Softcover. Fine Arts Museums of San Francisco, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Along with cutting-edge art, literature, and jazz music of 1920s Paris, there was also experimental new dance, exemplified by the Ballets Suedois, the "Swedish Ballet." Choreographed almost entirely by Jean Bsrlin but visualized by 32 painters from 11 nationalities, it boasted costumes and backdrops from the likes of Fernand LZger, Gssta Adrian-Nilsson (GAN), Nils Dardel, and Gerald Murphy, with music by Erik Satie and even Cole Porter, in 23 ballets produced during the company's brief, brilliant existence. Illustrated with 78 archival photos and sketches and 67 color reproductions of posters and production paintings, this catalog is as much an art book as it is a dance history, with works seldom seen in over 80 years.

Hardcover. New York , Harper & Brothers, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 224 pages. Oversized. Tan cloth cover, minor wear to edges. Dust jacket has light wear. Inside is nice and clean with 350 b&w drawings.

Softcover. London, Phaidon Press, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Softcover, 255 pages, b&w and color photographs throughout. Light fading to dust jacket spine. Else a very clean, tight copy. "Paul Rand (1914-96) was a pioneering figure in American graphic design. Adopting what he called a 'problem solving' approach to design, he drew on the ideas of European avant-garde art movements, such as Cubism, Constructivism and De Stijl, and synthesized them to produce his own distinctive graphic language."

Hardcover. Phaidon, 1st thus, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Working in graphic, architectural, and product design, Pentagram is one of the most respected firms in the world. A collection of the work and thought of the Pentagram partners, this lavishly illustrated and--not surprisingly--beautifully designed book helps to explain the unique qualities of organization and creativity that have allowed the firm to prosper since its beginnings more than 20 years ago. The candid and insightful discussion of the business and artistic processes of design is useful for students as well as seasoned professionals. While the tone is occasionally a bit self-satisfied, the final feeling conveyed is that of a ceaselessly open and growing entity, astonished at its success, justifiably proud of its work, and aware of its status as an anomaly. Recommended for all collections with a focus on design.

Hardcover. Neshannock PA, Hermes Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 191 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color throughout.

Softcover. New York, Glenn Horowitz Bookseller, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 96 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. A look at book jackets designed by Grushkin, also includes jackets designed by George Salter, Grushkin's teacher. Table of contents, introduction, a biography of Grushkin, book jackets and examples of graphic design by Grushkin. Glossary, biographical sketches of important figures, biographical sketch of the author.

Hardcover. Bondi Digital Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Playboy Cover to Cover--the 50s brings the magazine's entire groundbreaking first decade--every issue, every page, cover to cover--into one searchable digital archive.This exclusive box set features the Bondi Reader, powerful MAC or PC browsing software that allows you to explore, search, save and arrange multiple reading lists. Every story, feature and interview, and of course every Playmate, can be located in seconds, and then compiled and cross-referenced however you choose. Playboy Cover to Cover--the 50s also comes with a 224? page companion coffee table book chronicling the behind-the- scenes history of Playboy and filled with never-before-published letters, photos, and contact sheets of Playboy?s amazing first decade. A collector's edition reissue of the extremely rare first issue--featuring Marilyn Monroe's breathtaking cover and pictorial--is included as a special bonus. This essential collection is a must for lifelong fans and subscribers of Playboy, nostalgia seekers, history and culture buffs, as well as all lovers of beautiful women.

Hardcover. NY, Posters Auctions International, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 551 posters illustrated in color. Catalog for May 3 2009, sale no. xlviii. no dj issued.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Hardcover, this catalog profiles: American show posters; (Buffalo Bill, circus, sideshow banners & minstrel posters); New Yoprk Central Railway, Mistinguett; international posters; books & periodicals. Color illustrated.

Hardcover. Atglen, PA, SCHIFFER PUBLISHING, 1st, 2021, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket issued. Clean, tight copy with little to no wear to copy. Like new.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages, Catalogue for auction held Sunday, May 4, 2003 featuring American silent films, French travel posters, International posters, books and periodicals. Clean, very good.

