Hardcover. Philadelphia, PA, George W. Jacobs & Company, 1st Edition, 1924, Book: Very Good, Dust Jacket: Fair, 334 pages. Hardcover. Color frontispiece and b/w illustrations throughout. Previous owner's bookplate, stamp, and pencil markings on front endpapers. Some pages untrimmed. Blue leather cover boards, gilt title on spine and front cover boards with two color decoration. Boards are excellent. Dust jacket has agewear, but present. binding very good. Pages and edges have some tanning. Top edge dyed. Dr. Gordon brings an artist's eye as well as the knowledge of a historian to the beautiful city of London and her historic landmarks.

Hardcover. Philadelphia, PA, J. M. Stoddart & Co., 1st, 1878, Book: Good, Dust Jacket: None, 326 pages. Hardcover. Scarce, early Frost work. Decorated endpapers. B/w illustrations throughout. Back endpapers have a mended rip at gutter. Cover boards bound in orange. Covers have some age wear. Pages are age-yellowed with a touch of foxing in places. Does not affect text or illustrations. In very good shape for its age.

Hardcover. New York, NYUP, 1st, 1970, Book: Very Good, Dust Jacket: Good, 303 pages. Hardcover. 246 black & white illustrations, 6 in color. Light wear to dust jacket at corners, edges. Clean, tight copy. Raphael (The Wrightsman Lectures, Delivered Under the Auspices of the New York University Institute of Fine Arts) [Oct 01, 1979].

Hardcover. New York, New York University Press, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover. 246 illustrations in black & white. 6 full page, full color illustrations. Red cloth covers with gilt titles to spine. Bright dust jacket with tears to edges. Clean, unmarked copy.

Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy.

Hardcover. Surrey UK, Ashgate Publishing, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 165 pages. Author Leah Knight explores the physical and figurative potentials of green as they were understood in Renaissance England, including some that foreshadow our paradoxical dependence on and sacrifice of the green world. Ranging across contexts from early modern optics and olfaction to horticulture and herbal health care, this study explores a host of human encounters with the green world: both the impressions we make upon it and those it leaves with us. B&w, color illustrations.

Hardcover. New York, Knopf, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages. Clean, bright copy. "I doubt very much that I'm the only person who's finding it more and more difficult to want to read or write novels," David Shields acknowledges in Reality Hunger, then seeks to understand how the conventional literary novel has become as lifeless a form as the mass market bodice-ripper. Shields provides an ars poetica for writers and other artists who, exhausted by the artificiality of our culture, "obsessed by real events because we experience hardly any," are taking larger and larger pieces of the real world and using them in their work. Reality Hunger is made of 600-odd numbered fragments, many of them quotations from other sources, some from Shields's own books, but none properly sourced--the project being not a treasure hunt or a con but a good-faith presentation of what literature might look like if it caught up to contemporary strategies and devices used in the other arts, and allowed for samples (that is, quotation from art and from the world) to revivify existing forms. Shields challenges the perceived superiority of the imagination and exposes conventional literary pieties as imitation writing, the textual equivalent of artificial flavoring, sleepwalking, and small talk. I can't name a more necessary or a more thrilling book.

Softcover. New York, Universe, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition. The chapters cover: jeans & pants; T-shirts & hoodies; shirts & blouses; jackets; formal wear; dresses & skirts; footwear; accessories; hair, makeup & body art; David Bowie.

Hardcover. The Siamanto Press, Reprint, 2006, Book: Very Good, Dust Jacket: Very Good, 438 pages. Hardcover. B/w illustrations throughout. Purple endpapers. Dust jacket unclipped, excellent. Black cover boards, white title on spine. Very good condition, just one small spot on bottom edge. Pages clean, binding tight, spine straight.

Hardcover. NY, powerHouse Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Sylvia Plachy, a photographer for the Village Voice, and James Ridgeway, a reporter for the same publication, have delved into the depths of the pornography trade to explore and explain both its allure and its vulgarity. There is a sense of shock value in exposing the most lurid of fantasies--a man who has his dominatrix mummify him in concrete--that is tempered with theories as to how such an industry could have evolved. We also get to meet for ourselves those in the trade, providing a walk on the wild side within the safe confines of photographs and words.

Hardcover. London, Macmillan, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 407 pages. Chapters include: Myth and Ritual, Religion and Healing, Witchcraft and Sorcery, 20th Century Theories of Religion, The Science of Religion and others. Owner's small sticker inside front cover otherwise clean.

Hardcover. Tokyo, Sophia University, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 210 pages, b&w illustrations. Beige cloth spine with patterned boards and a bright dust jacket with a glassine wrapper.

Hardcover. Orangeburg SC, Sandlapper Publishing, 2nd pr., 1987, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, b&w illustrations. The author documents the customs and lifestyles of a proud group of Sea Island blacks. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century. INSCRIBED BY DAISE on the half-title page. Clean copy with color fading to dust jacket spine and part of front cover.

