Hardcover. Chicago, University of Chicago Press, 2nd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 233 pages, b&w illustrations. From the minute it opened--on Christmas Day in 1865--it was Chicago's must-see tourist attraction, drawing more than half a million visitors each year. Families, visiting dignitaries, even school groups all made trips to the South Side to tour the Union Stock Yard. There they got a firsthand look at the city's industrial prowess as they witnessed cattle, hogs, and sheep disassembled with breathtaking efficiency. At their height, the kill floors employed 50,000 workers and processed six hundred animals an hour, an astonishing spectacle of industrialized death. Slaughterhouse tells the story of the Union Stock Yard, chronicling the rise and fall of an industrial district that, for better or worse, served as the public face of Chicago for decades. Dominic A. Pacyga is a guide like no other--he grew up in the shadow of the stockyards, spent summers in their hog house and cattle yards, and maintains a long-standing connection with the working-class neighborhoods around them. Pacyga takes readers through the packinghouses as only an insider can, covering the rough and toxic life inside the plants and their lasting effects on the world outside. He shows how the yards shaped the surrounding neighborhoods and controlled the livelihoods of thousands of families. He looks at the Union Stock Yard's political and economic power and its sometimes volatile role in the city's race and labor relations. And he traces its decades of mechanized innovations, which introduced millions of consumers across the country to an industrialized food system. Clean copy.
Hardcover. NY, Simon & Schuster, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographic endpapers (soda pop bottles), 36 full-color photographs and 41 b&w photos. Here is the fascinating history of America's love affair with soda-pop - and particularly Coco-Cola - with clear examples of their developing range of popular memorabilia .. drink trays, press ads, bottles, drink dispensers, posters, transport vehicles, pendants, badges, and even lampshades!
Hardcover. Boston, Little Brown, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, b&w photos. Biography of the producer who made four great movies: On the Waterfront; African Queen; Bridge on the River Kwai; and Lawrence of Arabia and lots of mediocrities. Most successful when he assembled talent and let them work, he became controlling and destructive. Very good in a bright dust jacket.
Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 179 pages. From the prizewinning Jewish Lives series, a meditation on the deeply Jewish and surprisingly spiritual roots of Stan Lee and Marvel Comics Few artists have had as much of an impact on American popular culture as Stan Lee. The characters he created--Spider-Man and Iron Man, the X-Men and the Fantastic Four--occupy Hollywood's imagination and production schedules, generate billions at the box office, and come as close as anything we have to a shared American mythology. This illuminating biography focuses as much on Lee's ideas as it does on his unlikely rise to stardom. It surveys his cultural and religious upbringing and draws surprising connections between celebrated comic book heroes and the ancient tales of the Bible, the Talmud, and Jewish mysticism. Clean copy.
Hardcover. Boston, Little Brown and Company, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w photos. Light edgewear to upper edge of dust jacket, else a clean, tight copy.
Hardcover. NY, Charles Scribner's Sons, 1st, 1963, Book: Very Good, Dust Jacket: Fair, Hardcover in a rubbed and edgeworn dust jacket. 433 pages, b&w illustrations. McClure was the father of the muckraking movement and brought about a revolution in American journalism in the days of Theodore Roosevelt and Woodrow Wilson. His journalistic contributors included Lincoln Steffens and Ida Tarbell, and he introduced authors such as O. Henry, Booth Tarkington, Willa Cather, Stephen Crane and Jack London to the American public. Name on front fly leaf, otherwise clean.
Hardcover. Germany, PPVMedien, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 220 pages profusely illustrated in color. The story of Taylor Guitars from small San Diego company to a company producing over 70000 quality guitars a year. Showcases many rare guitars, including instruments made by Bob Taylor before the company's founding, standard production models and custom built instruments. Clean copy.
Softcover. NY, Bell System Telephone/AT&T, 1930, Book: Very Good, Dust Jacket: None, Softcover, 32 page booklet with green wrappers, promoting historical facts about the telephone. B&w line illustrations throughout, Stapled, 10 x 6.75".