Hardcover. NY, Posters Please, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, catalog for poster auction held Sunday, May 2, 2004 featuring American show posters, PKZ posters, Olympic posters, International posters, books and periodicals. Bright, clean covers.

Softcover. New York, Harry N. Abrams, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, unpaginated but approx 56 heavy pages, 24 stunning full-page full-color posters by Folon, 12"x 16", color illustrated heavy paper covers with light edge and corner wear. One poster (Amnesty International/1977) with light soil.Introduction by Milton Glaser. Short corner crease to bottom of front cover.

Softcover. New York , Harmony Books, 1st, 1986, Book: Very Good, Dust Jacket: None, Large softcover, 10.5 X 14", not paginated. White lettering on a pictorial cover. A very good copy of this collection of twenty-four of Maurice Sendak's favorite posters and pictures reproduced in full color. This is an oversize book and may require additional shipping charges.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, auction catalogue with beautiful pictures of posters in color. An exceptional copy in the original title-blocked cloth.

Hardcover. NY, Firefly Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Posters of the Canadian Pacific is a treasury of three hundred of the finest posters published by the company. They were displayed in Canadian Pacific offices and independent travel agencies worldwide from the 1880s until the 1970s. These posters enticed millions to visit and even settle in Canada. The posters span the years 1883-1973 with special focus on the Art Deco style posters of the 1920s and '30s. They focus on travel and leisure -- activities on ski slopes, golf courses, beaches, and luxury resorts. Other posters feature Canadian Pacific ocean liners in exotic locations around the globe such as the West Indies, Rio, Hawaii and the Orient.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, auction catalogue with beautiful pictures of posters in color. An exceptional copy in the original title-blocked cloth.

Hardcover. Burlington, VT, Lund Humphries, Reprint, 2008, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Tight copy. Power to the People presents the Israel Museum's major collection of propaganda posters from the early years of the Soviet Union, documenting one of the most interesting chapters in twentieth-century graphic design. Inspired by the traditional vernacular of political cartoons, by the lubok wood-cut technique of Russian folk art, and by the ideas of Futurism, the poster artists employed a new visual language to explain the results of the Revolution to the Soviet people. The Israel Museum's collection of Soviet propaganda posters is the largest museum collection of its kind outside Russia. This book illustrates the entire collection for the first time.

Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages. Like new in publisher's shrink-wrap. Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole--helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury's paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors' fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock 'n' roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation.

Hardcover. New York, Hearst Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographs. "Celebrates the design of the book in the broadest possible meaning of the word, gathering together the most exciting examples of recent book and jacket design, it also includes work for CD booklets, publicity for industry and the arts, self-promotional and experimental work." Clean copy in a bright dust jacket.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Internally clean, cloth spine has wear, chipping to top and bottom otherwise very good.

Hardcover. New York, John Day, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, slate blue boards with black cloth spine with gilt lettering, 9 page introduction by Calkins, followed by 50 b&w plates. The best of ad brochures and catalogs from the 1920s. Front hinge cracked, small stamped name to endpapers, otherwise clean.

Hardcover. US, A&C Black, 1st, 2011-03-01, Book: Very Good, Dust Jacket: None, Hardcover, 200 pages, illustrated throughout color. Clean, unmarked copy with only minor wear to covers. Propaganda Prints reviews the history, cultural diversity and legacy of Art in the service of social and political change.

Hardcover. San Francisco, Chronicle Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 186 pages. A 21st century retelling of a 2500-year-old story: Artist and veteran Pixar animator Sanjay Patel lends a lush, whimsical illustration style and lighthearted voice to one of Hindu mythology's best-loved and most enduring tales. Teeming with powerful deities, love-struck monsters, flying monkey gods, magic weapons, demon armies, and divine love, Ramayana: Divine Loophole tells the story of Rama, a god-turned-prince, and his quest to rescue his wife Sita after she is kidnapped by a demon king. Clean copy

Hardcover. NY, Universe / Vendome, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A illustrated survey of the career and influence of a master of design showcases some of his most famous and influential works, including the Coca-Cola bottle and truck, the package for Lucky Strike cigarettes, and the Studebaker automobile.Clean copy.

