Softcover. NY, Swann Auction Galleries, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover with pictorial covers, unpaginated. 453 lots, many black and white illustrations. Among the photographers represented: Yousef Karsh, A. Kertesz, R. Doisneau, Mathew Brady, E. Ruscha, and others. All pages are clean, crisp and tight.
Hardcover. Montreal, Canada, Canadian Centre for Architecture, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 282 pages. Hardcover. B/w illustrations throughout. Dust jacket front flap price clipped. Tan colored fabric covered. Clean copy, Dust jacket shows some light age wear. From the front flap: "...presents works that show aspects of the history of architecture seen through photography and the history of photography through architecture."
Hardcover. Cambridge MA, The MIT Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 362 pages, hardcover in a bright dust jacket. Generously illustrated account [435 b/w photo reproductions] of the photogrphy produced by various well-known Bauhaus associates such as Laszlo Moholy-Nagy, Lucia Moholy, T. Lux Feininger, Florence Henri, Herbert Bayer, and others during the mid-1920s and early 1930s. An invaluable compilation of images and information about the work of this dynamic group of artists, designers, photographers and their students who had such an important impact on Western aesthetics and culture throughout the subsequent decades of the 20th century.
Hardcover. Moscow, Sovetskaya Rossia Publishers, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, laminated illustrated boards with marbled design, black spine and silver lettering. Includes numerous color and b/w illustrations, 254 pages. TEXT IN RUSSIAN & ENGLISH. Light edgewear to covers, clean copy.
Hardcover. Bondi Digital Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Playboy Cover to Cover--the 50s brings the magazine's entire groundbreaking first decade--every issue, every page, cover to cover--into one searchable digital archive.This exclusive box set features the Bondi Reader, powerful MAC or PC browsing software that allows you to explore, search, save and arrange multiple reading lists. Every story, feature and interview, and of course every Playmate, can be located in seconds, and then compiled and cross-referenced however you choose. Playboy Cover to Cover--the 50s also comes with a 224? page companion coffee table book chronicling the behind-the- scenes history of Playboy and filled with never-before-published letters, photos, and contact sheets of Playboy?s amazing first decade. A collector's edition reissue of the extremely rare first issue--featuring Marilyn Monroe's breathtaking cover and pictorial--is included as a special bonus. This essential collection is a must for lifelong fans and subscribers of Playboy, nostalgia seekers, history and culture buffs, as well as all lovers of beautiful women.
Hardcover. London, Ward, Lock and Co, 1st, 1931, Book: Very Good, Dust Jacket: None, 195 pages. Hardcover with no dust jacket. Black stamped decoration with gilt lettering on front. Green cover boards with light rubbing ton edges. Color illustrations throughout.
Hardcover. Los Angeles, Really Great Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 265 pages.From the co-creator of "Mr. Magoo," and screenwriter for "Gun Crazy" (1950, front for Dalton Trumbo), "Unknown World" (1951), "Bad Day at Black Rock" (1955), and "Klansman" (1974), Millard expands on the craft of screenwriting. Clean copy.
Hardcover. New York, Wiley-Interscience, 1st, 1970, Book: Very Good, Dust Jacket: None, 218 pages. Minor cover edge wear. Rubbing on front and back flyleaf along edges. Illustrations, charts and photographs throughout. A very clean and tight copy.
Hardcover. NY, Funk & Wagnalls, 5th pr., 1962, Book: Very Good, Dust Jacket: Good, Hardcover, green cloth in a worn, chipped dust jacket. 181 pages plus a List of Poets cited. An alphabetical list of terms related to versification and the composition and reading of poetry.
Hardcover. Boston, Little, Brown, and Company, 1st, 1891, Book: Good, Dust Jacket: None, Hardcover set. Two Volumes, Vol. 1: the land birds, 473 pages, and Vol. 2: game and water birds, 431 pages. Minor spine edge fray and corner wear. Volume 1 has one inch tear along spine and loose pages in front. Otherwise, both volumes have clean pages and are in good condition.
Softcover. Chicago, Popular Mechanics Co, 1st, 1932, Book: Very Good, Dust Jacket: None, Softcover, 220 pages, profusely illustrated in b&w. Pages reprinted from the magazine, vintage machinery, tools from back in the day. Small note above title on cover, otherwise clean.
Softcover. Albiano, e. s. Po., Reprint, 2000, Book: Very Good, Dust Jacket: None, 249 pages. Softcover with light wear to covers, crease to corner edge. Profusely illustrated in full page, full color & black & white throughout, including charts, diagrams, instructions. Clean & unmarked.
Hardcover. New York, William T. Comstock, 5th, 1889, Book: Very Good, Dust Jacket: None, 44 pages. Hardcover. Green cloth with gilt titles on spine and cover. Fifth edition. Light rubbing to cover edges, corners. Clean, unmarked.
Hardcover. New York, American Book Company, Reprint, 1899, Book: Very Good, Dust Jacket: None, 252 pages. Hardcover. Color (maps) and b/w illustrations throughout. Brown leather boards, black designs and gilt on spine and front cover board. Decorated edges.
Hardcover. The Art Museum, Princeton University, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 261 pages illustrated throughout in b&w. Pictorial boards with black title to spine. Tan dust jacket, with light wear to edges and small closed tears to front cover, else a very nice, clean, tight copy.
Softcover. New Castle DE, Oak Knoll Press, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 505 pages. Reprint of the first edition published in 1949. With an Introduction by G. Thomas Tanselle. One of the indisputable classics of 20th-century scholarship, Bowers's work is one of the standard guides on the subject, providing a comprehensive manual for the description of printed books as physical objects. Although there has been much activity in descriptive bibliography since then, Principles still holds its place as the central book to which those engaged in bibliographical work continually return. Name on half-title page, otherwise clean.
Hardcover. New York, Hearst Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Color photographs. "Celebrates the design of the book in the broadest possible meaning of the word, gathering together the most exciting examples of recent book and jacket design, it also includes work for CD booklets, publicity for industry and the arts, self-promotional and experimental work." Clean copy in a bright dust jacket.
Hardcover. New York, NYUP, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 208 pages of text followed by a ection of corresponding black & white illustrations. Titian's fame as the greatest colorist in the history of painting has led students of his art to concentrate on problems of style and authenticity rather than on problems of content and meaning. Dr. Panofsky treats this neglected aspect of the Venetian master's work with a wealth of humanistic scholarship, exploring such varied topics as Titian's relationship to the philosophy and literature of his time, his attitude toward the antique, and the reasons behind his unrivaled acclaim as a portraitist. These studies show Titian to have been a man of far richer and more complex culture than hitherto assumed, possessed not only of the supremely gifted hand but of a subtle and poetic mind.Light wear. Clean, tight copy.
Hardcover. Amsterdam, Elsevier/North-Holland Biomedical Press, 1st thus, 1980, Book: Very Good, Dust Jacket: None, 491 pages. Red boards with white printed illustration & white titles to cover & spine. Black & white illustrations throughout, including figures, chart, tables & photographs. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.
Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.
Softcover. Cambridge MA, Boatner Norton Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, Illustrated with black & white examples of works by Robert Crumb - 4 pages in full color.