Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.
Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.
Hardcover. London```, Konemann UK Ltd, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, 2 VOLUME SET. 920 pages. Oversize hardcovers. Both volumes very clean and unmarked. Only minor wear to dust jacket edges. In a unique collection of hundreds of photographs, 150 Years of Photo Journalism gives a visual record of the years 1850 - 1918, the last and greatest period of European dominance of the world in culture, science and weapons of destruction. VERY HEAVY- extra charges for overseas shippimg.
Hardcover. Brattleboro, VT, Stephen Greene Press, 1st, 1974, Book: Very Good, Dust Jacket: Good, 194 pages. Hardcover with dust jacket. SIGNED ON FRONT FLY LEAF. Clean, tight copy with light rubbing to cover edges. Dust jacket has crease and small closed tear on rear.
Hardcover. Boston, Houghton Mifflin, 2nd pr., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Donald Hall lived a remarkable life of letters, one capped most recently by the New York Times bestseller Essays After Eighty, a "treasure" of a book in which he "balance[s] frankness about losses with humor and gratitude" (Washington Post). Before his passing in 2018, nearing ninety, Hall delivered this new collection of self-knowing, fierce, and funny essays on aging, the pleasures of solitude, and the sometimes astonishing freedoms arising from both. He intersperses memories of exuberant days--as in Paris, 1951, with a French girl memorably inclined to say, "I couldn't care less"--with writing, visceral and hilarious, on what he has called the "unknown, unanticipated galaxy" of extreme old age. "Why should a nonagenarian hold anything back?" Hall answers his own question by revealing several vivid instances of "the worst thing I ever did," and through equally uncensored tales of literary friendships spanning decades, with James Wright, Richard Wilbur, Seamus Heaney, and other luminaries. Cementing his place alongside Roger Angell and Joan Didion as a generous and profound chronicler of loss, Hall returns to the death of his beloved wife, Jane Kenyon, in an essay as original and searing as anything he's written in his extraordinary literary lifetime.
Hardcover. Urbana, University of Illinois, 1st, 1971, Book: Very Good, Dust Jacket: None, 212 Pages. Hardcover with NO dust jacket. EX-LIB with usual markings, stamps. Card residue on rear fly leaf. Tight copy.
Hardcover. NY, Columbia University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 411 pages. Collects letters, novellas, essays, criticism, and a play by a leading intellectual of the Romantic period. Small owner's sticker on front fly leaf otherwise clean.
Hardcover. Boston, Little Brown & Co., 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardbound, 246 pages. Previous owner's inscription front end paper. Dust jacket with light edgewear and chipping. Protective mylar cover.
Hardcover. NY, Abrams, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 301 pages. Fox was Editor-in-Chief of Harry N. Abrams, Inc. 6 color plates, 105 b/w photos. 301 pages, clean and clear. Blue endpapers, with previous owner's name and address on ffep. White cloth cover, with silver titles on the spine.
Hardcover. UK, Aquarian Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations, 256 pages. "Arthur Machen (1863-1947) .was acclaimed in his day as one of the finest stylists in English prose.The sequences of letters to his friends A.E.Waite, Colin Summerford, and John Galsworth, and to fellow authors and publishers, illuminate Machen's courageous struggles against poverty and adversity, while reflecting his lifelong preoccupations with literature, the occult, the Christian faith, and Celtic myth."
Hardcover. University Park, Pa., Penn State University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Baudelaire's illustrations throughout. Minor dust jacket edge wear, otherwise, very clean, bright and tight copy.
Hardcover. New York, Penguin Press, reprint, 2011, Book: Very Good, Dust Jacket: Very Good, 310 pages. Hardcover with dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to dust jacket. The author untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs.
Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.
Hardcover. New York, Damiani, 1st, 2008, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 170 b&w and color photographs. A comprehensive monograph, this volume consists of several sections of work from 1969 to the present, opening at the height of flower power, with images of the Beat generation, Woodstock and the protests against Vietnam.
