China

Hardcover. Ann Arbor, University of Michigan Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 231 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED BY AUTHOR ON TITLE PAGE. Clean, tight copy with light edge wear to covers.

Hardcover. Ann Arbor , The University of Michigan Press, reprint, 2004, Book: Very Good, Dust Jacket: Very Good, 231 pages, hardcover with dust jacket. An erudite and authoritative guide of Chinese travel literature by American and British writers. Mild rubbing and slight fading to dust jacket. Unmarked and scarce; a tight copy.

Softcover. Hong Kong, Christie's Inc., 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 65 pages, photographs throughout with English and Chinese text. Very slight corner and edge wear, otherwise, very clean and tight copy.

Softcover. Hong Kong, API Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 265 pages. The Chinese Stepping-Stone Syndrome is presented as a social-psychological complex that characterizes the Chinese and helps to explain their behavior and the socio-political problems of China. Regards Hong Kong as the original geopolitical and psychological stepping-stone. "It awes me how Professor Albert Yee has given me within one book such graphic and gripping insight and immensely greater perception of both the historical roots and the evolved enormous complexities of the ancient and indelible Chinese culture." - Alex Haley. Clean copy.

Hardcover. Tokyo, University of Tokyo Press, 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, 251 pages, beige cloth covers with dark brown lettering on spine. Scholarly, but accessible to a wider intellectual audience. Nakayama lucidly describes the similarities and differences between "Eastern" and "Western" science from Aristotle to the twentieth century.

Hardcover. North Clarendon VT, Tuttle Publishing, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, gorgeous color paintings on every page by Lak-Khee Tay-Audouard. Adventures of the Treasure Fleet is the amazing story of seven epic voyages and their larger-than-life commander, Admiral Zheng He.Beginning in 1405, Admiral Zheng He led more than 300 gigantic, brightly-painted ships across the South China Sea to the Indian Ocean and all the way to the distant coast of Africa. The admiral and his crew battled pirates and raging storms, and were amazed by the people and ways of life in distant lands. At each port, Chinese goods were traded for pearls, precious stones, herbs and medicines which were given as tribute to China's powerful emperor when the ships' returned home. Clean copy.

NY, Atheneum, 1st pbk, 1969, Book: Very Good, Dust Jacket: None, Softcover, 375 pages. Name on front fly leaf otherwise clean.

Hardcover. NY, Alfred A. Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages, INSCRIBED BY AUTHOR HENG on front fly leaf. The authors (husband and wife) return to China after the Cultural Revolution, interviewing hundreds of Chinese and observing the signs of a surprising new China in the making. Among those interviewed are Peng Ming, now a composer and television executive; Chen Yizhi, head of the planners; and Wu Tianming, one of China's best-known filmmakers. 1986. Minor dust jacket edge wear and fade, otherwise, very clean and tight copy.

Hardcover. MIT Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in black cloth stamped with silver lettering. an autobiography in pictures, 400 pages. Ai Weiwei is China's most celebrated contemporary artist, and its most outspoken domestic critic. In April 2011, when Ai disappeared into police custody for three months, he quickly became the art world's most famous missing person. Since then, Ai Weiwei's critiques of China's repressive regime have ranged from playful photographs of his raised middle finger in front of Tiananmen Square to searing memorials to the more than 5,000 schoolchildren who died in shoddy government construction in the 2008 Sichuan earthquake. Against a backdrop of strict censorship, Ai has become a hero on social media to millions of Chinese citizens. This book, prohibited from publication in China, offers an intimate look at Ai Weiwei's world in the years after his return from New York and preceding his imprisonment and global superstardom. The photographs capture Ai's emergence as the uniquely provocative artist that he is today. There is no more revealing portrait of Ai Weiwei's life in China than this. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven, Mercatorfonds, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Like new in publisher's shrink-wrap. The flourishing of photography as a medium in the mid-19th century coincided with a rise in curiosity about China on the part of the Western world. As the number of foreigners living and traveling in China increased, early photographs of China were taken by and for an international audience. Among the Celestials assembles 250 fascinating images of China in the second half of the 19th century and first half of the 20th, captured by the Western camera lens. The photographs portray the gritty side of the country as well as stunning views of palaces, temples, harbors, and gardens. This juxtaposition of the sordid and the serene provides a multidimensional picture of China's physical and social landscape before Mao Zedong's ascent to power changed the country forever. The photographs, many published here for the first time, are both beautiful and moving, and together offer a new understanding of a social and cultural history associated with a time of significant historical change.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 300 pages. From China's most influential foreign policy thinker, a vision for a "Beijing Consensus" for international relations. The rise of China could be the most important political development of the twenty-first century. What will China look like in the future? What should it look like? And what will China's rise mean for the rest of world? This book, written by China's most influential foreign policy thinker, sets out a vision for the coming decades from China's point of view. In the West, Yan Xuetong is often regarded as a hawkish policy advisor and enemy of liberal internationalists. But a very different picture emerges from this book, as Yan examines the lessons of ancient Chinese political thought for the future of China and the development of a "Beijing consensus" in international relations. Yan, it becomes clear, is neither a communist who believes that economic might is the key to national power, nor a neoconservative who believes that China should rely on military might to get its way. Rather, Yan argues, political leadership is the key to national power, and morality is an essential part of political leadership. Economic and military might are important components of national power, but they are secondary to political leaders who act in accordance with moral norms, and the same holds true in determining the hierarchy of the global order. Clean copy.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 170 pages, blue cloth covers with gilt lettering on spine. This book considers the relation between language and thought. Robert Wardy explores this huge topic by analyzing linguistic relativism with reference to a Chinese translation of Aristotle's Categories. He addresses some key questions, such as, do the basic structures of language shape the major thought patterns of its native speakers? Could philosophy be guided and constrained by the language in which it is done? And does Aristotle survive rendition into Chinese intact? Wardy's answers will fascinate philosophers, Sinologists, classicists, linguists and anthropologists, and make a major contribution to the scholarly literature.

