Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.
Hardcover. NY, Farrar Straus & Cudahy, 1st, 1956, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Small chip to bottom of spine. Clean copy.
Hardcover. NY, Thomas Y. Crowell, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 310 pages, 250 b&w illustrations. The life of one of America's major literary artists, Henry David Thoreau: , born on July 12, 1817, in Concord, Massachusetts: a schoolmaster, tutor, surveyor, mason, gardener, farmer, house painter, carpenter, day-laborer, abolitionist, pencil-maker. lecturer, naturtalist, writer. Small name on front fly leaf otherwise clean.
Hardcover. NY, Harper & Brothers, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket that is taped to covers, 554 pages. Name on front fly leaf, otherwise clean.
Hardcover. NY, McGraw-Hill, 1st, 1951, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to spine, 263 pages. Discusses the works of postwar writers of the Forties, such as Norman Mailer, John Horne Burns, Truman Capote, Paul Bowles, Alfred Hayes and others; along with three writers of the Twenties: Ernest Hemingway, John Dos Passos, and F. Scott Fitzgerald. Clean copy.
Hardcover. NY, McGraw-Hill, 1st, 1951, Book: Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to spine, 263 pages. Pencil underlining to first 20 pages, otherwise clean. Discusses the works of postwar writers of the Forties, such as Norman Mailer, John Horne Burns, Truman Capote, Paul Bowles, Alfred Hayes and others; along with three writers of the Twenties: Ernest Hemingway, John Dos Passos, and F. Scott Fitzgerald.
Hardcover. NY, Alfred A. Knopf , 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 408 pages. In this illuminating study of the "crucial century" (1830-1930), Alfred Kazin views the major figures in American writing, beginning when Ralph Waldo Emerson left the church and inspired a national literature on the basis of a religious revolution, and ending with the triumph of modernism - Eliot, Pound, Hemingway, Fitzgerald - and with the revelation after World War I of the "postponed power" of those who had been modern before their time: Henry Adams, Melville, Whitman, Dickinson.
Hardcover. NY, Columbia University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 411 pages. Collects letters, novellas, essays, criticism, and a play by a leading intellectual of the Romantic period. Small owner's sticker on front fly leaf otherwise clean.
Hardcover. NY, Columbia University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 194 pages. Index, map, biliographies, appendices. Clean copy.
Hardcover. NY, Oxford University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This book examines the far-reaching legacy of one of the great myths of classical antiquity. According to Greek legend, Antigone, daughter of Oedipus, secretly buried her brother in defiance of the orders of Creon, king of Thebes. Creon sentenced Antigone to death, but, before the order could be executed, she committed suicide. The theme of the conflict between Antigone and Creon - between the state and the individual, between young and old, between men and women - has captured the Western imagination for more than 2,000 years. Antigone and Creon are as alive in the politics and poetics of our own day as they were in ancient Athens. Here, Steiner examines the treatment of the Antigone theme in Western art, literature and thought, leading us to look again at the unique influence Greek myths exercise on twentieth-century culture.
Hardcover. London, Peter Owen , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. An acclaimed and most unusual biography of Baudelaire, showing him ensnared by his passions for poetry, prostitutes, and drugs. A crucial link between romanticism and modernism, Charles Baudelaire is a pivotal figure in European literature and thought. His influence on modern poetry is immense. In the English language, where his literary reputation is less well known, it is his link with drug culture that gives him contemporary resonance. It is commonly known that Baudelaire used opium. Many writers have described him as being addicted to the drug, but none of his biographers, Frank Hilton argues, has fully understood the effect of opiate addiction on the personality and, in the case of Baudelaire, the extent to which it damaged his life and work. In this original contribution to Baudelaire studies Hilton contends that the drug is at the root of all Baudelaire's problems and in particular--something that constantly tormented him--his chronic inability to apply himself to any prolonged creative work. Unquestionably, there is significantly more to Baudelaire than his opium addiction. But a proper awareness of what it did to the poet helps to illuminate those puzzling aspects of his life and behavior that were not previously understood. Written with the general reader in mind, Baudelaire in Chains will give those who know little or nothing about him a comprehensive picture of his life. To those who know a great deal it will present him in an unexpected light.
Hardcover. Austin TX, University of Texas Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 201 pages. A fascinating look at the theories behind fairy tales and fantasy. The works of J.R.R.Tolkien and his essay 'On Fairy Stories' is a major focus of the book as are German fairy tales or Marchen and Marx and Fairy tales. Clean copy.
Hardcover. London, Metheun, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Illustrated in color and b&w. Clean, tight copy.
Hardcover. NY, Lothrop, Lee & Shepard , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 244 pages. Notable collection of writings about children's books by such contributors as Susan Cooper, Lloyd Alexander, Paula Fox, Arnold Lobel, etc. Clean copy.
