Polisci

Hardcover. UK, Cambridge University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages. Extremists are people whose ideas or tactics are viewed as outside the mainstream. Looked at this way, extremists are not necessarily twisted or evil. But they can be, especially when they are intolerant and violent. What makes extremists turn violent? This book assumes that extremists are rational: given their ends, they choose the best means to achieve them. The analysis explains why extremist leaders use the tactics they do, and why they are often insensitive to punishment and to loss of life. It also explains how rational people can be motivated to die for the cause. The book covers different aspects of extremism such as revolution, suicide terrorism, and global jihad. The arguments are illustrated with important episodes of extremism, including the French Revolution, the rise of nationalism in Yugoslavia under Milosevic, and the emergence of suicide terror and Al Qaeda. Clean copy.

Hardcover. Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover with illustrated boards, 212 pages. Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contemporary society. Throughout the years, his subjects have included political figures and historical events, with particular intensity since the events of September 11, 2001. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest movements, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden. Raymond Pettibon (born 1957) studied economics at UCLA around the same time he joined his brother in the punk band Black Flag. He soon began to contribute artwork to album covers, flyers and t-shirts, for the band and its label, SST Records, and exhibited his work in group shows in galleries in the 1980s. Since the 1990s his work has been the subject of numerous major solo exhibitions.

Hardcover. UK, Cambridge University Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 251 pages. In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism of the twentieth century'. By associating technology with the Germans, rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, these right-wing intellectuals reconciled Germany's strength with its romantic soul and national identity. Light pencil underlining to some pages, otherwise clean.

Softcover. Hollywood CA, American Progress Enterprises, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. A rambling discourse about America, it's problems and future prospects by a former publicist for Warner Brothers. The author wrote this book to elucidate problems caused by governmental blunders and to ferret out solutions, emphasizing the science of psychology. This book contains copies of correspondence between the author and President Reagan as well as copies of other supporting documents. Lots of advice for the President, Clean, bright copy.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Founded by Paul Krassner, "The Realist" was a satirical magazine that took aim at American culture during the period of 1958 to 2001. Paul Krassner collaborates with Fantagraphics to create a collection of the best of "The Realist" drawings with contributions by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Wallace Wood and others. Illustrated front board, 291 pages plus annotations, black/white and 2-color images. Volume numbers and year published accompanies each cartoon.

Softcover. Boston, Beacon Press, reprint, 1970, Book: Very Good, Dust Jacket: None, Softcover, 351 pages, b&w illustrations. Clean copy.

Softcover. NY, Monthly Review Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. "Robert Weil has written a brilliant, powerfully argued book that cuts through the hogwash pouring from the West and from China about the 'miracle' of the Deng reforms. Weil shows how Deng's use of 'capitalism to build socialism' has resulted in the use of 'socialism to build capitalism.' This is powerful stuff, must-reading for all those who care about the future of humanity."--William Hinton. Clean, bright copy.

Hardcover. London/NY, Oxford University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. Reforming Sex reconstructs the complicated history of a movement that has been romanticized as the harbinger of 1960s sexual radicalism and demonized as a precursor to Nazi racial policy, but mostly buried and obscured by Nazi book-burnings and repression. Relying on a broad range of sources--from police reports, films and personal interviews to sex manuals unearthed from library basements and secondhand book stores--the book analyzes a remarkable mass mobilization during the turbulent and innovative Weimar years of doctors and lay-people for women's right to abortion and public access to birth control and sex education. Clean copy.

Softcover. Santa Monica CA, RAND Corporation, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 382 pages, color and b&w illustrations. For years the government of Yemen has conducted military operations north of the capital against groups of its citizens known as "Huthis." In spite of using all means at its disposal, the government has been unable to subdue the Huthi movement. This book presents an in-depth look at the conflict in all its aspects. The authors detail the various stages of the conflict and map out its possible future trajectories. Clean copy.

Softcover. London, Routledge, reprint, 2009, Book: Very Good, Dust Jacket: None, 195 pages. Softcover. In excellent condition, clean inside and out. Binding tight.

Hardcover. New York, The Free Press, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover, 615 pages. Previous owners name on front endpaper. Dust jacket with spine fading, standard wear. Clean, tight copy.

