Softcover. Cambridge MA, Harvard University Press, 2nd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, 414 pages, b&w illustrations. Scholars exploring the history of science under the Nazis have generally concentrated on the Nazi destruction of science or the corruption of intellectual and liberal values. Racial Hygiene focuses on how scientists themselves participated in the construction of Nazi racial policy. Robert Proctor demonstrates that the common picture of a passive scientific community coerced into cooperation with the Nazis fails to grasp the reality of what actually happened-namely, that many of the political initiatives of the Nazis arose from within the scientific community, and that medical scientists actively designed and administered key elements of National Socialist policy. The book presents the most comprehensive account to date of German medical involvement in the sterilization and castration laws, the laws banning marriage between Jews and non-Jews, and the massive program to destroy "lives not worth living." The study traces attempts on the part of doctors to conceive of the "Jewish problem" as a "medical problem," and how medical journals openly discussed the need to find a "final solution" to Germany's Jewish and gypsy "problems." Clean, bright copy.

Hardcover. UK, Cambridge University Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 251 pages. In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism of the twentieth century'. By associating technology with the Germans, rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, these right-wing intellectuals reconciled Germany's strength with its romantic soul and national identity. Light pencil underlining to some pages, otherwise clean.

Softcover. Durham NH, University of New Hampshire, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, original publisher's sewn paperback, pictorial frontcover, square format, 78 pages, 13 text-illustrations, catalogue of 72 items depicted and described, credits.

Hardcover. London/NY, Oxford University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. Reforming Sex reconstructs the complicated history of a movement that has been romanticized as the harbinger of 1960s sexual radicalism and demonized as a precursor to Nazi racial policy, but mostly buried and obscured by Nazi book-burnings and repression. Relying on a broad range of sources--from police reports, films and personal interviews to sex manuals unearthed from library basements and secondhand book stores--the book analyzes a remarkable mass mobilization during the turbulent and innovative Weimar years of doctors and lay-people for women's right to abortion and public access to birth control and sex education. Clean copy.

Hardcover. Hatje Cantz Publishers, 1st, 2005, Book: Very Good, Dust Jacket: None, Text is in English and German. Oversized hardcover issued without a dust jacket. Cover has faint wear to corners and edges. Inside is bright and clean, 210 b&w photographs throughout. This handsomely illustrated volume reproduces fine vintage prints from Relang's early reportage career and from the height of her days as a documenter of style, while also providing valuable insight into the historical background of her work.

Hardcover. Casemate, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 264 pages. Following the Allied breakout from the Normandy beachhead in July 1944, the vaunted German Army seemed on the verge of collapse. As British and US forces fanned out across northwestern France, enemy resistance unexpectedly dissolved into a headlong retreat to the German and Belgian borders. In early September an elated Allied High Command had every expectation of continuing their momentum to cripple the enemy's warmaking capability, by capturing the Ruhr industrial complex and plunging into the heart of Germany. After a brief pause to allow for resupply, Courtney Hodge's First Army prepared to punch through the ominous but largely outdated Westwall (Siegfried Line) surrounding Aachen. Drawing on primary Wehrmacht and US sources, including battle analysis and daily situation and after-action reports, The Roer River Battles provides insight into the desperate German efforts to keep a conquering enemy at the borders of their homeland. Tactical maps down to battalion level help clarify the very fluid nature of the combat. Combined, they serve to explain not just how, but why decisions were made and events unfolded, and how reality often differed from doctrine in one of the longest US campaigns of World War II.

Hardcover. New York, Metropolitan Museum of Art, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket,110 pages, illustrated in color and b&w. Exhibition catalog bound in black cloth covers, gilt lettering on spine. Clean.

Hardcover. Mankato, Creative Education Inc., 1st US, 1985, Book: Very Good, Dust Jacket: Good, Non-paginated. Full color illustrations by Roberto Innocenti. Dust jacket shows standard wear. Clean, tight copy.