Softcover. Motorbooks , 1st, Book: Very Good, Dust Jacket: None, Softcover, 156 pages illustrated in color and b&w. Ever since the automobile was made accessible to the masses, car dealerships have been special places where desires, sweaty palms, and that new-car smell are distilled into an intoxicating elixir of freedom and ownership. From Art Deco showrooms of the '30s to modern glass-walled superstores, this nostalgic road trip revisits the architecture, marketing, and business practices that have become inextricably associated with auto retailers. A fascinating text accompanies an equally compelling collection of archival photography recalling past and present car dealer phenomena like new model previews and grand openings (i.e., soaped showroom windows, veiled cars, search lights), promotions and giveaways (banners, literature, buttons, pens, pedal cars, ashtrays, and anything else dealers could use to help make a sale), business practices from early-century animal trade-ins to today's refreshing Saturn-style service, customer relations and service centers, and nontraditional automotive outlets like Sears-Roebuck and hardware stores. Sidebars highlight innovative dealerships and those that have been in business for decades. Bumpto bottom corner otherwise clean, very good.
Softcover. NY, American Telephone and Telegraph Company, 1938, Book: Very Good, Softcover, blue wraps, 6 3/4 x 10 inches, 22 pages of text + 24 pages of plates (photos). Account of the massive effort to restore telephone service after the devastating hurricane of September 21, 1938. Clean copy, mild musty odor.
Hardcover. NY, Lyle Stuart, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in dust jacket with a faded spine, 320 pages. b&w illustrations. Biography of the famous white-collar criminal who became a multi-millionaire by manipulating financial markets. Clean copy.
Hardcover. Chicago, University of Chicago Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. "...identifies the many economic pressures exerted on the game today and measures their effects both on the field and in the ticket office. He presents a detailed and original analysis of traditional baseball performance statistics from slugging to fielding and draws on a wealth of previously unpublished data divulged in recent collusion suits. At the heart of the controversy are the disparate claims of owners, who say they are loosing money and stay on only out of love for the game, and players, who insist they are being exploited by owner reaping huge profits."
Hardcover. NY, Pegasus Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages, b&w illustrations. At the turn of the last century, the Guggenheim family ran the most powerful mining conglomerate on earth. Decades later came the Guggenheim museum, which became the hub of the world's most powerful art brand. In between, the Guggenheim name was uttered in every field from aviation to politics, from journalism to rocketry. But who was behind this epic sphere of influence? It took three generations of Guggenheims to build the wealth in its first era. Yet it was the singular force of Harry Guggenheim who would guide the family's next generation of businesses into modernity. Part angel investor, part entrepreneur, part technologist, Harry launched businesses whose impact on 20th century America went far beyond the Guggenheims' mines or museum. His visionary investments continue to profoundly influence our world and hold valuable business lessons for billionaire dynasty builders like Jeff Bezos and Elon Musk. A flawed but brilliant man, Harry Guggenheim was the confidante to five American presidents and a key financial force behind commercial aviation and space exploration, two innovations that catapulted the nation into the future. Clean copy.
Hardcover. Chicago, University of Chicago Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages. In a world where nearly everyone has a cellphone camera capable of zapping countless instant photos, it can be a challenge to remember just how special and transformative Polaroid photography was in its day. And yet, theres still something magical for those of us who recall waiting for a Polaroid picture to develop. Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its processby the fact that, as the New York Times put it in 1947, the camera does the rest. Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and spacemaking Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. Still in publisher's shrinkwrap.
Hardcover. Cambridge MA, The MIT Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket In this book, 380 pages, illustrated in color. The award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color progression from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These color stylists, color forecasters, and color engineers helped corporations understand the art of illusion and the psychology of color. Clean copy.
Hardcover. NY, Harper Business , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. B&w and color illustrations. Small remainder line on bottom edge. In his much-anticipated memoir, The Company I Keep: My Life in Beauty, Chairman Emeritus and former CEO of The Estee Lauder Companies Leonard A. Lauder shares the business and life lessons he learned as well as the adventures he had while helping transform the mom-and-pop business his mother founded in 1946 in the family kitchen into the beloved brand and ultimately into the iconic global prestige beauty company it is today. In its infancy in the 1940s and 50s, the company comprised a handful of products, sold under a single brand in just a few prestigious department stores across the United States. Today, The Estee Lauder Companies constitutes one of the world's leading manufacturers and marketers of prestige skin care, makeup, fragrance and hair care products. It comprises more than 25 brands, whose products are sold in over 150 countries and territories. This growth and success was led by Leonard A. Lauder, Estee Lauder's oldest son, who envisioned and effected this expansion during a remarkable 60-year tenure, including leading the company as CEO and Chairman.
