Hardcover. Fleischmanns, NY, Purple Mountain Press , 1st, 1999, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover with no dust jacket. Light soil on front and back covers. Black and white illustrations throughout. SIGNED ON TITLE PAGE, numbered 10/60.
Softcover. Hartsville NY, Hartsville Historical Socirty, 1st thus, 1984, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers with title and author's picture on cover. A collection of stories about the town of Canisteo, New York that originally ran in the local newspaper in 1949 & 1950. With index of names in front, 160 pages. Clean copy.
Hardcover. Atglen, PA, Schiffer Publishing Ltd., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.
Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Very clean, unmarked copy with still in publishers shrink wrap. Visions of an American Dreamland highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.
Hardcover. Syracause NY, The Adirondack Museum, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, tape repaired dust jacket, 207 pages, b&w illustrations including a fold-out map. Articles and primary source materials (diaries; memoirs) about the settlement and development of this region in the New York Adirondack Mountains. Previous owner's inscription on front fly leaf, otherwise clean.
Hardcover. Albany NY, New York Agricultural Society, 1st, 1834, Book: Very Good, Dust Jacket: None, 192 pages, the first 12 issues of this early farming periodical, each 16 pages. Issues start with March 1834 and continue through February 1835. Bound in linen covered boards with a calf spine. Nice condition, minor foxing.
Softcover. Utica NY, North Country Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 325 pages, b&w illustrations. Mary Arakelian's biography of Dr. Orra Phelps is the story of an exceptional woman whose unselfish contribution to our knowledge of the Adirondacks is a legacy still enjoyed by lovers of the outdoors. Using letters written between Orra and her mother, the author provides an intimate portrait of Orra's life as a physician, naturalist, botanist, hiker, mountaineer, teacher, and writer. From the hardship of growing up at the turn of the century, through her difficult years as a woman in medical school, to her writing of the Adirondack Mountain Club's 1934 Guide to Adirondack Trails, Arakelian introduces us to a gifted woman. Phelps's intelligence, physical stamina, and boundless enthusiasm underscore her legacy as one of New York State's truly remarkable women of the 20th century. Clean copy.
Hardcover. Wakefield RI, Moyer Bell, 2nd pr., 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY O'CONNOR on the half-title page. O'Connor, who has had a career as an editor at Washington Square Press, Pinnacle and Popular Library, and as a cultural critic for Variety and on radio and TV (he's now a ski instructor in Vermont), originally broadcast these essays on WBAI Radio in New York City.
Hardcover. NY, Abrams, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, b&w illustrations. In a bright, unclipped dust jacket. The 1960s to early '70s was a pivotal time for American culture, and New York City was ground zero for seismic shifts in music, theater, art, and film-making. The Downtown Pop Underground takes a kaleidoscopic tour of Manhattan during this era and shows how deeply interconnected all the alternative worlds and personalities were that flourished in the basement theaters, dive bars, concert halls, and dingy tenements within one square mile of each other. Author Kembrew McLeod links the artists, writers, and performers who created change, and while some of them didn't become everyday names, others, like Patti Smith, Andy Warhol, and Debbie Harry, did become icons. Ambitious in scope and scale, the book is fueled by the actual voices of many of the key characters who broke down the entrenched divisions between high and low, gay and straight, and art and commerce -- and changed the cultural landscape of not just the city but the world.
Hardcover. US, PM Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color illustrations. Like new in publisher's shrink-wrap. A declaration of love to Peter Kuper's adoptive city in which he has lived since 1977, this diary is a vibrant survey of New York City's history. Through Kuper's illustrations, this book depicts a climb to the top of the Brooklyn Bridge, the homeless living in Times Square, roller skaters in Central Park, the impact of September 11, the luxury of Wall Street, street musicians, and other scenes unique to the city. With comics, illustrations, and sketches, this work of art portrays everything from the low life to the high energy that has long made people from around the world flock to the Big Apple.