Hardcover. Paris, Baudry's European Library, 1st, 1838, Book: Very Good, Dust Jacket: None, Hardcover, calf binding with title label on spine. Illustrated with 8 b&w engravings. Well written, entertaining legends, history and folklore of the Rhine, including the Mouse Tower, Hildegard von Bingen, St. Ursula, etc. Cover is scuffed with surface scars, but binding is firm. 354 pages. Minor foxing. Aside from cover appearance, very good.

Softcover. Eugene OR, Wipf & Stock Publishers, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 176 pages.

Softcover. UK , Cambridge University Press, reprint, 1992, Book: Very Good, Dust Jacket: None, Softcover, 231 pages. Schleiermacher's On Religion: Speeches to its Cultured Despisers is a classic of modern Protestant religious thought that powerfully displays the tensions between the Romantic and Enlightenment accounts of religion. This edition presents the original 1799 text in English for the first time. Richard Crouter's introduction places the work in the milieu of early German Romanticism, Kant criticism, the revival of Spinoza and Plato studies, and theories of literary criticism and of the physical sciences. This fully annotated edition also contains a chronology and notes on further reading. Name on front fly leaf, otherwise clean.

Hardcover. Berlin, Union Deutsche, 4th printing, n.d., Book: Good, Dust Jacket: None, 105 pages, illustrated in color and b&w by Capek. White cloth spine with color illustrated boards. No date listed. German text. Cover edges with light wear.

Hardcover. New Haven CT, Yale University Press, 3rd pr., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 287 pages. The treatment of German physicists under the Nazi regime had far-reaching consequences both for the outcome of the Second World War and for the course of science for decades thereafter. Although this fact has been known from a few famous episodes, it has not been dealt with thoroughly by scholars because it involves two very different disciplines. Political historians have cautiously left it to historians of science, who in turn have shied away from it out of ignorance of the political intricacies. Alan D. Beyerchen here examines this history in detail, basing his research on archival materials in Germany and the United States and on tape-recorded interviews with leading physicists. At least twenty-five percent of Germany's academic physicists who were working in 1933 lost their positions during the Nazi period. The victims -- Jews and other "politically unreliable" persons -- included some of Germany's finest scientists. Those who remained faced opposition not only from Nazi officials but also from certain members of their own community, notably the Nobel laureates Philipp Lenard and Johannes Stark. Beyerchen describes the mechanisms of prejudice, the reaction to the dismissals, and the impact of the "Aryan physics" movement which ultimately failed. Clean copy.

Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Shadows of War presents an astonishing collection of previously unpublished, unknown photographs of life at the front lines in the German war machine during World War II, taken by a common foot soldier. The work of a gifted amateur, Willi Rose's images present a powerful vision of a largely suppressed aspect of the war. These fractured glimpses of the world at war, from quotidian tasks and moments of leisure to scenes of death and destruction, reveal one man's experience of the epic flow of history. A miller in the years before World War II, Rose was drafted into the German army in October 1939 and served as a motorbike messenger on the front, first in France and then in Russia. He was wounded twice and was later captured by the Polish army, eventually returning home in June 1946. Throughout his military service, Rose sent home photographs that he took of the action, mostly along the Eastern Front. Discovered by his widow after his death, these images form a unique photographic document of one soldier's war.

Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrink wrap. Celebrates the height of Weimar cinema through images and commentaries on more than seventy of its finest filmsBetween the First and Second World Wars, Germany under the Weimar Republic was the scene of one of the most creative periods in film history. Through the silent era to the early years of sound, the visual flair and technical innovation of its filmmakers set an international standard for the powerful possibilities of cinema as an art form, with movies such as The Cabinet of Dr. Caligari, Nosferatu, Metropolis, and M building a legacy that shaped the world of film.Here is a showcase of more than seventy films, selected to give a wide-ranging overview of Weimar cinema at its finest. Every genre is represented, from escapist comedies and musicals to gritty depictions of contemporary city life, from period dramas to fantastical visions of the future, with themes such as sexuality and social issues tackled by iconic stars like Marlene Dietrich and Louise Brooks. A wealth of film stills captures the bold vision of great directors like Fritz Lang and Ernst Lubitsch, while the text sets the historical scene and gives intriguing insights into what the films meant to the society that created them.

