art Drawing

Hardcover. Seattle, WA, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, 528 pages. Hardcover with no dust jacket. Sunfading to spine. Otherwise a very clean, unmarked copy with only minor edgewear. Over 500 comic strips published between 1956 through 1966. SIGNED BY JULES FEIFFER ON HALF TITLE PAGE.

Softcover. Mineola, NY, Dover Publications, 1st, 2019, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. A very clean, unmarked copy with only minor edgewear. This original compilation features more than 80 color plates selected from two of Phillips' early collections, A Gallery of Girls and A Young Man's Fancy, in addition to images from other sources. An Introduction by illustrator and graphic designer Scott M. Fischer provides a modern appraisal and speaks to Phillips' lasting influence. Students of illustration, graphic design, and advertising as well as fans of 1920s fashion will appreciate this collection of striking works by a Golden Age designer-illustrator.

Hardcover. Cleveland, OH, The World Publishing Company, Reprint, 1945, Book: Very Good, Dust Jacket: Good, 128 pages. Hardcover with dust jacket. A very clean, unmarked copy with chipping and wear to dust jacket edges. An otherwise tight copy.

Hardcover. NY, Land's End Press, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover, 1968 stated on both the cover and copyright pages. 13 x 9.5 inches, black cloth with gilt design and lettering to the cover and spine. 288 pages. Wrapped in a worn and chipped dust-jacket with a nude illustration in black and white covering the lower 2/5 of the cover. This book provides a selection of Rops' graphics with notes on his life by Lee Revens. Felicien Rops (1833 1898) was a prominent figure in 19th-century Belgium. His art is characterized by satirical, demonic, and erotic themes, often challenging societal norms and hypocrisy. Rops works hold a mirror to contemporary society, exposing its repressive standards and moral contradictions. His art oscillates between sensuality, death, and satanism, making him a key figure in the late 19th-century decadent movement. No markings.

Hardcover. London, William Heinemann , 1st, 1913, Book: Very Good, Dust Jacket: None, Green cloth, gilt lettering and design. Slightly darkened spine, minor spotting. Minor foxing to first few pages. 50 black & white caricatures.

Hardcover. Seattle, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: None, 143 pages. Hardcover with no dust jacket issued. Clean, unmarked copy. Color and black and white pictures throughout.

Hardcover. Los Angeles, CA, Los Angeles County Museum of Art, 1st, 1988, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. Exhibition catalog. 128 pages, illustrated throughout in color and b&w. Red cloth with gilt title to spine. Pictorial dust jacket. Minor stain to back flap, else like new.

Hardcover. New York, Daily Racing Form Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Oblong hardcover, 185 pages, illustrated throughout with cartoons and INSCRIBED BY AUTHOR on title page. Minor corner bump and edge wear, otherwise, very clean and tight copy.

Hardcover. New York, Pantheon, 1st, 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover. Limited to 1,200. 137 plates, 80 pages of commentary & description, minor chipping to dust jacket .

Hardcover. NY, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An exquisitely illustrated volume that emphasizes the importance of drawing in Fragonard's creative process One of the most forward-looking artists in 18th-century France, Jean-Honore Fragonard (1732-1806) is considered the preeminent draftsman of his time. This fresh assessment of the artist focuses on the role of drawing in his creative process and showcases Fragonard's mastery and experimentation with drawing in a range of media, from vivid red chalk to luminous brown wash, as well as etching, watercolor, and gouache. Unlike many old master painters, Fragonard explored the potential of drawings as works of art in their own right, ones that permitted him to work with great freedom and allowed his genius to shine. Still in publisher's shrink wrap.

Hardcover. Bethlehem, Lehigh Univ. Press, 1st , 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Black & white illustrations, 298 pages. This work presents Di Giorgio's codex of machine and fort drawings for the Duke of Urbino, his sketchbook of machines, and archeological sketches in the Uffizi.

Softcover. Sarasota FL, Frazetta Girls Publishing, 1st, 2025, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. Illustrated mostly in b&w, some color. Clean copy.

Hardcover. NY, Abradale Press, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, An authoritative study of 309 drawings - including 134 plates in full color - from Wright's Taliezin Studio by a renowned authority on Wright's work. First 20 pages with faint creases to pages, otherwise a bright, clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Flagstaff, AZ, Northland Press, 1st, 1972, Book: Good, Dust Jacket: Good, Hardcover, 115 pages. 30 color reproductions throughout. Beautifully illustrating the skills of this remarkable man, accompanying each of his paintings with notes describing techniques employed, many with revealing comments by the artist himself. Dark blue cloth, gilt lettering to spine and front cover, color slightly faded at edges. Pictorial dust jacket with light edge wear and faint smudges to front cover. Tight binding.

