Softcover. US, Laurence King, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 318 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. The album cover is a subject of perennial interest among graphic designers. Sleeve design remains a popular subject for college projects, and many young working designers aspire to design for the music industry. Revealing state-of-the-art contemporary music graphics, Cover Art By: is packed with more than 400 examples of sleeve art. As well as CD and album covers, the insides of CD booklets and the backs of vinyl sleeves are shown. The book opens with an in-depth essay reviewing the current scene, then focuses on the work of 30 international designers/labels who are the most influential in the field, making this a must-have for designers and students, as well as music industry professionals and fans.

Hardcover. New York , Viking Studio Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages, reproduces 3500 covers in color. An indispensable volume for the collector or researcher. Three thousand and five hundred reproductions include virtually every cover of the America's most popular magazine during its entire run, from 1899 to 1969, complemented by an essay tracing the magazine's evolution. 15,000 first printing.

Softcover. London, Korero Press, 1st, 2017, Book: Very Good, Dust Jacket: None, 576 pages. Softcover. Very clean, unmarked copy with only minor edgewear to wrappers. A celebration of the stunning and stylistically varied headline lettering that existed before the advent of phototypesetting or the computer. Collects more than 4500 examples

Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. An illustrated history of the fabulous pulp magazines from 1896 to 1953. After tracing the birth of the pulps back to the 1882 launching of Golden Argosy magazine, printed on pulpwood pages, Server organizes his unwieldy subject into categories of pulps: adventure, romance and sex, horror and fantasy, private eye, weird menace, science fiction. Each receives a lively capsule history that covers trends, reader (and sometimes, as in the case of the ``Spicys,'' government) response, and writers' bios--which, though sketchy (Hammett's Hollywood experience gets one sentence), resurrect a number of relatively obscure but seminal and fascinating figures, like Conan- creator Robert E. Howard, who shot himself dead at age 30 on the day his mother died, and Frederick Faust (a.k.a. Max Brand), who sometimes wrote around the clock, piling up two or three million words a year. Server attributes the pulps' demise to, among other factors, the advent of TV, paperbacks, and comic books, and he winds up with a note on pulp-collecting. For all of the author's savvy, though, it's above all the eye- popping illustrations (100 color, 57 b&w) that will have readers beaming. Magazine covers (some lurid, some of eerie beauty), sample pages of text and ads (``Raise Giant Frogs'')--the pulps come alive once again here, in all their eccentric glory.

Softcover. Yonkers NY, Hudson River Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, stapled exhibition catalogue. Pictorial wraps, 32 pages, 37 illustrations (9 color). Lists 92 posters, magazine covers, book illustrations, sketches, etc. Foreword by Rick Beard.

Softcover. Univ of Washington Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 111 pages. America between 1885 and 1905 was in the heat of a poster craze. The country's finest artists and illustrators were commissioned to design advertising posters whose popularity soon overshadowed the products they were meant to promote. Designed to Sell presents vintage posters by 45 artists, including Maxfield Parrish, Blanche McManus, and Maurice Prendergast. Essays describe innovations in printing, compare American and European posters, and explain the emergence of a new profession -- graphic design. Biographical notes on the artists include eight women. Special technical notes outline historic printing methods and explain how an artist's drawing becomes a poster.

Softcover. Port Townsend WA, Feral House., 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 220 pages. Dope Menace boasts hundreds of full color images from the wicked subgenre of drug-exploitation narratives. The covers that made these authors books so easy to pick up are collected here for the first time, in all their seductive glory. While we now enjoy this exploitative genre for its campy kitsch, gloriously bad writing, and outlandish misinformation, drug paperback books were once a transgressive medium with a perversely seductive quality. Dope Menace collects together hundreds of fabulously lurid and collectible covers in color, from xenophobic turn-of-the century tomes about the opium trade to the beatnik glories of reefer smoking and William S. Burroughs' Junkie to the spaced-out psychedelic '60s. Clean copy.

