Hardcover. Rochester, Chase Brothers Company, 1st, Book: Very Good, Dust Jacket: None, Flexible tan cloth covers, 134 pages. Illustrated with beautiful, bright, full color illustrations and blow-in sheets of flowers and fruit. A fine, bright copy. No date but appears to be early 1900s.
Hardcover. Philadelphia, J. B. Lippincott & Co., Eleventh Ed., 1857, Book: Very Good, Dust Jacket: None, 637 pages. Hardcover. Eleventh Edition - 1857. Black & white illustrations. Varying degrees of foxing to pages 349-356 - this due to leaves being pressed between pages at some point. Overall, pages are bright and unmarked. Original brown cloth covers with faded spine and edges. Firm binding.
Hardcover. Boston, Houghton, Mifflin and Company, 1st, 1907, Book: Good, Dust Jacket: None, Hardcover, 252 pages, illustrations throughout, 2nd spine label in rear, edited by John Nolen and typeface by Bruce Rogers. Edge wear and corner bump, minor rubbing, otherwise, clean and tight copy. Illustrated with 22 black and white plates (of which nine have overlays), 28 text figures, and a colour frontispiece (also with an overlay).
Hardcover. New Haven, Yale University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Clean, bright copy with similar dust jacket. 243 plates, mainly in color, charts. Contains many little-known works of art from the First Fleet landing in New South Wales in 1788, and from the early years of settlement. Chronology, Bibliography. Size: 13 3/4" x 10".
Hardcover. NY, Macmillan Company, 1st, 1927, Book: Very Good, Dust Jacket: Very Good, 238 pages. Hardcover. Blue cloth boards, with embossed design to boards & gilt titles to spine. Faint foxing to front endpapers, toning throughout. Original dust jacket with lime, orange & black illustration, age toning & now protected with plastic cover. Black & white illustrations throughout.
Hardcover. San Francisco, Pomegranate, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. MF Cardamone creates artwork that harks back to centuries past but is deeply rooted in the present. Her cultural and sociological commentary, delivered in words and images, reveals her sly sense of humor and love of all things botanical. An artist fluent in various media, including painting, sculpture, and limited-edition clothing, Cardamone discovered her passion for plants when she restored a garden at her seventy-five-year old farmhouse near Philadelphia. She enrolled in the Barnes Foundation Arboretum School and learned to collect specimens and create herbarium sheets, documenting the many medicinal uses of plants along with their history and landscaping potential. She picked up old books of botanical illustration, and herbals from a time when a pharmacist might prescribe a homemade tea to cure whatever ailed you. When her studies expanded to medical QiGong and Hatha yoga, her artwork took on a spiritual dimension. Cardamone begins with a plant specimen and watercolor paper, then turns to gouache, pen and ink, and digital imagery. She balances the scientific aspect of her work with a large dose of humor in the selection and placement of cultural icons from the plant's home environment.
Hardcover. Portland OR, Pomegranate, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 124 pages. MF Cardamone creates artwork that harks back to centuries past but is deeply rooted in the present. Her cultural and sociological commentary, delivered in words and images, reveals her sly sense of humor and love of all things botanical. An artist fluent in various media, including painting, sculpture, and limited-edition clothing, Cardamone discovered her passion for plants when she restored a garden at her seventy-five-year old farmhouse near Philadelphia. She enrolled in the Barnes Foundation Arboretum School and learned to collect specimens and create herbarium sheets, documenting the many medicinal uses of plants along with their history and landscaping potential. She picked up old books of botanical illustration, and herbals from a time when a pharmacist might prescribe a homemade tea to cure whatever ailed you. When her studies expanded to medical QiGong and Hatha yoga, her artwork took on a spiritual dimension. Cardamone begins with a plant specimen and watercolor paper, then turns to gouache, pen and ink, and digital imagery. She balances the scientific aspect of her work with a large dose of humor in the selection and placement of cultural icons from the plant's home environment
Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1884, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.- Dec. 1884) of the journal. Features eight bright color lithographs of flowers and fruit. One black & white plate. Portrait of editor Beadle. 295 pages. Half-leather with marbled boards. Spine with gilt lettering, label, raised bands.
Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1885, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.-Dec. 1885) of the journal. Features 12 bright color lithographs of flowers & fruit. 292 pages. Half-leather with marbled boards with light corner wear. Spine with gilt lettering, label, raised bands.
Hardcover. Leipzig, E.A. Seemann, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 132 pages of German text followed by 264 b&w plates. A catalog of nature studies by the artist, mostly botanical. Cclean copy.
Hardcover. Boston, New York Graphic Society , 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Folio, 160 pages illustrated with the plant paintings and drawings of Georg Dionysius Ehret. Clean copy.
Softcover. Ottawa CA, Algrove Publishing, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover with pictorial wrappers. This is a reprint of the first (1906) Department of Agriculture of the Dominion of Canada edition, and covers the entire temperate belt of North America. 103 pages, 56 color plates.
Hardcover. London, Merrell Holberton/Natural History Museum, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 62 color plates, 33 b&w illustrations. A detailed monograph on this early 19th century natural history artist. In publisher's shrinkwrap.
Hardcover. London, J. Davis, 1st, 1791, Book: Very Good, Dust Jacket: None, 22 (of 24) hand-colored plates proceeded by 22 pages of description. Bound in marbled boards with a linen spine and spine label. Missing plates 13 and 19. The flowering plant illustrations, executed by James Sowerby, are all bright and clean. Original blue-gray wrappers bound-in. First issued in 1792 (despite title page date of 1791, preface is dated May 1792). Previous owner's note (tipped onto front fly leaf and dated 1936) states this copy came from the Czar's Hermitage Library. No way to confirm this as there is no label or Double Eagle stamp.
Hardcover. New York, Basic Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, 217 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Price clipping to dust jacket.
Softcover. Washington DC, United States Department of Agriculture, 1929, Book: Very Good, Dust Jacket: None, Softcover Original black and white stapled wrapper with black lettering and a black and white photograph on the front cover. 5 3/4 X 9 inches. 84 pages. Copy contains 65 black and white photographs. Contents in this issue, Hardy perennial plants, use of herbaceous perennials, arrangement, culture, propagation, kinds to use, regions with similar growing conditions, adaptability of different kinds of plants, index of common names.
Hardcover. New York , Henry Holt and Company, 1st, 1907, Book: Very Good, Dust Jacket: None, 471 pages. Black cloth cover with gilt lettering on spine. Cover has some faint smudges, and some fraying to corners and edges. Previous owner's inscription on front flyleaf. Some foxing on front and rear endpapers. Otherwise, inside is bright and clean with many b&w illustrations and educational diagrams throughout.
Hardcover. London, Scriptum, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 335 pages illustrated in color. The story of this flower, from the hunt for new varieties in the wild in the 1800s to the development of the more than 100,000 hybrids that exist today, is related in fascinating detail in "Orchids". This beautiful book features text by one of the world's foremost orchid authorities alongside spectacular watercolor portraits of prize-winning orchids from the Royal Horticultural Society in London, which spearheaded orchid cultivation in Western Europe beginning in the 19th century. This exquisite collection of paintings commissioned by the RHS every year since 1897 represents the ultimate orchid pictorial history. "Orchids" is an indispensable sourcebook for those captivated by the beauty and infinite variety of this glamorous flower.
Hardcover. NY, Frederick A. Stokes, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, green cloth stamped in black. 332 pages. This edition features a color frontispiece, full-page plates in both color and black & white, and in-text illustrations throughout by William Walworth Stilson. A reprint of the 1901 edition. No date, probably the 1930s. Owner's name on inside front cover, otherwise clean.
Hardcover. Portland, Timber Press, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Couple pages creased.
Hardcover. Cambridge [England] ; New York, Cambridge University Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 386 pages. Hardcover. Black & white illustrations throughout. Minor dust jacket edge wear, spine faded, otherwise, very clean and tight copy.
Hardcover. London, Wordsworth, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 342 pages. Hardcover with dust jacket. Illustrated with full color paintings by P.J. Redoute. Clean, tight copy.
