NY, Simon & Schuster, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 424 pages, SIGNED BY AUTHOR on title page. Traces the story of the physicists and their families who lived in the then-secret city of Los Alamos during the invention of the atomic bomb, years during which they lied to outsiders about their daily existences and endured harsh living conditions with minimal privacy. Name on prelim page, otherwise clean.
Hardcover. London, Book Palace Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. In August 1914 much of Europe was pitched into a war that would eclipse all others in terms of its industrial ferocity. In an era when photography and film recording were still in their infancy, much of the news was relayed through the work of reportage artists. Pre-eminent amongst such artists was Fortunino Matania who was The Sphere's artist-on-the-spot for events ranging from coronations to colliery disasters. Sent to a variety of Fronts to cover the conflict, his illustrations created a gripping and, at times, life-affirming testimony to those traumatic times, drawn from the personal visits he made and interviews he conducted with survivors. For the first time ever, this book collects those images in large format so that they can be viewed as they were intended. OVER 150 paintings and drawings on the World War 1 conflict, depicting all its horrors and special moments. His work inspired many contemporary artists: Annigoni and Russell Flint both visited his studio, and many comic strip artists collected his work including Al Williamson, Roy Krenkel, Frank Frazetta, John Bolton, Bernie Wrightson as well as film directors such as Cecil B DeMille and Alfred Hitchcock.
Hardcover. NY, Macmillan, 1st, 1921, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. 220 pages, a Jewish Chaplain's memoir of service in France during WWI. Foreword by Cyrus Adler. Frontis photo of Jewish welfare workers. Bookplate from private library on inside front cover, faded lettering on spine otherwise a clean, tight copy.
Hardcover. Naval Institute Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. This collection of stunning shipyard photos, most previously unpublished, showcases the work of a major shipbuilder during the Great War. Although best known for large liners and capital ships, between 1914 and 1920, the Clydebank shipyard of John Brown & Sons built a vast range of vessels. This volume features 200 photos depicting in unprecedented detail every aspect of the yard's output, from the liner Aquitania in 1914 to the cruiser Enterprise, completed in 1920. While ships are the main focus of the book, the photos also chronicle the impact of the war on working conditions in the yard, most noticeably in the introduction of women in large numbers to the workforce. This book is a vivid portrait of a lost industry at the height of its success. Clean copy.
Hardcover. NY, George H. Doran Co., 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, Small octavo, tan boards with paper labels on top cover and spine. 93 pages. Doyle's account of visiting the military fronts during World War I. Clean, some scraping to paper covered board on rear otherwise very good.
Hardcover. London, Cassell & Company, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, 213 pages, map. Memoirs of a British subaltern in a West African regiment serving in the Northern Frontier District of Kenya and Ethiopia ca. 1940-41 fighting against Italians: Wajir Fort, Buno, Bura Hachi, Battle of Uadara. Spine cloth faded, name on front flyleaf, light foxing. Otherwise clean copy.
Hardcover. London, Longmans, Green & Co., 1st, ND (1915), Book: Very Good, Dust Jacket: None, 55 pages, 6 b&w tipped-in illustrations by Raemaekers. English and French rendered in black and red calligraphy by Margaret Calkin. Thin white cloth covers with gilt design, light soil. A short mystery play written by the noted Belgian playwright and Great War poet, inspired by a visit he paid to the Belgian trenches during Christmas week and written in the style of a Nativity Play: it depicts the Virgin and Child amongst ordinary soldiers in a miserable Western Front dug-out.
Hardcover. NY, Arcade, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, profusely illustrated in color and b&w with the author/artist's drawings and photographs. Bright, unclipped dust jacket.
Hardcover. NY, Arcade, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages, profusely illustrated in color and b&w with the author/artist's drawings and photographs. Bright, unclipped dust jacket.
Hardcover. NY, Knopf, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A revelatory history of the transformational decade that followed World War II, when Germany raised itself put of the ashes of defeat, turned away from fascism, and reckoned with the corruption of its soul and the horrors of the Holocaust.
Hardcover. NY, Central African Division Air Transport Command , 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth with gilt lettering. 48 pages, photo illustrations, maps. A pictorial history on the operations of the Central African Division of the Air Transport Command of the United States Army during the Second World War. Lots on activities of servicemen on air bases in Africa.
Hardcover. Boston, Little, Brown and Company, 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume VII in The History of United States Naval Operations in World War II, 369 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, otherwise clean, tight copy.
Hardcover. New York, Thomas Y. Crowell Company, 1st, 1941, Book: Very Good, Dust Jacket: None, 122 Pages. Hardcover. B/w illustrations throughout. Gilt title on spine and front cover. Author's scarce 2nd book. Blue fabric covered, no fraying, intact, no rips or tears. Some foxing on boards and endpapers. Pages yellowed from age and a small bit of water damage at very bottom of fore edge, does not affect text or illustrations. Original owner's signature on front flyleaf dated 1941. Picture of author glued on front flyleaf. An overview of American aircrafts up to 1941, both commercial and military.
