Hardcover. NY, Aperture, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Michael von Graffenried, an award-winning Swiss photographer, covertly photographed civil strife in Algeria from the early 1990s through 1998. In a land where Islamic terrorists have executed over sixty journalists and photographers in the last seven years, Graffenried's very survival is remarkable. His extraordinary accomplishment, however, is these photographs, which form a composite of Algeria that is more whole than the nation itself, fractured by one segment of the population in favor of democracy and another in favor of an Islamic state.Graffenried makes his pictures secretly, using an antique Widelux panoramic camera with a hidden lens. He would risk his picture and his life were he to raise a camera to his eyes. Instead, he shoots from the hip, with his hands clasped over what looks like a pair of binoculars. In learning to frame his photographs without a viewfinder, he opens himself to a rich array of surprise and irony in his pictures, and reveals a society that has been concealed from the international community for nearly seven years.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. NY, Gourmet , 1st, 1958, Hardcover, cream colored buckram with Italian crest to front and spine; gilt title to spine. 593 pages with b&w photographs and illustrations by the author. SIGNED BY CHAMBERLAIN on the front fly leaf. Recipes translated from the Italian and adapted by Narcissa Chamberlain. Samuel V. Chamberlain (1895-1975) was an author, illustrator, photographer and artist who occasionally wrote under the pseudonym Phineas Beck. His works include books on historical architecture, interiors, fashion illustration, and cookbooks. White cloth covers soiled, Interior clean.
Hardcover. Stuttgart, Chr. Belser Verlag, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 100 pages. 45 color photographs with text, translated & edited for English Publication by Johannes Fuhr & William King Applebough. Classic approach, the images appear to have a painterly quality. Clean copy.
Softcover. Biella Italy, Ferrara, 2nd pr., 1929, Book: Very Good, Dust Jacket: None, Softcover, 34 pages, guide to the Alpine area of Italy, b&w photos in gravure, map in back. INSCRIBED BY WILME ROSAZZO on title page. Clean. ITALIAN TEXT.
Hardcover. Albuquerque, University of New Mexico Press, First Edition, 1969, Book: Very Good, Dust Jacket: Very Good, 419 pages. Hardcover with photographs, illustrations of woodcuts, engravings in bw. Brown cloth boards & black titles to spine. Light marginal foxing to top edge. Dust jacket with toning to spine & light wear to edges. Clean & tight copy.
Hardcover. New York , DK Publishing/Dorling Kindersley, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 128 pages, illustrated throughout in color by Burningham. Clean hardcover in a bright, unclipped dust jacket. SIGNED BY BURNINGHAM on a bookplate pasted to the front fly leaf.
Hardcover. Barre MA, Imprint Society, 1st thus, 1971, Book: Very Good, Dust Jacket: None, Hardcover in a slipcase, 248 pages. Many illustrations from manuscript charts and drawings by Ingraham, introduction by Mark D. Kaplanoff, one of 1950 copies. Binding is decorated gray paper over boards, with yellow cloth spine and pasted on label. A record of a voyage for the sea otter trade, with a route that took the ship to the Sandwich (Hawaiian) Islands, the Marquesas, and China as well as to the northwest coast of North America.
Hardcover. New Haven CT, Yale University Press, 2nd pr., 1922, Book: Good, Dust Jacket: None, Hardcover, marbled boards with gray cloth spine, 333 pages plus index. Endpapers map. Janet Schaw, a supporter of the Crown, illustrates the extent to which the American Revolution had, by 1775, become a close, personal insurgency, pitting neighbor against neighbor. Schaw was a young, well-educated Scottish woman who traveled to North Carolina to visit her older brother Robert, the owner of a plantation on the Cape Fear River near Wilmington. She arrived in March of 1775 and while in North Carolina witnessed, among other things, land clearing through controlled burning and the killing of an alligator. More important, she observed a society that was splitting asunder under the stress of revolutionary politics. The decisions of the Wilmington Committee forced men and women along the Cape Fear to take sides. Worn covers with spine cloth coming loose. Binding is solid.
Hardcover. Boston, John P. Jewett & Co., 1st, 1852, Book: Very Good, Dust Jacket: None, Hardcover, original blind stamped cloth with gilt stamped lettering on spine. 479 pages with mild foxing to a few pages. Very good plus, no markings.
Hardcover. Long Beach CA, Safari Press, 2nd Ed., 20ll, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stone kept a series of journals during his arctic travels from 1896 through 1903 in which he recorded his struggles against raging blizzards, hostile natives, daunting physical risks, and mind-warping loneliness and boredom. B&w illustrations. Still in publisher's shrink wrap.
Softcover. NA, NA, 1st, NA, Book: Good, Dust Jacket: None, 51 pages. Softcover. No date or publication information. Library stamp at bottom left corner of front cover. Number stamped on reverse of title page. Text is clean, unmarked. Some light chipping to cover edges. The journal starts in 1848, with a voyage to Glasgow at fifteen years of age, for famine relief. Later voyages took Crockett to Paris, Russia, and Calcutta, Entertaining anecdotes about the passengers, his reading, and his wedding in Boston. The narrative is taken up later at his Golden Wedding. Entertaining and informative. Stapled in green wrappers.