Hardcover. NY, Simon & Schuster, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A thoughtful history of the legendary New York City neighborhood chronicles the Village's role as a bohemian enclave that became the home of and transformed the lives of such individuals as Edna St. Vincent Millay, Emma Goldman, Eugene O'Neill, Margaret Sanger, and Thomas Wolfe, who came to the neighborhood to pursue individual artistic, personal, and political dreams. Clean copy.

Softcover. NY, Thunder's Mouth Press, reprint, 2005, Book: Very Good, Dust Jacket: None, Softcover, 259 pages. While the supremely popular Steal This Book is a guide to living outside the establishment, Revolution for the Hell of It is a chronicle of Abbie Hoffman's radical escapades that doubles as a guidebook for today's social and political activist. Hoffman pioneered the use of humour, theatre, and shock value to drive home his points, and in Revolution for the Hell of It he gives firsthand accounts of his legendary adventures, from the activism that led to the founding of the Youth International Party,or Yippies!, to the 1968 Democratic National Convention protests ("a Perfect Mess") that resulted in his conviction as part of the Chicago Seven. Clean. bright copy.

Hardcover. Berkeley CA, University of California Press, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Foreword by Luella Cole Lowie. Illustrated with 24 b/w photographs. Chronological biography, bibliography. Lowie wrote this book to document ethnographic study in the early 20th century; to put his own professional life on record; to stress methods of field work and their application under very different circumstances.

Hardcover. New York, Oxford University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Minor edge wear to dust jacket. Else a very clean, tight copy. The dramatic events of the twentieth century have often led to the mass migration of intellectuals, professionals, writers, and artists. One of the first of these migrations occurred in the aftermath of the Russian Revolution, when more than a million Russians were forced into exile. With this book, Marc Raeff, one of the world's leading historians of Russia, offers the first comprehensive cultural history of the "Great Russian Emigration." He examines the social and institutional structure of the emigration and describes its rich cultural and intellectual life. He points out that what distinguishes this emigration from other such episodes in European history is the extent to which the emigres succeeded in reconstituting and preserving their cultural creativity in the West. The flourishing Russian communities of Paris, Berlin, Prague and Kharbin not only enriched Russian arts and letters, but also significantly influenced the culture of their Western hosts, and Raeff concludes with an assessment of their impact on the development of modern Western and Soviet culture.

Softcover. Los Angeles, UCLA Fowler Museum , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in bright wrappers, 446 pages. This abundantly illustrated anthology brings together 16 essays by scholars, artists, and ritual experts who examine the sacred arts of Haitian Vodou from multiple perspectives. Among the many topics covered are the 10 major Vodou divinities, the paintings of Hector Hyppolite, the multimedia pieces of Pierrot Barra, sequined bottles and sequined flags, and the work of the Brooklyn Priestess Mama Lola. Like new. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Columbia University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY THE AUTHOR on the red front fly leaf. With penetrating insight Combs-Schilling illuminates the remarkable survival of one of the world's oldest monarchies, still ruling after 1200 years. The author unravels the paradox of this ancient yet progressive institution that has weathered invasion, economic collapse, and colonial assault. The pillars of stability for which political analysts typically search -- military strength, bureaucratic control, and commercial prosperity -- have often been absent in Morocco, sometimes for centuries. How then has the monarchy stood firm? In this remarkable book, Combs-Schilling argues that the answer is to be found in the distinctive forms of ritual practice developed during times of great crises. Unique among Islamic governments, the Moroccan monarchy became cnetral to the popular celebrations of the most sacred rituals of Islam, cloaking itself in their sanctity. Combs-Schilling breaks new ground in thinking about ritual. The author explores the consequences of the replication and reinforcement of Morocco's national ceremonies in villages and homes and the metaphorical equivalence thereby built. The author outlines how ritual metaphors simultaneously fuse the monarchy with the hallowed prophets of Islam and the mundane structures of family life.

Hardcover. New York, Simon & Schuster, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, SIGNED BY JOAN DIDION on front flyleaf. 108 pages. Hardcover with dust jacket. Clean, unmarked copy with some slight shelfwear. Corner fold on dust jacket front inside flap.Otherwise tight copy. Salvador is a 1983 book-length essay by Joan Didion on American involvement in El Salvador.

Hardcover. NY, Little, Brown and Company, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 763 pages, b&w illustrations. From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandily steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.

Hardcover. New York, Broadway Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Minor foxing to top edge of text block. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Hardcover. New York, Harper, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 672 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Princeton NJ, Princeton University Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 490 pages. By explaining how to sire multicolored horses, produce nuts without shells, and create an egg the size of a human head, Giambattista Della Porta's Natural Magic (1559) conveys a fascination with tricks and illusions that makes it a work difficult for historians of science to take seriously. Yet, according to William Eamon, it is in the "how-to" books written by medieval alchemists, magicians, and artisans that modern science has its roots. These compilations of recipes on everything from parlor tricks through medical remedies to wool-dyeing fascinated medieval intellectuals because they promised access to esoteric "secrets of nature." In closely examining this rich but little-known source of literature, Eamon reveals that printing technology and popular culture had as great, if not stronger, an impact on early modern science as did the traditional academic disciplines. Clean copy.