Hardcover. New York, Assouline, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 80 pages, illustrated in color and b&w. In publisher's shrinkwrap. While Andy Warhol is known for creating icons, it is Raymond Loewy who built monuments. At once an engineer and a visionary, this master of streamlined design integrated movement into his designs in what would become a characteristic American way. Indeed, his drawings of the Coca Cola truck, the Greyhound bus, the package of Lucky Strike cigarettes, the Studebacker automobile, and the bullet-nose train molded our vision of twentieth-century American iconography. Illustrated with photographs of Loewy s most notable designs, this memoir pays a tribute to a man who shaped the image of an entire nation with his pencil strokes.

Hardcover. New York, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 342 pages. "Each of the 300 posters included in Reel Art has been reproduced to the uncompromising standards of all Abbeville's fine art books. The selection of posters is world-class, many never been published, and the definite text, by screenwriter and film historian Stephen Rebello, tells the vastly entertaining story behind the posters and their creators." The four decades between 1910 and 1950 were the golden age of the American movie poster, an era when wonderful films wer promoted through the talents of legendary illustrators like Thomas Hart Benton, Norman Rockwell, Howard Chandler Christy and Jmes Montgomery Flagg, as well as a small army of unknowns. It was a time when big studios lavished fortunes on poster campaigns - from modest one-sheets posted on neighbourhood fences to the gargantuan forty-eight sheets that usurped entire sides of multi-storey buildings. Hollywood knew that the right image could seduce millions past the box office and into the theatre. Today such graphics fetch five-figure prices from collectors seeking a Casablanca or a King Kong.

Hardcover. The Monacelli Press , 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 264 pages. Richard Filipowski (1923-2008) was among the most gifted polymaths in the annals of American modernism. Whether as a painter, sculptor, or designer of furniture and jewelry, Filipowski developed a lush, abstract, and amazingly consistent visual language that marks him among the finest figures of midcentury art and design. As a student at the Institute of Design (formerly the New Bauhaus) in Chicago, he quickly became a protege of founder Laszlo Moholy-Nagy, who featured several of Filipowski's works in his seminal text Vision in Motion (1947); Filipowski was the only student Moholy-Nagy called upon to join the faculty, where he taught alongside Walter Gropius and Marcel Breuer. Recruited by Gropius to develop a course in design fundamentals at Harvard, which remains a cornerstone of design pedagogy to this day, he would move to MIT where he taught for more than three decades, until his retirement in 1988.With a foreword by Laszlo Moholy-Nagy's daughter Hattula, Richard Filipowski: Art and Design Beyond the Bauhaus is the first monograph of this master, who over the course of his career created a unique body of work in diverse media that has largely, until recently, been held in private collections due to his relative lack of compulsion to seek media attention or worldly rewards. But now through the efforts of the Filipowski family and new attention by design scholars--several of whom contribute essays here on Filipowski's graphic and painted works, sculpture, furniture, and position in design history--the work is being revealed to a new generation of aficionados. Richard Filipowski is a rich document of a life and career that is poised to reenter the canon of modernism.

Hardcover. US, Taschen, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 560 pages. A compilation of more than 750 remarkable album covers, from legendary to rare record releases. Artists as varied as Elvis Presley, The Beatles, The Sex Pistols, Pink Floyd, The Cure, Iron Maiden, and Sonic Youth are gathered together in celebration of the cover art that defined their albums and their cult status. Each cover is accompanied by a fact sheet listing the art director, photographer or illustrator, year, label, and more, while nearly 250 records that marked particular turning points for a band, an artist, or the music genre, are highlighted with short descriptions. Large heavy volume. Like new in publisher's shrink-wrap.

Hardcover. NY, Abrams, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Reproduces all 728 of the magazine's covers and includes behind-the-scenes stories and excerpts from articles and interviews with the idols of rock and rythym-and-blues.

Hardcover. St. Petersburg, Palace Editions, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 264 pages. Color illustrations. Examples by Vasily Elkin 1897-1991; Piotr Galadzhev 1900-1971; Valentina Kulagina 1902-1987; Solomon Telingater 1903-1969; Victor Koretsky 1909-1998; Anatol Brusilovsky b. 1932. Clean copy.