Hardcover. New York, Harper Design, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Color photographs. Clean, unmarked copy with only minor wear to dust jacket. A lavish, gorgeously designed full-color collection that showcases the designs of Dorothy and Otis Shepard, two groundbreaking giants of early twentieth-century American advertising. Dorothy and Otis Shepard are the unsung heroes of early twentieth-century North American visual culture. Together, they were the first American graphic designers to work in multiple mediums and scales with equal skill and vision, and their work remains brilliant; yet their names are little known today. Dorothy and Otis chronicles their story in detail for the first time. It explores the Shepards' penchant for abstraction and modernism, and shows how the advent of billboard advertising inspired their creativity--large campaigns that matched the grandeur of their lifestyle. Throughout, it demonstrates how their influence touched all aspects of consumer culture--from collaborating on the packaging for Wrigley's Gum and designing uniforms and logos for the Chicago Cubs to planning and promoting the resort island Catalina, where Stan Laurel, Oliver Hardy, Clark Gable, and other celebrities frequented.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Hardcover, color illustrated catalog for Poster Auctions International. Blue spine with silver text, clean.

Softcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 90 color plates, 10 black and white illustrations. This definitive and lavishly illustrated biography is the first to trace Kauffer's life and showcase his best work-posters, book illustrations, and theater designs.

Softcover. IDW/Idea & Design Works, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, the smaller (8 1/4 X 12") Artisan Edition. Collects more than 140 EC covers by their best and brightest talents. The luminaries included in this elegant tome include: Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more. Each cover in this collection has been scanned from the original art. While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteoutall of these and more are clearly visible. Clean, bright copy.

Hardcover. New York, Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 352 pages, numerous illustrations. Pictorial boards in clear plastic dust jacket. Beautiful copy. Like new, in shrinkwrap.

Hardcover. Plesant Plain OH, David Zimmerman, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 268 pages illustrated in color. A visual reference for all kinds of tins for coffee, peanut butter, cocoa, tea, and various other food products. Also tins for spices, tobacco, cosmetics talcum powder, soap, typewriter ribbons, needles, pens, medicines, etc. Clean copy.

Hardcover. New York, E. P. Dutton, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages illustrated throughout with 156 plates including 74 in full color. Remainder mark on bottom edge. Large folio. Light edgewear to dust jacket, else a clean, tight copy. Follows the artist from his birth in St. Petersburg, Russia in 1892, through the 1980's. Beautiful color plates include costume design, magazine covers (Harper's Bazar), sculpture, vases, mirrors, medallions, jewelry, labels, bottles, playing cards, watches.

Hardcover. New York, Dutton Studio, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, illustrated throughout with 176 plates in full color. Additional text by Ray Perman and David Rogath and photographs by Daniel Kramer. Light edgewear to dust jacket, else a clean, tight copy. Romain de Tirtoff, who worked under the pseudonym Erte (the French pronunciation of his initials), was a celebrated artist and designer who produced 250 covers for "Harper's Bazaar" as well as fashion designs for some of the world's most glamorous stars, and costume & set designs for Hollywood and stage productions.

Hardcover. Los Angeles, Getty Research Institute, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 199 pages. The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning 'beyond the mind') that was distinctive in its emphasis on 'sound as such' and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism. Still sealed in publisher's shrinkwrap.

Hardcover. London, White House Editions, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages. b&w and color photos throughout. Beautifully illustrating the art of the Circus, with thematically arranged chapters. Rare. Folio. Red cloth, gilt lettering to spine and front cover. Original slip case decorated by Fred Fowle. Minor wear to slip case opening edge, still very good copy, DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Poster Auctions International, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 148 pages. Nowhere are we given a more profound glimpse into the dawning stages of women's emancipation than in turn-of-the-century posters. In this revealing book with 206 full-color posterswe are presented with women stepping out of the confining traditional roles which they were cast and exercising their new-found liberation. We see them taking to the roads on bicycles, getting behind the wheel of automobiles, hoisting an aperatif, attending a ball unescorted and we are provided with glimpses into women's burgeoning, nascent sexual freedom. This volume features all the top artists of the period: Toulouse-Lautrec, Bonnard, Grasset, Chret, Mucha, De Feure, Cappiello, Steinlen, Grn, Pal, Bradley, Penfield and others. These lively images not only reflected their time, but did much to inspire this new-found freedom.