Hardcover. London, Chatto and Windus, 1st, 1960, Book: Good, Dust Jacket: None, 260 pages. INSCRIBED BY AUTHOR on front flyleaf. Hardcover. Gilt title on spine. Covers bound in purple cloth. Boards have a touch of age wear at edges. Gutter split at title page, otherwise, binding tight. Clean inside. Edges and preliminary pages have some age-yellow and foxing. Still in great shape for its age.
Hardcover. Berkeley CA, University of California Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 248 pages. Errata slip laid in. Name on blank prelim pages. Otherwise clea.
Softcover. University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 320 pages. Here is a collection of interviews that cover the period from 1967 through 1993. Many are translations of interviews that originally appeared in French, German, Italian, Polish, Spanish, or Swedish periodicals. Several are published here for the first time in any language. Giving attention to Sontag's education and the development of her aesthetic and moral temperament, they cover Sontag's rich career as a distinguished writer, filmmaker, dramatist, and cultural critic. Clean, bright copy.
Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.
Hardcover. Athens GA, University of Georgia Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with mild edgewear, 253 pages. Considered depraved by some and magnificent by others, Lady Chatterley's Lover was a genetic controversy the world over, inspiring landmark judicial opinions. After 50 years it's literary reputation is not yet secure -- the scent of pornography still clings. In DH Lawrence's" Lady " outstanding critics, assessing the work from a different perspective, reveal vast importance to her literature and our culture. Edited by Michael Squires and Dennis Jackson, these essays offer vigorous and perceptive readings that see the novel as it could not have been viewed at the time when it first appeared.
Hardcover. London, William Blackwood and Sons, 1st, 1903, Book: Very Good, Dust Jacket: None, 2 Volumes. Blue cloth covers. Volume 1 - 358 pages. Previous owners bookplate on inside front cover. Area of foxing at top left corner of half title page. Light moisture wrinkle to front/back covers at upper right/left corners - this does not effect text block. Title in gilt on spine. Clean, tight copy. Volume 2 - 330 pages plus 32 pages of ads. Previous owners bookplate on front endpaper. Blue stain along gutter of half title, and title page. Title in gilt on spine. Clean, tight copy.
Hardcover. NY, Rinehart & Co., 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover, 241 pages. The author Cook was an English professor at Middlebury College for many years, and involved with Bread Loaf Writer's Conference almost from its inception, as Robert Frost was. INSCRIBED by Robert Frost (the subject) to Cook (the author).
Softcover. Los Angeles, CA, William Andrews Clark Memorial Library, Reprint, 1970, Book: Very Good, Dust Jacket: None, 77 pages. Softcover. Augustan Reprint Society. Pamphlet with staple binding. Light tanning to cover, cover is becoming detached from bound pages. No pages missing or ripped. Very good condition. Previous owner's name written on front cover. Some underlining and brief notes written inside (pencil)."The most satisfactory of Collins' many pamphlets and books..."
Hardcover. Barcelona Spain, Galaxia Gutenberg, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets, housed in a cardboard slipcase. ALL TEXT IN SPANISH. 1.368 and 1.454 pages. Clean set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Cambridge MA, Harvard University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages. In 1956 W. E. B. Du Bois was denied a passport to attend the Presence Africaine Congress of Black Writers and Artists in Paris. So he sent the assembled a telegram. "Any Negro-American who travels abroad today must either not discuss race conditions in the United States or say the sort of thing which our State Department wishes the world to believe." Taking seriously Du Bois's allegation, Juliana Spahr breathes new life into age-old questions as she explores how state interests have shaped U.S. literature. What is the relationship between literature and politics? Can writing be revolutionary? Can art be autonomous, or is escape from nations and nationalisms impossible? Du Bois's Telegram brings together a wide range of institutional forces implicated in literary production, paying special attention to three eras of writing that sought to defy political orthodoxies by contesting linguistic conventions: avant-garde modernism of the early twentieth century; social-movement writing of the 1960s and 1970s; and, in the twenty-first century, the profusion of English-language works incorporating languages other than English. Spahr shows how these literatures attempted to assert their autonomy, only to be shut down by FBI harassment or coopted by CIA and State Department propagandists. Liberal state allies such as the Ford and Rockefeller foundations made writers complicit by funding multiculturalist works that celebrated diversity and assimilation while starving radical anti-imperial, anti-racist, anti-capitalist efforts. Clean, like new.
Hardcover. London, Chatto & Windus, 1st, 1893, Book: Good, Dust Jacket: None, Hardcover, 288 pages + ads in rear. Green cloth with gilt lettering to spine. Some fading and soil to boards with small tear to upper edge of spine. Binding is slightly shaken and there is a previous owner's inscription on front fly leaf. Internally very clean and bright.
