Hardcover. Boston, The Peabody Museum / Little Brown and Company, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 279 pages. 168 full-page black-and-white illustrations and 16 color plates. Light sun-fade to dust jacket spine and flaps, as well as minor chipping along edges and wear along spine. Otherwise, clean, tight copy. This handsome book is the first full study of American marine painting ever published. In it are drawn together representative works by more than sixty painters from Colonial times to the present, including such diverse figures as John Smibert, John Quidor, John Marin, Albert Bierstadt, Geroge Bellows, Thomas Chambers, and Andrew Wyeth. Mr. Wilmerding discusses the development of these artists' concern with marine subjects, the influences (both native and European) on their styles and approaches, and the meaning of their achievement for American art in general.

Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.

Hardcover. Gloucester MA, Peter Smith, reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 100 pages, b&w illustrations. A checklist of 387 paintings, lithographs, watercolors and drawings, with appendix including excerpts from Lane's will and bibliography. One of Wilmerding's first of many works, this is a pioneering monograph on the artist, best known for his luminous marine paintings. Clean copy.

Hardcover. New York, Praeger Publishers, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages. 10 color plates and B&W illustrations. Dust jacket price-clipped, with edge wear. Blue covers with gilt titles. Slight soiling to top edge. Otherwise, a nice, tight copy.

Hardcover. Cambridge, MD, Tidewater Publishers, 2nd pr., 1977, Book: Very Good, Dust Jacket: Good, 295 pages. Hardcover. B/w illustrations throughout. Light green cloth cover boards, gilt title on spine. Decorated endpapers. Dust jacket unclipped, has a touch of agewear (see images). Pages clean. Binding tight. Spine straight. By word, painting adn sketch, Mr. Tawes recalls with Bay salt and spice that tiny postage stamp of America he christens "the Creek Country."

New York, Liggett & Myers, 1937, Book: Very Good, Dust Jacket: None, Art "Chesterfield wins", color art of couple in speeding motorboat, not credited. 10" X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Father and son behind ship's steering wheel, art by Charles Dye. 10 1/4 X 13 1/2", very good. Mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Lobster fishermen, art by Mead Schaeffer. 10.5 x 13.5". Very good. Schaeffer enrolled in the Pratt Institute in 1916. In 1922, at age 24, he was hired to illustrate a series of classic novels for publisher Dodd Mead. During the 1930s and 1940s he received commissions from magazines including Good Housekeeping, McCall's, the Saturday Evening Post, The Ladies Home Journal, Country Gentleman, and Cosmopolitan. He produced 46 covers for the weekly Saturday Evening Post. His work as a war correspondent for the Post during World War II resulted in a well-known series of covers illustrating American military personnel. For most of his career lived in Arlington, Vermont, where his studio was in a barn. Norman Rockwell was a good friend, and Schaeffer and his family often posed as models for Rockwell's Saturday Evening Post illustrations and paintings.

Shrimp Fisherman, art by Mead Schaeffer. 10.5 x 13.5", very good. Small price in teaser box. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Pirate with treasure chest, art by Harold Von Schmidt. 9 x 11", very good. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending. Von Schmidt began his art studies at the California School of Arts and Crafts while he was still in high school. In 1924, he entered the Grand Central School of Art in New York City. He moved to the suburban community of New Rochelle which was a well-known artist colony and home to many of the top commercial illustrators of the day such as Frank and J. C. Leyendecker and Norman Rockwell. Also in residence were Al Parker, Mead Schaeffer and Dean Cornwell, who, along with Tom Lovell and N. C. Wyeth would become leaders in the field. Schmidt's work appeared primarily in magazines like Collier's Weekly, Cosmopolitan, Liberty, The Saturday Evening Post, and Sunset. Although he preferred magazine work and illustrated few books, he spent two years preparing sixty illustrations for a deluxe edition of Willa Cather's Death Comes for the Archbishop. In 1948, he was recruited by Albert Dorne to be one of the founding faculty for the Famous Artists School. He was awarded the first gold medal by the trustees of the National Cowboy Hall of Fame in 1968.

NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of a group of fishermen on deck watching a plane passing overhead. Approx. 10 X 13". Color art byPLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

London, 1953, Naval Review Number. The "Golden Hind"-Symbol of a Golden Age. Beautiful painting of a ship under full sail by W.F. Turner. Approx. 9 X 12".PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Martin of sailboat models in window of seaside building. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1933, Book: Very Good, Color art of sailors laboring to roll up ship's canvas during storm. Painting by Anton Otto Fischer. 10 X 13", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Softcover. NY, Harry N Abrams, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover163 pages, illustrated throughout in color and b&w. Light edgewear to wrappers, with small crease to front cover. Clean, tight copy.

Hardcover. Boston, MA, Boston Public Library, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover with original dust jacket, both in near fine condition. 123 pages., 6 color and 50 b.w. illustrations. Four page museum catalogue laid in. Previous owners signature on front fly leaf (in pencil).

Hardcover. New York, Rizzoli, New York / South Street Seaport Museum, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout in full color. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New Bedford MA, Old Dartmouth Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine. 221 pages, b&w photographs. The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting in and processing of whales. The photographs the artist Ashley took for his own reference and constitute the most complete known pictorial record of a sperm whaling voyage. ... The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting of whales. No dust jacket. Clean copy.

Hardcover. London, Thames and Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, blue cloth with bright silver titles to spine. Published to accompany 2013/14 Exhibition at National Maritime Museum. 288 pages with Foreword by Keven Fewster, Introduction, 7 Chapters, Notes, Bibliography, Credits and Index. Large collection of color plates. Clean copy.