Hardcover. London, Titan, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Featuring four years worth of non-stop exhilarating, science fiction action-adventure as Flash battles a rogue's gallery of villainy to protect the innocent, the wronged and a bevy of beautiful women from the likes of Kang The Cruel, Queen Valker the Violent, giant birds, lizards, sea-beasts and rock men, as well as wolfmen and gas spiders!

Softcover. Washington DC, National Geographic, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 191 pages, illustrated with dozens of rare aeronautical posters in color. Includes foreword by Herb Kelleher, Epilogue, and Index.

Softcover. Washington DC, National Geographic, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The Smithsonian National Air and Space Museum draws more visitors than any other museum in the world--90,000 a day in the summertime--and the exhibit of air travel posters featured in this unique companion volume combines arresting, colorful art, rare archival material, and a unique approach to aeronautical history. The posters--most of them never before published--feature barnstormers, gliders, and flying boats, the earliest passenger flights, the first luxury-liners, mail carriers, jets, and much more. Spanning a century and a half, they combine the popular art and the commerce of their eras, with both explored in the entertaining, informative text by a longstanding National Air and Space Museum curator. From 19th-century circus impresarios offering rides in gaudy hot-air balloons to the sleek 21st-century airliners, the posters provide a fascinating illustrated history of flight as it evolved from an exotic realm inhabited only by visionaries and daredevils into our modern world of speedy jets and frequent flyers--no longer extraordinary, perhaps, but still echoing with the exhilarating thrill and glamorous excitement captured here.

Softcover. Denver/Boulder CO, Johnson Books, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 272 pages, illustrated in color and b&w. Chanzit explores Herbert Bayer's stunning artistic legacy, which includes painting, photography, typography, sculpture, architecture, exhibition design, and graphic design.

Softcover. NY, Princeton Architectural Press , 1st, 2010, Softcover, 224 pages. color illustrations throughout. It's a situation we are all acquainted with: planning to visit friends in an unfamiliar part of the city, you draw yourself arudimentary map with detailed directions. In March 2008, graphic designer Kris Harzinski founded the Hand Drawn Map Association in order to collect just such drawings of the everyday. Fascinated by these accidental records of a moment in time, he soon amassed a wide variety of maps, ranging from simple directions to fictional maps, to maps of unusual places, including examples drawn by well-known historical figures such as Abraham Lincoln, Ernest Shackleton, and Alexander Calder. From Here to There celebrates these ephemeral documents usually forgotten or tossed aside after having served their purpose giving them their due as artifacts representing stories from people's lives around the world. There is the young woman suffering from juvenile rheumatoid arthritis who created maps of the Humira injections on her stomach and thighs to help her remember the sites, and give them time to heal. Or the young boy who imagined a whole country for ants and put it to paper. Lucas from Australia drew an obsessively detailed map of his local traffic island, and a teenage girl contributed a map of her high school locker. Two American tourists got lost in the Bulgarian mountains following the hand drawn map of a local, and Britanny from Denmark drew directions to an animal rights protest in Copenhagen. The maps featured in From Here to There are as varied and touching as the stories they tell.

Softcover. San Francisco, COLOR, Chronicle Books, 1st, 1999, Book: Very Good, Dust Jacket: None, 173 pages. Softcover with light edge wear to paper wrappers. Color illustrations. Tight copy.

Softcover. San Francisco, COLOR, Chronicle Books, 1st, 1999, Book: Very Good, Dust Jacket: None, 173 pages. Softcover with light edge wear to paper wrappers. Color illustrations. Tight copy.

