Hardcover. London, Reel Art Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. Includes 240 black and white and color photographs: . "Life as it unfolds in front of the camera is full of so much complexity, wonder and surprise that I find it unnecessary to create new realities. There is more pleasure, for me, in things as-they-are." - David Hurn - This volume is the first anthology dedicated to Hurn during one of his most iconic periods of the 1960s.

Hardcover. Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. An artful photographic voyage documenting the impact of modern industry and consumerism on our planet, A Common Destiny presents a hauntingly beautiful vision of a world perched on the edge of an abyss. Juxtaposing images of pristine wilderness with photos of mines, abandoned nuclear reactors, large industrial farms, and spaces that exemplify artificiality and our increasing distance from nature--such as indoor ski slopes in Dubai, large-scale suburban housing development sites, and lavish casinos--Cedric Delsaux creates a powerful meditation on our ruthless hunger for mass production and energy.

Hardcover. Louisville, University Press of Kentucky, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket., 160 pages. Sulky races at the Mercer County Fair, church suppers, sorghum making, shooting marbles in the school yard, housing tobacco, loafing at the courthouse-here are 129 beautifully reproduced images of who we were as Kentuckians not so long ago-during the Depression and the early years of World War II. This collection is part of the remarkable series of photos shot for the Farm Security Administration-more than 125,000 photographs taken over a period of nine years by some of the best American photographers of the time, including Ben Shahn, Marion Post Wolcott, Russell Lee, John Vachon, and Arthur Rothstein. To reintroduce us to that important slice of our history, Beverly Brannan and David Horvath have selected a rich sampling from among several thousand photos taken in Kentucky for the FSA. They have added an extra dimension to the images by including in their commentary excerpts from the photographers' own correspondence and field notes.

Hardcover. Insight Editions, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. In this curated collection of art and photography from his personal archive, Graham Nash's life as a musician and artist unfolds in vivid detail. Best known as a founding member of the Hollies and supergroup Crosby, Stills & Nash, Graham developed a love of photography from the time he was a child. Inspired by his father, Nash began taking pictures at 10 years old and would go on to take his camera with him ever since--on tour with the Hollies and later CSN and CSNY, among friends at Laurel Canyon and abroad. Many of his photographs depict intimate moments with family and friends, among them Joni Mitchell, Stephen Stills, and Neil Young. This volume presents these images alongside Nash's own reflections, telling the story behind the pictures and giving insight into the life of one of the greatest musicians of all time. Still in publiher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. NY, Farrar, Straus and Giroux, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Roman Vishniac's A Vanished World is an extraordinary record of the lives of German and Eastern European Jews in the years immediately preceding the Holocaust. Vishniac, a Russian Jew, began to take photographs of village life during World War I, when Russian Jews who lived near the front were accused of being German spies and were deported to Siberia. He later moved to Germany, where he witnessed the horrible events of Kristallnacht and the anti-Jewish legislation that allowed Hitler to declare his enemies stateless and therefore unworthy of international protection. As we study Vishniac's photographs--a surviving fraction of the more than 16,000 he took--we are aware that we are seeing the faces of those soon to die, witnessing a world that has all but perished. Yet that world, of shops and schools, of busy streets and quiet farms, remains with us if only as a ghostly memory, thanks in part to Vishniac's compassionate eye.

Softcover. Chicago, Stephen Daiter Gallery, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 32 pages, an exhibition catalog featuring 20 of the photographer's abstract images from the late 1940s and early 50s. White card wraps with a heavy paper dust jacket.

Softcover. Chicago, Stephen Daiter Gallery, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 32 pages, an exhibition catalog featuring 20 of the photographer's abstract images from the late 1940s and early 50s. White card wraps with a heavy paper dust jacket.

Hardcover. NY, The Viking Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 141 pages. Cartier-Bresson's usual stunning photos that capture the people and culture of place; this time, Russia/The Soviet Union. Included are the people and spaces of Leningrad, Moscow, Russian SSR, Baltic Countries, The Caucasus, and Central Asia (the "Stans"), with an introduction by the photographer. Clean copy.

Hardcover. Steidl, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 440 pages. NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY. Alberto Diaz Gutierrez--better known as Alberto Korda--is internationally recognized as the master of revolutionary Cuban photography. His most famous image is his powerful 1960 portrait of Che Guevara, "Heroic Guerrilla," which has since become the most reproduced image in the history of photography--though Korda never received any royalties from its reproduction, because he made the photograph for the Cuban newspaper, Revolucion. It is less well known that, prior to the 1959 Revolution, Korda was considered the "Avedon of Cuba," a progressive fashion photographer whose portraits of leading Cuban models, such as Norka, graced the covers of fashion magazines around the world. Likewise, his work of the 1970s and 80s, in which he explored underwater photography and also returned to fashion, has been largely neglected.Korda: A Revolutionary Lens covers every aspect of Korda's extraordinary output, paying particular attention to his work in fashion, Cuban society and the Revolution. It also includes his extensive documentation of Castro and Che. All prints have been produced under the supervision of Jose A. Figueroa, Korda's photographic assistant throughout the 1960s and 70s.

