Hardcover. NY/London, Titan Books, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Technical drawings of all the major ships and vehicles from the Alien movies, presented in incredible detail. Includes iconic spacecraft like the Nostromo, the Sulaco and the Covenant. Alien: The Blueprints is a collection of brand new blueprints of all the major vehicles, ships and technology of the Alien movie universe. Artist Graham Langridge delves deep into the concept art, set designs and photography to recreate full and accurate blueprints of the drop ship, the Sulaco, the Nostromo and many more. Covering all the movies including Prometheus and Alien: Covenant, this is a must-have for any Alien fan. The blueprints are big, clear, and superbly detailed, taking full advantage of the huge page size. They actually look like hard-copy technical readouts that would exist in-universe, complete with peripheral formatting and specifications. Still in publisher's shrinkwrap.
Softcover. Berkeley CA, New Riders Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, Revealing the post-production process of a major motion picture (Cold Mountain) edited in Final Cut Pro, this book offers a glimpse at the creative process of one of cinema's giants: three time Academy Award-winning editor Walter Murch. It includes anecdotes from the director, edit staff, and producers; photos, emails, and journal entries
Hardcover. NY, Hastings House, 1st , 1969, Book: Good, Dust Jacket: Good, 1,100 pages. Large, heavy hardcover. Black & white diagrams and illustrations throughout. Gilt titles on spine. Some wear to price-clipped dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.
Hardcover. Hollywood CA, Cine/Grafic, 5th pr., 1973, Book: Very Good, Dust Jacket: None, Hardcover, 252 pages, b&w illustrations. With the aid of hundreds of photographs and diagrams, it clearly and concisely presents the essential concepts and techniques of motion picture camerawork and the allied areas of film making that they interact and impact with. Branching out from five central subject areas, the five Cs -- camera angles, continuity, cutting, close-ups, composition -- Mascelli offers film makers a detailed and practical course in visual thinking. Included are discussions of: cinematic time and space; compositional rules; point-of-view; camera height and angle; master scenes; types of editing; screen direction. Clean, bright copy.