Softcover. NY, The Monacelli Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Softcover with plain white card covers covered in a pictorial dust jacket on heavy paper stock, 224 pages, b/w & color illustratios, large distinctive paperback with internal spire spine. Part experimental laboratory, part alternative institution, the Southern California Institute of Architecture (SCI-Arc) is one of the world's most vital and innovative schools. Known for its cutting-edge working methods and pioneering use of materials, SCI-Arc continues to revolutionize architecture, urbanism, design, research, and teaching through its remarkable work. This inventively designed and beautifully produced book brings together for the first time both built and theoretical projects -- previously unpublished recent work -- by SCI-Arc's celebrated faculty. Its members are a dynamic mix of architects, designers, theoreticians, and critics, echoing the rich environmental and cultural diversity of the surrounding Southern California region. Reflecting SCI-Arc's rigorous dedication to a working methodology, each project presented here reveals the ever-evolving design process itself. This analytical visual vocabulary combines sketches, study models, paintings, computer renderings, prototypes, and construction documents with explanatory illustrated texts by past and present faculty members. Mild wear to top of dj spine. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. London, Mitchell Beazley, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 144 pages, illustrated in color with almost 300 book jackets. In this revealing and highly entertaining look at the great book jackets of the 20th century from around the world, author Alan Powers tells the story of the book jacket from its early days, via the advent of the paperback, to the most eye-catching covers produced today. With over 300 illustrations, including first editions by famous artists, jackets by key designers and artists, groundbreaking series from major publishing houses, and classic pulp-fiction jackets, this unique and fascinating insight into the world of the front cover will appeal to anyone with a passion for books and graphic design.

Hardcover. NY, Wellfleet, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Offers a collection of fruit label art with a brief history of the industry and the lithographers who created the labels, and discusses the age, rarity, and quality of popular examples that are still available.

Hardcover. New York , Assouline Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 200 pages, color illustrations. At the forefront of American advertising's creative revolution in the 1960s, George Lois was hand-picked by magazine editor Harold Hayes to visually convey that Esquire--a proponent of that era's New Journalism--was on the cutting edge of American culture. In 2008, New York City's Museum of Modern Art acquired a wide range of George Lois's groundbreaking, often controversial Esquire covers for its permanent collection. This fascinating catalogue presents the original exhibit, with additional covers and images from Lois's private collection, including photos of the designer at work and out-takes of the shoot that resulted in Andy Warhol "drowning" in one of his own tomato soup cans. Like new in publisher's shrink-wrap.

Hardcover. NY, Workman Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Pictorial boards, 150 pages illustrated in color. Design is all around you. And whether you realize it or not, you are already a designer. In Go, renowned graphic designer Chip Kidd explains not just the elements of design, including form, line, color, scale, typography, and more, but most important, how to use those elements in creative ways. Like putting the word "go" on a stop sign, Go is all about shaking things up.Kidd writes about scale: When a picture looks good small, don't stop there--see how it looks when it's really small. Or really big. He explains the difference between vertical lines and horizontal lines. The effect of cropping a picture to make it beautiful--or, cropping it even more to make it mysterious and compelling. How different colors signify different moods. The art of typography, including serifs and sans serifs, kerning and leading. The book ends with ten hands-on design projects for kids. Clean copy.

Hardcover. Atglen, PA, Schiffer Publishing, Ltd., 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. Herman Miller, the leader in modern twentieth-century furniture manufacture, was a totally design-oriented company. Known best for Eames and Nelson furniture designs, showrooms, and interiors, they also produced outstanding graphic design. Mid-century and later advertisements, drawings, brochures, catalogs, posters, and wall panels are shown in this visually exciting new book. Photos of award-winning and other graphic designs are all from the Herman Miller Archives. This beautiful book is a must for anyone with an interest in modern furniture, graphics, or twentieth century design in general.

Hardcover. University Park PA, Penn State University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Graphic Passion recounts the publication history of nearly fifty books illustrated by Matisse, including masterworks such as Lettrew portugalises, Mallarme's Poisies and his own Jazz. A fantastic production executed with great care. Part of the Penn State series in the history of the book. From 1912 until his death in 1954, Matisse was involved in nearly fifty illustration projects, many of which rank among the greatest artists' books of the twentieth century. He directly participated in page layout, typography, lettering, ornament, cover design, and even the choice of text. Drawing on unpublished correspondence and business documents, this book pays scholarly attention to his illustration methods, typographic preferences, literary sensibilities, and opinions about the role of the artist in the publication process. Still in publisher's shrinkwrap.