Hardcover. NY, The Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages in a dust jacket. Like new in publisher's shrink-wrap. 90 color portraits and landscapes celebrate the people and buildings of a struggling yet dynamic community. Sometimes haunting, sometimes ironic, always striking, these images form an eloquent visual testament to the Harlem we can see and remember.

Hardcover. Boston, Little Brown, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover, 129 pages. The 'upper class' in America might also be called the hidden class. To be born into wealth in America is to belong to a world apart, a world most of us never glimpse. This group -- whose wealth is several generations old -- has been envied, castigated, and mythologized, but rarely documented or photographed. Barbara Norfleet, photographer and sociologist, depicts this hidden world through a series of candid images at once fascinating and unsettling, combined with interviews. Norfleet captures her subjects in context: at social gatherings, athletic events, in their exclusive clubs and vast private estates. Dust jacket has some sun-fade along spine edge otherwise clean, very good.

Hardcover. London, Dewi Lewis, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Starting from the premise that he would photograph Liverpool and the people of Merseyside from the top of a bus, Wood has spent over 15 years and shot over 3,000 rolls of film developing and refining his theme. The photographs are both visually stunning and dramatically revealing in their content. The result is a body of work of immense power already recognised as one of the most impressive achievements of recent British photography.

Hardcover. New York, Bulfinch Press, First Edition, 2004, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Wine cloth boards with silver titles to spine. Full page, black & white photographs throughout. Clean, unmarked copy.

Hardcover. New York , Aperture, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 142 pages, 87 full page b&w plates, 23 illustrations in text. Contributions by Naomi and Walter Rosenblum, Alan Trachtenberg. In a bright, unclipped dust jacket.

Hardcover. New York, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. BY, Aperture Foundation, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The first collection of the extensive and superlative work realized by Mary Ellen Mark in the United States. The book is composed of many previously unpublished images, as well as photographs from several of her best-known projects. From "Streetwise" to "The Damm Family," Mary Ellen Mark includes the most iconic images from these groundbreaking stories, as well as powerful, never-before-seen photographs Mark accomplished in subsequent years. She makes a deeply felt commitment to her subjects, and her empathy and humanity come through in every image. Clean copy. DOMESTIC SHIPPING ONLY.

Softcover. New York, W.W. Norton & Co., 1st, 2008, Book: Near Fine, Dust Jacket: None, Softcover, 224 pages, b&w and color illustrations. The author documents the invention, technological evolution, and commercial history of the photobooth with extensive illustrations culled from twenty-five years of collecting. Clean, bright copy.

Hardcover. NY, Grossman, 2nd Ed., 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, revised and enlarged, this is the 2nd American edition. A fine copy in a near fine dust wrapper. With stills from several of Frank's earliest films. With an introduction by Jack Kerouac.

Hardcover. New Haven, Mercatorfonds, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Like new in publisher's shrink-wrap. The flourishing of photography as a medium in the mid-19th century coincided with a rise in curiosity about China on the part of the Western world. As the number of foreigners living and traveling in China increased, early photographs of China were taken by and for an international audience. Among the Celestials assembles 250 fascinating images of China in the second half of the 19th century and first half of the 20th, captured by the Western camera lens. The photographs portray the gritty side of the country as well as stunning views of palaces, temples, harbors, and gardens. This juxtaposition of the sordid and the serene provides a multidimensional picture of China's physical and social landscape before Mao Zedong's ascent to power changed the country forever. The photographs, many published here for the first time, are both beautiful and moving, and together offer a new understanding of a social and cultural history associated with a time of significant historical change.

Softcover. New York, Thunder's Mouth Press, 1st, 2003, Book: Very Good, Dust Jacket: None, 376 pages. Softcover. Black and white photographs. Light edgewear to wrappers. A photographic memoir of the sixties by McDarrah who was the picture editor for The Village Voice.

Softcover. Chicago, Stepen Daiter Gallery, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, illustrated with 26 b&w photos by Kertesz. Essay by Robert Gurbo.

Softcover. Chicago, Stepen Daiter Gallery, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, illustrated with 26 b&w photos by Kertesz. Essay by Robert Gurbo.