New Heven, Dumont/Yale Univ. Press, 1st , 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color, black & white illustrations. 365 pages. Scholarly essays on the four artists.
Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Thisbook contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.
Hardcover. New York, Scalo Verlag , 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book contains a never-before published series of work from the early 1980s: Mikhailov photographed ''The Dancers'' in his hometown in the Ukraine during a period when the former Soviet Union was a reality, before the appearance of Gorbachov and "perestroika". We observe the open-air dancing scene with great astonishment; seeing older and younger people enjoy themselves in a way that might be contradictory to the images we might have about everyday life in the old Soviet Union. These cheerful images remind us how little women and men need to have a good time. An essay by Russian art critic Boris Groys and an exhaustive interview make this volume a must have for readers and libraries interested in contemporary art and photography. 65 duotone illustrations.
Hardcover. Paris, Flammarion, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 156 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor edgewear. Brassai became interested in the marginal art form of graffiti in the 1930s, seeing it as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unfettered creation. Stark contrasts of black and white alternate with softer shades of grey that meld into one another, smoothing the harsh gouges typical of graffiti. Several of these photographs first appeared in the Surrealist review Minotaure; others were first published in France and Germany in 1960, in a work entitled Graffiti, which accompanied an exhibition that visited New York, London, Milan, Baden-Baden, Frankfurt, Hannover, and Paris. The approach was hugely influential, both for the Surrealists and in the domain of Outsider Art. Accompanying the photographs are selections from previously unpublished writings, including extracts from Brassai's own notebooks, in which he noted the presence of elements of graffiti on the walls of Paris that he intended to photograph. The book also contains an interview with Picasso on the subject of graffiti as an art form. This first English language version of this classic title is a beautifully produced edition of what is undoubtedly a seminal work in the history of modern photography.
Hardcover. Bloomington, Indiana University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 224 pages. This volume consists of two lecture series given by Heidegger in the 1940s and 1950s. The lectures given in Bremen constitute the first public lectures Heidegger delivered after World War II, when he was officially banned from teaching. Here, Heidegger openly resumes thinking that deeply engaged him with Holderlin's poetry and themes developed in his earlier works. In the Freiburg lectures Heidegger ponders thought itself and freely engages with the German idealists and Greek thinkers who had provoked him in the past. Andrew J. Mitchell's translation allows English-speaking readers to explore important connections with Heidegger's earlier works on language, logic, and reality.
Hardcover. Saint Paul, Minn., Graywolf Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 245 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy.
Hardcover. New York, Knopf, 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. A commentary by the "New Yorker" art critic accompanies 117 photographic collages by the celebrated and popular artist, whose work in this medium reflects a synthesis of observation, panorama, and impression.
Hardcover. Mustang, OK, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 368 pages. Hardcover with dust jacket. Very clean, like new copy still in publishers shrink wrap. Tight copy. In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation.
Softcover. Rochester NY, Visual Studies Workshop Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 199 pages, paperback. Fictions and the fictions of theory from acclaimed theorist of film. With a foreword by Annette Michelson. Mild rubbing and edgewear to wraps. Light bumping to spine. Previous owner's signature to front endpapers. Scarce. A clean and tight copy.
Hardcover. Toronto, University of Toronto, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages. Clean copy. This is the first of five volumes to appear in the section of the CWE devoted to Erasmus' spiritualia, works of spirituality that include such aspects of religion as piety, theology, and the practice of ministry. The volume begins with an introductory essay that provides the first comprehensive review of the content, sources, and style of Erasmus' many works dealing with piety.
Hardcover. New York City, Blue Faun Publications, 1st, 1929, Book: Good, Dust Jacket: None, 203 pages. Hardcover. Illustrated pastedown on front cover designed by Mahlon Blaine. Illustrated endpapers by Heinrich Vogeler. "The entire edition of Colours is limited to 1950 copies; 1900 copies numbered and registered, for sale; and 50 copies, lettered A to XX, for review only. Type has been distributed, and Colours will not be reprinted. This copy is No. 386". Some foxing to front cover pastedown, and narrow chip missing from spine label. Spine slightly cocked. Clean, unmarked pages.