Hardcover. New York, Villard, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.
Softcover. Fleischmanns NY, Purple Mountain Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 80 pages with b&w photos and diagrams. Common features of these barns include a core structure composed of a steep gabled roof, supported by purlin plates and anchor beam posts, the floor and stone piers below. Another distinctive feature of the Dutch barn is that the ends of the cross beams protrude through the columns. These protrusions are often rounded to form tongues. This feature is not found in any other style of barn design. Pages are bright and unmarked, solid binding.
Hardcover. NY, William Farquhar Payson, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, original brown half cloth and boards. Spine lettering faded, light soil and rubbing to covers else very good. Endpapers map showing Dutchess County above New York City, 280 pages of text, 204 photo-plates of doorways, house fronts and interior views and extensive index. Photography by Margaret de M. Brown. Clean copy.
Englewood Cliffs NJ, Prentice-Hall, 4th pr., 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 394 pages, b&w photos. A year-by-year account, with personal interviews and reminiscences, of the events and personalities of the Stengel-Houk-Berra years, which accounted for fourteen American League pennants and nine World Series championships in sixteen seasons. Clean copy.
Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 10 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 248 page book with historic photographs and home plans. Clean copy.
Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 8 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 236 page book with historic photographs and home plans. Clean copy.
Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 6 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 239 page book with historic photographs and home plans. Clean copy.
Hardcover. Harrisburg PA, National Historical Society, reprint, 1987, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. A like new copy, no marks. Volume 2 of the Architectural Treasures of Early America. From material originally published as White Pine Series of Architectural Monographs edited by Russell F. Whitehead and Frank Chouteau Brown. 236 page book with historic photographs and home plans. Clean copy.
Hardcover. NY, Harry N. Abrams, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 179 pages, illustrated throughout in b&w. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. NY, powerHouse Books, 1st, 2019, Hardcover in a bright dust jacket. For some 70 years, Leo Goldstein's East Harlembodyof work remained mostly untouched and unseen.The silver gelatin prints were catalogued in 2016,and a selection is gathered here for the first time.The photographs were taken over a number of years,beginning in 1949 when Goldstein was a memberof the Photo League.The East Harlem corpus, edited by Regina Monfort,represents an important and unique addition to thephotographic history of New York City. Because thereare no negatives in existence, it was of particularimportance to preserve the images in book form andmake them available to the public.The selected images reflect the postwar years in theEast Harlem community, which would grow intoa center of Puerto Rican culture and life in the U.S.From the families portrayed gathering on stoops, tothe kids at their shoeshine stations, to youths playingball in the streets, to posters on neighborhood walls,Goldstein's images of East Harlem provide a windowinto the socio-economic, cultural, and politicallandscape of the time.
Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 232 pages. The question "What is American art?" might conjure the hyperrealism of Raphaelle Peale and William Harnett, the bold graphic style of Stuart Davis and Jacob Lawrence, or the Precisionist forms of Charles Sheeler. Little known, however, is that such notions of American art are significantly owed to a Russian Jewish immigrant named Edith Halpert. The founder of the Downtown Gallery in New York, Halpert shaped an identity for American art, declaring that its thrilling heterogeneity and democratic values were what most distinguished it from the European avant-garde. For forty-plus years, Halpert's gallery brought recognition and market success to now-legendary American artists--among them Arthur Dove, Marsden Hartley, and Georgia O'Keeffe, in addition to the artists mentioned above. She relentlessly championed nonwhite, female, and unknown artists and was a formative advisor in the shaping of many of the nation's most celebrated art museums and collections, from San Francisco to Boston. Not content with those achievements, she also pioneered the appreciation and collecting of American folk art. Richly illustrated with works that passed through her groundbreaking gallery, this book tells the extraordinary and largely overlooked story of her career and legacy. The artists Halpert launched into the American canon are household names--and this book compellingly argues that hers should be, as well. In publisher's shrinkwrap.
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