Hardcover. London, Sampson Low Son & Co, 1st, 1860, Book: Very Good, Dust Jacket: None, 492 pages. Hardcover with 3/4 leather spine and marbled surfaces on all sides. First English edition published same year as first American edition. A clean, tight copy. moderate chipping to cover edges. and some rips to dry leather. Gilt title paste-down gone from spine.
Hardcover. NY, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, textured beige cloth, moderately soiled. No edition or printing stated on copyright page. Illustrated with 32 pages of b/w photographs, as well as endpaper maps, red and black frontispiece illustration. The story of the trip Auden and Isherwood made to China during its war with Japan, prior to the outbreak of the Second World War. Includes 32 pages of photographs, as well as several sonnets and one long poem by Auden. Narrative written by Isherwood. There is a tan stain that goes across pages 68-69, that looks like a rorschach test. Otherwise clean.
Hardcover. New York, Pantheon, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, color photographs throughout. Showcases work by American photographer Robert Bergman (b. 1944), who took these photographs with "a simple 35mm camera, amateur film, no tripod, and no special lighting." The pictures are a result of months of car travel throughout the Rust Belt (Chicago, Detroit, Pittsburgh, Gary) and the East Coast, presenting "everyday people who moved him profoundly." With an introduction by Toni Morrison and an afterword by Meyer Schapiro.
Softcover. Montpelier, VT, Vermont Bureau of Publicity, 1st Edition, 1917, Book: Very Good, Dust Jacket: None, 63 pages. Softcover pamphlet with string binding. Buff, textured endpapers, some tanning throughout from age. B/w illustrations throughout. Wrapper has some moisture staining and other soil, but otherwise very good and intact (see image).
Hardcover. London, Seeley & Co, 1st, Book: Very Good, Dust Jacket: None, Hardcover bound in brown gilt decorated cloth, 355 pages, many b&w illustrations.
Hardcover. Boston, Little Brown, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, black & white photos. 347 pages. Super bright copy with gilt design, lettering on cover. Top edge gilt.
Hardcover. New York, Harper & Brothers, 1881, Book: Very Good, Dust Jacket: None, Hardcover. Two volumes. 441 and 474 pages. 235 black & white illustrations. Volume One has a map in rear pocket. Previous owner's bookplate on front end papers in both volumes. Rubbing to corners, spine, and covers. Corners a little bumped otherwise a bright, collectible set.
Hardcover. NY, Alfred A. Knopf, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 533 pages. In this amazing narrative, Shoumatoff records his quest to capture the vast multiplicity of the American Southwest. Beginning with his first trip after college across the desert in a station wagon, some twenty-five years ago, he surveys the boundless variety of people and experiences constituting the place--the idea--that has become America's symbol and last redoubt of the "Other. From the Biosphere to the Mormons, from the deadly world of narcotraffickers to the secret lives of the covertly Jewish conversos, Shoumatoff explores the many alternative states of being who have staked their claim in the Southwest, making it a haven for every brand of refugee, fugitive, and utopian. Clean, bright copy.
Hardcover. Geneva, De Vente Naville & Co., Deluxe Edition, 1926, Book: Very Good, Dust Jacket: None, Deluxe Edition, limited to 400. 576 pages crammed with 1001 detailed photogravure views of Switzerland. Introduction by B. Motta. 3/4 brown morocco with raised bands on spine, gilt lettering. top edge gilt , previous owner's signature on front fly leaf (Children's book author, Edith Hurd Thacher)
Hardcover. NY, Rudd and Carleton, 1st US, 1860, Book: Good, Dust Jacket: None, Hardcover, embossed brown cloth with gilt lettering on spine, 407 pages plus publisher's ads. A collection of correspondence written in the 19th century. This compilation features Humboldt's letters to his friend Varnhagen von Ense, reflecting their intellectual friendship and offering insightful glimpses into Humboldt's thoughts, scientific inquiries, and the sociopolitical landscape of his time. The letters encapsulate Humboldt's legacy as a pioneering scientist and thinker, showcasing his multifaceted contributions to various fields of knowledge. At the start of the work, we are introduced to Humboldt as he begins his correspondence with Varnhagen, exemplifying their close friendship and the candid nature of their exchanges. Humboldt expresses gratitude for Varnhagen's acknowledgement of his literary endeavors and shares details about his scholarly work, specifically discussing the titles and themes of his upcoming publications. The initial letters highlight Humboldt's artistic and scientific pursuits, while also touching on broader social issues of the era, providing a rich context for readers interested in the intersection of science, literature, and personal relationships among intellectuals of the time. Light edgewear to covers, faint marginal water stain to first 10 pages along foredge.