Hardcover. London, VIVAYS, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. "This volume, based on rarely seen Russian archives, traces the history of the silent film poster in Russia, starting with a poster designed by Paul Assaturov ("Stenka Razin", 1908) in the style of ancient naive Russian imagery to the latest advertise- ment for a silent movie by Yuri Pimenov from 1934. Full-page reproductions of 161 Russian silent film posters are presented here in chronological order - from the very beginning of the 20th century until the 1930s.

Hardcover. London, Laurence King, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 428 pages. This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

Softcover. New Haven CT, Yale University Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, stiff card wrappers firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, firm and clean; Binding tight; Pages bright, internally clean, no ownership markings or annotations, illustrated with color and b&w plates, 9.1 X 6.1 X 0.8 inches; 287 pages. Best known for his barbed and brilliant art for The New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg's extraordinary contribution to 20th-Century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book. DOMESTIC SHIPPING ONLY.

Softcover. New Haven, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Large softcover, 287 pages, b&w and color illustrations throughout. A very clean, tight copy. Published on the occasion of the exhibition at the Frances Lehman Loeb Art Centre, New York. Illustrated card covers with long inside flaps, minimal wear. An exhaustive compilation of the best graphic work of Steinberg covering his life in advertising, graphic design and fine arts.

Hardcover. London, Phaidon Press, 1st, 2003, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 272 pages. Color illustrations throughout, very clean and tight copy. American adman and image-maker George Lois (b. 1931) was a leader of the Creative Revolution of the 1960s and is the mind behind an astonishing array of branding campaigns and unforgettable magazine covers during his fifty-year career. Illustrated with the original ads and images, $ellebrity presents the stories behind the ads, explaining how each ad was conceived and produced, and the unexpected pitfalls, scuffles, and friendships that ensued.

Hardcover. Seattle, Fantagraphics Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Sex, Rock 'N' Roll, & Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the time - the Avalon, the Matrix, and the Fillmore - as well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospective - Moscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time - is an intense, vibrant, and revelatory experience. Introductions by Steve Heller and Milton Glaser.

Schiffer Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 272 pages illustrated in color. Explore fashion history with legs at center stage--from the dawn of civilization through current-day trends. This book examines society's role in moving hemlines and in shaping "legcentric" traditions throughout history. What has changed or stayed the same in the course of fashion eras? How have legs appeared in dance, sport, performance, pageantry, and conventional or outre outfits? Find out how athletics, depictions in literature and art, and motifs in advertising and films reflect our changing times. Discover the styles, attitudes, customs, sex appeal, socially acceptable postures and walks, and more in this comprehensive view of leg fashions through the ages. Enjoy fashions from the waist down through 319 striking images explained in their historical context.

NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abbeville Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright unclipped dust jacket. A one-of-a-kind collection of movie posters spanning fifty years, from silent films to Cinemascope For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962.In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer--such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn--Resnick offers a unique method of charting the evolution of each movie star's career. Still like new in publisher's shrinkwrap. NOTE: Due to size and weight DOMESTIC SHIPPING ONLY.

Softcover. London, Booth-Clibborn Editions, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated, a collection of sticker art reproduced in color. Color illustrated wrappers. Today's stickers are the new flyers, a major means of street-based communications, and are used by the hippest advertising agencies and the most underground messengers alike. This is the first book to cover this latest street-art phenomenon, and features truly international coverage of the sticker scene.

Hardcover. Milan, Mondadori, 1st, 1945, Book: Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled. Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Three stories of birds each with it's own open-the-flap text and graphic art. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.

Softcover. Washington DC, Planners Press, revised ed., 1988, Book: Very Good, Dust Jacket: None, Softcover, This seminal report outlines a street-graphics system that ensures on-premise signs are expressive, appropriate, legible, and compatible with the character of the community. The system is a legally enforceable regulatory framework that makes good design possible. It offers benefits to business owners by eliminating the visual cacophony that often drowns out their messages and to drivers and pedestrians by making it easier and safer for them to find what they're looking for. Clean copy.