Hardcover. Brooklyn NY, Privately Published, 4th Ed., 1916, Book: Good, Dust Jacket: None, Principles and Methods of Expression in the Pictorial Representation of Common Objects, Interiors, Buildings and Landscapes. Hardcover, gray-green boards with a dark green cloth spine. 175 pages, profusely illustrated in b&w. Boards with light edge wear. Otherwise a good clean, tight copy of an early edition of this drawing-technique classic first published in 1908. "This book presents essentially the course of study in Freehand Perspective and Sketching as developed during its teaching at Pratt Institute." Name on front fly leaf, pencil sketches on blank two pages in rear. Clean internally.

Hardcover. NY, New York Review Of Books , 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. On the envelopes of letters sent to a dear friend, the famed artist and writer Edward Gorey drew dozens of original illustrations now collected in this volume along with marvelously playful selections from the correspondence, all never before seen by the public until now. When Tom Fitzharris met Edward 'Ted' Gorey in 1974, the two quickly struck up a friendship. Over the next year Gorey sent a total of fifty letters to Fitzharris. Every envelope Fitzharris received was illustrated by Gorey, and filled with surprises: typewritten letters with news and opinions from Gorey's life, handwritten note cards with unexpected quotes, sketches, inside jokes, and a host of other joyous miscellany. Assembled here for the first time, these envelopes and their contents deliver all the humor, imagination, gossip, and wonder that came with being Edward Gorey's pen pal. Clean copy.

Hardcover. New York, Bulfinch, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 112 pages. 100 black and white illustrations. Faint yellowing to dust jacket top edge. Otherwise a very clean, unmarked copy with only minor wear to dust jacket. People on every step of the corporate ladder will identify with the 100 hilarious business cartoons from New Yorker cartoonist Barsotti. / Charles Barsotti, formerly the cartoon editor of the The Saturday Evening Post, has been a staff cartoonist at the New Yorker since 1970. His work has also appeared in Playboy and Fast Company, among other publications.

Softcover. US, Somogy Art Publishers , 1st, 2008, Book: Very Good, Dust Jacket: None, 320 pages. Softcover with little to no wear on edges. Still in publisher's shrinkwrap. Bringing the famed Parisian illustrator to light, this biography centers on Gabriel de Saint-Aubin, who studied at the prestigious Royal Academy but failed to win the coveted Prix de Rome. The study relates that the subject reacted to this disappointment by throwing aside all hopes of a traditional artistic career and hastening out into the thoroughfares of Paris to sketch everything in sight, living an errant, bohemian existence and succumbing increasingly to an obsession with drawing. Detailed and engaging, this recollection demonstrates that, despite his personal eccentricities, Saint-Aubin was employed as an artist all his life.

Softcover. Washington, National Gallery of Art, 2nd printing, 1988, Book: Very Good, Dust Jacket: None, 519 pages. Softcover. Previous owner's bookplate on front endpaper. Color and b/w illustrations throughout. Wrapper excellent, in beautiful condition. Pages clean and bright, unmarked. Binding tight. Published to accompany exhibition: National Gallery of Art, Washington, 5/1-7/31/88; The Art Institute of Chicago, 9/17-12/11/88; Grand Palais, Paris, France, 1/10-4/20/89.

Softcover. Austin TX, University of Texas Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 127 pages, b&w and color plates. Bottom right corner slightly bumped. Else a very clean, tight copy.

Hardcover. London , Bell & Daldy, reprint, 1869, Book: Very Good, Dust Jacket: None, Hardcover in 3/4 polished leather with marbled boards, spine with gilt lettering, raised bands. Engraved title and twelve full-page engraved plates and 116 engravings on wood by Cruikshank. 277 pages, humorous essays and commentary throughout by various writers. Reprint of the 1845 Edition.

Hardcover. New York, Macmillan Publishing, 1st , 1983, Book: Near Fine, Dust Jacket: Very Good, Hardcover, 312 pages, illustrated throughout with drawings in b&w. Black blind-stamped boards, brown cloth spine with gilt title. White pictorial dust jacket. Light wear to covers and spine, else a very nice, tight copy.

Hardcover. New York , Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. George III enjoyed one of the longest reigns in English history (1760-1820) at a time when both England and the world were undergoing drastic changes. Yet he remains a dim figure, remembered mainly for his failures (losing America) and his "madness" (which turns out to have been not mental but physical). He was highly unpopular for much of his reign, and this judgment is spectacularly endorsed by hundreds of contemporary caricatures, many reproduced here for the first time. Among George's enemies were some of the wittiest artists of any age, and few took the trouble to be fair. This was the way the English nation saw its king, adding a new dimension to what is ultimately a tragic story. 200 color illustrations.

Hardcover. New York, Charles Scribner's Sons, 1st, 1910, Book: Very Good, Dust Jacket: None, Blue cloth covers, large color-illustrated label pasted to front cover, profusely illustrated with color and b&w plates, top edge gilt. Slight rubbing and edgewear to covers, cloth lightly faded at edges, pages crisp and unmarked; a very clean, tight copy.