Softcover. UK, FAB Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 143 pages, softcover, 144 pages. Extensive color illustrations throughout. Clean, unmarked copy with only minor wear to wrappers. With catchy titles like Hot Summer in the City, Captain Lust, Pleasure Palace, Nightdreams, Honey Buns, and Aunt Peg, the 1970s and early '80s were the undisputed golden age of the American hardcore sex film. Real movies performed by passionate actors, backed up with genuine plots, retro style and levels of imagination that hit peaks that have not been seen since. This was the era of porno chic.Graphic Thrills Volume Two proudly assembles another stunning selection of debauched and innuendo-packed theatrical film posters, with glorious unabashed sexuality dripping from every page. These joyous and colourful odes to sultry sin were designed to hang in the lobbies and front windows of the porno theaters and grindhouses of yesteryear. Lit by neon and shimmering marquee lights, each come-on promised curious patrons lurid drama, kinky excitement, easy love, and a myriad of exotic fantasies come true.

Hardcover. Graphis Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages, 250 color plates featuring the best poster art of the year from all over the world. Like new in publisher's shrinkwrap. Outstanding creative works by world-renowned designers, selected from thousands of entries and reproduced in full-color, large format reproductions. As a contemporary reference and source of inspiration for successful promotional graphic design, Poster Annual 2002 is conveniently organized into a range of client categories ? from sports, film, architecture, and fashion, to festivals, museums, retail, public service, competitions, and corporate communications. This edition features extensive captions, detailed indexes, and informative credits, making it a valuable resource for designers, art directors, and clients.

Hardcover. New York , Grove Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, introduction by Stephen King and personal reminiscences by Forrest J. Ackerman, Clive Barker, Robert Bloch, Ray Bradbury, Harlan Ellison and Peter Straub. This volume contains over 500 of the finest vintage film posters of the genres covering a span of nearly 75 years. In a bright dust jacket.

Softcover. San Francisco, Ten Speed Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. Early in the 20th century, as Americans climbed into their Model-Ts and took to the open road, American manufacturers and retailers discovered miles and miles of new advertising space, and the audaciously oversized billboard was born. For a century, billboards have recruited, congratulated, teased, sold, and seduced us, promoting everything under the sun, from hosiery to war bonds, presidential candidates to rock shows. GREAT AMERICAN BILLBOARDS not only offers a lively look back at changing styles, products, and tastes, but is also an important visual record of this largely unheralded yet ubiquitous American art form.

Hardcover. Portland, Collectors Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Large hardcover, 319 pages. Full color illustrations. Clean, bright copy. Chronicles the growth of the paperback industry from its 19th century forerunners to its glory days of the 1940s, 1950s, and 1960s. Extensively illustrated in color with interesting commentary. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Dutton, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover. 243 pages. Black & white illustrations by Cole. Bookseller's label and previous owner's signature on front end paper. Light rubbing to corners, spine.

Hardcover. London, Sir Isaac Pitman & Sons, reprint, 1929, Book: Very Good, Dust Jacket: None, Hardcover, green boards with beige buckram spine, black lettering on spine and front cover. 425 pages with index. The Artistic Crafts Series of Technical Handbooks. Diagrams by the author and numerous illustrations, colored lithographs and collotype reproductions from ancient examples. Gutter cracked at half-title page, previous owner's name otherwise clean.

Hardcover. New York, Thames and Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Minor soiling to front dust jacket cover. A very clean, unmarked copy with only minor edgewear to dust jacket. Hipgnosis created some of the most innovative and surreal cover art of the 1960s, 70s, and early 80s for the biggest names of the era-Pink Floyd, Led Zeppelin, Wings, Yes, Genesis, 10cc, Peter Gabriel, Bad Company, Syd Barrett, and Black Sabbath, to name just a few. The sublime prism cover for Pink Floyd's The Dark Side of the Moon continues to be one of the most pervasive images in all popular culture. Hipgnosis's highly conceptual approach and graphic appeal earned them five Grammy nominations for cover design, and they profoundly influenced not only the history of music, but also all other creative fields from advertising to fashion.

