Hardcover. Baltimore, John Hopkins University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. Biography of Edward Gibbon, who wrote arguably the most famous work of history ever, The Decline and Fall of the Roman Empire (1776-1789). Clean copy.
Hardcover. Austin TX, University of Texas Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages. Light edgewear and sunning to dust jacket, else a clean, tight copy. Biography of the American Southern novelist which includes study of her later novels, when she was no longer content to imitate fashionable male novelists.
Hardcover. Berkeley CA, University of California Press, 2nd pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 671 pages. Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord. Drawing on a vast amount of new material, including correspondence among the Emerson brothers, Richardson gives us a rewarding intellectual biography that is also a portrait of the whole man. Clean copy.
Hardcover. London, Chatto & Windus, 1st, 1893, Book: Good, Dust Jacket: None, Hardcover, 288 pages + ads in rear. Green cloth with gilt lettering to spine. Some fading and soil to boards with small tear to upper edge of spine. Binding is slightly shaken and there is a previous owner's inscription on front fly leaf. Internally very clean and bright.
Hardcover. NY, Knopf, reprint, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 638 pages. Dark gray covers, color illustrated dust jacket. Traces the life of the nineteenth-century American poet and analyzes all of her major poems. Light edge wear to dust jacket, pages crisp and unmarked, previous owner's signature to front end paper corner; overall, a very clean, tight copy.
Hardcover. NY, Doubleday, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 480 pages. The product of thirty years of friendship and conversation, Jay Parini's Empire of Self digs behind the glittering surface of Gore Vidal's colorful career to reveal the complex emotional and sexual truths underlying his celebrity-strewn life. But there is plenty of glittering surface as well--a virtual Who's Who of the twentieth century, from Eleanor Roosevelt and Amelia Earhart through the Kennedys, Johnny Carson, Leonard Bernstein, and the creme de la creme of Hollywood. Also a generous helping of feuds with the likes of William F. Buckley, Norman Mailer, Truman Capote, and TheNew York Times, among other adversaries. The life of Gore Vidal teemed with notable incidents, famous people, and lasting achievements that call out for careful evocation and examination. Jay Parini crafts Vidal's life into an accessible, entertaining story that puts the experience of one of the great American figures of the postwar era into context, introduces the author and his works to a generation who may not know him, and looks behind the scenes at the man and his work in ways never possible before his death. Provided with unique access to Vidal's life and his papers, Parini excavates many buried skeletons yet never loses sight of his deep respect for Vidal and his astounding gifts. This is the biography Gore Vidal--novelist, essayist, dramatist, screenwriter, historian, wit, provocateur, and pioneer of gay rights--has long needed.
Hardcover. Boston, Houghton Mifflin, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, 3 colors. Beautiful gilt and sihouette vignette of the London skyline. 80 black and white drawings by Joseph Pennell. Top edge gilt. A collection of periodical pieces written over a span of thirty years by James, all about his travels in England. Name and date on front fly leaf, otherwise a clean, bright copy.
Hardcover. NY, Charles Scribner's Sons, 1st BC Ed., 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles, 687 pages, b&w photos. Has the A_3.69 (C), small embossed circle at bottom of rear cover indicating a book club printing. Bright, clean copy, missing the dust jacket.
Hardcover. Little Rock AK, Butler Center for Arkansas Studies, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 358 pages. For those who care about literature or simply love a good laugh (or both), Charles Portis has long been one of America's most admired novelists. His 1968 novel True Grit is fixed in the contemporary canon, and four more have been hailed as comic masterpieces. Now, for the first time, his other writings--journalism, travel stories, short fiction, memoir, and even a play--have been brought together in Escape Velocity: A Charles Portis Miscellany, his first new book in more than twenty years. All the familiar Portis elements are here: picaresque adventures, deadpan humor, an expert eye for detail and keen ear for the spoken word, and encounters with oddball characters both real and imagined. The collection encompasses the breadth of his fifty-year writing career, from his gripping reportage of the civil rights movement for the New York Herald Tribune to a comic short story about the demise of journalism in the 21st century. New to even the most ardent fan is his three-act play, Delray's New Moon, performed onstage in 1996 and published here for the first time.
Hardcover. New York, Esquire, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY GINGRICH on copyright page. Slip case slight foxing on label. Top edge gilt. Limited Edition.
Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Introduction by Frank Ellis. A facsimile reprint.
Hardcover. Boston, Houghton Mifflin Harcourt, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 134 pages. Hardcover with dust jacket. SIGNED BY HALL ON BOOKPLATE ON FRONT END PAPER. Gutter crack on page 132, otherwise tight copy. Newspaper clipping laid in.
Hardcover. NY, D. Appleton & Company, 1st, 1852, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title to front board and to spine. 261 pages, publisher's ads. Contains of an early review of Harriet Beecher Stowe's bestselling novel, Uncle Tom's Cabin, as well as accounts of travels to the Nubian Desert and Arctic, a history of Spanish literature, and literary essays and reviews of works by Dickens, Tennyson, Thackeray, and Hawthorne. Mild foxing, some light chipping and wear to spine.