Hardcover. NY, D. Appleton & Company, 1st, 1852, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title to front board and to spine. 261 pages, publisher's ads. Contains of an early review of Harriet Beecher Stowe's bestselling novel, Uncle Tom's Cabin, as well as accounts of travels to the Nubian Desert and Arctic, a history of Spanish literature, and literary essays and reviews of works by Dickens, Tennyson, Thackeray, and Hawthorne. Mild foxing, some light chipping and wear to spine.
Hardcover. NY, Basic Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 337 pages, in a bright, unclipped dust jacket. Essays by the New York City cultural critic; examines the work of artists, filmmakers and writers ranging from Anton Chekov to J. K. Rowling, including Stanley Kubrick, The Sopranos, Sex in the City, John Updike, Norman Mailer, and Barbara Kingsolver. Clean copy.
Softcover. NY, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover. A landmark exploration of the dark side of human ingenuity and imagination and an analysis of the history of Western culture. 369 pages, indexed, with bibliography.
Hardcover. London, Faber & Faber, 1st UK, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 251 pages. Translated from the French by Ralph Manheim.(London): Faber and Faber, (1982). First edition in English, first printing. "First published in 1982" statement to the copyright page. In this in-depth study of his life and his works, Robert explores Kafka's loneliness, his omission of the words 'lonely' and 'Jew' in his writings, compares his life with his allegories, and more. Clean copy.
Hardcover. Portland OR, Amedeus Press, 1st, March 1, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 453 pages, b&w photographs and frontispiece, sheet music end paper. Light edge wear to dust jacket. Else a very clean, tight copy.
Hardcover. New York, Oxford University Press, 1st, 1941, Book: Very Good, Dust Jacket: None, 353 pages, hardcover. With a preface by Paul Hazard of the Academie Francaise. French literary criticism. Previous owner's inscription to front flyleaf. Blue boards with gilt titling to spine and front panel. Mild bumping to corners. Scarce. A clean and tight copy.
Hardcover. Peacham VT, The Perpetua Press, 1st, 2002, Hardcover in the publisher's cream-colored linen over boards with spine and upper board gilt-stamped black leather labels. No dust jacket, as issued. 88 pages, only 500 copies printed. A collection of interviews done with Shaw from 1924 - 1945. Bright and clean copy.
Hardcover. London, W. H. Allen & Co., 1st, 1883, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth-covered boards with gilt titles to spine and gilt titles and gilt rules to front board. Prefatory note by Bertha Thomas plus 247 pages plus four-page publisher's advertisements for titles in the Eminent Women Series to the rear. Previous owner's name on front fly leaf, otherwise clean.
Hardcover. NY/Oxford UK, Routledge, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 190 pages. This book examines Gore Vidal's lifelong engagement with the ancient world. Incorporating material from his novels, essays, screenplays and plays, it argues that his interaction with antiquity was central to the way in which he viewed himself, his writing, and his world. Divided between the three primary subjects of his writing - sex, politics, and religion - this book traces the lengthy dialogue between Vidal and antiquity over the course of his sixty-year career. Broughall analyses Vidal's portrayals of the ancient past in novels such as Julian (1964), Creation (1981) and Live from Golgotha (1992). He also shows how classical literature inspired Vidal's other fiction, such as The City and the Pillar (1948), Myra Breckinridge (1968), and his Narratives of Empire (1967-2000) novels. Beyond his fiction, Broughall examines the ways in which antiquity influenced Vidal's careers as a playwright, an essayist and a satirist, and evaluates the influence of classical authors and their works upon him. Clean copy.
Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.
Softcover. Evanston, IL, Northwestern University Press, reprint, 2001, Book: Very Good, Dust Jacket: None, 355 pages. Softcover with light edgewear to paper wrappers. In this groundbreaking volume, Krzysztof Ziarek rethinks modern experience by bringing together philosophical critiques of modernity and avant-garde poetry. Ziarek explores, through selective readings of avant-garde poetry, the key aspects of the radical critique of experience: technology, everydayness, event, and sexual difference. To that extent, The Historicity of Experience is less a book about the avant-garde than a critique of experience through the avant-garde. Ziarek reads the avant-garde in dialogue with the work of some of the major critics of modernity (Martin Heidegger, Walter Benjamin, Jean-Francois Lyotard, and Luce Irigaray) to show how avant-garde experiments bear critically on the issue of modern experience and its technological organization. The four poets Ziarek considers--Gertrude Stein, Velimir Khlebnikov, Miron Biaoszewski, and Susan Howe--demonstrate the broad reach of and variety of forms taken by the avant-garde revision of experience and aesthetics.
