Hardcover. New York, Harry Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, tight copy. Illustrated heavily by author. To create this latest gem, Poortvliet found inspiration in the rich legacy of Dutch landscape and genre painting traditions and in his own Dutch heritage as well. He became intrigued by a document dating from the year 1566 that revealed the existence of an armoire owned by his distant ancestor, Jacob Jansz Poortvliet. That armoire led Rien Poortvliet to come upon something valuable indeed - a treasure trove of insights into the world of his ancestor. Characteristically evocative, the words and images in Daily Life in Holland are rich in detail and delicate in coloration, and perhaps the most beautiful of any of Poortvliet's works to date. In this fascinating saga, he recreates the lives of his forebears as they toiled and celebrated their way through daily existence. He does not conjure up a romantic vision of the past - the Dutch countryside was not all tulips and windmills! There were adversity and hard work, and we learn that 1566 was an extraordinary year in Holland, marked by famine and plague, great freezes, floods and droughts, comets and earthquakes, and an invasion by the Spanish as well.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. Groningen, Holland, International Art Publishing, 1st, 1962, Book: Very Good, Softcover, illustrated card wraps, 32 watercolors in chromolithography by Molendijk. Introduction by B. Van Der Veen Czn. Spine edgewear. Clean.

Hardcover. Oxford UK, Oxford University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 382 pages. This study addresses the need for a more current understanding of Cartesian philosophy by considering the different constructions of Descartes's thought that emerged in the Calvinist United Provinces (Netherlands) and Catholic France, the two main centers for early modern Cartesianism, during the period dating from the last decades of his life to the century or so following his death in 1650. It turns out that we must speak not of a single early modern Cartesianism rigidly defined in terms of Descartes's own authorial intentions, but rather of a loose collection of early modern Cartesianisms that involve a range of different positions on various sets of issues. Though more or less rooted in Descartes's somewhat open-ended views, these Cartesianisms evolved in different ways over time in response to different intellectual and social pressures. Chapters of this study are devoted to: the early modern Catholic and Calvinist condemnations of Descartes and the incompatible Cartesian responses to these; conflicting attitudes among early modern Cartesians toward ancient thought and modernity; competing early modern attempts to combine Descartes's views with those of Augustine; the different occasionalist accounts of causation within early modern Cartesianism; and the impact of various forms of early modern Cartesianism on both Dutch medicine and French physics. Name on front fly leaf, otherwise clean.

Hardcover. New York , Doubleday, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, illustratrd glazed boards, no dust jacket. Color illustrations by Spier. Clean copy.In 1687, young Sietze Hemmes helps rescue a vessel foundering off the Dutch coast, and three hundred years later, another Sietze Hemmes takes part in a similar rescue, in parallel stories that explore the themes of heroism and selflessness.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth. Cover has gilt drawing of a windmill and black lettering. Gilt lettering on the spine. Translated from Italian by Caroline Tilton. 408 pages, 18 b&w plates. With chapters on Zealand, Rotterdam, Delft, The Hague, Leyden, Haarlem, Amsterdam, Utrecht, Broek, Zaandam, Almaar, Helder, Zuyder Zee, Friesland, Groningen. Names on prelim pages, otherwise a clean, bright copy.

Hardcover. New York , Scribners, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped with black decoration, 147 pages. 30 tipped-in color plates by Penfield. Excellent condition.

Hardcover. Haarlem Holland, Jon. Enschede En Zonen, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. A delightfully written and whimsically illustrated history of the Netherlands and its contributions to world history. Illustrated boards, 123 pages. Light rubbing to the edges and a little age-toning to the spine and tiny portion of the front cover, good hinges, sound text block, very clean pages free from names or other markings.

Hardcover. New York, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Tight, clean copy with Illustrated heavily by author. Previous owner's marking on half title page. The illustrator of "Gnomes" imaginatively captures his own heritage in a stunning visual recreation of his family, ranging from an eight-year-old cowherd in the 1600s up through the present day. Color throughout.

