essays

Hardcover. Boston, J. Stilman Smith & Co., 1st, 1893, Book: Very Good, Dust Jacket: None, Hardcover, white buckram with maroon rules and gilt lettering, decorations. 293 pages, a collection of sermons given the previous year by the author who was Minister of the South Congregational Church in Boston. From a church library with a spine label, bookplate on inside front cover and a stamp on a blank prelim page. Otherwise clean and bright.

Hardcover. New York, Daniel Hitt and Thomas Ware, 1815, Book: Good, Dust Jacket: None, Two volumes complete, 478 and 632 pages respectively. Leather bound with red labels, covers worn and rubbed. Bottom of spine on volume 2 fraying. Still, a sound and attractive set with moderate foxing to pages. Previous owner's 1828 notation on front fly leaf of both volumes stating where, when and for how much he purchased the set.

Hardcover. NY, Merrill and Baker, reprint, 1871, Book: Very Good, Dust Jacket: None, Three Lectures: 1. Of Kings' Treasuries; 2. Of Queens' Gardens; 3. Of the Mystery of Life. 179 pages. Red cloth cover with gilt title to front and spine. Top edge gilt. Overall, a clean, tight copy.

NY, Coward-McCann, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt title on spine, 383 pages. INSCRIBED BY ROREM on front fly leaf. Clean copy, lacks dust jacket.

Softcover. NY/London, Marion Boyars, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. Essays that deal with the shadow economy. Shadow Work is all the work people do who are not paid in cash. Clean copy.

Hardcover. London, Methuen, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 283 pages. Shopkeepers and master artisans had a striking presence in the history of nineteenth-century Europe, not only in the development of industrial and urban economies, but also the fabric of social life and the politics of protest. The experience of 1848, the differing pace of various forms of nationalism and liberalism and, at the end of the century, the shift towards right-wing nationalist or Catholic political movements reflected a developing 'crisis' in the petite bourgeoisie. The essays examine the nature of this crisis and ask critical questions about the social relations of the petite bourgeoisie with the developing working classes. This book as a whole provides a fresh and integrated approach to the world of these shopkeepers and master artisans and illuminates much else besides in the social history of nineteenth-century Europe. Clean copy.

Hardcover. New York, Da Capo Press, Reprint, 1970, Book: Near Fine, Dust Jacket: None,

Hardcover. Leipzig, Bernhard Tauchnitz, 1883, Book: Very Good, Dust Jacket: None, Copyright Edition, Bernhard Tauchnitz, Leipzig, 1883, 312 pages, illuminated vellum binding, with front-edge flaps, leather stitching, 6.5 x 4.5", beautiful binding reminiscent of Medieval manuscripts with latticed cords and illuminated initial. Previous owner's inscription on front fly leaf, otherwise clean.

Softcover. Willamette, Willamette Week, 1st wraps, 1990, Book: Very Good, Dust Jacket: None, Softcover. Columns from her early column in the Willamette Week newspaper. SIGNED BY DUNN.

Hardcover. New York , Lyons Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Limited to 250 copies SIGNED by McGuane and publisher Nick Lyons. Slipcased. B&w illustrations by Buckeye Blake.

Hardcover. NY, McGraw Hill, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 230 pages. Cultural commentary and autobiography of life in Alabama. The euthor's second book.

Softcover. Minneapolis, Milkweed Editions, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. SIGNED BY AUTHOR. 107 pages, b&w engravings by Steven Sorman. Light edge wear to wrappers. Else a very clean, tight copy.

Hardcover. NY, David McKay, 2nd pr., 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 247 pages. For Gibbons the good life is sharing & enjoying nature & maintaining an environment where natural thing can flourish. Camping without polluting or plundering. Memorable journeys into the wild. Creative specific solutions to ecological poblems. Clean copy.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.

Hardcover. Heidelberg, Germany, Kehrer Verlag, 1st, 2014, Book: Very Good, Dust Jacket: None, 108 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Many color photographs throughout. Tight copy. "State Fair" is filled with captivating images. Christopher Chadbourne takes you on a journey filled with interesting characters, vibrant colors, and memorable moments - all compiled from years of photographing the goings-on at this uniquely American institution. Chadbourne knows state fairs and has an uncanny ability to catch often peculiar scenarios as people mingle, eat, and participate in this once a year event.