Hardcover. University of North Carolina Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 380 pages. INSCRIBED BY AUTHOR on title page. During World War II the uniformed heads of the U.S. armed services assumed a pivotal and unprecedented role in the formulation of the nation's foreign policies. Organized soon after Pearl Harbor as the Joint Chiefs of Staff, these individuals were officially responsible only for the nation's military forces. During the war their functions came to encompass a host of foreign policy concerns, however, and so powerful did the military voice become on those issues that only the president exercised a more decisive role in their outcome. Drawing on sources that include the unpublished records of the Joint Chiefs as well as the War, Navy, and State Departments, Mark Stoler analyzes the wartime rise of military influence in U.S. foreign policy. He focuses on the evolution of and debates over U.S. and Allied global strategy. In the process, he examines military fears regarding America's major allies--Great Britain and the Soviet Union--and how those fears affected President Franklin D. Roosevelt's policies, interservice and civil-military relations, military-academic relations, and postwar national security policy as well as wartime strategy. Clean copy.
Hardcover. NY, Cupples & Leon, 1st, 1917, Book: Very Good, Hardcover, pictorial pastedown on paper-covered boards, brown cloth spine. 100 b&w editorial cartoons reprinted from The New York Herald. Rogers was one of the country's top illustrators and a star in the Harper stable of artists. INSCRIBED BY ROGERS on the front fly leaf with a sketch of a boot kicking two Hun-like jackals. Light edgewear to boards.
Hardcover. NY, Henry Holt and Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stated First Edition. Illustrations. 18 maps. The liberation of Europe and the destruction of the Third Reich is a story of miscalculation and incomparable courage, of calamity and enduring triumph. In this first volume of the Liberation Trilogy, Rick Atkinson focuses on 1942 and 1943, showing how central the great drama that unfolded in North Africa was to the ultimate victory of the Allied powers and to America's understanding of itself.Opening with the daring amphibious invasion in November 1942, An Army at Dawn follows the American and British armies as they fight the French in Morocco and Algiers, and then take on the Germans and Italians in Tunisia.
Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.
Hardcover. NY, E.P. Dutton, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages. 100 plates (3 tipped-in color plates), including 37 examples by American artists. Survey of the art of the First World War by Allied artists from the United States, Canada, Great Britain, France and the Netherlands, including paintings, drawings, sculpture, lithographs, and posters. Works by Maxfield Parrish, George Luks, George Bellows, Harvey Dunn, Paul Manship, Mahonri Young, William Orpen, C.R.W. Nevinson, James McBey, Paul Nash, G. Spencer Pryse, Edmund Dulac, Wyndham Lewis, Frank Brangwyn, Th.A. Steinlen, and others. Bibliography, p. 285-288. Handsome production, with decorations designed by Frederick W. Goudy and printed by William E. Rudge. Dark green boards with black cloth spine, bright gilt lettering on cover and spine. Previous owner's bookplate inside front cover, light corner wear, mild bump to top of rear board.
Hardcover. Los Angeles, CA, Getty Research Institute, 1st, 2009, Book: Very Good, Dust Jacket: None, 416 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Art of the Defeat provides an unflinching look at the art scene in France during the German occupation. Black and white photographs throughout.
Hardcover. Washington DC, Infantry Journal Press, 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover in orange and black dust jacket, 261 pages. 46 pages of b&w photos in rear of book. Stated First Edition. Map on endpapers. Spine sunned otherwise a tight, clean copy.
Hardcover. New York, Chartwell Books, 3rd pr., 2015, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color, black and white pictures throughout. For more than 75 years, through countless comics, television, and movies, Batman has been a symbol of strength and perseverance. He was created in 1939, on the brink of World War II -- a volatile time, when we needed a hero most. Who better to come to the rescue than the Caped Crusader? For the first time, Batman: The War Years 1939-1945 details The Dark Knight's involvement in the war and his fight against some very real villains.
Hardcover. New York, Sully and Kleinteich, 3rd, 1918, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt, red and white decoration, 342 pages, with frontispiece portrait of Belinda Melnotte by A. O. Scott. Previous owner's signature on front fly leaf, minor corner and edge wear, otherwise, very clean and tight copy.
Softcover. Canada, The History Press, 1st, Book: Very Good, Dust Jacket: None, 143 pages, softcover. Extensive b&w illustrations throughout. Clean, unmarked copy with only minor wear to wrappers.
Softcover. Cambridge MA, Harvard University Press, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 310 pages, b&w illustrations. Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together-even as deeply internalized prejudices drove them apart-but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.
