Softcover. New York, Metropolitan Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 432 pages, color illustrations throughout. 16 essays by various scholars. Clean, bright copy.
Softcover. New York, New Modern Age Book, 1st, 1939, Book: Good, Dust Jacket: None, Unpaginated. Soft cover with heavy chipping on fragile paper wrappers. Front gutter shows separating. 65 black and white drawings by Luis Quintanilla.
Hardcover. Berkeley CA, University of California Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 236 pages. The contradictory nature of the work of Benito Perez Galdos, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdos's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood-the angel of the house.
Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.
Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.
Hardcover. New York, Charles Scribner's Sons, 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue and red, 360 pages. 116 b&w photos throughout, color maps in rear. In 1898 America intervened in the Cuban War of Independence, leading to conflict with Spain. This is a detailed account of this campaign, together with American military sea and land operations on the island of Puerto Rico during the Spanish American War. Cloth spine darkened otherwise clean, tight copy.
Hardcover. Barcelona Spain, Galaxia Gutenberg, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets, housed in a cardboard slipcase. ALL TEXT IN SPANISH. 1.368 and 1.454 pages. Clean set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Reno, Center for Basque Studies, 1st, 2012, Book: Very Good, Dust Jacket: None, 333 pages, b&w photos. Black illustrated boards, no dust jacket. Light bumping to corners, else a clean, tight copy. his story--that of the government-in-exile of Lehendakari Jose Antonio Agirre and the multitudes of other Basques who were forced by war and oppression to flee their homeland--has not been written in English before and is rather unknown to the Basque, Spanish, and French historiography. Drawing on primary sources; archival documentation; and interviews with many Basque political exiles, resistance members, and former prisoners of labor camps Professor Xabier Irujo tells a gripping story of the Basque autonomous government, conceived during the beginnings of a bloody civil war, forced to organize a mass exile and then overtaken by necessity to feed and clothe its exiled population. Following this initial period, the exiled Basques were then confronted by World War and forced again into flight, this time mainly to the Americas. Never giving up their opposition to the dictatorship of Francisco Franco, the government continued its struggle during forty long years of existence, through wars hot and cold as well as countless political developments. While tracing the history of Lehendakari Agirre, this book is more the story of all of the Basques who were forced into exile, and it serves as a testimony to their unwavering determination to return to their homeland. In addition, the book contains an extensive biographical index of many of the heretofore unknown exile activists: writers, politicians, soldiers, intellectuals, but even more so, Basque patriots.
Hardcover. New York, Abrams/Guggenheim Museum, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 209 pages, illustrated in color and b&w. Still in publisher's shrinkwrap. An account of the design and contruction of the Guggenheim Museum in Bilbao, Spain. Prefaces by Thomas Krens and Juan Ignacio Vidarte. Color illustrations throughout. 211+ 1 pages.
Hardcover. Spain, Editorial Labor, 1st , 1955, Book: Very Good, Dust Jacket: None, Spanish editions. 1,080 pages. Black & white photos, drawings. Both with 3/4 leather, spine with gilt lettering. Vol I with stain to endpapers. Vol. II page 1029 with bottom corner crease. Both with browning to black leather spines, bottom edgewear.
Hardcover. Boston/ New York , Bulfinch Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 533 pages, 431 works reproduced in color. Small remainder mark to bottom edge, otherwise a bright, clean copy in a similar dust jacket. The most comprehensive look at Miro's art available in book form. In honor of Miro's 100th birthday, 1993 has been designated Miro Year, which is being celebrated with great fanfare in Europe and the U.S. This book features full-color reproductions of the artist's work on canvas and paper, from his earliest sketch to his mature works of the 1980s.
Hardcover. Madrid, La Fabrica Editorial, 1st, 2012, Two volumes housed in a black paper-covered slipcase with black silk ribbon and text to spine. Cool and warm gray limp buckram boards with debossed text to front boards and spines. Full color photographs and illustrations throughout, some of which are fold-out pages. Both English and Spanish text throughout. An unread copy. Exuding bold sexuality and brash Pop color, the posters and photographs of Juan Gatti have defined the graphic face of contemporary Spanish cinema for more than 30 years. Gatti's design work is closely identified with the films of Pedro Almodovar, with whom Gatti has closely collaborated since Almodovar's breakthrough movie, Women on the Verge of a Nervous Breakdown (1988). As a boy growing up in Argentina, Gatti was steeped in the iconography of Catholicism, fashion magazine photography and comics. During his student years, anticipating a career in art, he found himself especially impressed by the graphic dazzle of psychedelia: "I was intrigued by the psychedelic graphics that were emerging from the west coast, such as those by Victor Moscoso and those that came out of Haight Ashbury." In 1980 Gatti relocated to Madrid, and soon made a name for himself as a designer of splashy, sexy film posters, working with directors such as Alex de la Iglesia, Fernando Trueba, Gerardo Vera, Manuel Gomez Pereira and Gonzalo Suarez. Very large and heavy item. DOMESTIC SHIPPING ONLY.
