people from the smallest child to the greatest hero - have garnered the respect and captured the imagination of art collectors and critics around the world. The Art of James Bama is a new, comprehensive collection of his finest work, showing real people of the new West recreating their history, and descendants of the Old West paying homage to their heritage. Bama's ability to convey their emotion gives his paintings a resonance like no other.
Hardcover. New York, Harry N. Abrams, 1st Edition, 2003, Book: Very Good, Dust Jacket: Very Good, 223 pages. Hardcover with illustrations to endpapers. Navy cloth boards with gilt titles to spine. Profusely illustrated in full page, full color illustrations beautifully presented, including fold out illustrations. Dust jacket with only minor wear. SIGNED BY BOTH SENDAK AND KUSHNER on half-title page. Clean copy.
Hardcover. San Francisco, Chronicle Books, 2nd printing, 2010, Book: Very Good, Dust Jacket: Very Good, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Created by McSweeney's in celebration of their 11th anniversary, this book showcases the independent literary publisher's award-winning art and design across all its activities, including McSweeney's books, quarterly journals, Wholphin DVDs, and The Believer magazine. Hundreds of images - from napkin sketches to final objects - offer insights into McSweeney's creative process, and a narrative history in interviews explores the incidental, accidental, and deliberate ways they have helped transform the visual experience of reading. hundreds of photos and illustrations, and interviews with the staff and writers and artists such as Rick Moody, Sarah Vowell, John Hodgeman, Lawrence Weschler, Michael Chabon, Chris Ware, Ben Katchor, Charles Burns, and many more.
Hardcover. Los Angeles, CA, Getty Research Institute, 1st, 2009, Book: Very Good, Dust Jacket: None, 416 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Art of the Defeat provides an unflinching look at the art scene in France during the German occupation. Black and white photographs throughout.
 "\"Golden\" Twenties, The: Art and Literature in the Weimar Republicby: Schrader, Barbel and Jurgen Schebera")
 "Art and Society in Italy 1350-1500by: Welch, Evelyn")
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