Hardcover. NY, Twayne Publishers, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 162 pages. The first full-length critical treatment of this significant and neglected figure in American realism. Arguing that raw naturalism and subtle craftsmanship - seemingly incompatible qualities join to make Yates one of the most accomplished writers of the post - World War II period, the authors provide a comprehensive survey of his life and work. An introductory chapter outlines the historical, literary, and social contexts important to Yates's writings, comparing him, for example, with his contemporaries Philip Roth and Mary McCarthy and articulating strong lines of continuity between his themes and the ideas of the French historian Alexis de Tocqueville, the Marxist-oriented socialist C. Wright Mills, and the social theoretician Erving Goffman. Next a thorough biographical portrait illuminates Yates's obsession with the American middle class and its dislocated, disordered, and psychologically stifled populace, followed by sharp readings of the novels and story collections, including unfinished and minor works. Clean copy.

Softcover. Colorado, Westview Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. INSCRIBED BY AUTHOR. Very slight wear to edges and corners. A few pages slightly turned down. Otherwise, a very nice, clean copy.

Hardcover. NY, Simon & Schuster, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Rin Tin Tin was more than a dog. He embodied the core paradoxes of the American ideal: He was a loner who was also a faithful companion, a brave fighter who was also vulnerable. I was astonished to learn from this delightful book that he has existed for eleven generations over a century. By chronicling his amazing ups and downs, Susan Orlean has produced a hugely entertaining and unforgettable reading experience." -- Walter Isaacson.

Hardcover. NY, Thomas Y. Crowell, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 166 pages. Lardner was one of the most remarkable satirists in American literature and one of the sharpest cultural historians of his time but is better known to many people as a successful journalist and popular entertainer. Geismar examines the development of this distinguished writer, a biographical and critical account. Clean copy.

Hardcover. NY, Delacorte Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket wit light rubbing. 261 pages, b&w illustrations. 'She was the woman whose looks set the standard for her generation. The Sex Symbol for whom the term 'Love Goddess' was coined. And the first Hollywood star to become a real-life princess. She was adored as well by her leading men, and most especially by the five men she married...That none of these marriages endured is a matter of record, but the reasons behind these failures and the tragic true story of Rita Hayworth's gradual surrender to the mind-paralyzing terror Alzheimer's disease have never before been fully revealed and explained until now. Clean copy.

Toronto, Macfarlane Walter & Ross, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclippws dust jacket. Road Games is a passionate, engrossing and authoritative chronicle of the extraordinary 1992-93 NHL season, one that ended with an inquiry into whether or not the Ottawa Senators deliverately "tanked it" to secure their first overall draft pick of hockey's newest sensation, Alexandre Daigle. This was the season that Mario Lemieux's involvement in a sordid scandal was forgotten when he overcame cancer to win the scoring title; Doug Gilmour emerged as one of the game's finest players; and European stars Selanne, Bure, Mogilny and Fedorov rose to preeminence, while the North American hockey heroes-Gretzky, Lemieux, and Lindros-endured a season marked by injury, sickness, disturbing controversy and moving comeback. Clean copy.

Hardcover. London, Hutchinson, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket, 190 pages, 5 b&w illustrations. A true account of the author's adventures as a young man prospecting for gold in Africa, and the region that he believes is the legendary Ophir, famous in Old Testament times for it's fine gold. Name on inside front cover otherwise clean.

NY, Farrar, Straus and Company, 1st, 1950, Book: Very Good, Dust Jacket: Fair, Hardcover in a very worn, chipped dust jacket, 312 pages. This autobiography details the struggle of a young Negroe's struggle to rise from a Knoxville slum to reach the ministry in the first half of the 20th century.

Hardcover. New York, Alfred A. Knopf, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 79 pages. Hardcover with dust jacket. SIGNED BY STEADMAN. Clean, tight copy with light edge wear on covers.

Hardcover. London, England, William Pickering, 1st, 1994, Book: Very Good, Dust Jacket: None, 188 pages. Hardcover. Previous owner's name and information on front flyleaf. Some light notations throughout (pencil). Dark blue cover boards, gilt title on red on spine. Binding good. Spine straight. Pages bright. In very good condition. "Robert Boyle was the doyen of the new, experimental science in late seventeenth-century England, author of over forty books on science, religion and their mutual relationship."