Hardcover. Chicago, University Of Chicago Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages. One of the leading artists of his generation, the Spanish sculptor Juan Munoz (1953-2001) was known for his diverse and highly original body of work centering on the narrative possibilities of figures in environments. Juan Munoz illustrates in full color approximately sixty works, including sculptures, drawings, and several major installations, which were included in a major exhibition presented by the Hirshhorn Museum and Sculpture Garden and the Art Institute of Chicago in October 2001.
Softcover. Washington DC, National Gallery of Art, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 178 pages, color illustrations. Offers a look at the life and work of Luis Melendez, one of eighteenth-century Europe's greatest still-life painters. This catalogue details thirty of Luis Melendez's wonderful still-life paintings beautifully presented with new insights about Melendez's life, the everyday objects in his paintings, and the materials and methods he used in creating these works.
Softcover. NY, Vintage, reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w photos. Clean copy. A provocative memoir from Luis Bunuel, the Academy Award winning creator of some of modern cinema's most important films, from Un Chien Andalou to The Discreet Charm of the Bourgeoisie.Luis Bunuel's films have the power to shock, inspire, and reinvent our world. Now, in a memoir that carries all the surrealism and subversion of his cinema, Bunuel turns his artistic gaze inward. In swift and generous prose, Bunuel traces the surprising contours of his life, from the Good Friday drumbeats of his childhood to the dreams that inspired his most famous films to his turbulent friendships with Federico Garcia Lorca and Salvador Dali. His personal narratives also encompass the pressing political issues of his time, many of which still haunt us today--the specter of fascism, the culture wars, the nuclear bomb. Filled with film trivia, framed by Bunuel's intellect and wit, this is essential reading for fans of cinema and for anyone who has ever wanted to see the world through a surrealist's eyes.
Hardcover. San Francisco CA, Alan Wofsy Fine Arts, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 267 pages, hardcover with dust jacket. A chronological look at Picasso's art during the period of the Spanish Civil War. Minor penciling throughout. Light rubbing and edgewear to dust jacket. Slight fading to dust jacket spine. Black-and-white illustrations throughout. A clean and tight copy.
Hardcover. Ciudad de Mexico, Frente de Afirmacio?n Hispanista, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 286 pages, 23 overhead transparencies in an envelope laid in. Text in English and Spanish. Translated by Henry Hinds. Introduction by Fredo Arias De La Canal. Color plates throughout,
Hardcover. Colombia, Carvajal S. A., 1st, 1992, Book: Very Good, Dust Jacket: None, Hardcover, folio, maroon cloth backed decorative paper boards, 75 pages. Translated by Elvira de Martin from the Spanish. Illustrated by 4 engravings appeared in Theodor de Brys' America Pt. 4 1594 (Frankfurt) and original handwritten facsimile 1492. Facsimile edition. No slipcase. Published by Carvajal S.A., Cali, Colombia and the John Carter Brown Library, Providence, Rhode Island, in Honor of the Quincentenary Year Date: 1992. Preface by Norman Fiering. Clean, bright copy.
Softcover. Spain, Editorial Escudo de Oro. S.A., 1st, 1995, Book: Very Good, Dust Jacket: None, 93 pages. Softcover. Mild soiling throughout. An otherwise unmarked copy with only minor edgewear. Color photographs throughout.
Hardcover. New York, Alfred A. Knopf, 1st, 1966, Book: Very Good, Dust Jacket: None, 416 pages. Hardcover. B/w illustrations throughout. Top edge dyed. Some underlining throughout. Deckled edges. Blue cover boards, black title on spine and front cover board.
Hardcover. NY, Charles Scribner's Sons, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, bright yellow paper covered boards printed and decorated in black. Illustrated endpapers. 146 pages, Penfield's graphic impressions of Spain, including the bull fights. With 28 tipped-in color illustrations of various sizes throughout the text. A very good or somewhat better copy spine a bit soiled, edges a bit dusty but overall a handsome copy.