Hardcover. New York, Garden City Publishing, 1st, 1942, Book: Very Good, Dust Jacket: Good, Hardcover, 32 pages, color illustrations by Booth. Illustrated boards in an edge worn dust jacket with closed tears. Previous owner's markings on inside flap of dust jacket and front fly leaf.
Hardcover. Boston, Little, Brown and Company, reprint, 1954, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume VI in The History of United States Naval Operations in World War II. 463 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with fading, lacks dust jacket, otherwise clean, tight copy.
Hardcover. London, Osprey Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 134 pages, a collection of 250 illustrations from the archives of the Illustrated London News. Black cloth spine and boards, no dust jacket issued.
Hardcover. NY, St. Martin's Press, 1st US, 1985, Book: Very Good, Dust Jacket: None, Hardcover, olive green boards, gilt lettering on spine. Illustrated with B&W plates and maps; Large 8vo 9' - 10' tall; 686 pages; 'Allen's work deals primarily with the human elements of the forgotten war waged between the doomed empires of Great Britain and Japan in Southeast Asia between 1941 and 1945. The author's familiarity with Japanese sources enables him to strike a balance unusual in Western accounts. Allen's Japanese are as much prisoners of their culture as the British are of theirs. They are victims of incompetent command and inadequate logistics. They do not want to die, but their ready acceptance of death lends a special horror to Allen's descriptions of some of the century's most vicious fighting.' Clean bright copy, no dust jacket.
Hardcover. Seattle WA, Fantagraphics Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, World War II action/adventure from one of the all-time great cartoonists. No dust jacket issued.
Softcover. Crewe VA, E & H Publishing, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 465 pages, b&w illustrations. Captured, Not Conquered is a survey history of the American prisoner of war experience in the First World War. It encompasses U.S. forces as well as Americans in foreign service. It contains tables, charts and photographs from official records and documents over 100 escapes from Imperial German captivity. It documents German intelligence interrogation tactics, techniques and procedures, Allied intelligence activities, POW life and treatment and the evolution of POW intelligence. Includes bibliography, notes and index. Clean copy.
Hardcover. Toronto, University of Toronto Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 407 pages, b&w illustrations. In his controversial and award-winning 2003 book Fields of Fire, Terry Copp offered a stunning reversal of accepted military history, challenging the conventional view that the Canadian contribution to the Battle of Normandy was a failure. Cinderella Army continues the story of the operations carried out by the First Canadian Army in the last nine months of the war, and extends the argument developed in Fields of Fire that "the achievement of the Allied and especially the Canadian armies... has been greatly underrated while the effectiveness of the German army has been greatly exaggerated." Copp supports this argument with research conducted on numerous trips to the battlefields of France, Belgium, Holland and Germany. His detailed knowledge of the battlefield terrain, along with contemporary maps and air photos, allows Copp to explore the defensive positions that Canadian soldiers were required to overcome, and to illustrate how impressive their achievements truly were. Clean copy.
Softcover. Torino, Societa Editrice Internazionale, 1st Italian, 1975, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, illustrated wrappers. An Italian journalist's memoir of a half century living in London. With a SiGNED letter laid in to the previous owner Cecil Roberts from the author. ITALIAN TEXT.
Hardcover. New York, W. Colston Leigh, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles on front and spine, unpaginated, b&w cartoons throughout, drawings from Judge, The Bystander, Life, New Yorker and College Humor. SIGNED BY BAIRNSFATHER on the front fly leaf. Mild crease to first four pages, tight and clean copy.
Hardcover. Canada, Deutscher Kunstverlag, 1st, 2012, Book: Very Good, Dust Jacket: None, 159 pages. Like new in publisher's shrink-wrap. The material that was saved from Warsaw in 1939 included more than ten color slides. These slides are the only color photo documents showing that historic moment from the perspective of city residents. The slides were found only in recent years by the photographer's son, Sam Bryan. In addition to color slides this album also includes photographs recorded by Julien Bryan on black-and-white film at that time and iater subjected to a complicated process of colorizing. The colorizing took piace after Bryan's return to the United States in 1939.
Hardcover. Boston, Little, Brown and Company, 2nd pr., 1950, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume IV in The History of United States Naval Operations in World War II. 307 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, otherwise clean, tight copy.
Hardcover. Tokyo, Sophia University, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 87 pages. INSCRIBED BY GEORGE M. WILSON ON FRONT ENDPAPER. Black boards, cream cloth spine with gilt titles, white dust jacket with illustration. Price-clipped, slight rubbing to dust jacket, pages crisp and unmarked; overall, a very clean, tight copy in great condition.
Softcover. Burlington IA, Craftsman Press , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 190 pages, b&w illustrations. An infantryman's memoir of World War II in Europe's waning months. INSCRIBED BY BIED on half-title page. Clean copy.
Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs. GERMAN TEXT.
Hardcover. Amsterdam, Uitgeverij Van Oorschot , 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 1060 pages, DUTCH LANGUAGE. Bright copy in a similar dust jacket. Clean.
Hardcover. NY, Harper & Brothers, 1st, 1941, Book: Very Good, Dust Jacket: Good, Previous owner's signature front paste-down. Color and black & white illustrations by Fritz Kredel. Dust jacket shows wear, chipping, tape repair. Hardbound.
Hardcover. Leipzig, K.F. Koehler, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt title block on spine and a gilt design of a naval battlship on the front cover. 166 pages. b&w plates, GERMAN TEXT. Inscription in German on front fly leaf dated 1934. Copyright states 1920. Clean copy.
Hardcover. NY, The New Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 280 pages. Dedicated readers and fans of Theodor Seuss Geisel, or Dr. Seuss, know of Seuss's fascinating, long-forgotten career as a political cartoonist for the New York daily newspaper PM during World War II. Dr. Seuss, however, was only one of a number of distinguished cartoonists whose work appeared in PM. In Dr. Seuss & Co. Go to War, we discover an astonishing treasure trove of over three hundred incisive political cartoons by Seuss as well as a cohort of other legendary cartoonists of the time, including Saul Steinberg, Al Hirschfeld, Arthur Szyk, Carl Rose, and Mischa Richter. These fascinating cartoons offer a totally different picture of the war, both at home and abroad. Sure to fascinate and surprise readers across the generations, Dr. Seuss & Co. Go to War lets readers ?time travel to a remarkable time when editorial cartoons really mattered". Clean copy.
Hardcover. Chicago, University of Chicago Library, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publisher's shrink-wrap. With 2014 marking the one-hundredth anniversary of the commencement of World War I, En Guerre offers a fresh, thought-provoking exploration of the impact of the Great War as viewed through the lens of French graphic illustration of the period. Published in conjunction with an exhibition of these illustrations at the University of Chicago Library's Special Collections Research Center, this catalog draws from illustrated books, magazines, and prints to present a wide range of perspectives on themes essential to a deeper understanding of the war in France: patriotism, nationalism, propaganda, and the soldier's experience, as well as the mobilization of the French national home front as seen through fashion, music, humor, and children's literature. With a text by noted historians Neil Harris and Teri J. Edelstein and featuring more than one hundred reproductions of the vivid and colorful work of French illustrators, En Guerre reaffirms the persuasive role that art can play in the service of political and military power.
Hardcover. NY, W. W. Norton , 2nd pr., 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 209 pages. Many b&w photos, some color. The author and S. Oughterson and Shields Warren, as part of the United States Atomic Bomb Causality Commission, were sent immediately (September 1945) to survey Hiroshima and Nagasaki, Japan after the bombing and surrender of Japan to study the devastation and the subsequent irradiation sickness.
Hardcover. Munchen GR%, C. Bertelsmann, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, profusely illustrated with b&w photographs, text illustrations., maps, bibliog., Foreword by Lew Kopelew. GERMAN TEXT. Highly pictorial account of the disastrous German campaign 1942-43. Cllean copy.
Softcover. West Lafayette IN, Purdue University Press , 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover, 529 pages, b&w illustrations. Eva and Otto is a true story about German opposition and resistance to Hitler as revealed through the early lives of Eva Lewinski Pfister (1910-1991) and Otto Pfister (1900-1985). It is an intimate and epic account of two Germans-Eva born Jewish, Otto born Catholic-who worked with a little-known German political group that resisted and fought against Hitler in Germany before 1933 and then in exile in Paris before the German invasion of France in May 1940. After their improbable escapes from separate internment and imprisonment in Europe, Eva obtained refuge in America in October 1940 where she worked to rescue other endangered political refugees, including Otto, with the help of Eleanor Roosevelt. As revealed in recently declassified records, Eva and Otto later engaged in different secret assignments with the US Office of Strategic Services (OSS) in support of the Allied war effort. Despite their vastly different backgrounds, Eva and Otto gave each other hope and strength as they acted upon what they understood to be an ethical duty to help others threatened by fascism. The book provides a sobering insight into the personal risks and costs of a commitment to that duty. Their unusually beautiful writing-directed to each other in diaries and correspondence during two long periods of wartime separation-also reveals an unlikely and inspiring love story.
 "1914 - 1918 Through the eyes of Fortunino Mataniaby: Peter Richardson")
 "All American Aircraftby: Gann, Ernest K.")
 "Collected Drawings of Bruce Bairnsfather, The (SIGNED COPY)by: Bairnsfather, Bruce")
 "De Wereld Waar ik Buiten Sta: Oorlogsdagboek 1940-1945 (Dutch Edition)by: Michaelis, Hanny")
