Italy

Hardcover. Rome, Silvana Editoriale d'Arte, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket. Italian text. B&w photos throughout by List.

Softcover. Madison WI, University of Wisconsin Press., reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 254 pages. This is the life story of Rosa Cavalleri, an Italian woman who came to the United States in 1884, one of the peak years in the nineteenth-century wave of immigration. A vivid, richly detailed account, the narrative traces Rosa's life in an Italian peasant village and later in Chicago. Marie Hall Ets, a social worker and friend of Rosa&;s at the Chicago Commons settlement house during the years following World War I, meticulously wrote down her lively stories to create this book. Clean copy.

Hardcover. Roma, CalicEditori, First Thus, 2004, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover in Italian text. Red cloth boards with black titles to spine. Bright navy dust jacket with photograph & red printed titles. Clean, unmarked & crisp copy.

Hardcover. Venice IT, Arsenale Editrice, 2nd Ed., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages, color photos throughout. This edition of Secret Gardens in Venice, entirely in color, is intended to satisfy the growing desire of Venetians and tourists to know more about this fascinating city and its history. Examining both the present reality and the past history of the gardens of Venice, the authors seek to understand the special fascination of these places. Gianni Berengo Gardin has created a series of fascinating poetic images, which reveal a wholly new and unknown side of Venice. Clean copy.

Hardcover. Rome , Compagnia Edizioni Internazionali, Reprint , 1968, Book: Very Good, Dust Jacket: Very Good, 173 pages. Hardcover. Numerous full color illustrations. Illustrated flyleaves and endpapers. INSCRIBED BY AUTHOR on frontispiece. Gray and white dust jacket with full color illustration on the front. Light edgewear and foxing on top edge.

Hardcover. New York, G.P. Putnam's Sons, 1st Edition, 1920, Book: Very Good, Dust Jacket: None, 580 pages. Hardcover. 24 b/w illustrations throughout including frontispiece with tissue guard and 6 maps (fold out). Blue cover boards, gilt title on spine (slightly faded) and front cover, some moisture damage to front cover, bump to bottom right corner of board. Tanning to pages and edges, pages otherwise unmarked.

Hardcover. Leipzig, Bernhard Tauchnitz, 1883, Book: Very Good, Dust Jacket: None, Copyright Edition, Bernhard Tauchnitz, Leipzig, 1883, 312 pages, illuminated vellum binding, with front-edge flaps, leather stitching, 6.5 x 4.5", beautiful binding reminiscent of Medieval manuscripts with latticed cords and illuminated initial. Previous owner's inscription on front fly leaf, otherwise clean.

Softcover. NY, American Italian Historical Assoc., 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. This volume consists of a selection of 14 scholarly works examining the urban experience of Italian Americans in small towns and big cities, out of the approximately 60 stimulating papers presented at the 41st annual Conference of the American Italian Historical Association, held in 2008. Clean copy.

Hardcover. London, Smith, Elder and Co., Second Edition, 1858, Book: Very Good, Dust Jacket: None, Three hardcover volumes with blue leather covers featuring marbled endpapers, raised bands along brown spines with red title plates, gilt decoration. Second Edition. Black & white, and some color illustrations in all 3 volumes by John Ruskin. Volume 1 - "The Foundations". 400 pages. Top edge gilt. Light, faint pencil marginalia to a few pages. Minor abrasion to covers. Clean, tight copy. Volume 2 - "The Sea Stories". 394 pages. Top edge gilt. Faint foxing to some pages. a few moderate abrasions to rear cover. Clean, tight copy. Volume 3 - "The Fall". 362 pages. Top edge gilt. Light pencil marginalia scattered throughout. Faint foxing to some pages. Minor abrasions to covers. Clean, tight copy. A nice set.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works' attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy.

Softcover. NY, Center for Migration Studies, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 289 pages, b&w illustrations. Clean, bright copy.

Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.

