Softcover. Washington DC, Smithsonian's National Museum of the American Indian, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 263 pages. Color plates throughout. Five essays by contributors. Clean copy.

Hardcover. New York, Crown Publishers, 1st Thus, 1971, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. Black & white illustrations. Dust jacket in protective clear plastic cover. Clean, unmarked text.

Hardcover. New York, Knopf, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 434 pages, three novels. Very clean and tight copy.

Hardcover. Hamden CT, The Shoe String Press, 1st, 1971, Book: Very Good, Dust Jacket: None, 265 pages, hardcover. SIGNED BY AUTHOR on front flyleaf. Non-discrept tan boards clean and tight. French policy regarding the Chinese inhabitants of Madagascar. Scarce. A bright copy.

Hardcover. NY, Eaton and Means, 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover, decorated cloth, gilt lettering on spine, 262 pages. An Account of the visitation of Bishop Foss and Dr. Goucher to the Indian and Malaysian Missions of the Methodist Episcopal Church. This book gives the reader new information as to the needs of the different fields which are under discussion, grasps more vividly the magnitude of the modern missionary movement, and gathers fresh confidence in the final triumph of the Messiah throughout the heathen world. B&w illustrations. Old ink price on front fly leaf, otherwise clean.

Hardcover. POONA, Oriental Book Agency, 1st, 1939, Book: Very Good, Dust Jacket: None, 567 pages. Hardcover. Boards bound at spine with orange quartercloth, has fading and foxing to spine from age. Gray cardboard cover boards (some agewear). Pages and edges have some tanning, but otherwise unmarked. Previous owner's name on front flyleaf. This work is a product of seven manuscripts. It begins with the English tranlation of lectures on Nyayasutras by Gautama. The author has also used his notes from Bodhasiddhi.

Softcover. Flagstaff, Ariz., Nothland Press, 1st, June 1980, Book: Very Good, Dust Jacket: None, Softcover, 149 pages, b&w and color photographs. Light edge wear, rubbing to wrappers. Else a clean, tight copy.

Hardcover. Spain, La Fabrica, 1st, 2011, Book: Near Fine, Dust Jacket: None, Hardcover, 63 pages. Like new in publishers shrink-wrap. Reveals the Mexican photographer`s extended explorations in (mostly) cities in the north of India--Varanasi, Delhi and Calcutta, as well as Bombay--over the past 13 years. Iturbide`s black-and-white images are strikingly at ease with their subject matter, able to locate arrangements of objects, architectural outline and urban signage without ever lapsing into visual tourism. Text in English and Spanish.

Hardcover. Spain, La Fabrica, 1st, 2011, Book: Near Fine, Dust Jacket: None, Hardcover, 63 pages. Like new in publishers shrink-wrap. Reveals the Mexican photographer's extended explorations in (mostly) cities in the north of India--Varanasi, Delhi and Calcutta, as well as Bombay--over the past 13 years. Iturbide`s black-and-white images are strikingly at ease with their subject matter, able to locate arrangements of objects, architectural outline and urban signage without ever lapsing into visual tourism. Text in English and Spanish.

Hardcover. London, Gibbings and Co., 2nd Ed., 1896, Book: Very Good, Dust Jacket: None, 341 pages. Hardcover with blue cloth covers with black and gilt design. An ex-library but aside from spine stickers and bookplate, a remarkably clean, tight copy. Doesn't appear to be a circulating copy. Tales of hunting throughout the world, but mostly in America, from snipe shooting to wolf coursing. Includes several fishing chapters; salmon in Japan, black and striped bass, grey mullet, brook trout and muskies, with a final chapter on artificial stocking of lakes and rivers.

Hardcover. Washington DC, Government Printing Office, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth hardcover with gilt lettering on spine. 986 pages, includes drawings, photographs, maps (some fold-out) and an extensive bibliography. Super condition with just a small ownership sticker on inside front cover, otherwise a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Washington DC, Government Printing Office, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth hardcover with gilt lettering on spine. This is Smithsonian Institution Bureau of American Ethnology Bulletin 143; 818 pages, includes drawings, photographs, maps and an extensive bibliography. Super condition with just a small ownership sticker on inside front cover, otherwise a clean, tight copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, L. Reeve & Co., 1st, 1877, Book: Very Good, Dust Jacket: None, Hardcover. Green cloth boards with blind stamping to front and rear and gilt to spine. Illustrated with 13 b&w plates, 247 pages plus publisher's ads. Ex-lib from museum library, light residue, stamping to endpapers, internally clean. 1/4" tear to top of cloth spine, gilt lettering bright on spine.