Hardcover. NY, W.W. Norton , 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 318 pages, A veteran producer provides an inside view of television, combining anecdotal discussions of agents, performers, and sponsors with detailed information on network organization and business activities. A good overview of the TV broadcasting business in the 1970s. No markings.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Two volume set. Matching gold cloth boards with titles in gold on spine, in bright dust jackets. Transcribed and with Introduction by Lilian M.C. Randall. B&w illustrations of the sculptures, paintings, drawings and etchings that Lucas dealt with while in Europe. Double-column English text. Provides an extraordinary archive for historians and dealers. Provides a hugely empirical database for prices paid and commissions issued to artists, dealers, and craftsmen. George A. Lucas's acquaintances include Daumier, Cassatt, Whistler and Barye, among many, many others. Volume Two is given over wholly to Lucas's daily diary, which ran for an extraordinary length of time. Volume 1: xv [2], 3-148 pages.; Volume 2: iv [ii], 3-965 pages. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Chicago, Chicago Review Press, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 322 pages, b&w photos. An essential piece of Disney history has been largely unreported for eighty years. Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt's expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia. But as America prepared for World War II, labor unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capone's wiseguys who was seizing control of Hollywood workers and vied for the animators' union. Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labor dispute that changed animation and Hollywood forever. Clean copy.
Hardcover. Walburg Pers, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages illustrated in color and b&w. A study about the development of a company founded in Amsterdam in the Dutch Golden Age. The VOC, as it was called, was a joint venture company of the Dutch in controlling trade in the world. This scientific paper is one of the main references in terms of research on VOC History. Clean copy.
Hardcover. Cincinnati OH, self-published, 1st, 1908, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth stamped in white. 96 pages with ads in rear for marble and granite. B&w frontis of author. Name on inside front cover otherwise clean.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 270 pages. When Samuel Zemurray arrived in America in 1891, he was tall, gangly, and penniless. When he died in the grandest house in New Orleans sixty-nine years later, he was among the richest, most powerful men in the world. In between, he worked as a fruit peddler, a banana hauler, a dockside hustler, and a plantation owner. He battled and conquered the United Fruit Company, becoming a symbol of the best and worst of the United States: proof that America is the land of opportunity, but also a classic example of the corporate pirate who treats foreign nations as the backdrop for his adventures. Rich Cohen's brilliant historical profile unveils Zemurray as a hidden kingmaker and capitalist revolutionary, driven by an indomitable will to succeed. Clean copy.
Hardcover. San Francisco, Encounter Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. SIGNED BY AUTHOR ON HALF TITLE PAGE. Clean, unmarked copy. Black and white pictures in center. Goodyear was an entrepreneur who actually made good on the ever-popular claim that his company would change the world. Korman, senior editor of Engineering News-Record, dryly traces the life of the rubber pioneer and American industrial legend in this part scientific history lesson and part American business story. Goodyear (1800-1860) became an inventor not out of any great scientific thirst; he was self-taught and wanted to make money. He earned success, but endured continual patent monopoly battles and numerous trips to debtors' prison as he steadfastly and compulsively held onto his dream of using rubber to change just about every aspect of life. (According to Korman, Goodyear frequently wore a coat made of rubber in his early inventing days to underscore the versatility of his product.) Korman waxes scientific at times, offering in-depth descriptions of how Goodyear cooked rubber and sulfur compounds, yet his technical discourses are not so esoteric that they will turn away amateurs. His book is also valuable for its accurate portrayal of factory life in the 1830s and '40s; his accounts of the aproned men who chopped rubber with axes and knives and the machines that ground it are lively examples of industrial age America. Clean copy.
Hardcover. San Francisco, Encounter Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. Clean, unmarked copy. Black and white pictures in center. Goodyear was an entrepreneur who actually made good on the ever-popular claim that his company would change the world. Korman, senior editor of Engineering News-Record, dryly traces the life of the rubber pioneer and American industrial legend in this part scientific history lesson and part American business story. Goodyear (1800-1860) became an inventor not out of any great scientific thirst; he was self-taught and wanted to make money. He earned success, but endured continual patent monopoly battles and numerous trips to debtors' prison as he steadfastly and compulsively held onto his dream of using rubber to change just about every aspect of life. (According to Korman, Goodyear frequently wore a coat made of rubber in his early inventing days to underscore the versatility of his product.) Korman waxes scientific at times, offering in-depth descriptions of how Goodyear cooked rubber and sulfur compounds, yet his technical discourses are not so esoteric that they will turn away amateurs. His book is also valuable for its accurate portrayal of factory life in the 1830s and '40s; his accounts of the aproned men who chopped rubber with axes and knives and the machines that ground it are lively examples of industrial age America. Clean copy.