Hardcover. New York, Knopf, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Photographs by Andre Kertesz; edited by Nicolas Ducrot. 192 pages; 184 full-page, gravure-printed b&w plates; 9 x 11.25 inches. A lovely collection of Kertesz's photographs of New York City, most published here for the first time.

Hardcover. NY, Flammarion, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages illustrated in b&w. A previously unpublished body of work from the late, great photographer Andre Kertesz, featuring a collection of photographs that capture the ephemeral beauty of Paris in 1963. Andre Kertesz, a master photographer of the twentieth century, was a pioneer in photographic composition and photojournalism who gained critical acclaim for his image distortions. Born in Hungary, he moved from Paris to New York during World War II. In 1963, he returned to Paris and took more than 2,000 black-and-white photographs and nearly 500 slides that capture the city's essence--from Montmartre to the banks of the Seine to its gardens and parks. Kertesz edited these photographs into book form, but the work was set aside and was only recently rediscovered in his archives, twenty-five years after his death. The previously unpublished material is reproduced here as he originally intended and completed with archival documents and a critical essay.

Hardcover. New York, W W. Norton :& Co., 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. 368 pages. Like new. 127 pages with 28 pages of text, 98 pages of duotone photographs. The story of a man who left an archive of sixty thousand images to the Library of Congress: Angelo Rizzuto, who lived in a single, run-down room in a crummy hotel; who every day left at 2:00 p.m. to photograph New York City obsessively. Clean, very good in an unclipped dust jacket.

Hardcover. New York, W W. Norton :& Co., 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. 368 pages. Like new. 127 pages with 28 pages of text, 98 pages of duotone photographs. The story of a man who left an archive of sixty thousand images to the Library of Congress: Angelo Rizzuto, who lived in a single, run-down room in a crummy hotel; who every day left at 2:00 p.m. to photograph New York City obsessively. Clean, very good in an unclipped dust jacket.

Hardcover. US, Angelika Books, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 304 pages. Like new in publisher's shrink-wrap. Anna Bauer's Backstage is a comprehensive portrait of the protagonists of fashion in the twenty-first century's first decade: not just the designers but the entire cast of PR agents, photographers, make-up artists, art directors, editors and, of course, the models. Photographing at shows in Paris, Milan, London and New York, using a large-format camera and black-and-white Polaroid, Bauer decided to portray the diversity of the talent at work behind the scenes. "I got totally addicted to the backstage," Bauer says in the preface to this volume. "I wanted to show how much is involved." Elegantly designed by Fabien Baron, Backstage is divided into eight themed sections.

Softcover. New York , Aperture, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. This issue features the work of Raghubir Singh, Raghu Rai, Roaslind Solomon, Linda Connor, Mitch Epstein, Alex Webb and others.

Softcover. New York , Aperture Book, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Fall 1897. Includes work by: Sebastiao Salgado, Susan Meiselas, David Goldblatt, Bill Burke. Also writing by Arthur Miller, William Shawcross, Frances Hodgson, Nadine Gordimer.

Softcover. NY, Aperture, Inc., 1st, 1965, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers. unpaginated. Portfolios of work by Joseph Breitenbach & Dorothea Lange. Beautiful b&w gravure printing. Clean.

Softcover. New York , Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Summer 2006. Features work by William Christenberry (in Memphis), Jessie Mann, Bruce Conner (his "Punk" photographs), and more. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Fall 2006. Katherine Wolkoff on Post Katrina. Articles covering aspects of the Afghan Opium Trade, Edgar Martin's Silent Shores and many more. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Winter 2006. Photography quarterly with an essay on authenticity in news photography, women in the middle east and photographs by Marilyn Bridges, Jessica Dimmock, Patti Smith and others. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Spring 2007. Portraits by Pieter Hugo; interview with Stephen Shore conducted by Luc Sante; Mary Ellen Mark on the photography of Jessica Lange; Lee Miller; Jay DeFeo; Jason Oddy; Takashi Yasamura; and much more. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Summer 2007. Features photographers: Mary Ellen Mark, Barry Frydlender, Florian Maier-Aichen. Also includes articles by Gerry Badger and Vince Aletti. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Summer 2009. Photography journal. Articles: Not-so-fashion photography, Edward Hopper's legacy and dialogue with Don McCullin A clean, tight issue.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Fall 2009. William Eggleston artwork on the cover and an article on his drawings inside, with features on William Klein's 1956 portrait of Rome, Neil LaBute with photographs by Gerald Slota, Mark Alice Durant on monuments, Rob Hornstra's Russia, Luc Santo on American real-photo postcards, and Sally Gall's color insects. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Winter 2009. Feature articles on Carrie Mae Weems, Raymond Cauchetier, Contemporary Iranian Photography, Andrew Moore and urban archaeology, Robert Adams on editing, Maira Kalman, and Nick Knight, and more. A clean, tight issue.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, Winter 2009. Feature articles on Carrie Mae Weems, Raymond Cauchetier, Contemporary Iranian Photography, Andrew Moore and urban archaeology, Robert Adams on editing, Maira Kalman, and Nick Knight, and more. A clean, tight issue.