Hardcover. New York, Dodd, Mead and Company, 1st Edition, 1920, Book: Good, Dust Jacket: None, 370 pages. Hardcover. Green cloth covers with gilt titles to cover & spine. Fraying, scuffing to edges. Light sunfade to spine. As is, with light pencil marking throughout. Cracked rear hinge.
Hardcover. Atglen, PA, Schiffer Publishing Ltd., 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Black and white photographs throughout.
Hardcover. Kent, OH, The Kent State University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Conrad Wise Chapman (1842-1910) is unique among Civil War artists: he painted and sketched while on duty as a Confederate soldier who served in three theaters of the war. Chapman's first-hand knowledge is evident in his work. Ben Bassham has written both a critical study of Chapman's art and a biography, incorporating Chapman's correspondence and Civil War memoirs.
Hardcover. NY, Da Capo Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Maroon boards, [vi] 270 pages, no illustrations. Series: Library of American Art. This is the 1969 Da Capo reprint of the 1895 original; made possible by the Kennedy Galleries. This version is an unabridged republication of the first edition. No dust jacket, as issued. Light wear to lower edges and spine, overall a very clean, tight copy.
Softcover. University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 320 pages. Here is a collection of interviews that cover the period from 1967 through 1993. Many are translations of interviews that originally appeared in French, German, Italian, Polish, Spanish, or Swedish periodicals. Several are published here for the first time in any language. Giving attention to Sontag's education and the development of her aesthetic and moral temperament, they cover Sontag's rich career as a distinguished writer, filmmaker, dramatist, and cultural critic. Clean, bright copy.
Softcover. Minneapolis, MN, Zenith Press, 1st, 2004, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. The Marines of Operation Iraqi Freedom highlights the human side of war, the day-in-the-life of U.S. Marines stationed in that volatile region. Dramatic, harrowing, and simply unbelievable images of the marines of Operation Iraqi Freedom, personal letters, and stories of coping with the pain of separation from their families and the horrors of war. Russ Bryant's photography chronicles every aspect of the daily lives of these marines: lazy camels amble by a cargo drop; blinding sandstorms threaten to blow away tents, supplies, and marines alike; Scud missile attack sirens send marines scuttling to their bunkers; sniper fire crisscrosses marine convoys moving into Iraq; tanks and bombs topple the portraits of Saddam that seem to loom over every Iraqi village; shelled-out tanks, armored vehicles, and even busses litter the road on the way to Baghdad; medical personnel attend to fallen marines and prisoners alike; the occasional silent interlude allows time for prayer and remembrance.
Hardcover. New York, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Over 100 of Diane Arbus' early photographs in black and white. Tight copy. Diane Arbus (1923-1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist's first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum's Diane Arbus Archive--a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence--it is an essential contribution to our understanding of Arbus and her oeuvre.
Softcover. Philadelphia, PA, Running Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 256 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Donuts are America's favorite treat and, in Donut Nation, Ellen Brown travels the United States in search of the best donut shops. From beloved mom-and-pop establishments and roadside cafes to innovative boutiques and artisanal restaurants, there are more than seventy hand-crafted donut shops to take you from Maine to Arizona.
Hardcover. New York, E. P. Dutton , 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 242 pages. Light rubbing and scratching to dust jacket, else a clean, tight copy.
Hardcover. New York, Da Capo Press, Reprint, 1971, Book: Very Good, Dust Jacket: None, Hardcover. (Library of American Art Series) 1971 reprint of the original 1926 edition. 110 pages. b&w illustrations. Brown cloth, gilt lettering to spine and front cover. Light wear and unfortunate paper-clip impressions to upper edge of some pages. Still a nice, tight copy.
