Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.

Softcover. Booth-Clibborn Editions , 1st, 2009, Book: Very Good, Softcover, pages. A collection of essays, photographs and behind the scenes commentary from TRACE magazine. TRACE is a forward thinking global magazine that always leaves you craving more of what you just read/saw. Many of the early and current TRACE contributors are now some of the biggest more influential creative writers, designers and photographers in the world today. It is great to see all of these amazing artist in one collection and follow how they have evolved over the past ten years. As TRACE has matured so have they. This book is a great snap shot of fashion, music and art from around the world through the eyes of TRACE.

Hardcover. NY, Harper & Brothers, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket that is taped to covers, 554 pages. Name on front fly leaf, otherwise clean.

Softcover. NY, Archipelago Books, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 115 pages, color illustrations. All One Horse is a marvel-filled journey through Breyten Breytenbach's kaleidoscopic imagination. The electrifying colors and penetrating images of his paintings converse with his lyrical and satirical dream-fables. These visions and parables emerge from a melange of cultures and traditions: African and Eastern thought, the spirit world, and the spheres of visual art, philosophy, history and politics. Breytenbach's watercolors communicate in hieroglyphs, where private conversation embraces myth and dream. These reflections and images - clear and complex at once - are cries for human dignity and justice, are truth disguised as play. An outspoken human rights activist, Breyten Breytenbach is a poet, painter, memoirist, essayist and novelist. His paintings and drawings have been exhibited around the world. Born in South Africa, he emigrated to Paris in the late '60s and became deeply involved in the anti-Apartheid movement. Clean Copy.

Hardcover. Cambridge MA, MIT Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color. Antonin Artaud (1896-1948)-stage and film actor, director, writer, and visual artist-was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theater, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again. This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thevenin and the philosopher Jacques Derrida. Still in publisher's shrinkwrap.

Hardcover. NY, Basic Books, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 306 pages. Morse Peckham "considers the various roles played by pornography, especially within that hateful siege of contraries which constitutes stability and innovation." Chapters: What is Pornography?, The Art in Pornography, An Explanation for Pornography, Pornography and Culture.

Hardcover. University Park, Pa., Penn State University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Baudelaire's illustrations throughout. Minor dust jacket edge wear, otherwise, very clean, bright and tight copy.

Hardcover. Liverpool, Caxton Press, 1st, 1820, Book: Good, Dust Jacket: None, Hardcover, 1527 pages, b&w frontispiece. Half-leather covers w/ faded gilt lettering on spine. Edge wear, soiling to boards. Previous owner's signature and markings on front fly leaf. Light staining, yellowing to pages. Else a nice, tight copy.

Hardcover. Boston, Houghton Mifflin, 1st, March 27, 1989, Book: Very Good, Dust Jacket: Very Good, 190 pages, b&w illustrations throughout. Light edge wear to dust jacket; small tear on rear cover. Light foxing on top edge. Else a clean, tight copy.

Hardcover. Providence RI, Brown University Press, 1st, 1963, Book: Very Good, Dust Jacket: None, Original gray boards, large format. Non-paginated (43 pages). William Blake's illustrations for Robert Blair's 'The Grave'. Some rubbing and lightly bumped corners on covers. Spine/hinge paper with narrow paper separation on upper 4". Clean, tight copy.

Hardcover. New York, W. W. Norton & Company, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Illustrated with full color photographs. Price clipped dust jacket with light wear to edges. Clean, tight copy.

Hardcover. New York City, Blue Faun Publications, 1st, 1929, Book: Good, Dust Jacket: None, 203 pages. Hardcover. Illustrated pastedown on front cover designed by Mahlon Blaine. Illustrated endpapers by Heinrich Vogeler. "The entire edition of Colours is limited to 1950 copies; 1900 copies numbered and registered, for sale; and 50 copies, lettered A to XX, for review only. Type has been distributed, and Colours will not be reprinted. This copy is No. 386". Some foxing to front cover pastedown, and narrow chip missing from spine label. Spine slightly cocked. Clean, unmarked pages.

