art Monograph

Hardcover. US, Rizzoli, 1st, 1988, Book: Very Good, Dust Jacket: Good, 319 pages, illustrated throughout with 235 illustrations, including 150 in full color. Faint soil to fore edge. Light edgewear and rubbing to dust jacket. Small tear on front end paper.

Hardcover. Washington DC, National Gallery of Art / Yale University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Publisher's full red cloth, gilt lettering on spine, gold endpapers. Profusely illustrated with numerous full-color plates (many full-page) as well as B&W illustrations. Published to coincide with the exhibition held at the National Gallery of Art, Washington, and the Kimbell Art Museum, Fort Worth, October 1996 to May 1997. Includes essays by Jean-Pierre Cuzin, Gail Feigenbaum, Patricia Behre Miskimin, Edmund P. Pillsbury, and Leonard J. Slatkes; and also technical essays by Claire Barry, Barbara Berrie, Melanie Gifford, and Michael Palmer. Also includes Bibliography and detailed Index. . Both the volume and the unclipped dust jacket are in pristine condition.

Softcover. NY, Metropolitan Museum of Art, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 450 pages w/ bibliography & index; 352 illustrations, 244 in full color. Exhibition was at Galeries Nationales du Grand Palais, Paris in 1991 before going to the Metropolitan Museum in NY in 1991 and early 1992. In this exhibition such masterpieces as Parade de cirque, Cirque, and Jeune femme se poudrant and an extraordinary group of seascapes testify to Seurat's pictorial ambitions. His splendid drawings in conte crayon place him, with Ingres, among the greatest draughtsmen of the nineteenth century. These sheets and the beautiful series of small paintings on wood- his croquetons (little sketches)- give a more intimate view of Seurat. A large number of works are exhibited together for the first time, Short inscription on front fly leaf, otherwise a clean, tight copy. DUE TO WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Princeton, Princeton University Press, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. B&w illustrations. White cloth. beautiful pictorial dust jacket. A lovely copy without tears and bumps. Looks almost brand new.

Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 226 pages 66 b&w illustrations and 82 plates in full color. White cloth, pictorial dust jacket. Like new, in shrinkwrap.

Hardcover. Kunsthalle Bremen & Verlag Fred Jahn, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Black cloth with dust jacket. Text in German by numerous contributors. illustrated checklist to the exhibition. 170 pages with 69 four-color plates and numerous b/w reference illustrations. GERMAN LANGUAGE.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, Museum of Modern Art, 3rd pr., 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 illustrations 138 in color. Essay by Robert Storr and with an interview of Richter by Storr as well. Includes numerous color and black and white illustrations, artist chronology, list of previous exhibitions, and a selected bibliography. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY February 14-May 21, 2002. In a bright, unclipped dust jacket.

Hardcover. NY, Harry N. Abrams, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 128 pages, illustrated throughout in color and b&w, INSCRIBED BY AUTHOR on front end paper. Light shelf-wear to dust jacket with small crumbled tear to rear cover. Clean, tight copy.

Hardcover. NY, Aperture, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes, 1200 pages. Gilbert & George are among the foremost artists of their generation. A collaborative team, they were early to explore performance as an art form, and early to explore the idea that every aspect of daily life could be classed as such. They were early to mingle photography and graphics in a style reminiscent of advertising, and early to address sexual identity in that work. In fact, they were early to do much that viewers now take for granted. Their work has been exhibited worldwide since the beginning of the 1970s, and is either unusually accessible or completely unpalatable, depending on the viewer's mindset. It has attracted both fierce controversy and enormous acclaim, including the 1986 Turner Prize and the U.K.'s slot at the 2005 Venice Biennale. At last, on the fortieth anniversary of their meeting (September 25, 1967, Saint Martin's, London) and on the eve of a major retrospective that will tour six venues around the world-including Tate Modern, the Brooklyn Museum, the Milwaukee Art Museum and the de Young Museum in San Francisco-here is a book that does justice to the scale, depth and ambition of their artistic achievement. Or rather, here are two books: designed and produced by the artists, this luxurious two-volume hardback set, which comes in a customized carrying case with handles, documents every picture the pair has created over the course of their 35-year career.With details and installation views of many significant pieces, it includes 1500 color illustrations. The Complete Pictures will be the most thorough and extensive publication on the artists' work ever assembled. Copublished with Tate Publishing, London.

Hardcover. New York, Harry N Abrams, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages, illustrated throughout with 120 plates, including 51 in full color. Minor sunning to dust jacket spine and light wear to edges, else a clean, tight copy.

