essays

Softcover. UK, Cambridge University Press, 8th pr., 2008, Book: Very Good, Dust Jacket: None, Softcover, 751 pages. -In this wide-ranging book, based on her Gifford Lectures, philosopher Nussbaum draws on philosophy, psychology, anthropology, music and literature to illuminate the role emotions play in thoughts about important goals. Clean, bright copy.

Hardcover. London, Perpetua Books, 1st, 1959, Book: Very Good, Dust Jacket: Fair, Hardcover, Illustrated in black & white by the wonderful Ronald Searle. 111 pages. A humorous Grand Tour of America with some startling sidelights on the American character. Book is very good, the dust jacket with chipping, edgewear, fair only.

Hardcover. US, University of Massachusetts , 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 268 pages. SIGNED BY AUTHOR on title page. Light edgewear and rubbing to dust jacket, else a clean, tight copy.

Hardcover. NY, Random House, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket, 289 pages. Light foxing/tanning to dust jacket otherwise a clean, tight copy.

Hardcover. Montpelier, VT, Times Argus, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Montpelier, VT, Times Argus, 1st, 1999, Book: Very Good, Dust jacket: Very Good, 207 pages. Hardcover with dust jacket. Extensive b&w photography throughout. Gilt titles on spine and cover. Illustrated title page. Light edge wear to dust jacket, otherwise clean, tight copy. . Record # 467675

Hardcover. NY, Farrar, Straus & Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 293 pages, in a bright, unclipped dust jacket. A collection of television reviews and criticism that appeared in The New Yorker during the mid-70s. Clean copy.

Hardcover. Chicago, IL, Center for American Places, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 184 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Includes CD. The product of several visits to the Pine Ridge Indian Reservation, Views from the Reservation is meant to open our eyes, minds, and hearts to the life, culture, and conditions of the Oglala Lakota people. With his insightful and complex images Willis enlists several other voices to offer a more complete story: writer Kent Nerburn, who contributes an original essay; Lakota elders and Pine Ridge High School students, who offer poems; Emil Her Many Horses, the associate curator of the National Museum of the American Indian, Kevin Gover, the Assistant Secretary of the Interior for Indian Affairs, and Oglala Lakota artist Dwayne Wilcox. Accompanying the book is Heartbeat of the Rez, a compact disc collecting traditional songs compiled by the author, the elders, and KILI, the radio station of the reservation.

Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 108 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Includes: Narrative in a Papua New Guinean Swamp; Opportunities for 'Double Voicing' in Ethnographic Film; Images of Woman in Current Chinese Television Advertising; Interview with Filmaker Bob Connolly, other essays and reviews. Clean.

Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 144 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Includes: Articles on the cinema of Tim Asch, Paradise by James Clifford (on Papua New Guinea), Subtitling Ethnographic Films, other essays and reviews. Clean.

Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1992, Book: Good, Dust Jacket: None, Softcover, magazine format, 144 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Includes: Shoot for the Contents, Films of Memory, Encounter with a Road Siren, other essays and reviews. Light rubbing to covers. Clean.

Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 120 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Includes: Reading Trash, Artaud, Rouch, & the Cinema of Cruelty; Remembering the Revolution, Forgetting the Empire; 'Thirty Centuries, the Splendors of Mexico'; What Is Real About Virtual Reality?; Marketing Alterity, other essays and reviews. Clean.

Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 180 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Special Issue on feminist approaches to the visualization of culture, other essays and reviews. Clean.

Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 180 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Special Issue on feminist approaches to the visualization of culture, other essays and reviews. Clean.

Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 124 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Includes: Post-Bourgeois Tattoo, The Ethnographer's Tale, Who's Story Is It?, other essays and reviews. Clean.

Hardcover. London, Melcher/Virgin, 1st, 1999, Book: Very Good, Dust Jacket: None, Non-Paginated. Illustrated with black & white photographs. Features photographs by Atget, Larry Clark, Walker Evans, Larry Fink, Weegee, Susan Meiselas, and more. Essay by Luc Sante. Slip case and covers show light wear. Clean, tight copy.

Hardcover. NY, Everyman's Library, 1st thus, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 1122 pages. Collected Nonfiction Including Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. Introduction by John Leonard. This volume is an omnibus of Joan Didion's popular works. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 532 pages. Hardcover with dust jacket. Very light wear to jacket, two small scratches to upper jacket spine. Otherwise very clean and tight copy. In this superb collection of essays, reviews and articles, Giddins brings together, for the first time, more than 140 pieces written over a 14-year period, most of them for his column in the Village Voice (also called "Weather Bird"). The book is first and foremost a celebration of jazz, with illuminating commentary on contemporary jazz events, on today's top musicians, on the best records of the year, and on leading figures from jazz's past. Readers will find extended pieces on Louis Armstrong, Erroll Garner, Benny Carter, Sonny Rollins, Dave Brubeck, Ornette Coleman, Billie Holiday, Cassandra Wilson, Tony Bennett, and many others.

Hardcover. London, Jonathan Cape, reprint, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 367 pages. "With characteristic wit, compassion and erudition, Bruce Chatwin reveals his view of the world. In Hong Kong he discusses the properties of the 'dragon-lines'; he returns to the theme of The Songlines with his perception of life as 'a journey to be walked on foot', and in a run-down Algerian quarter of Marseilles discovers 'a notion, not lost, of all men equal before God'."

Hardcover. NY, Reynal and Hitchcock, 1st, 1947, Book: Very Good, Dust Jacket: Poor, Hardcover in a tattered and chipped dust jacket. Off-white cloth with black spine title. 217 pages, b&w drawings by the author. Translated from the French, Quand les Cathedrales Etaient Blanches, by Francis E. Hyslop, Jr. Dj is poor with tape repair to the reverse side. Book has a small stamp to the front fly leaf, otherwise clean.

Softcover. Fredonia NY, White Pine Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 254 pages. SIGNED BY ST. JOHN at the 2000 Breadloaf Writers Conference. Essays and reviews by poet David St. John of collections of verse by poets including Marvin Bell, Charles Wright, Donald Hall, Randall Jarrell, Pablo Neruda, Donald Justice, Mark Strand, Jorie Graham et al, followed by six interviews with David St. John (in various journals).

Hardcover. NY, Methuen Publishing , 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 235 pages. Covers such subjects as black literature; the reconstruction of culture, changing arts, letters and sciences to include the topics of women and gender; and, the nature of family and the changing roles of women within society. As such, Catharine Stimpson employs a transdisciplinary approach, to encourage greater understanding of the differences among women, and thus socially-constructed differences in general. Where the Meanings Are tells of some of the arguments within feminism during the re-designing and designing of cultural spaces, as post-modernism began to change the boundaries of race, class, and gender. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 208 pages, b&w illustrations. During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating --and surprisingly frank-- roundtable discussion among the participating directors. Uncommon in the hardcover, clean copy.

Softcover. NY, Aperture, 3rd pr., 1994, Book: Very Good, Dust Jacket: None, Softcover, 186 pages. A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugene Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Clean copy.

Softcover. NY, Aperture, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 186 pages, b&w illustrations. A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugene Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Name on front fly leaf otherwise clean.