Softcover. Seattle, Left Bank Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 263 pages, clean, unmarked. A comprehensive collection of the author's provocative writings which originally appeared in marginal and underground publications.
Hardcover. New York, teNeues, 1st, 2015, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. A very clean, unmarked copy still in publishers shrink-wrap. A monochromatic tribute to New York City that depicts all the shadings of this vital metropolis in glimpses that are sometimes gritty, sometimes elegant yet always true to life. Previously available only in paperback, this selection of images spans Elliott Erwitt's illustrious career.
Hardcover. New York, teNeues, 1st, 2015, Book: Very Good, Dust Jacket: None, 176 pages. Hardcover with no dust jacket. A very clean, unmarked copy still in publishers shrink-wrap. Legendary photographer Elliott Erwitt captures the enchantments of Paris - both the intimate details of daily life and the grand vistas - with an eye that's witty, detached, and anti-Romantic. A stunning tribute that succeeds in capturing all of the moods of one of the world's great cities.
Hardcover. London, Burns, Oates & Washbourne, 1st, 1923, Book: Very Good, Dust Jacket: None, 194 pages. Dark blue cloth covers, gilt titles to spine, titles and border blind stamped to front. Light rubbing and edgewear, spine slightly faded, previous owner's short ink inscription to front endpaper, pencil underlining and markings to some page margins, pencil notations to rear endpaper; otherwise a clean, tight copy.
Hardcover. London, Longmans, Green, Reader, and Dyer, 2nd, 1874, Book: Very Good, Dust Jacket: None, 164 pages, plus 24 pages of new works from publishers. Green cloth covers, gilt titles to spine, blind stamped titles and border to front cover. Light edgewear and rubbing to covers, spine cracked at inside of front hinge, previous owner's inscription to front endpaper, Edinburgh Medical Society stamp to title page, short pencil notations to rear endpaper; otherwise a very neat, tight copy.
Hardcover. New York, Rockefeller Institute Press, 1st, 1960, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth stamped in gilt and black, 395 pages. Previous owners name on inside front cover. Clean, tight cover.
Softcover. London, Methuen & Co, Ltd, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 405 pages. Black stiff wrappers. Light wear to edges and slight bump to upper edge of spine. Small crease to lower front corner. Clean, tight copy.
Softcover. Berkeley CA, University of California Press, 1st, 2001, Book: Near Fine, Dust Jacket: Near Fine, Still wrapped in plastic. Accompanied the exhibition "Expressionist Utopias" at the Los Angeles County Museum in 1993. In great condition. Color illustrations throughout. A nice, tight copy.The notion of utopia exists in every culture, capturing shared dreams and common goals. This book--prepared to accompany the exhibition Expressionist Utopias mounted at the Los Angeles County Museum in 1993--explores how the optimistic themes of utopia and fantasy sustained faith among artists and architects in the power of art to shape a better world during the tumultuous World War I era in Germany. The exhibition's curator, Timothy O. Benson along with David Frisby, Reinhold Heller, Anton Kaes, Wolf Prix, and Iain Boyd White present the diverse manifestations of the utopia metaphor in its progression throughout Expressionism from Arcadian to manmade utopias.
Softcover. Berkeley CA, University of California Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Still wrapped in plastic. Accompanied the exhibition "Expressionist Utopias" at the Los Angeles County Museum in 1993. In great condition. Color illustrations throughout. A nice, tight copy.
Hardcover. New York, PowerHouse Books, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 128 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. With sumptuous black-and-white photographs that recall the religious fervor of El Greco and the anguish of Francis Bacon, The Face of Forgiveness: Salvation and Redemption takes us inside evangelical meetings across the world and bears witness to the driving emotional faith of Christian revival, where emotion and love pours from the eyes and mouths of the faithful, praying and thanking the Lord.
 "Elements of Refusalby: Zerzan, John")