Hardcover. NY, Harper and Row, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 269 pages. 'Weber's famous study of the 'affinity' between the rise of rational bourgeois capitalism in England and Calvinist-Puritanism has for almost a century stirred up a cloud of dust and misunderstanding. Toward the end of settling some of the dust no one has previously made such an acute analysis of pre-revolutionary England as has David Little. On the one hand, he has applied and extended Weber's method, especially in the sphere of the law-monopoly and corporation law-thus filling a gap in these studies. He has also delineated the sharply conflicting conceptions of social order and of legitimation. On the the other hand, Little has given an invaluable critical survey of the extensive literature of Weber's thesis. This is a landmark in the study of the complex and varying relations between religion and society.' -James Luther Adams, Harvard Divinity School. Clean copy.

Hardcover. Princeton NJ, Kingston Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, bibliography and index. A scarce scholarly history. Slight sunning to dust jacket spine, otherwise like new, clean and tight.

Hardcover. New Haven, Yale University Press, 1st, 1958, Book: Very Good, Dust Jacket: Fair, 232 pages. Hardcover. INSCRIBED BY AUTHOR on front flyleaf. Illustrated plates of old advertising. Yellow cloth covers w/ red decoration. Worn, chipped, price-clipped dust jacket - now protected by clear plastic cover. Light foxing, soiling to edges; else a clean, tight copy.

Hardcover. NY, Knopf, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 227 pages. Previous owner's signature on front fly leaf, else a clean, tight copy. Naipaul presents here four essays about the "half-made" societies, those still suffering from the profound deprivations of colonialism and prey to corruption." He examines the role of Eva Peron as the catalyst for violence in Argentina, with its yearning for a European culture and the physical, historical, cultural reality of the land in which the native Indians were wiped out and the colonialists took over. He writes of the infamous Michael X in Trinidad whose pretensions to power and destiny led to the man's insanity and execution following two pointless murders. Shorter essays address nihilism in the Congo and Naipaul's take on Joseph Conrad and the Heart of Darkness.

Hardcover. Chicago, University of Chicago Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in bright, unclipped dust jacket. 575 pages, b&w illustrations. Stephen Kercher here provides the first comprehensive look at the satiric humor that flourished in the United States during the 1950s and early 1960s. Focusing on an impressive range of comedy--not just standup comedians of the day but also satirical publications like MAD magazine, improvisational theater groups such as Second City, the motion picture Dr. Strangelove, and TV shows like That Was the Week That Was--Kercher reminds us that the postwar era saw varieties of comic expression that were more challenging and nonconformist than we commonly remember. His history of these comedic luminaries shows that for a sizeable audience of educated, middle-class Americans who shared such liberal views, the period's satire was a crucial mode of cultural dissent. For such individuals, satire was a vehicle through which concerns over the suppression of civil liberties, Cold War foreign policies, blind social conformity, and our heated racial crisis could be productively addressed. Clean copy.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2017, Book: Very Good, Hardcover,324 pages. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.

Hardcover. London, Routledge and Kegan Paul, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering on spine, pages. Black and white photos and one map. Includes footnotes, geographical note, list of local people, 2 appendices and index. "Shows how one backward village became a revolutionary bastion in the ten years after the revolution in the late 1940s." A ten years' history of one Chinese village, covering the period immediately before the setting up of the Chinese People's Republic, and based on village records and the authors' personal experiences living with the farmers.Owner's name on inside front cover, otherwise clean.

Hardcover. Stanford CA, Stanford University Press, 1st, 1992, Book: Good, Dust Jacket: Very Good, Hardcover, 443 pages. This book contains UNDERLINING which is mainly confined to chapter 7. Otherwise a bright, tight copy in an unclipped dust jacket.

Hardcover. Amherst MA, University of Massachusetts Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 334 pages, b&w illustrations. Relying on original historical materials, an illustrated biography traces the lives of an influential pair of American socialists--he a wealthy journalist-activist, she an aspiring novelist. When they fell in love amid the tumult of the 1905 Russian revolution, they believed they were destiny's match: William English Walling, a wealthy American journalist-activist from the Midwest, an Anna Strunsky, an aspiring novelist from San Francisco. Vowing to dedicate themselves to socialist ideals, they soon became celebrities who moved in an elite circle of writers, journalist, and reformers. ultimately, both their marriage and their political commitment faltered, but not before they had participated in some of the most urgent social causes of their day. Drawing on archival sources and family materials, James Boylan creates engaging portraits of two striking figures. He reveals the details of Strunsky's intesnse involvement with Jack London and their troubled literary collaboration. He describes the creation of Walling's "revolutionary news bureau" in Russia under scrutiny of the czarist police, and Strunsky's harrowing journey to report on a pogrom. He also recounts the couple's dash to cover a race riot in Illinois, Walling's pivotal role in creating the NAACP and the disasterous schism between Strunksky's pacifism and Walling's bellicosity during World War I. Clean copy.