Hardcover. Croydon UK, Fonthill Media, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. You might be surprised to learn that many of the consumer brands and products we enjoy today exist because of streetcar advertising. The Industrial Revolution of the early 1900's and a massive consumer audience riding over 50,000 streetcars in nearly 3,000 cities and towns in every state of the union provided a great opportunity for Barron Collier, a native of Memphis, Tennessee. He simply used streetcar advertising to bring these two forces together and created the largest streetcar advertising empire in the world. By age twenty-six, he was a millionaire and at one time had business offices in 70 cities with business interests in more than a thousand cities. Most of these advertising cards have remarkable color graphics; over 250 of them are included in this book for your viewing pleasure. While streetcar advertising is definitely not a major advertising medium today, the advertising community might be surprised to learn that the basic principles of consumer advertising have not changed that much in the last one hundred years. Investors might do well to review this book to see which companies are still producing these popular products and brands as they represent some of the most successful businesses in America today.

Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 286 pages, a comprehensive and inspirational guide to editorial design packed with contemporary examples of sophisticated and effective solutions for virtually any design challenge. Moser's thorough understanding of the process, combined with intriguing juxtapositions of layouts, no-nonsense comments and original insight make for an entertaining and useful book. Chapters range from Grid Systems and Formats to Covers, Logos and Inside Pages, Types of Page and Themes, even a section on the design of magazine spines-illustrated with over 1500 examples from publications around the world, and drawn from the author's personal collection of over one million magazines! A great reference book for all graphic designers, art directors and editorial writers.

Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, auction catalogue with beautiful pictures of posters in color. An exceptional copy in the original title-blocked cloth.

Softcover. NY, Picador/Farrar Straus Giroux, 1st US, 2022, Book: Very Good, Dust Jacket: None, Softcover, 398 pages, Illustrated in color and b&w. In 1922, Cyril Power, a fifty-year-old architect, left his family to work with the twenty-four-year-old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts-streamlined, full of movement and brilliant color, summing up the hectic interwar years. Yet at the same time, they looked back to medieval myths and early music, to country ways that were disappearing from sight. Jenny Uglow's Sybil & Cyril: Cutting Through Time traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of futurists, surrealists, and pioneering abstraction, but also of the buzz of the new, of machines and speed, of shops and sport and dance, shining against the threat of depression and looming shadows of war. Remainder dot to top edge otherwise like new.

Hardcover. Glitterati , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 228 pages. What do Elmer's Glue, Krylon Spray Paint, and Reese's Peanut Butter Cups have in common? The designer Ted Eron, of course. You may not know his name, but you know Ted Eron. Although he remains largely unknown in the public consciousness, Eron played an integral role in defining the aesthetics of everyday goods and household staples in the 1950s and '60s. In Ted Eron Designed That, Joseph Eron and Elizabeth Eron Roth - Ted's children - chronicle the life and art of their father through a nostalgic tour of the iconic graphic designs that have shaped and revolutionised twentieth-century visual culture. From his humble beginnings painting signs in the basement of a market while attending Cooper Union, to the Eron & Eron Industrial Design years during World War II and beyond, Ted Eron Designed That pays a long overdue tribute to the man behind the iconic designs. Still in publisher's shrink wrap.

Hardcover. Glitterati , 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 228 pages. What do Elmer's Glue, Krylon Spray Paint, and Reese's Peanut Butter Cups have in common? The designer Ted Eron, of course. You may not know his name, but you know Ted Eron. Although he remains largely unknown in the public consciousness, Eron played an integral role in defining the aesthetics of everyday goods and household staples in the 1950s and '60s. In Ted Eron Designed That, Joseph Eron and Elizabeth Eron Roth - Ted's children - chronicle the life and art of their father through a nostalgic tour of the iconic graphic designs that have shaped and revolutionised twentieth-century visual culture. From his humble beginnings painting signs in the basement of a market while attending Cooper Union, to the Eron & Eron Industrial Design years during World War II and beyond, Ted Eron Designed That pays a long overdue tribute to the man behind the iconic designs. Still in publisher's shrink wrap.