Softcover. New York , Aperture , 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Spring 1987. 78 pages. Includes an article with photographs by Lewis Baltz with text by Mark Haworth-Booth. Other articles feature works by Catherine Wagner, Lynne Cohen, Robert Cumming, Reagan Louie, David T. Hanson, and Kira Petrov. A near fine copy in wrappers.

Hardcover. Penland, NC, Jargon Society, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, 63 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to edges. Related news clipping laid in.

Hardcover. NY, W. W. Norton & Company, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Hardcover. New York , W. W. Norton & Company, 1st, 2006, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Hardcover. US, Center for American Places, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages. Like new in publisher's shrink-wrap. From 2000 to 2007, Jay Wolke photographed in the south of Italy to capture the complexity of a region that is colloquially known as Il mezzogiorno. What he found in this historic and often troubled landscape was an elaborate set of physical, social, and political forces manifested in an extraordinary tapestry of visual information. Both referential and suggestive, Wolke's pictures reveal the marks of a long line of invaders, conquerors, and occupiers from the Greeks to the Spanish to the Camorra. Architectural and structural adaptations and "resignations" are evident in every scene and serve as the photographer's focus. Although the landscape is marred by layers of dysfunction and greed, we can't help but view it through the lens of the timeless belief in the bel paese--the beautiful country.

Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.

Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.

Hardcover. Boston, Godine, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 23 pages of text plus 63 black & white plates. Dust jacket has light edgewear. Dust jacket with mild edgewear, protected by a mylar cover.

Hardcover. East Sussex, Ammonite Press, 1sr, 2012, Book: Very Good, Dust Jacket: None, 286 pages, color photographs throughout. No dust jacket as issued. Large, heavy folio. Black cloth with cover label photo. "Arrested" is the biography of idiosyncratic London-based photographer and film director Jim Lee. Lee established a portfolio photographing bands such as the Kinks and the Who and later became in demand as a fashion photographer, notably working with "Vogue" editor-in-chief Anna Wintour. Lee's earlier photographic work is included in a permanent collection at the Victoria & Albert Museum. Born in 1945 to parents who were both MI5 operatives, Lee's life has followed anything but a conventional route. Dyslexia and an independent spirit saw Lee at the age of just seventeen emigrate to Australia where his passion for photography was kindled. Rescued from fighting in the Vietnam war by his parents' intervention, Lee returned to the UK and began to establish a portfolio photographing bands. As his reputation grew, Lee became in demand as a fashion photographer for magazines during the late sixties and seventies. He collaborated with some of the most influential fashion designers, including Yves St Laurent and Gianni Versace, and his work appeared in "Elle", "The Sunday Times Magazine", "Harpers & Queen" and "The New York Times".

Hardcover. East Sussex, Ammonite Press, 1sr, 2012, Book: Very Good, Dust Jacket: None, 286 pages, color photographs throughout. No dust jacket as issued. Large, heavy folio. Black cloth with cover label photo. "Arrested" is the biography of idiosyncratic London-based photographer and film director Jim Lee. Lee established a portfolio photographing bands such as the Kinks and the Who and later became in demand as a fashion photographer, notably working with "Vogue" editor-in-chief Anna Wintour. Lee's earlier photographic work is included in a permanent collection at the Victoria & Albert Museum. Born in 1945 to parents who were both MI5 operatives, Lee's life has followed anything but a conventional route. Dyslexia and an independent spirit saw Lee at the age of just seventeen emigrate to Australia where his passion for photography was kindled. Rescued from fighting in the Vietnam war by his parents' intervention, Lee returned to the UK and began to establish a portfolio photographing bands. As his reputation grew, Lee became in demand as a fashion photographer for magazines during the late sixties and seventies. He collaborated with some of the most influential fashion designers, including Yves St Laurent and Gianni Versace, and his work appeared in "Elle", "The Sunday Times Magazine", "Harpers & Queen" and "The New York Times".

Softcover. NY, Dover, reprint, 1984, Book: Very Good, Dust Jacket: None, 89 pages, paperback. Ninety b&w evocative photos documenting American social history. Unmarked. A bright and tight copy.