Hardcover. NY, ZE Books, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white lettering. No dust jacket issued. With Stay, acclaimed poet, artist, and bestselling memoirist Nick Flynn presents a self-portrait via a constellation of topics that have circled his work. Ranging from the impact of suicide and homelessness to addiction, political engagement, and the vital power of artistic friendships, Stay is a mixed-media retrospective that shows nothing is created in isolation. Mirroring Flynn's life, this work of visual and literary memoir is populated by examples of his collaborations since the 1980s with such luminaries as the photographers Amy Arbus and Catherine Opie, composer Guy Barash, actor Robert De Niro, cartoonist Josh Neufeld, author Sarah Sentilles, filmmaker Paul Weitz, and artists John Baldessari, Marilyn Minter, and Bill Shuck. In Flynn's refusal to conform to narrative or the safety of his own perspective, Stay grasps for an essential truth, an answer to what art, in the end, can and cannot reflect. Illustrated in color, b&w.

Hardcover. New York, Random House , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 402 pages. Cloth boards in a bright dust jacket. Clean, tight copy. The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy. In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.

Hardcover. NY, Random House, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. The essays, speeches, and opinion pieces assembled in Step Across This Line, written over ten years, cover an astonishing range of subjects. The collection chronicles Rushdie's intellectual odyssey and is also an especially personal look into the writer's psyche. With the same fierce intelligence, uncanny social commentary, and very strong opinions that distinguish his fiction, Rushdie writes about his fascination with The Wizard of Oz, his obsession with soccer, and the state of the novel, among many other topics. Most notably, delving into his unique personal experience fighting the Iranian fatwa, he addresses the subject of militant Islam in a series of challenging and deeply felt responses to the terrorist attacks of September 11, 2001. The book ends with the eponymous "Step Across This Line," a lecture Rushdie delivered at Yale in the spring of 2002, which has never been published before and is sure to prompt discussion.

Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.

Hardcover. Albany, State University of New York Press, 2nd pr., 1973, Book: Very Good, Dust Jacket: None, Hardcover in glazed boards, 184 pages with index. The renowned Islamic scholar combines his research into Sufi doctrine and history with a rich account of the spiritual and metaphysical significance of sufism as a living tradition. Clean copy.

Hardcover. New York, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This intellectual tour de force draws on interviews with such key artists as Jean-Jacques Lebel, Mimi Parent, and Jean Benoit, and uses primary sources to advance our knowledge of the work of the better-known Surrealists, from Hans Bellmer to Meret Oppenheim. The Second World War, the Algerian War, and May 1968 are related in new ways to surrealism as a major countercultural force throughout this critical period in French history. By documenting the ways in which the Surrealists used sound, lighting, special effects, and performance art to create a living, theatrical environment, Dr. Mahon sheds new light on topics central to understanding art in our time.

Hardcover. London, NLB, 1st transl. thus, 1972, Book: Very Good, Dust Jacket: None, Hardcover, light blue cloth stamped in gilt, 257 pages. The articles and essays collected in this book were written during the decade of Lukacs's life when he was most active in politics. The first texts mark his transition from an anti-bourgeois aestheticism to Marxism and the newly founded Hungarian Communist Party. They are followed by material which displays the full range of his activity and thought during the subsequent ten years. Some of these essays were written when Lukacs was deputy commissar of education in the embattled, short-lived Hungarian Soviet Republic. Others include the famous article on parliamentarianism which earned its author the respectful yet severe criticism of Lenin.The volume includes short studies on German revisionism, Bukharin's Marxism, and Karl Wittfogel, and longer pieces on Lassalle and Moses Hess. The collection ends with the theses Luckas wrote, under his cover name "Blum", in opposition to the policies of the Third Period of the Comintern. Clean copy.

Hardcover. London, Faber and Faber, 1st thus, 1945, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine. Material previously published in The Village Book, and The Labouring Life, reworked in the light of the author's later experience. Chapters include: The badger dig; The darkening of the doorway; The well; The mystery of a damp cottage; An old-world courting; A village David and Goliath; The old cob cottage; The Ackymals; Billy Goldsworthy's barn; P.C. Bullcornworthy; Cemetery or burial ground?; Billy Goldsworthy's cow; The Zeale brothers; The linhay on the downs; The fox in the moonlight.

Hardcover. NY, Simon and Schuster, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 301 pages. Stated First printing on copyright page, $5.95 price on front flap. A collection of articles written for The New Yorker 1958-1965. Some tanning to dj. small price stamp on front flap, otherwise clean.