Hardcover. New York, Macmillan Company, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover, 173 pages, with 132 photo plates of Coletti's work, introduction by Alan Pirest, with bibliography, biographical chronology, index, etc. Previous owner's writing on front fly leaf and rear endpaper, dust jacket edge tears with two corner chunks missing, price clipped, otherwise, internally clean and tight copy.Although born in Italy Joseph Coletti spent his life in the United States and became one of the great religious sculptors of the 20th Century.
Hardcover. NY, Viking Studio, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout in b&w. SIGNED BY BASKIN on the front fly leaf. In a bright, unclipped dust jacket, a clean, tight copy.
Hardcover. NY, Viking Studio, 1st, 1980, Book: Very Good, Dust Jacket: Good, Hardcover, 224 pages, illustrated throughout in b&w. Light edgewear, rubbing and scratching to dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.
Softcover. Tokyo, Shinbaku Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, illustrated in color. The modern era of underground doll-making in Japan began in the late 1960s, with the experiments of Simon Yotsuya and Nori Doi. Directly inspired by the Surrealist Doll constructed by Hans Bellmer in 1932, Simon Yotsuya created a series of ball-jointed, life-sized dolls which featured in his ground-breaking "Eve In The Past And The Future" exhibition in Tokyo, in 1973. Simon Yotsuya's work inspired a new wave of avant-garde Japanese doll-making, headed by artists such as Ryo Yoshida and Katan Amano, which has continued to flourish to the present day. SECRET DOLLeEUR^UNDERGROUND, presented by Yuichi Konno, features dolls by fifteen artists, from Simon Yotsuya onwards, with over 80 full-sized colour photographs never before published outside Japan. It also includes Konno's introductory history of the underground doll in Japan.
Softcover. Carrara Italy, privately printed, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (48 pages), illustrated in color and b&w. Contains reproductions of Tallarigo's stone sculptures created from 1990-1995. Text in Italian and English.
Hardcover. NY, Rizzoli, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 672 pages. Published in conjunction with the opening of the new Saatchi Gallery in London, one of today's most important institutions collecting and exhibiting contemporary art, this mammoth book is the most comprehensive volume on contemporary sculpture. The title itself refers to H. G. Wells's eponymous novel which envisioned the future and was a surprisingly accurate prophecy reflecting the author's own time. That book inspired Stanley Kubrick's film 2001: A Space Odyssey, in which a great monolith is an iconic but enigmatic sculptural presence. This new book opens with an enormous, standing monolithic Styrofoam sculpture of a videocassette of 2001 and, like the Wells book, seeks to explore how sculpture will evolve in the coming decades. Clean, bright copy.
Hardcover. Berlin, Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. 290 pages with 90 illustrations in color. Edited by Ruth Ronen. Text by Ariella Azoulay, Adi Efhal. Published on the occasion of the exhibition from the KW Institute for Contemporary Art, Berlin 18 November 2007-13 January 2008. Biography.
Softcover. Antwerp, Bernard Blondeel, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 36 pages, b&w and color illustrations. Exhibition catalog of sculptures and drawings. Clean copy.
Softcover. San Francisco , Chronicle Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, color illustrations. Stephen De Staebler's evocative rendering of the human body is epitomized by the life-size figures and torsos represented in more than seventy full-color illustrations in Stephen De Staebler: The Figure, the first full-length monograph on this major American artist. Noted critic Donald Kuspit, a contribut-ing editor of Art in America, discusses how De Staebler's use of clay and bronze reflects the metaphysical foundations of his art. De Staebler's "archaic" figures evoke a sense of the past, while at the same time raising questions essential to modern human existence. Clean copy.
Hardcover. Oxford UK, Phaidon Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 80 pages, 67 illustrations, including 28 plates in full color. Maroon cloth with gilt title to spine. Blue pictorial dust jacket. Light wear to covers, else a very nice, clean, tight copy.
Hardcover. Oxford, UK, Phaidon Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, 80 pages, 67 illustrations, including 28 plates in full color. Maroon cloth with gilt title to spine. Blue pictorial dust jacket. Light wear to covers, else a very nice, clean, tight copy.
Hardcover. New York, William Morrow & Company, Inc., 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. History and analysis of the American artistic phenomenon of Superrealism. Contains 72 color plates and 68 black/white plates as well as notes on particular artists. Very good condition; no internal marks, slight wear on the edges of the dust jacket.
Hardcover. London, Victoria & Albert Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, White boards with pink lettering on spine; Color illustrated dj.; 362 pp.; 250 color, 100 bw illustrations. Accompanied a major exhibition at the Victoria & Albert Museum; Includes works by Salvador Dali, Man Ray, Alexander Calder, Max Ernst, Rene Magritte, and others; Extensive annotations; Great overview of the subject.
Softcover. Milwaukee, David Barnett Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 20 pages, b&w, 3 color plates. Masking tape over gallery logo on rear cover, with Falkman's phone number and address in her hand. Bright copy.
Softcover. Milwaukee, David Barnett Gallery, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, 20 pages, b&w, 3 color plates. Long inscription by the sculptor on the inside front cover. Bright copy.
Hardcover. New York, D. Appleton, 1st, 1895, Book: Very Good, Dust Jacket: None, 2 Volumes. Elephant Folios. 3/4 leather. Raised bands on spines. Titles in gilt. Designed by Stanford White, a.e.g. with marbled end papers. Set is 16 5/8 inches tall. Profusely illustrated with textual illustrations with fifty photogravures in color on heavy stock. There are also one hundred and twenty full-page typogravures in black and white. One plate with chipped edges - E. L. Weeks - "Three Beggars of Cordova". Rubbing to corner covers and along spines. Interiors clean and unmarked. Both volumes Very Good. Combined volumes weigh approximately 30 lbs - please contact us concerning shipping costs.
Softcover. Louisville KY, Chicago Spectrum Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations throughout. INSCRIBED BY HAMILTON on the front fly leaf. Ed Hamilton was raised on a street, in a neighborhood, that no longer exists. But Walnut Street and the now razed black professional district are vibrant and alive in this account of how one skinny black youth became a nationally acclaimed sculptor. This autobiography chronicles not just one man, but a way of life. It is filled with photos of art work now located all over the U.S., in private homes, public plazas, and prestigious museums.
Softcover. Athens, Greek Ministry of Culture, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Richly illustrated catalog for an exhibition in Washington on art from the Geometric, Orientalizing and Archaic periods. With a preface by Melina Mercouri. The chapters are: life in early Greece; the alphabet of history; the art of the Greek dark ages; geometric art; chart of vase shapes; vase painting; terracottas; bronzes; sculpture in stone. Clean copy.