Hardcover. New York , Bollingen Foundation/Pantheon, 1st thus, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcovers, four volumes in a slipcase. Blue cloth covers with red spine labels, gilt lettering. Unclipped dust jackets. 345,547,540, and volume 4 index 109 pages and photo reproduction of the original 1837 edition in Russian. Bollingen Series LXXII. Slipcase is sound. Clean, bright set with only minoe shelf wear.
Hardcover. Knoxville TN, University of Tennessee Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 235 pages. Evelyn Scott was a significant literary figure in American letters of the 1920s and 1930s, an important contributor in the experimental forms and techniques of the modernist movement. She wrote and published in many genres -- the novel, short fiction, poetry, memoir, criticism, and drama. Since that time, Scott's work has been forgotten by most readers and critics, and her reputation as an important writer of her day has been obscured. This collection, which features an introduction and thirteen critical essays, is the first volume to focus on Scott's work rather than her intriguing yet troubled life and initiates a long-needed examination of Scott's innovations in fiction, memoir, and other genres. The various essays take diverse critical approaches to Scott's canon, including her best-known works -- Escapade and The Wave -- and explore her views on topics such as women, politics, religion, art, and the South. Clean copy.
Hardcover. Chicago, University Of Chicago Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 236 pages. A butler school in Houston, a livestock auction in Little Rock, a home for "frozen guys" in California, JFK's humidor in Manhattan--all are jumping off points for Friedman's baleful and sharply satirical scrutiny of American life and behavior in the second half of the twentieth century. Travel with Friedman from Harlem to Hollywood, from Port-au-Prince to Etta's Eat Shop in Chicago. In these pieces, which were published in literary and mass-circulation magazines from the 1960s to the 1990s, you'll meet such luminaries as Castro and Clinton, Natalie Wood and Clint Eastwood, and even Friedman's friends Irwin Shaw, Nelson Algren, and Mario Puzo. Friedman is a master of the essay, whether the subject is crime reporting ("Lessons of the Street"), Hollywood shenanigans ("My Life among the Stars"), or his outrageous adventures as the editor of pulp magazines (the classic "Even the Rhinos Were Nymphos"). We could sing his praises as a journalist, humorist, and social critic. But, as Buckley tells us, being Bruce Jay Friedman is enough. Clean copy.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 1996, Hardcover, 106 pages, color plates. Edited with an Introduction by William Benton. Illustrated with full-page color reproductions of 40 paintings by Elizabeth Bishop. Elizabeth Bishop (February 8, 1911 October 6, 1979) was an American poet and short-story writer. She was Consultant in Poetry to the Library of Congress from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956, the National Book Award winner in 1970, and the recipient of the Neustadt International Prize for Literature in 1976. Bump to bottom lower corner of book. Clean copy.
Hardcover. Boston, Ticknor and Fields, 1st, 1863, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages. Portrait of Thoreau on frontispiece with tissue guard. First edition, one of 1,558 copies printed. Original publisher's blue-green pebbled cloth with blind-stamped borders and center wreath. Spine lettered in gilt. Brown-coated end papers. Ten essays including a 33 page biographical sketch by Emerson of Thoreau and nine essays by Thoreau, among them the famous "Walking."
Hardcover. NY, Simon & Schuster, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket with mild tanning, 254 pages. Bound in bright blue cloth in white dust jacket printed in red and black. First Printing stated. A collection of Isherwood's writings from nearly four decades. Clean copy.
Hardcover. NY, Simon & Schuster, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. B&w illustrations. With this handsome book, David Sweetman, a biographer of Vincent van Gogh and Paul Gauguin, brings together the dissolute lives of various artists who came to represent decadent fin-de-siecle Paris: Oscar Wilde, Felix Feneon, Alfred Jarry, and, of course, Henri de Toulouse-Lautrec. As the author reminds us, imitations of the latter's work adorn the walls of French-themed bars worldwide and have become a shorthand for sanitized debauchery. Toulouse-Lautrec--absinthe drinker and brothel frequenter--was instrumental in the development of the poster, but what is his artistic legacy? Although Toulouse-Lautrec dominates the book's subtitle, Sweetman's sweep is much grander. In much the same way as his main subject was, Sweetman proves a sympathetic host to the women of Montmartre, tragic figures such as La Goulue, Jane Avril, and Suzanne Valadon, and he is particularly insightful on the singer Aristide Bruant's influence on the fledgling artist. Clean copy.
Hardcover. NY, W. W. Norton & Co., 1st, 1993, Hardcover in a bright, unclipped dust jacket. 298 pages. A late-life memoir by the notable fiction writer, biographer and critic. Covers a relatively short period of her life, with deeper reflections on a life spent in reading, writing, and observing the world around her. Clean copy.
Hardcover. Berkeley CA, University of California Press, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, price-clipped dust jacket with mild water stain. This book draws on the methods of narrative analysis and semiotics, psychoanalysis, and ideological analysis to construct a dynamic model of the contradictions from which Lewis' incomparable narrative corpus is generated, and of which it offers so many varying symbolic resolutions. No markings.
Hardcover. Bloomington IN, Indiana University Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 335 pages. Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity-the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours-is a relatively recent Western invention and one whose time may already have passed, Name on front fly leaf, several pages with light ink markings.