Hardcover. London, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. The complete catalogue of design collective Hipgnosis, showcasing groundbreaking cover art created for iconic rock "n" roll giants, including the Rolling Stones, Paul McCartney, Led Zeppelin, and Pink Floyd. 320 pages, 500 color illustrations. Hardcover.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Softcover. NY, Feral House, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover. 224 pages. The book Horizontal Collaboration encompasses the Jazz Age, Depression, World War and Occupation, and Liberation. It concludes with the shuttering of the licensed brothels in 1946, which some Parisian intellectuals thought was the final "destruction of French civilization". The term "Horizontal Collaboration" refers to the sexual liaisons between French civilians and German occupiers from 1940 to 1944. These were extremely widespread and included both individual wartime relationships in addition to prostitution. As Allied armies swept across the French countryside, thousands of young women?and some men?were savagely punished by the authorities or by vigilante crowds, becoming a source of deep national shame. Author Gordon redefines the pejorative term to mean something much broader: French men and women "horizontally collaborated" to overcome all social obstacles, divisions, and regulations. These obstacles include married and unmarried couples, straights and homosexuals, foreigners and locals, gun-toting soldiers and their vanquished subjects. The natural yearning for sexual pleasure equally corrupted all cohabitating partners. Clean copy in publisher's shrinkwrap.

Hardcover. Seattle, WA, Fantagraphics, Reprint, 2009, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In addition to being one of the seven, original Zap Comix contributors, Robert Williams's influence on alternative art is immeasurable. From his endeavors to broaden the possibilities for young artists to gain exposure sprang the well-known art chronicle, Juxtapoz magazine.

Softcover. NY, Princeton Architectural Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. The designers at San Francisco-based design firm Cahan & Associates, in their hunger for fresh ideas, find inspiration in the most unexpected places, such as an oddly sculptural piece of discarded metal in the alley near their office, or a conversation with an elaborately tattooed bicycle messenger. From these eclectic ingredients the office serves up in-your-face graphics that are exceptional for their visceral impact yet still convey the strategic thinking behind each piece. The firm's working methods, involving extensive exploration, collaborations, and play, are documented in this monograph through interviews with founder Bill Cahan, clients, and vendors; writings by colleagues; photo essays; proposals to clients that were accepted and rejected; and finished pieces, providing a portrait of a firm for whom process is just as important as product. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. San Francisco, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, fine in fine dust jacket. (10 1/2" X 12 1/4"). Color and b&w illustrations throughout. n celebration of the thirtieth anniversary of the Summer of Love, the Rock and Roll Hall of Fame and Museum has launched a major exhibition examining how rock & roll came of age in the late Sixties and influenced everything from fashion and art to politics and literature. I Want to Take You Higher expands on that exhibit, showcasing the infamous icons of the era - from John Lennon's Sgt. Pepper uniform to Janis Joplin's hand-painted Porsche. A host of revealing new interviews offer never-before-published tales from the land of psychedelic wonder. Country Joe McDonald, Allen Ginsberg, Grace Slick, Mickey Hart, Donovan, Bob Weir and members of the influential bands Big Brother and the Holding Company, Quicksilver Messenger Service, Moby Grape and many others contribute fresh perspectives on now-legendary events. I Want to Take You Higher also features posters, paraphernalia and an illustrated time line (just in case you forgot), as well as classic and previously unpublished images from the greatest rock photographers of the era: Jim Marshall, Baron Wolman, Robert Whitaker, Michael Cooper, Herb Greene, Bob Seidemann and others.

Hardcover. Milan, A. Mondadori, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.

Hardcover. London, Hutchinson & Co., 1st, 1920, Book: Good, Dust Jacket: None, Hardcover, 267 pages. Minor spine edge wear. Cover corners lightly bent. Front cover lightly curved. Front and back flyleaf yellowed. Crease on frontispiece. Spotting throughout index, half title page, full title page and book edges. Otherwise, a clean and tight copy.

Hardcover. NY, Princeton Architectural Press, reprint, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. First published in Italy in 1956, Bruno Munari's In the Darkness of the Night tells the tale of an interconnected, intimate yet expansive journey across three settings--in the darkness, through a meadow, and into a mysterious cave--through a spellbinding combination of paper stocks, transparencies, cutouts, and simple but lively characters. This timeless artist's book, available in a new English edition, is a must-have for Munari fans, designers, bibliophiles, and lovers of exceptional book design.

Softcover. NY, BisPublishers, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps with flaps. 393 pages. Infiltrate is a comprehensive collection of contemporary, cutting-edge New York design. It features established and emerging studios together with some extraordinary, little known companies and individuals. Each of the 30 ground-braking designers is interviewed and all artwork is captioned. Infiltrate is full of creative energy, experiments, challenging ideas and unexpected solutions. Clean copy.