Hardcover. Albany NY, New York State Museum of Natural History, 1st, 1868-1875, Book: Very Good, Dust Jacket: None, Unpaginated (approximately 400 pages, including 12 plates, 4 in color, featuring fungi and mushrooms). Half leather and marbled boards with gilt lettering, raised bands on spine. Light rubbing to boards otherwise very good, clean.
Hardcover. Albany NY, New York State Museum of Natural History, 1st, 1876-1887, Book: Very Good, Dust Jacket: None, Hardcover. Unpaginated (approximately 400 pages, including 13 b & w plates featuring fungi and mushrooms). Half leather and marbled boards with gilt lettering, raised bands on spine. Light rubbing to boards otherwise very good, clean.
Hardcover. London, Longman, Brown, Green and Longmans, reprint, 1849, Book: Good, Dust Jacket: None, Hardcover, 284 pages, illustrated with 24 brilliant color plates including the frontispiece. Original green cloth with gilt decorated front cover, gilt design on spine, top edge gilt. Covers with light edge wear, chipping to top of spine. Title page states New Edition, so assumed a reprint. The plates do not appear to be hand-colored but chromolithographs, all brilliantly colored and except for the frontispiece (which has a touch of foxing) all are clean and unblemished. Previous owner's signature on front fly leaf.
Softcover. NY, Wenner-Gren Foundation for Anthropological Research, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, cream color wrappers, 180 pages with bibliography and index. Number Thirty of the Viking Fund Publications in Anthropology. This work is designed for both the archaeological and the ethnological specialist. With b/w plates. The study of the relationship between man and the plant world is called ethnobotany. This book provides a reconstruction of the ethnobotany of one of the hearths of American civilization, in the prehistoric cultures of the Peruvian Central Andes. Name on inside front cover, otherwise clean copy.
Hardcover. NY, Macmillan, 1st, 1937, Book: Very Good, Dust Jacket: Good, 134 pages. Hardcover. Green cloth boards with gilt titles to cover & spine. Frontis illustration, The Spoon and Bicolor Pear Gourds, in full color. Over 35 full page illustrations in bw. Previous owner's inscription to front endpaper. Light foxing to preliminary pages. Light toning throughout. Original dust jacket with moderate wear, tears, chips, price-clipped, & now protected with a plastic cover. A very nice volume.
Hardcover. San Francisco, Chronicle Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 200 pages, large format. Profusley illustrated with color photographs of trees. Trees are vital- without them we simply wouldn't be here. Not only essential, they have been an inspiration throughout our history. In breathtaking photographs and stories we are taken on a journey from the boreal forest at the edge of the Arctic to the rainforests girdling the planet; from ancient bristlecones to fresh-leaved seedlings; from the charming and familiar to the scary and rare. An elegantly written and highly accessible text is complemented by an extraordinary collection of images created by some of the world's leading nature photographers.
Hardcover. Columbus OH, Mushroom Publishing Co., 1st, 1908, Book: Very Good, Dust Jacket: None, 609 pages, profusely illustrated with 500 b&w photographs of various types accompanied by scholarly descriptions. Two pages with clear tape repair (now browning), previous owner's bookplate. This copy is notable for the full-color original paintings of various kinds of mushrooms done on the front and rear endpapers. Professionally done (or at the least, done by a very talented amateur) but not signed. Pictures available on request. Tan cloth cover with brown leather spine with gilt lettering and rules. In a cardboard slipcase which has a wraparound color illustration of ferns and mushrooms.
Hardcover. New York , Ezra Sargeant & Co., 1st US, 1802, Book: Good, Dust Jacket: None, 259 pages, 13 plates of trees in rear, most fold-out, all with some foxing. Original leather binding, worn covers holding but rear board almost detached. Gilt title on spine "Forsyth on Fruit Trees" still readable. Previous owner's signature (dated 1803) on title page with notation on opposite page of when book was purchased. Pages very good with only light foxing.
Hardcover. New York, G.H. Buek, 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, oblong light beige cloth with gilt title and decoration. Non-Paginated. Illustrated with 288 clean full color plates. Front and rear hinges cracked but holding with spine cloth. Light wear to covers. Originally published in parts as a Botanical Fine Art Weekly publication.