Softcover. London , Thames & Hudson, reprint, 2006, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive b&w photography throughout with accompanying notes. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London , Thames & Hudson, reprint, 2006, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Extensive b&w photography throughout with accompanying notes. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. New York, Watson-Guptill Publications, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Quarto Format. 208 pages, 150 black-and-white and 48 colored illustrations. Notes; Bibliography; Index. Collection of paintings of the American West, primarily Native Americans. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, England, Oxford at the Clarendon Press, 3rd Edition reprint, 1959, Book: Very Good, Dust Jacket: Good, 741 pages. Hardcover. B/w illustrated frontispiece. Previous owner's name on front flyleaf. Pages clean, unmarked. Binding good. Spine straight. Dark blue cloth cover boards, gilt title on spine. Dust jacket has some agewear, price-clipped. An impressive eye-witness account of life in India at the turn of the century. It combines descriptions of the Hindu religion and Hindu sociology with masterful portraits of the intimate lives of the people among whom the author lived.

Hardcover. Poona, Bhandarkar Oriental Research Institute, 1st Thus, 1962, Book: Very Good, Dust Jacket: None, Vol. V - Part II-only. Hardcover. 992 pages of main text plus Epilogue, and 269 page Index. Previous owners name at top of front endpaper. Light wear. Clean, tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. This book features a selection of McPhee's works in and around India's former capital.

Hardcover. New Haven, CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 160 pages, illustrated with 110 color images. Photographer Laura McPhee, noted for her stunning large-scale landscapes and portraits of the people who live and work in them, has been traveling to eastern India for over a decade. There she has devoted her perceptive vision to picturing layers of history, culture, religion, and class as they appear in private heritage homes and public markets, in lively street festivals, and in the faces of city dwellers in Calcutta (also known as Kolkata). This exquisitely produced book features a selection of McPhee's works made in and around India's former capital.

Hardcover. London, Oxford University Press, 1st, 1957, Book: Very Good, Dust Jacket: Good, 257 pages. Hardcover. Previous owner's name on front endpaper. Inside front hinge cracked. Minor dust jacket edge wear - jacket now protected with clear plastic cover. Clean, unmarked text.

Softcover. Minneapolis, MN, The Minneapolis Institute of Arts, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 90 pages. B&W and color illustrations throughout. Black pictorial cover with slight wear to spine and both covers. Very slight spotting to top edge. Overall, a clean, tight copy.

Softcover. Seattle, University of Washington Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Chief Joseph's exhausted words of surrender, 'Hear me, my chiefs, I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever', are the accepted end of the Nez Perce War of 1877, in which several bands of Nez Perce attempting to find a new home outside their diminished Idaho reservation clashed with the U.S. military (and occasionally other Indians) along the Clearwater and Big Hole Rivers, and finally at the foot of the Bear Paw Mountains. However, a number of Nez Perce escaped transportation to Indian Territory with Joseph and continued their flight to Canada, with perhaps a hundred eventually joining Sitting Bull's Lakota."I Will Tell of My War Story" reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life and celebrations during the war and after. The drawings are preserved in a small pocket ledger labeled 'Cash Book' on the front, which was acquired by Indian Agent Charles D. Warner in the 1880s. It was willed by him to a family living in northern Idaho, and is now in the collection of the Idaho State Historical Society. Scott Thompson worked closely both with the owners and with members of the Nez Perce community in preparing his manuscript. Thompson's detective work and research methods to identify Nez Perce and other parties pictured in the Cash Book make fascinating reading. He is careful to point out what is speculation and what has been documented or attested to by experts on dress, weapons, ceremony, and other aspects of Native culture. The Cash Book drawings are unique in several ways. They are one of very few firsthand pictorial records of the Nez Perce War, representing an even scarcer record of this war as seen from the Indian viewpoint. They contain invaluable historical and ethnographic information not only explicit in the form of military and Native dress, regalia, and quite graphic battle scenes, but also implicit. The drawings reveal an important stage of cultural adaptation as shown by the mixture of white and Native goods combined in Nez Perce material culture during the 1870s and 1880s, and by the artist's assimilation of white/European drawing techniques such as texture and perspective. The artist combined these drawing techniques with Native art traditions to make exceptionally effective pictorial communications. Scott M. Thompson is an art teacher at Chase Middle School in Spokane, Washington.

Softcover. Seattle WA, University of Washington Press, 1st, 2000-06-01, Book: Very Good, Dust Jacket: None, Softcover, 122 pages. Like new in publishers shrink-wrap.