Hardcover. NY, Viking Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, Light edgewear and rubbing to dust jacket. Color photos by Alfred A. Cohen. A Sonoran Desert nature primer told by a small Papago girl (note that Tohono O?odham is now the proper name for these native Americans). Unusual book in that full color photographs are used throughout, rather than illustrations.
Hardcover. Chicago, University of Chicago Press, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover in green cloth, faded gilt lettering on spine, 500 pages. Photographs, bibliography and index.
Hardcover. London, Merrell Publishers, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages, 200+ color illustrations. The first of a three-part series that explores the creativity and productivity of Native American artists. This volume "focuses on the work of nearly ninety of the most exciting and innovative artists of the region, working in a variety of media, from clay to glass, from fiber to jewelry, and from metal to wood, as well as mixed media." (flap).
Hardcover. NY, Holt, Rinehart & Winston, 1st, 1985, Hardcover in a bright dust jacket, square format, 114 pages. This handsome book provides a first-time look at the black-and-white artistry of one of the century's master photographers. Ninety-one images, some going back almost fifty years, together with a richly evocative text by the author, record an authentic vision of the American Southwest - past and present. Large book measures about 12 x 11, introduction section of 25 pages followed by section of 88 b&w plates (total 91 plates in book). Clean copy.
Hardcover. New York, Crown Publishers, 1st Thus, 1971, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover. Black & white illustrations. Dust jacket in protective clear plastic cover. Clean, unmarked text.
Softcover. Austin TX, University of Texas Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color plates. Bottom right corner slightly bumped. Else a very clean, tight copy.
Hardcover. NY, Morrow, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket that has a few light scratches to front panel. 287 pages and about 170 b&w Illustrations. The author's account of locating and hunting old mines in the American Southwest. The concentration of this work focuses on the Lost Dutchman and Lost Nummel Mines. The Lost Dutchman Mine is the most sought after mine to find for adventurers and is steeped in the history and mythos of Arizona.
Softcover. Flagstaff AZ, Northland Publishing, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 89 pages. Extensive b&w photography throughout. Illustrated frontispiece. Slight curl to corner edges, otherwise clean, tight copy. Images that portray the contemporary Southwest with the zeal and romantic fervor inherent in one who has absorbed and integrated the southwestern environment. Whether landscape or portrait, Gaede's photos evoke a reverence for the Southwest and it's inhabitants.
Hardcover. Boston, Little Brown, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, black & white photos. 347 pages. Super bright copy with gilt design, lettering on cover. Top edge gilt.
Hardcover. Victor, Pollux Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover. SIGNED BY BOTH AUTHORS beneath hand numbered #338 of a limited edition of 500. Illustrated with black & white photographs. Clean, tight copy.
Softcover. Fort Worth TX, Amon Carter Museum, 1st, 1986, Book: Good, Dust Jacket: None, Softcover in sun faded wraps, 339 pages. Laura Gilpin (1891-1979) was a photographer of the American Southwest for over sixty years. She was intrigued by the Navajo Indians but also made excursions to other parts of the United States and to Yucatan as well as documenting life during the Great Depression. The book accompanied a retrospective exhibition and includes a chronological bibliography of her other exhibitions and published work. 167 superb full-page reproductions in tritone, color and duotone. Paper cover with wear, inside bright and clean. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Alfred A. Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 533 pages. In this amazing narrative, Shoumatoff records his quest to capture the vast multiplicity of the American Southwest. Beginning with his first trip after college across the desert in a station wagon, some twenty-five years ago, he surveys the boundless variety of people and experiences constituting the place--the idea--that has become America's symbol and last redoubt of the "Other. From the Biosphere to the Mormons, from the deadly world of narcotraffickers to the secret lives of the covertly Jewish conversos, Shoumatoff explores the many alternative states of being who have staked their claim in the Southwest, making it a haven for every brand of refugee, fugitive, and utopian. Clean, bright copy.
Softcover. Flagstaff, AZ, Northland Press, 3rd pr, 1981, Book: Very Good, Dust Jacket: None, Softcover, 131 pages, b&w photographs. Light creases to front wrapper. Else a very clean, tight copy. An architect for the Santa Fe Railway and the Fred Harvey Company, Colter laid the groundwork for female architects who followed. Seven of her remarkable structures are preserved in Grand Canyon's historic district. This is her story.
Hardcover. Baton Rouge, Louisiana State University , 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover, sticker residue on front of dust jacket. 392 pages. Written in the 1840's these are Thomas Bang Thorpe's sketches of the old Southwest, Edited, with a Critical Introduction and Textual Commentary, by David C. Estes .
Softcover. Albuquerque, University of New Mexico Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, oblong format, color photos. The end of the twentieth century represents an unsettled time, and the contemporary Southwest, as seen by Virgil Hancock III in these fifty-two exquisite color photographs, is a strange place full of omens and signs. His images peer beyond the scenery, beyond the tourism-council view of this region as a storied land of golf courses and climate-controlled shopping centers. He gets at the soul of the Southwest, of the nation, and, in his best photographs, at the human condition itself, seizing on the accidental symbols that speak to our yearnings and shortfalls: skyward-pointing arrows and crosses and dreams just beyond reach at Indian casinos, failed department stores, retirement cities. He photographs signs of the violence that has been endemic to the region and shows us ruins, not of the Anasazi or Spanish missions, but of commercialization, scarcely twenty years old, already gone belly-up.
1930, Book: Very Good, Color painting of galloping pony express rider by Maynard Dixon. 9 X 12" very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1930, Book: Very Good, Color painting of freighting wagons by Maynard Dixon. 9 X 12" very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. New York, Scribners, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, 245 pages, b&w illustrations by Peixotto throughout, gilt decorated cover, titles and top edge. Minor corner bumps and spine edge wear, otherwise, very clean and tight copy. Descriptions of the old Spanish Missions and settlements of Arizona, New Mexico and along the Texan border.
Hardcover. New York, Harper & Brothers, 1st, 1939, Book: Very Good, Dust Jacket: None, Non-Paginated. Hardcover. Previous owners inscription in a fine hand along top edge of inside front cover dated 1939. Full color and black & white illustrations by Barbara Latham. Rubbing to edges and corners of covers. Degree of age toning to page edges. Clean, unmarked copy.
Softcover. Albuquerque NM, University of New Mexico Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Over 100 etchings, woodcuts, lithographs, and serigraphs by New Mexicans or relating to New Mexico, are accompanied by a review of the art over the past century. Clean copy.
Hardcover. Chicago, Albert Whitman & Co., 1st, 1938, Book: Good, Dust Jacket: None, 64 pages. Hardcover. Full color and black & white illustrations by Carol Nay. Some light library stamping and notation - endpapers and at bottom right corner of page 25. Light wear. Clean, unmarked text.
Hardcover. Flagstaff, AZ, Northland Press, revised, 1984, Book: Good, Dust Jacket: Good, Hardcover, 107 pages. B&W and color plates. Illustrates beautifully the contemporary Southwest on canvas with vibrancy and refreshing perspective. Light blue pictorial cloth, silver lettering to spine. Dust jacket with minor wrinkles and smudges. Dust jacket folded off-center, otherwise a nice, clean and tight copy. "This comprehensive, expanded volume on Stefan and his work contains forty full-color reproductions of oils along with numerous black-and-white drawings, a panorama of the Southwest and a tribute to a fine painter."