Hardcover. London, Frank Cass and Company, reprint, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 321 pages, b&w illustrations. Originally published in 1921, an account of the curious & interesting habits, customs & beliefs of a little known African people by one who has for many years lived amongst them on close & intimate terms as a missionary in the early 1900s. Clean copy.

Hardcover. Minneapolis, MN, North Loop Books, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. UK, Harwood Academic Publishers, 1st, 1991, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 264 pages illustrated in b&w and color. Androgynous Objects explores the way meaning is encoded in material culture by focusing on the androgynous symbolism of the looped string bag, or bilum, of the Telefol people of Central New Guinea. The web of meanings 'woven' into the bag is shown to extend beyond women's lives and bodies. It is open to manipulation and reformation in a variety of contexts and is used by both Telefol women and men to explore, and so explain the complexities and ambiguities inherent in their social life. Clean copy.

Hardcover. Koln GR, Walther Konig, 1st, 2008, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 118 pages, no dust jacket issued. English and French text. On the occasion of what would have been Andy Warhol's eightieth birthday, in 2008, this exquisitely produced volume examines one essential but miraculously under-studied element of the artist's work: The shadow. Beginning with photographic still lifes of skulls and taxidermied animals, then moving on to male nudes, tabletops and table settings, celebrity portraits, gems, fruits and many amazing still lifes of hammers, sickles, shoes and other ordinary objects that presage Fischli & Weiss' Equilibres by several years, Shadows and Other Signs of Life concludes with Warhol's photographs of actual shadows and an outstanding selection of abstract silkscreens, stenciled works and piss paintings. Published to accompany the eponymous exhibition at Paris' Galerie Chantal Crousel, this volume contains illuminating short texts--Anniversary Notes for Andy Warhol--by Benjamin H.D. Buchloh.

Hardcover. Koln GR, Walther Konig, 1st, 2008, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Hardcover, 118 pages, no dust jacket issued. English and French text. On the occasion of what would have been Andy Warhol's eightieth birthday, in 2008, this exquisitely produced volume examines one essential but miraculously under-studied element of the artist's work: The shadow. Beginning with photographic still lifes of skulls and taxidermied animals, then moving on to male nudes, tabletops and table settings, celebrity portraits, gems, fruits and many amazing still lifes of hammers, sickles, shoes and other ordinary objects that presage Fischli & Weiss' Equilibres by several years, Shadows and Other Signs of Life concludes with Warhol's photographs of actual shadows and an outstanding selection of abstract silkscreens, stenciled works and piss paintings. Published to accompany the eponymous exhibition at Paris' Galerie Chantal Crousel, this volume contains illuminating short texts--Anniversary Notes for Andy Warhol--by Benjamin H.D. Buchloh.

Softcover. Millerton, Aperture Magazine, 1st, 1983, Book: Very Good, Dust Jacket: None, 80 pages. Magazine. Illustrated with black & white photographs. Features articles: 'People and Ideas', 'Real Pictures for just 25 cents', 'The Arctic Voyage of William Bradford', 'Views of Japan', 'Photographer without Photographs', Passion for Genius', 'The Peasant Miners of Morococha'. Light wear. Clean, unmarked.

Softcover. New York, Aperture Magazine, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Aperture Magazine. Features: Josef Koudelka, Jan Tumlir, Fred Ritchin, Robert Hariman, David Campany, more. Illustrated with full color and black & white photography. Light wear. Clean, tight copy.

Hardcover. Woodbury, NY, Barron's, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, 81 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout.

Hardcover. London, Thames & Hudson, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 192 pages. Arcadia Britannica is the product of photographer Henry Bourne's repeated trips to some of Britain's greatest folk events: striking color portraits capture an eccentric collection of individuals in inventive outfits, including arboreal costumes, pagan-inspired creations, and historical garb. These were captured at events like the annual Jack in the Green festival held in Hastings in May, for which the town and its people are decked in green to welcome summer, and the Easter Sunday celebration in Bacup, Lancashire, where fiercely proud Britannia Coconut Dancers (or "Nutters") perform their traditional seven dances. An accompanying text by Simon Costin provides the historical backstory and explains the folklore behind this wacky, inspiring collection of images. 125 color photographs. Clean copy.

Hardcover. Hong Kong, Visionary World, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 176 pages. Oversized hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket. Price sticker on rear dust jacket. Color photographs throughout. Over 20 years worth of photography from Asia.

Hardcover. Paris, Bernard Giovanangeli Editeur, 1st, 2010, Book: Very Good, Dust Jacket: None, 143 pages. Hardcover. French text only. INSCRIBED BY AUTHOR ON HALF TITLE PAGE. Full color illustrations. Clean, tight copy. No dust jacket.

Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.

Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.

Hardcover. New York, Macmillan Company, Revised, Limited Edition, 1903, Book: Very Good, Dust Jacket: None, 371 pages. Hardcover. Revised, limited edition - this edition being two hundred and forty-five copies, of which this is handstamped #38. Black & white illustrations, includes fold-out map. Darkening to spine label. Light wear. Clean, tight copy.

Softcover. Oxford, UK, Oxford University Press, 1st, 1997, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. Color and b/w illustrations throughout. In excellent condition, clean inside and out. Binding tight.

Softcover. Paris, Reunion des Musees Nationaux, 1st, 1990, Book: Very Good, Dust Jacket: None, 204 pages. Softcover. French text only. Previous owners stamp on front endpaper. Illustrated with beautiful full color and black & white examples of religious art and artifacts of Tibet and Nepal. Slight toning to page edges. Clean, tight copy.

Hardcover. NY, Art in America, 1st, 1961, Book: Very Good, Dust Jacket: None, Pictorial boards, 136 pages. Hardcover magazine format. Illustrated in full color and black & white. Features articles on: 'What Should a Museum Be?, 'A Day with John Marin', 'Antiques for the Avant-Garde', 'Notes Toward an Ideal School of Fine Art', 'American Art International', 'Paris Letter: Nouveux Realistes', and more. Cover by Saul Steinberg. Clean, tight copy.

Softcover. University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 228 pages, b&w illustrations. Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art in Mind, Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical agent, or a cultural creator, that propels thought and experience forward.Examining a broad range of works, van Alphen--a renowned art historian and cultural theorist--demonstrates how art serves a socially constructive function by actually experimenting with the parameters of thought. Employing work from artists as diverse as Picasso, Watteau, Francis Bacon, Marlene Dumas, and Matthew Barney, he shows how art confronts its viewers with the "pain points" of cultural experience-genocide, sexuality, diaspora, and transcultural identity-and thereby transforms the ways in which human existence is conceived. Clean, like new.

Hardcover. North Clarendon, VT, Tuttle Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color photographs throughout.

Hardcover. Seattle, WA, University of Washington Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover black cloth with silver lettering. 410 pages. 32 pages of color plates; near 1000 black-and-white photographs. Bibliography and index. Authoritative guide to the collections at the University of British Columbia. Clean copy in a bright dust jacket.

Hardcover. New York, Golden Press, 1st US, 1963, Book: Very Good, Dust Jacket: Good, 462 pages. Hardcover. The fourth volume of the series 'The Arts of Mankind' edited by Andre Malraux and Georges Salles. Light foxing to preliminary pages, front and rear. Profusely illustrated with full color and black & white photographs. A massive volume on the highlights of Oceanic art. Part One reviews material conditions of Oceanian life, the social & religious systems, etc. Part Two is a Gazetteer of Styles with Australia, Melanesia, Micronesia & Polynesia grouped stylistically. Dust jacket with chipping, wear along edges. Clean, tight copy.

Hardcover. New York, NYU Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 387 pages. Minor wear to dust jacket. Else very good.

Hardcover. NY, Knopf`, 1st, 2019, Hardcover in a bright, unclipped dust jacket. Returning to his longtime home in Japan after his father-in-law's sudden death, Pico Iyer picks up the steadying patterns of his everyday rites: going to the post office and engaging in furious games of ping-pong every evening. But in a country whose calendar is marked with occasions honoring the dead, he comes to reflect on changelessness in ways that anyone can relate to: parents age, children scatter, and Iyer and his wife turn to whatever can sustain them as everything falls away. As the maple leaves begin to turn and the heat begins to soften, Iyer shows us a Japan we have seldom seen before, where the transparent and the mysterious are held in a delicate balance, and where autumn reminds us to take nothing for granted. Clean copy.

Hardcover. NY, Abrams, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, 352 pages. Richard Avedon was one of the most sought-after and influential advertising photographers in America from the 1940s to the beginning of the 21st century, creating work that exemplified Madison Avenue at the height of its influence in world culture. Working with a talented cadre of models, copy writers, and art directors, Avedon made images that enticed consumers to embrace the new, especially in the areas of fashion and beauty, with campaigns for Revlon, Chanel, Calvin Klein, Dior, and Versace, among many others. Avedon Advertising tells this story, reproducing memorable ads that range from the buoyant 1940s and 1950s, when post-war prosperity opened up new experiences to consumers; through the explosive '60s; and into the era defined by celebrity culture and global brand awareness.