Hardcover. London, Ernest Benn, 11th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 656 pages. 10,000 musical themes indexed for easy reference.
Softcover. Berkeley CA, University of California Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 232 pages. "Professor DeNora's achievement in placing Beethoven, and the reception of Beethoven's music, in social context is all the more impressive because it goes so much against the grain of conventional habits of thought. In illuminating how changing social institutions created opportunities for Beethoven to gain contemporary and posthumous recognition, and, in so doing, created new forms for thinking and talking about musical achievement-the author at once provides fresh insights into the institutional origins of 'classical' music and offers an exemplary contribution to the sociological study of the arts." Clean copy.
Hardcover. Cambridge UK, Cambridge University Press, 1st UK, 1993, Book: Very Good, Dust Jacket: Very Good, 168 pages. Hardcover. Dust jacket with light rubbing. Collection of correspondence between Pierre Boulez and John Cage. Translated and edited by Robert Samuels.
Hardcover. New York , Charles Scribner's Sons, 1st, 1972, Book: Very Good, Dust Jacket: Good, 176 pages, illustrated throughout in b&w. Dust jacket price clipped with slight rubbing, wear, sunning to edges and spine. Internally very good.
Hardcover. Cleveland OH, Dayton C. Miller, reprint, 1922, Book: Very Good, Dust Jacket: None, 197 pages, dark blue cloth with gilt lettering and design. Many b&w drawings and photos, some fold-out. Light edgewear to cloth edges, mild foxing to end papers, otherwise clean.
Hardcover. NY, Farrar Straus and Giroux, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 308 pages, in a bright, unclipped dust jacket. The inside story of the chamber music group, the Guarneri Quartet.
Hardcover. New Haven CT, Yale University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 606 pages, b&w illustrations. In a bright, unclipped dust jacket. Clean copy. An extraordinary selection of revealing letters to and from one of the titans of 20th-century music. Leonard Bernstein was a charismatic and versatile musician--a brilliant conductor who attained international super-star status, and a gifted composer of Broadway musicals (West Side Story), symphonies (Age of Anxiety), choral works (Chichester Psalms), film scores (On the Waterfront), and much more. Bernstein was also an enthusiastic letter writer, and this book is the first to present a wide-ranging selection of his correspondence. The letters have been selected for the insights they offer into the passions of his life--musical and personal--and the extravagant scope of his musical and extra-musical activities.
Hardcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 336 pages. Despite the apparent incompatibility between Mozart's humanitarian and cosmopolitan outlook and Nazi ideology, the Third Reich tenaciously promoted the great composer's music to further the goals of the fascist regime. In this revelatory book, Erik Levi draws on period articles, diaries, speeches, and other archival materials to provide a new understanding of how the Nazis shamelessly manipulated Mozart for their own political advantage. The book also explores the continued Jewish veneration of the composer during this period while also highlighting some of the disturbing legacies of Mozart reception that resulted from Nazi appropriation of his work. Augmented by rare contemporary illustrations, Mozart and the Nazis will be widely welcomed by readers with interests in music, German history, Holocaust studies, propaganda, and politics in the twentieth century. Clean copy.
Softcover. San Diego, Harcourt Brace,, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 839 pages, contains two glossy black and white plates sections. This major work, the result of years of careful study and analysis, places Wolfgang Amadeus Mozart's life and music in the context of the intellectual, political and artistic currents of eighteenth-century Europe. The result is a fresh interpretation of Mozart's genius, as Robert Gutman shows the great composer in a new light. With an informed and sensitive handling, Mozart emerges as an affectionate and generous man with family and friends, self-deprecating, witty, and winsome but also an austere moralist, incisive and purposeful. The major genres in which Mozart worked-chamber music, liturgical, theater and keyboard compositions, concertos, operas, symphonies, and oratorios-are unfolded to reveal a man of luminous intellect. Mozart is an extraordinary portrait of a man and his times and a brilliant distillation of musical thought.
Hardcover. UK, Cambridge University Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 492 pages, b&w photos. In a lightly worn dust jacket, clean copy. Otto Klemperer was one of the great conductors of the century, best known in the last years of his life for his performances and recordings of the classical symphonic repertory from Mozart to Mahler. Volume 1 only.
Hardcover. London, Robert Hale, 1st UK, 1986, Hardcover, 254 pages, in a bright, unclipped dust jacket. Biography of the nineteenth century composer, Franz Schubert (1797-1828). The author "corrects the legend that Schubert was a penniless, myopic roly-poly. This sympathetic and musically astute biography pays tribute to Schubert's raw talent and shows him to have been a composer of outstanding brilliance".
Hardcover. Boston, The Boston Music Co., 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, brown woven cloth with publisher's printed paper labels on spine and front cover. 247 pages, b&w photographs. Biography of an American composer with a strong family life. MOSTLY TOLD BY Nevin and his wife throughout. Nevin, 1862-1901, born in Edgewerth Pennsylvania; debut as pianist, Pittsburgh (Dec. 10, 1886); excelled in lyrical music, composing 70 songs, published in Sketch Book (1888), Water Scenes (1891), In Arcady (1892), May in Tuscany (1896), A Day in Venice (1898). INSCRIBED BY HIS WIFE on the title page with her calling card laid in. Clean, bight copy.
Hardcover. Boston, Oliver Ditson Co., 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover. Black & white frontis. portrait of author. Preface by Booker T. Washington. Ex-lib with small bookplate, residue to rear end paper, light marking. Top edge gilt. 127 pages.
Softcover. Camden NJ, Victor Talking Machine Company, 1st, 1927, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Blue and gilt decorated cover with Red and Black Victorola album labels on the rear cover. Contains hundreds and hundreds of record listings, plus a "Red Seal" section and a green section in the back.
Softcover. Camden NJ, Victor Talking Machine Company, 1st, 1928, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Tan and gilt decorated cover with Red and Black Victorola album labels on the rear cover. Contains hundreds and hundreds of record listings, plus a "Red Seal" section and a green section in the back. Bright and clean.
Hardcover. London, Cassell and Company, 2nd pr., 1950, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. 182 pages B/w photographs, drawings and diagrams illustrate the text: "3 half-tone and 82 other illustrations." First part of the book originally published in 1923 as a Work Handbook; this edition adds a second part giving detailed instruction for making a 'cello. Original publisher's cloth binding in sand color with black lettering at spine.