Hardcover. New York, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Tight copy with minor wear to edges. Illustrated heavily by author. Previous owner's marking on half title page. The illustrator of "Gnomes" imaginatively captures his own heritage in a stunning visual recreation of his family, ranging from an eight-year-old cowherd in the 1600s up through the present day.

Softcover. Amsterdam, Amsterdam Scheltema en Holkema's Boekhandel, First Edition, 1912, Book: Very Good, Dust Jacket: None, Hardcover, large folio size, in Dutch text. 40 pages text followed by 470 plates in black & white. Brown cloth covered boards with embossed illustration in black & gilt. Moderate rubbing, scuff marks to covers. Fraying to head & heel of spine. Gilt titles to cover & spine. Tender front board with crack to top quarter hinge. Toning to edges throughout. Striking, full page black & white illustrations detailing castles, gardens, mansions, intricate woodwork throughout. Previous owner's signature & stamp to front flyleaf. Otherwise clean & unmarked.

Hardcover. London, Adam & Charles Black, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, 32 tipped-in color plates, 32 small black & white illustrations by Jungman. Intro. by Gordon Hume. Light spotting to covers.

Hardcover. New Haven CT, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. This beautiful book examines the art of Pieter de Hooch, one of the most famous and innovative painters of Holland's Golden Age. It discusses de Hooch's position in Dutch genre painting, his favorite themes and their cultural context, his artistic development, and his approach to narration. The book was the catalogue for an exhibition at the Wadsworth Atheneum in Hartford. A 75-page text covering the artist's life and techniques and themes of his work is followed by nearly 100 pages presenting plates of works in the show; eight entries bring the catalog raisonne up to date. Sutton has achieved the rare feat of creating a work that is both a significant addition to scholarship and a reader-friendly introduction for those not already familiar with the artist. Clean copy.

Softcover. Kessinger Publishing, reprint, Book: Very Good, Dust Jacket: None, Softcover, 457 pages. A photocopied facsimile reprint of the 1685 volume. FRENCH TEXT. Clean copy.

Hardcover. Bristol UK, Thoemmes , 1st, 2003, Hardcover set, two volumes complete, black cloth with red and gilt titles on spine, 1116 pages, ribbon bookmarks. No slipcase. In this Dictionary, more than four hundred biographical entries encompass all the Dutch thinkers who exercised a major influence on the intellectual life of the Golden Age, as well as those who developed their ideas and beliefs through interaction with other scholars. Additional entries describe foreign philosophers who lived in the country temporarily and whose work was influenced by their stay. These include John Locke, Rene Descartes and Pierre Bayle. Ther is some pencil marking to the endpapers, mostly in Vol. 1. Otherwise clean, tight copies. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Walburg Pers, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages illustrated in color and b&w. A study about the development of a company founded in Amsterdam in the Dutch Golden Age. The VOC, as it was called, was a joint venture company of the Dutch in controlling trade in the world. This scientific paper is one of the main references in terms of research on VOC History. Clean copy.

Softcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 317 pages, b&w illustrations. Translated from the Dutch by Diane Webb. "Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were 'the envy of some, the fear of others, and the wonder of all their neighbours'. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on three continents." Clean copy.

Hardcover. London, Thames & Hudson, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 536 pages, 1117 illustrations, 74 in color. Translated from the Dutch & edited by Elizabeth Willems-Treeman. The chapter headings are: iconoclasm & revolt 1566-1588; the artist's social position; the patrons; theories of art; realism & symbolism; different genres; the development of painting in the early 17th century; painting in Haarlem, Leiden, Amsterdam, the Northern Quarter, Utrecht, Delft, The Hague etc 1625-1650; The Republic in the third quarter of the 17th Century; painting in Haarlem, Leiden, Amsterdam, the Northen Quarter, Utrecht, Delft, The Hague etc 1650-1680. Name on half-titile page, otherwise clean. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.