Softcover. NY, Janos Gat Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 30 pages, b&w illustrations. For an exhibition held Feb. 12 - March 23, 2002. The photographs in this catalog were taken from 1944-1945 by Barney Rosset, then a young American Army photographer. Rosset documented the Chinese Army in their pursuit of Japanese troops following the Battle of Henan-Hunan-Guangxi. The Japanese Army was pulling back from the Ichi-Go operation, the largest Japanese land campaign of the war, and Rosset joined Chinese troops at the deepest point of Japanese penetration (Kweiyang). After the war, Rosset became the proprietor of Grove Press, publishing authors often refused due to their controversial subject matter. Laid in are 2 identical postcards featuring the image on the cover of the catalog, Clean, bright copy, scarce.

Softcover. NY, Stewart, Tabori & Chang, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Photographs show the students' occupation of Beijing's Tiananmen Square. For fifty days, the world watched as a generation of China's young people stood up and spoke out about democracy and freedom.

Hardcover. US, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 549 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.

Hardcover. San Francisco, CA, Chronicle Books , 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Vivid color illustrations throughout. In great shape, clean inside and out. "Lyrical text and illustrations featuring Chinese characters and paper collage introduce the beauty and richness of China."

Hardcover. Washington, D.C., Smithsonian Institution Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 602 pages. Dark blue cloth covers, silver titles to spine, illustrated dust jacket, 38 color plates, 39 b&w drawings, textured blue endpapers decorated with map of China, variant names list, checklist of species, Latin and English alphabetical indices. Light edgewear and rubbing to dust jacket, pages crisp and unmarked, clean covers; a very clean, tight copy in great condition.

Hardcover. Philadelphia, David McKay, 1st, 1944, Book: Good, Dust Jacket: None, Hardcover, beige cloth with red lettering and boat design on front cover. Color, black & white illusration by Helen Sewell. 92 pages. Light wear to covers, old price blacked out on front fly leaf, internally VG.

Hardcover. Philadelphia, David McKay, 1st, 1944, Book: Very Good, Dust Jacket: Fair, 92 pages. Hardcover with dust jacket. Color, black & white illustrations by Helen Sewell. Previous owner's bookplate. Dust jacket chipped, worn with two chunks missing.

NY, Scholastic, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Jean and Mau-Sien Tseng. Honesty and resourcefulness triumph over greed and evil as a boy takes desperate measures to save himself and his neighbors from the malevolent magic of the dreaded ku snake. Clean copy.

Hardcover. London, Printed by Order of the Trustees, 1st, 1892, Book: Very Good, Dust Jacket: None, Orange cloth covers with black lettering and rules on spine and both covers, 443 pages with hundreds of pictures. Front and rear hinges partially cracked, previous owner's initials on front fly leaf, otherwise the book is very good, clean throughout.

Hardcover. Chicago, Art Media Resources, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 305 pages. Hardcover with dust jacket. Light edgewear to cover boards, otherwise clean bright copy. Color pictures throughout. 12x12x1 dimensions. Numbering over 250 works spanning nearly 1500 years, the Dewey collection of ancient Chinese tomb sculpture is exceptional for its breadth and outstanding quality. Representing nearly all figural types, stylistic traditions and themes, it provides a comprehensive visual record with fascinating insights into the customs and fashions, inventions and superstitions of ancient China's ruling elite during the golden age of the Great Silk Road.

Softcover. Hong Kong, The Urban Council, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 146 pages. Illustrated in b&w, some color. Clean, bright copy.