Hardcover. US, University Of Chicago Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 229 pages. Light edgewear to dust jacket, else a clean, tight copy. Isaiah Berlin: A Celebration gathers tributes, reflections, and commentaries on the great thinker and his philosophy, politics, and life-including contributions from Michael Ignatieff, Leon Wieseltier, Ronald Dworkin, Stephen Spender, and many others.
Hardcover. Stanford CA, Stanford University Press, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on the spine. No dust jacket. 384 pages, b&w illustrations. The biography of an influential critic gives a vivid picture of American cultural life from the 1880s to the 1920s. INSCRIBED BY ERIK HUNEKER, SON OF JAMES on the front fly leaf. Clean copy.
Hardcover. Burlington, VT, Ashgate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 162 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. NY, New York University Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 200 pages. Joyce Cary long a popular author among discriminating readers, is gaining a wider audience for his novels every year. This critical study of his work considers the developing relationship between his matter and his manner. It especially emphasizes his growth as artist and thinker. Looking closely at the language and structure of Cary's books, the author examines all the novels- the African ones, the historical ones, and the two trilogies most of them in detail. To gain an overall view he also considers Cary's nonfiction and some as yet unpublished material. While this study is essentially non-biographical, it does analyze Cary's interpretations of history, sociology and politics as they are gathered from the actions and words of his colorful characters. One of the most intriguing features of Dr. Wolkenfeld's book is the dialogue between characters of the various novels, where likenesses as well as dissimilarities, which reveal so much about Cary as a writer, become evident. Clean copy.
Softcover. Paris, Jose Corti, 1st, 1996, Book: Very Good, Dust Jacket: None, 215 pages, b&w illustrations. INSCRIBED BY AUTHOR on half title page. French text. Wraparound red band with light wrinkle, wear. Otherwise very good.
Softcover. Stanford CA, Stanford University Press, 1st transl., 1944, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. Philosophical aesthetics has seen an amazing revival over the past decade, as a radical questioning of the very grounds of Western epistemology has revealed that some antinomies of aesthetic experience-and in particular of the limits of the aesthetical-can be viewed as a general, yet necessarily open model for human understanding. In this revival, no text in the classical corpus of Western philosophy has been more frequently discussed than the complex paragraphs modestly inserted into Kant's Critique of Judgment as sections 23-29: the Analytic of the Sublime. This book is a rigorous explication de texte, a close reading of these sections. First, Lyotard reconstitutes, following the letter of Kant's analysis, the philosophical context of his critical writings and of the European Enlightenment. Second, because the analytic of the sublime reveals the inability of aesthetic experience to bridge the separate realms of theoretical and practical reason, Lyotard can connect his reconstitution of Kant's critical project with today's debates about the very conditions-and limits-of presentation in general.
Hardcover. Baton Rouge, Louisiana State University, 1st Ed., 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a short closed tears. B&w photos, 297 pages. The first comprehensive intellectual biography of the Georgia writer, Lillian Smith, based on an extensive collection of autobiographical writings and correspondence, as well as on Smith's published books and articles. Smith is best known as an early critic of racial segregation and as a civil rights worker.
Hardcover. NY, The Macmillan Company,, 1st, 1948, Book: Very Good, Dust Jacket: Very Good, Three hardcover volumes in bright dust jackets, complete set. Blue cloth covers and gilt spine lettering. Volumes 1 & 2 are historical and cover the development of American literature from its European roots, and volume 3 is a comprehensive bibliography. This is a standard work in its field. Vol. 1: 636 pages, Vol.2: 639-1422; Vol. 3: 817 pages. The contents are clean and unmarked--there are no bookplates or ownership names. Dust jackets in protective mylar, no slipcase.
Hardcover. Gale Group, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 195 pages, b&w illustrations. A scholarly examination of Camus's famous short novel. Like new, clean.
 "\"Golden\" Twenties, The: Art and Literature in the Weimar Republicby: Schrader, Barbel and Jurgen Schebera")
 "Comic Sense of Henry James, The (INSCRIBED BY AUTHOR)by: Poirier, Richard")
 "Discourse Concerning Ridicule and Irony in Writing, A (1729)by: Collins, Anthony, Bloom, Edward A. (Introducation), Lillian D. Bloom (Introduction)")
 "Don Quijote de La Mancha: Edicion del Instituto Cervantes 1605 - 2005, dirigida por Francisco Rico. Volumen complementario (2 Volumes)by: Miguel de Cervantes")
 "Falling Upwards: Essays in Defense of the Imaginationby: Siegel, Lee")
 "Historicity of Experience: Modernity, the Avant-Garde, and the Event, Theby: Ziarek, Krzysztof")
 "James Gibbons Huneker: Critic of the Seven Arts by: Schwab, Arnold T.")