Hardcover. NY, Guggenheim Museum/Abrams, 1st, 2000, Book: Good, Dust Jacket: Good, Hardcover, 381 pages. A sumptuous photographic essay, which accompanies a new museum exhibition, celebrates the design genius of Armani, discussing his wide influence and the radical changes in fashion that he has inspired, tracing the evolution of his unique artistry. crease/wrinkle to front panel of dj otherwise very good. several pages with creases.

Hardcover. New York, Weybright and Talley, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover. Illustrated with 370 black & white plates and a color frontispiece. Introduction by Henry Moore. Photographs by Ilario Bessi in collaboration with Henry Moore. Brown canvas, spine lettered in gilt, upper cover blocked in gilt with publishers' device, Dust jacket with light surface wear to back cover. Clean, tight copy.

Hardcover. Paris, Editions Gallimard, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, large heavy volume in glossy pictorial boards. 495 pages with index. Accompanying DVD in rear pocket inside cover. Girodet was one of the greatest French painters of the early 19th century. His career reached its height under the reign of Napoleon. Illustrated throughout in color, scholarly essays by various experts, a chronology. No dj issued, minor bump to lower corner of cover, otherwise like new. DOMESTIC SHIPPING ONLY.

Hardcover. Richmond, Va., Candela Books, 1st, 2010, Book: Good, Dust Jacket: None, 100 pages. Hardcover. Extensive b&w photography throughout. Tipped in plate on front cover. Small stain to front cover, otherwise clean, tight copy. Working primarily from the 1940s through the early 1960s, the American photographer Gita Lenz (1910-2011) made documents of New York street life that won her early recognition and inclusion in two group shows curated by Edward Steichen for The Museum of Modern Art, a three-person show at the Brooklyn Museum and numerous articles and features in photography magazines of the time. Equally given to inflecting her portraiture with hints of social realism one on hand, and surrealism on the other, and also influenced by her close friend Aaron Siskind, Lenz produced abstract compositions, city still lifes, surreal still lifes and intimate portraits. She receded from view in the 1960s as financial demands impeded her practice, but in 2002, a chance meeting with photographer Gordon Stettinius led to the retrieval of this small but charming body of work, and the publication of this superbly printed first monograph.

Hardcover. US, Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover with dust jacket, 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships.Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades.

Hardcover. US, Picture Book Studio, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, Illustrated throughout with 114 posters in color. Light shelf-wear and scratching to dust jacket. Faint foxing to top edge and end papers, else a clean, tight copy.

Hardcover. Alexandria VA, Art Service International / Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 263 pages. Comprehensive treatment of Grandma Moses, her life, work, significance, and with a Catalogue of her work. Illustrated in color. Designed for a major traveling exhibition of Moses' work, the hardcover copies were distributed by Yale. Clean copy.

Hardcover. London, Studio Vista, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 313 pages, illustrated throughout in b&w. Light edgewear and rubbing to dust jacket, light tanning to end papers, else a clean, tight copy.

Hardcover. New York , Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. "Christian M. Nebehay, a leading Klimt scholar who knew the artist personally in the last year of his life, places Klimt in the context of the society which he both shocked and delighted. The best of his abundant sketches and the finished paintings which they precede are brought together for the first time, juxtaposed to alllow direct comparison" With 370 illustrations including 135 plates in full color.

Hardcover. NY, James Graham & Sons, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Color plates throughout. Color pictorial dust jacket. Blue cloth boards with silver lettering along spine. B&w frontispiece. clean, tight copy. A monograph on the work of Gu Pene Du Bois, an American painter known for his depiction of American culture in the early 1900s, with this book discussing his murals and portrait paintings, among other work.

Hardcover. Barcelona, Spain, Syzygy, 1st, 2010, Book: Very Good, Dust Jacket: None, 95 pages. Hardcover with padded covers. Color pictures throughout of Fran Bull sculptures. Clean, tight copy with minor wear to edges.

Hardcover. Baden GR, Lars Muller, 1st, 2011, Book: Very Good, Dust Jacket: None, Folio, hardcover. Numerous color illustrations. Hannes Wettstein was one of the most innovative and influential designers in Switzerland. His products, furniture, and interior designs not only influence our everyday life, but also the way we understand design in the present day. In 2008 Wettstein died aged 50. For the first time his life's work will now be celebrated and documented in a monograph. The publication presents images from Wettstein's world--works, sketches, and personal objects.Text in English, German, and Italian. Like new in publishers shrink-wrap.

Softcover. New York, WMAA/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: None, 200 pages. Softcover. Full color illustrations. Shallow crease at bottom right corner of front cover. Clean, unmarked copy. Goodman's book, with essays by Clement Greenberg and Irving Sandler and the artist's own statements, provides an excellent introduction to the life and work of the man frequently called the dean of the New York School of Abstract Expressionism.