Hardcover. New York, Dodd, Mead and Company, 1st Edition, 1920, Book: Good, Dust Jacket: None, 370 pages. Hardcover. Green cloth covers with gilt titles to cover & spine. Fraying, scuffing to edges. Light sunfade to spine. As is, with light pencil marking throughout. Cracked rear hinge.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1996, Hardcover, 106 pages, color plates. Edited with an Introduction by William Benton. Illustrated with full-page color reproductions of 40 paintings by Elizabeth Bishop. Elizabeth Bishop (February 8, 1911 October 6, 1979) was an American poet and short-story writer. She was Consultant in Poetry to the Library of Congress from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956, the National Book Award winner in 1970, and the recipient of the Neustadt International Prize for Literature in 1976. Bump to bottom lower corner of book. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. B&w illustrations. With this handsome book, David Sweetman, a biographer of Vincent van Gogh and Paul Gauguin, brings together the dissolute lives of various artists who came to represent decadent fin-de-siecle Paris: Oscar Wilde, Felix Feneon, Alfred Jarry, and, of course, Henri de Toulouse-Lautrec. As the author reminds us, imitations of the latter's work adorn the walls of French-themed bars worldwide and have become a shorthand for sanitized debauchery. Toulouse-Lautrec--absinthe drinker and brothel frequenter--was instrumental in the development of the poster, but what is his artistic legacy? Although Toulouse-Lautrec dominates the book's subtitle, Sweetman's sweep is much grander. In much the same way as his main subject was, Sweetman proves a sympathetic host to the women of Montmartre, tragic figures such as La Goulue, Jane Avril, and Suzanne Valadon, and he is particularly insightful on the singer Aristide Bruant's influence on the fledgling artist. Clean copy.

Hardcover. NY, Abbeville Press, 1st thus, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with drawings. Index. Bibliography. 487 pages. Remington, a prolific letter writer, was also an inveterate doodler. Many of these previously unpublished drawings are a part of this collection. Correspondence includes notes to his family and correspondence with President Theodore Roosevelt, Owen Wister, Poultney Bigelow, Francis Parkman, Elizabeth Custer and others. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 2nd pr., 1945, Book: Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket, 247 pages. SIGNED BY THE AUTHOR on the title page. Illustrated with 10 b&w plates.

Hardcover. New York, Beaufort Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 375 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Softcover. Greensboro NC, University of North Carolina Press, 1st, 1999, Book: Very Good, Dust Jacket: None, 108 pages, illustrated in color and b&w. Softcover exhibition catalog featuring the poet's collaboration with various artists like John Altoon, Donald Sultan, others. Includes a CD-ROM.

Hardcover. Boston, Houghton Mifflin, 3rd pr., 1905, Book: Very Good, Dust Jacket: Poor, Two hardcover volumes in worn, soiled dust jackets. Dark green cloth covers with gilt titles to upper covers and spines. As a result of djs, both volumes are bright and clean, 261. 243 pages. No markings.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover with no dust jacket. Clean, unmarked copy. Black and white pictures throughout. The author's memoir of the seven years spent in collaboration with

Hardcover. Seattle, WA, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover with no dust jacket. Clean, unmarked copy. Black and white pictures throughout. The author's memoir of the seven years spent in collaboration with Burroughs.

Hardcover. New York, Charles Scribner's Sons, 1st Edition, 1907, Book: Very Good, Dust Jacket: None, Hardcover. 126 pages plus 50 plates. Vivid color illustrated tipped-in plates (vibrant, excellent condition) with captioned tissue guards, as well as b/w illustrations throughout. Plates glued to brown heavy stock. Cover boards bound in green cloth, gilt title on spine, gilt title and design embossed on front cover board. Some light spotting to boards and spine, bump to front cover board's right top corner (see image). Binding tight. Spine straight. Pages quite bright and unmarked. Scarce. In Peter Pan in Kensington Gardens, J.M. Barrie first created Peter Pan as an infant, living a wild and secret life with birds and fairies in the middle of turn of the century London. This edition is beautifully illustrated by Rackham, one of the leading figures of the Golden Age of British book illustration.

Hardcover. NY, HarperCollins, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY PROSE on the title page. In a brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationship between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process. Clean copy.