Black Studies

Hardcover. NY, Random House, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 429 pages. Brown cloth with embossed red image of Seale gagged and bound in the courtroom during the Chicago 8 Trial. A gorgeous copy of Bobby Seale's narration of the Black Panther Party's origins and his relationship with Huey P Newton. Written as Seale was on trial as part of the Panther 14 in New Haven and during the Chicago 8/7 Conspiracy trial. Dust jacket is bright with original $6.95 price intact and unclipped. Stated First Edition on copyright page. Clean copy.

Hardcover. NY, Birch Lane Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, white cloth covers with black lettering on spine, no dust jacket. 238 pages with b&w photos. Biography by nephew of Malcolm X. Clean copy.

Hardcover. NY, Helga M. Rogers, reprint, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright dust jacket. In the Sex and Race series, first published in the 1940s, historian Joel Augustus Rogers questioned the concept of race, the origins of racial differentiation, and the root of the "color problem." Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called "the bran of history"--the uncollected, unexamined history of black people--in the hope that these neglected parts of history would become part of the mainstream body of Western history. Drawing on a vast amount of research, Rogers was attempting to point out the absurdity of racial divisions. Indeed his belief in one race--humanity--precluded the idea of several different ethnic races. The series marshals the data he had collected as evidence to prove his underlying humanistic thesis: that people were one large family without racial boundaries. Self-trained and self-published, Rogers and his work were immensely popular and influential during his day, even cited by Malcolm X. Clean copy.

Hardcover. New York, Thomas Nelson & Sons, 1st, 1938, Book: Good, Dust Jacket: None, Hardbound, 82 pages. Black & white illustrations by Erick Berry. Pink stain front cover. Story of a slave girl who lived at Mt. Vernon and was Nellie Custis's servant. Takes place at Mount Vernon in the years immediately following the Revolutionary War. No dust jacket.

Softcover. Urbana IL, University of Illinois Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 433 pages. From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, enslaved people created expansive forms of music from the United States to the West Indies and South America. Dena J. Epstein's classic work traces the course of early black folk music in all its guises. Anchored by groundbreaking scholarship, it redefined the study of black music in the slavery era by presenting the little-known development of black folk music in the United States. Her findings include the use of drums, the banjo, and other instruments originating in Africa; a wealth of eyewitness accounts and illustrations; in-depth look at a wide range of topics; and a collection of musical examples. This edition offers an author's preface that looks back on the twenty-five years of changes in scholarship that followed the book's original publication. Clean copy.

Hardcover. NY, Little Brown, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is a biography of C.L. Franklin, one of the black preachers in American history. It tells the story of black migration and activism, alongside the rise of gospel, blues, and soul music, with a cast of characters including Martin Luther King, Jr., B.B. King, Art Tatum, and Coleman Young.

Softcover. Baton Rouge, Louisiana State University Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 777 pages. The largest collection of annotated and authenticated accounts of slaves ever published in one volume. In them, the slaves of Thomas Jefferson, Robert E. Lee, Henry Clay, and others speak for themselves about their culture, plantation life, the adequacy of their food, clothing, and shelter, the sexual exploitation of black women, and the psychological response to bondage. The views given are those of house servants and field hands, docile slaves and rebels, urban slaves and rural slaves, slaves with kind masters and those with cruel ones. These wide-ranging documents, together with annotations, notes, an index, dozens of illustrations, and an incisive introduction, form a volume of unusual scope and character. Clean copy.

Hardcover. Urbana IL, University of Illinois Press, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with two small holes to front cover, 227 pages with index. "Slavery was a social and an economic institution of such power that it sustained and extended an economic system whose demands went far to determine the domestic and foreign policy of the "agrarian" party in our early history. For the agrarian politics of Jefferson, while possibly benefiting the small freeholder, very closely served the interests of the plantation system, at least as the planters conceived their interests." Name on front fly leaf, otherwise clean.

Softcover. NY, Harcourt Brace and World, 1st pbk, 1966, Book: Good, Dust Jacket: None, Softcover, 261 pages. For whom was slavery profitable? Did it aid the slave, slaveowner, nonslaveholder, the South or all America? The readings here seek to clarify such questions. Front cover with light wear to fore-edge otherwise clean.

Softcover. Montgomery AL, Equal Justice Initiative, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 58 pages. Slavery in America: The Montgomery Slave Trade documents American slavery and Montgomery's prominent role in the domestic slave trade. The report is part of a project focused on developing a more informed understanding of America's racial history and how it relates to contemporary challenges.

Softcover. NY, The New Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 403 pages. Edited by Ira Berlin, the Bancroft Prize-winning author of Many Thousands Gone, and Leslie Harris, Slavery in New York brings together twelve new contributions by leading historians of slavery and African American life in New York. Published to accompany a major exhibit at the New York Historical Society, the book demonstrates how slavery shaped the day-to-day experience of New Yorkers, black and white, and how, as a way of doing business, it propelled New York to become the commercial and financial power it is today. Powerfully illustrated with images from the New York Historical Society exhibit, Slavery and the Making of New York will be the definitive account of New York's slave past.