Hardcover. San Francisco, CA, John Howell-Books, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover. Limited to 5000 copies. 130 pages. 6 color illustrations. Color frontispiece. The original narrative, hitherto unpublished by Father Vicente Maria and further details by participants in the first explorations of the Bay's waters. Illustrations by Louis Choris in brush and pencil who was at San Francisco in 1816. Blue dust jacket with wear. Sun-fading to spine. Blue boards with gilt title to spine and front. Previous owner sticker on front flyleaf. Overall, a clean, tight copy.
Hardcover. NY, Holiday House, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 152 pages. Black and white illustrations by Victor Ambrus. Events, including the massacre of his father, force young Eduardo to roam the countryside on the Gaviota. He survives for two months in the midst Spanish Civil War. Unlike his Nationalist relatives, he learns to understand many sides of the conflict. Clean copy.
Softcover. GR, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, Two softcover volumes in a card slipcase. 750 total pages. Lost since 1939, the Mexican suitcase contains nearly 4,500 negatives documenting the Spanish Civil War by Robert Capa, Chim (David Seymour), and Gerda Taro. These films had traveled from Paris via the south of France to Mexico City, where, almost seventy years later, they were rediscovered and now reside in the collection of the International Center of Photography.
Softcover. GR, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, Two softcover volumes in a card slipcase. 750 total pages. Lost since 1939, the Mexican suitcase contains nearly 4,500 negatives documenting the Spanish Civil War by Robert Capa, Chim (David Seymour), and Gerda Taro. These films had traveled from Paris via the south of France to Mexico City, where, almost seventy years later, they were rediscovered and now reside in the collection of the International Center of Photography.
Hardcover. Londo, Longmans, Green, and Co. , 1892, Book: Good, Dust Jacket: None, Hardcover in embossed brown cloth, gilt lettering on spine, 328 pages plus publisher's ads in rear. A collection of historical essays from English historian, James Anthony Froude. Titles include: The Spanish Story of the Armada, Antonio Perez: An Unsolved Historical Riddle, Saint Teresa, The Templars, The Norway Fjords, and Norway Once More. Written by James Anthony Froude, an English historian, biographer, novelist, and editor of Fraser's Magazine, a general and literary journal published from 1830 to 1882. Repair to cloth on spine which shows edgewear, fading. Owner's stamp om front fly leaf, otherwise clean.
Hardcover. NY, Knopf, 2nd pr., 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a edgeworn, chipped dust jacket. A spectator's guide. Illustrated with 62 black and white photographs. Second printing of the second American edition (revised and enlarged). Clean copy.
Hardcover. New York, Taschen, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 416 pages, color illustrated, large format. This catalog raisonne brings together Velazquez's complete works--jaw-dropingly reproduced in extra-large format with a selection of delicious enlarged details--with insightful commentary on how his paintings give equal attention to all that they contain. To him, an old woman frying eggs or a buffoon was as important as a Pope or a King. For him, form was subservient to light and color; the brushstrokes were markers to help the viewers reconstruct each picture mentally--concepts adopted vehemently by the Impressionists. Velazquez's greatest talent was creating beauty from the grotesque, imbuing each subject with a human liveliness rarely seen on canvas. In its extensive detail and comparisons, Jose Lopez-Rey's book reveals the development of this vision. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. London, National Gallery , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, illustrated throughout in color. Light shelf-wear to dust jacket with small scratch on front cover. Clean, tight copy. With over 150 illustrations and an in-depth chronology, this beautifully produced and comprehensive book surveys Velazquez's entire career and explores his universal popularity. Fascinating essays by world-class Velazquez scholars address the artist's life and technique, examining his studies in Seville and Italy to his final great works at the court of Philip IV.
Hardcover. New York, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages. Like new in publisher's shrink-wrap. Containing uncensored and on-the-spot observations of Picasso at home and in company, Visiting Picasso is a wonderfully vivid, spontaneous and lively record of Roland Penroses many encounters with the artist and his family, friends and associates, from their first meeting in 1936 to the artists death in 1973. Over 70 photographs, many by Penroses wife Lee Miller, illustrate the colorful cast of characters.
Hardcover. Boston, Chapple Publishing Co., 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gold lettering and design on spine and front board. Top edge gilt. Portrait frontispiece, 231 pages. Illustrated with etchings and drawings by Levon West. INSCRIBED BY AUTHOR AND ILLUSTRATOR on the front fly leaf. Also many b&w photos. An historical travel guide to Spain by Chapple, a well-known editor, publisher, and author, whose 2 Hollywood credits include writer for "Graft"(1915) and producer for" Annabelle Lee"(1921). Bright, clean copy.