Hardcover. New York, Da Capo Press, Reprint, 1969, Book: Very Good, Dust Jacket: None,

Hardcover. NY, Henry Holt, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 524 pages. Robert Graves was astonishingly prolific and worked in many genres. He wrote lyric poetry, scholarly studies of mythology, drama, criticism, and journalism, he translated from Latin, and is probably best known for his potboilers "I, Claudius" and "Claudius the God," works that he considered purely commercial and took little interest in. And, as Miranda Seymour makes clear, he was as odd a duck as ever walked. His life was defined by the women to whom he devoted himself. "Abased himself" would perhaps be the better term. The first and most influential was the American Laura Riding, a second-rate poet who fancied herself some sort of prophetess who would save the world from war and turned Graves into her adoring puppy. Later in life Graves devoted himself to a series of young women, each of whom he claimed embodied "the goddess" in whose service he thought he dwelled. Seymour (a novelist herself) writes beautifully, and with the cooperation of key members of the Graves family she has produced what will surely be the definitive biography of Graves for years to come.

Hardcover. Berkeley CA, University of California Press, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Foreword by Luella Cole Lowie. Illustrated with 24 b/w photographs. Chronological biography, bibliography. Lowie wrote this book to document ethnographic study in the early 20th century; to put his own professional life on record; to stress methods of field work and their application under very different circumstances.

Hardcover. New Haven, Yale University Press, 1st, May 11, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 303 pages, illustrated throughout. Very clean and tight copy. Although lumped together with Pop artists such as Roy Liechtenstein and Andy Warhol, and often the movement's spokesperson, Indiana and his paintings actually have an uneasy fit in Pop company, mostly because his work isn't grounded in the commodity-oriented (Campbell Soup) realism of most Pop Art. Instead, his work engages with literature and poetry and with the popular rhetoric of the American dream-all permeated by the particularities of his upbringing and life. Ryan's dual accomplishments are in articulating the dynamics of Indiana's art-especially the connections between the artworks and the sources of imagery and themes in his own biography-and in rendering a sophisticated and judicious roundup of the Pop Art movement.

Hardcover. Boston, Little, Brown and company, 1st, 1972, Book: Very Good, Dust Jacket: Good, 120 pages. Hardcover with dust jacket. Brodart covering dust jacket has two blue lines that bled through onto dust jacket. Internally clean and tight copy.

Hardcover. New York, Macmillan Company, 1st, 1903, Book: Good, Dust Jacket: None, Hardcover, 372 pages, with illustrations, gilt top edge and faded gilt title on spine, gold cloth bound. Light spine edge fray and corner bumps, minor rubbing, light tape repair to front fly leaf with previous owner's bookplate. Overall, internally clean, bright and tight copy.

Hardcover. New York, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 585 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Black & white photographs throughout.

Softcover. New York, Solomon R. Guggenheim Museum, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 629 pages. B&w and color images throughout. Slight shelf wear to covers. Otherwise, tight clean copy.

Hardcover. NY, Columbia University Press, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacker with a closed tear. 297 pages, color plates. Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century's great artists through a series of interviews with key figures in his life-family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators' reminiscences in conversation, with a focus on the relationship between Rauschenberg's intense social life and his art. The book opens with a prologue by Rauschenberg's sister and then shifts to New York City's 1950s and '60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg's eventual move to Florida's Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others' art.

Hardcover. New York , Harry N. Abrams, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 229 pages, illustrated in b&w and color. Autobiography, bibliography. Book designed by Rauschenberg. Acetate dust jacket with chip to top of spine, small tear to rear panel at bottom. Otherwise crisp, clean copy.

Softcover. Berkeley CA, University of California, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 425 pages, b&w illustrations. Previous owner's signature, otherwise clean, very good. The definitive study o the career of this Italian filmmaker first published in 1987.

Kansas City, Sheed Andrews and McMeel, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, 285 pages. Hardcover with dust jacket. Color and black & white photos and Illustrations. Clean, tight copy. Dust jacket has small chip missing on front bottom.

Hardcover. Sydney Australia , Macmillan, reprint, 2013, Book: Very Good, Dust Jacket: Very Good, 398 pages. Hardcover with dust jacket. SIGNED BY ROD LAVER on title page. 32 pages of b&w and color photography. Light edge wear to dust jacket, otherwise clean, tight copy.

Hardcover. NY, Doubleday & Company/MOMA, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 228 pages illustrated in b&w, some color. Although falling well short of a definitive biography, this treatment of Rodin is chronologically sound, contains some evocative photographs, and a good bibliography, and serves as a solid point of departure for the student of monumental sculpture, and of turn-of-the-20th century French art. Biographical Outline, Selected Bibliography, List of Illustrations, and Index; [Notes] at the end of most topics. Clean copy.