Softcover. UK, Cambridge University Press, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 352 pages, b&w illustrations. Wilma Dunaway breaks new ground by focusing on slave experiences on small plantations in the Upper South. She argues that a region was not buffered from the political, economic, and social impacts of enslavement simply because it was characterized by low black population density and small slaveholdings. By drawing on a massive statistical data base derived from antebellum census manuscripts and county tax records of 215 counties in nine states, on a vast array of slaveholder manuscripts, and on regional slave narratives, she pinpoints several indicators that distinguished Mountain South enslavement from the Lower South. These include a higher incidence of ethnic mixing between African and Native American slaves, heavier reliance on the field labor of women and children, and more frequent assignment of slaves to non-agricultural occupations. Dunaway also calls into question the notion that large numbers were necessary before slaves could engage in community building and resistance. Clean, bright copy.

Softcover. NY, Quadrangle Books, 1st, 1967, Book: Very Good, Dust Jacket: None, Softcover, 270 pages. Book is sound and bright but has occasional ink marking to text.

Softcover. NY, W. W. Norton & Company, reprint, 1979, Book: Very Good, Dust Jacket: None, Softcover, 576 pages. Clean copy

Hardcover. New York, John S. Taylor, 2nd pr., 1837, Book: Good, Dust Jacket: None, Hardcover, leather bound with gilt design on front and rear covers, spine also with gilt design with the title Cabinet of Freedom (the series under which the publisher issued this narrative). 517 pages with an extra illustrated title page dated 1836, the regular title page dated 1837. All edges gilt. First published by John Shugert in Lewistown PA a year earlier. Written with the help of Isaac Fisher, a white Philadelphia lawyer, who declares in his preface that he has edited the oral narrative Ball had dictated to him to omit any beliefs or feelings Ball may have expressed about slavery. This declaration of significant editing has led scholars to debate the authenticity of Ball's narrative, but most agree that it represents a true story. Ball describes his experiences as a slave, including the uncertainty of slave life and the ways in which the slaves are forced to suffer harsh and inhumane conditions. In particular, he recounts the qualities of his various masters, and the ways in which his fortune depended on their temperament. The leather has separated from the spine of the book but appears to be very repairable. The first 3 pages loose (a blank leaf and the two title pages), there is a light stain to the illustrated one and light foxing. The interior of the book is clean, tight with minimal foxing throughout.

Hardcover. NY, Free Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Sixty years after the 1963 March on Washington, blacks and whites are still trying to achieve Martin Luther King, Jr.'s historic dream of racial inclusion. What ever happened to integration? What happened to the vision of a single, shared community in which both blacks and whites would feel they belong? Barriers have fallen; prejudice is abating. Blacks have made astonishing progress in many areas. Yet if anything, King's vision seems more remote than ever, and most Americans, black and white, remain divided by anger and mistrust. In Someone Else's House, Tamar Jacoby asks what happened to the King dream, calling the nation back to its most hopeful and promising ideal of race relations. Moving beyond the stale blame game of left and right, Jacoby uses history to show what's worked and what hasn't. Her story of the unfinished struggle for integration leads through the volatile worlds of New York in the 1960s, the center of liberal idealism about race; Detroit in the 1970s, under the city's first black mayor, Coleman Young; and Atlanta in the 1980s and 1990s, ruled by a coalition of white businessmen and black politicians. Clean copy.

Hardcover. NY, McGraw Hill, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 230 pages. Cultural commentary and autobiography of life in Alabama. The euthor's second book.

Hardcover. Chicago, American Colortype Company, 1st, 1940, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with red cloth spine. 96 pages illustrated in 2-colors by Dorothy Wagstaff. 22 short stories of a stereotypical black boy done in the style of the time. Chipping and wear to paper on the covers, interior clean, solid binding.

Hardcover. New York, Harper Collins, 2nd, 1996, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Color illust. by Fred Marcellino. SIGNED BY MARCELLINO ON TITLE-PAGE. Tight and bright copy.

Hardcover. Boston, Jr. Lit. Guild/Houghton Mifflin, 1st, 1940, Book: Very Good, Dust Jacket: None, 202 pages. Hardcover with black stamped illustration on front cover. B&w illustrations by Manning de V. Lee. Mild stain to several pages and light rubbing to covers, otherwise tight and clean. Faded spine.

Softcover. NY, Routledge, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 366 pages. The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Clean copy.

Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 177 pages. Postma draws on primary sources and current historical scholarship to offer secondary readers and researchers a comprehensive and well-written history. He covers the entire Atlantic slave trade era, from the 1400s to the final abolition of chattel slavery in the New World in 1888. The focus is on Africa and the entire New World. While he describes the many horrors of the Middle Passage, he also examines how the slave trade contributed to the development of the modern international economy. The last chapters discuss the efforts to abolish the slave trade and its legacy. Throughout, Postma documents the sources that support his discussion and conclusions. Chapter notes are supplemented by an extensive annotated bibliography that includes books, articles, films, and electronic resources. The volume concludes with biographical sketches of important people and excerpts from primary documents written by enslaved Africans and white officials. The black-and-white reproductions of period illustrations add little to the text. Clean copy.