Softcover. NY, Bordighera Press , 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 97 pages. Bilingual Edition in English and Italian. INSCRIBED BY THE TRANSLATOR, Laura Ruberto. "An immigrant woman's moving account of what one gains, but also what one loses, when emigrating to the U.S. from a village in rural Campania. All those who have been uprooted from their homes can identify with this Southern Italian woman's life story--marked by acceptance of hardship and the poetic memory of the village in which she was born and to which she could not bear to return". Clean, bright copy.

Hardcover. New York, Abrams, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 251 pages. Illustrated with 200 black & white photographs by Tazio Secchiaroli. Lots of Sophia Loren. Black remainder line on bottom edge at spine. Clean, bright copy.

Softcover. Washington DC, National Gallery of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 430 pages. This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide. It is the most comprehensive history of the Accademia to be published in more than forty years, and the first in nearly two hundred years to be based almost entirely on new primary and documentary material. In reconstructing the early history of the institution, the volume also provides a new basis for tracking the careers of painters, sculptors, and architects working in Rome in the early 16th century, and for understanding the artistic and professional issues that engaged them.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. How does the artist's self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline-Poussin's hands became shaky, Titian's eyesight dimmed. For others, psychological symptoms emerged. The book's cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.

Hardcover. NY, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages, oblong format. This chapel in Italy's great city of art is home to a marvelous cycle of frescoes, composed by three 15th-century masters: Masaccio, Masolino, and Filippino Lippi. Under the supervision of Masaccio, they moved far beyond Giotto in creating figures more human, in spaces more realistic than ever, providing inspiration for succeeding artists like Leonardo and Michelangelo. More than 32 color plates. Short inscription on front fly leaf, otherwise clean.

Hardcover. NY, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 96 pages, oblong format.This chapel in Italy's great city of art is home to a marvelous cycle of frescoes, composed by three 15th-century masters: Masaccio, Masolino, and Filippino Lippi. Under the supervision of Masaccio, they moved farbeyond Giotto in creating figures more human, in spaces more realistic than ever, providing inspiration for succeeding artists like Leonardo and Michelangelo. More than 32 color plates. Short inscription on front fly leaf, otherwise clean.

Hardcover. Cinecitta Holding, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 174 pages. Illustrated in color and b&w. Text in Italian and English. Clean copy.

Hardcover. NY, Benjamin Blom, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, light orange cloth with brown titles on spine. Traces the history of the time-honored farce, featuring Pulcinella, Harlequin, Pierrot, Pantaleone, and other traditionsl characters, from Roman comedy to Cruikshank's Punch & Judy. Originally published in 1912, this new edition adds 46 pages of illustrations and a folding color frontispiece. Clean copy, no dust jacket.

Hardcover. NY, Narry H. Abrams, reprint, Book: Very Good, Dust Jacket: Good, Hardcover in pictorial boards with acetate dust jacket. 112 pages illustrated in color and b&w. Presents all the existing work of Piero della Francesca. Includes 64 color plates and 111 black-and-white illustrations. Introduction by Peter Murray. Clean copy.

Hardcover. NY, E. P. Dutton, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt lettering, 402 pages. Translated form the Italian by Maria Sermolino. An account of WW1 by an officer in the Italian Army. Clean, tight copy.

Softcover. NY, Center For Migration Studies, 3rd pr., 1999, Book: Very Good, Dust Jacket: None, Softcover, 230 pages. The Italians of San Francisco is the first comprehensive description of the economic and social aspects of the Italian migratory experience in San Francisco to be presented in a side-by-side bilingual edition, providing teachers and students of Italian and English with a linguistically definitive and an historically important learning tool. This text pieces together the fragmented story of one of the largest immigrant groups to come to California charting the history of their economic and social development as it began in San Francisco, and as it was to be found throughout California. The Italians of San Francisco tells the story of a community whose strength was maintained in the vibrancy and perseverance of its members, and whose accomplishments were achieved through the ambition and efforts of each of its members. Clean copy.