Hardcover. Berlin GR, Weingarten, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, b&w photos of Berlin street scenes from the 1920s and 30s. Text in English, German and French. Clean in a bright dust jacket.

Hardcover. Baltimore, The John Hopkins Press, 3rd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on spine. No dust jacket, clean copy.

Softcover. NY, Sarpedon Publishers, 1st US, 1992, Book: Very Good, Dust Jacket: None, Softcover, 196 pages, b&w illustrations. Includes biographies of the women of the Nazi era, along with rare photos, synopses and credits of their most important films.

Softcover. Stanford CA, Stanford University Press, 1st pbk, 2004, Book: Very Good, Dust Jacket: None, Softcover, 271 pages, b&w illustrations. The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'etre of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself. Light sticker residue to rear cover otherwise clean, very good.

Hardcover. Chicago, University of Chicago Press, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 87 pages. Foreword, black and white photographs, and colophon. A description of the Allied bombing campaign from the perspective of the German survivors.

Hardcover. August Paul Wooster and Sons, 1967, Book: Very Good, Dust Jacket: None, Hardcover, dark green boards with gilt lettering and decoration. Unpaginated, but approx. 200 pages. Numerous b&w and color illustrations of uniforms, dress, weapons, insignias, etc, appear to be assembled from German pictorial sources. Clean, bright copy. Self-published.

Softcover. Berkeley CA, California University Press, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, 308 pages. The German Enlightenment and the Rise of Historicism traces the thought of a large and neglected group of German thinkers and their encounter with the ideas and ideal of the Enlightenment from 1740 to 1790. Concentrating on the nature of their historical consciousness, Peter Hanns Reill addresses two basic issues in the interpretation of the Enlightenment: to what degree can one speak of the unity of the Enlightenment and to what extent can the Enlightenment be characterized as "modern"? Reill attempts to revise the traditional interpretation of the Enlightenment as an age insensitive to the postulates of modern historical thought and to dissolve the alleged opposition of the Enlightenment to later intellectual developments such as Idealism. He argues that German Enlightened thinkers generated the general presuppositions upon which modern historical thought is founded. Bright, clean copy.

Hardcover. NY, Random House, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 373 pages. Color and b&w photographs. Water stain on back cover. Dust jacket has some small tears. A pictorial record, with accompanying text, of German society, culture, and politics, from the Weimar Republic to Hitler's last public appearence, detailing the rise of Nazism and Hitler's public and private lives.

Hardcover. NY, Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Since 1945 there have been more than one hundred biographies of Hitler, and countless other books on him and the Third Reich. What happens when so many people reinterpret the life of a single individual? Dangerously, the cumulative portrait that begins to emerge can suggest the face of a mythic antihero whose crimes and errors blur behind an aura of power and conquest. By reversing the process, by making Hitler's biographers--rather than Hitler himself--the subject of inquiry, Lukacs reveals the contradictions that take us back to the true Hitler of history. Like an attorney, Lukacs puts the biographies on trial. He gives a masterly account of all the major works and of the personalities, methods, and careers of the biographers (one cannot separate the historian from his history, particularly in this arena); he looks at what is still not known (and probably never will be) about Hitler; he considers various crucial aspects of the real Hitler; and he shows how different biographers have either advanced our understanding or gone off track. By singling out those who have been involved in, or co-opted into, an implicit "rehabilitation of Hitler," Lukacs draws powerful conclusions about Hitler's essential differences from other monsters of history, such as Napoleon, Mussolini, and Stalin, and--equally important--about Hitler's place in the history of this century and of the world.