Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated. In mylar dust jacket. The theatrical photos of Thompson--mainly of women, several of a single, elaborately made-up woman's eye--derive their style from a combination of Man Ray and fashion photography. They are reproduced in full-page color plates of the best quality in this oversized (11.25x14.25") volume. Plain cardboard slipcase soiled.
Hardcover. New York , Rizzoli, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Full-color photo-illustrated paper over boards, backed in gilt-stamped cloth; clear plastic dust jacket with full-color illustrations on flaps; 4to; 112 pages, illustrated in full-color throughout. With contributions from Donna Karan, Calvin Klein, Etro, Todd Oldham, Carolina Herrera, John Galliano, Oscar de la Renta, Sonia Rykiel, Manolo Blahnik, Philip Treacy, and others. Clean, bright copy.
Softcover. New York, Universe, 1st wraps, 1998, Book: Very Good, Dust Jacket: None, 192 pages. Paperback. Interviews with top models, - Jean Shrimpton, Penelope Tree, Jerry Hall, Iman, Isabella Rossellini, Helena Christensen, Christy Turlington, Cindy Crawford, Naomi Campbell, Kate Moss, Georgina Cooper, James, Karen Elson, and Alek Wek--as well as their agents, photographers, fashion editors, and designers, Illustrated with color and b&w photos by Bailey. Clean, bright copy.
Softcover. Damiani , 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 124 pages. In 2008, Christopher Niquet, a well-known French stylist, spotted the 1960s supermodel Peggy Moffit in a Beverly Hills restaurant. Never an autograph chaser, he nonetheless felt compelled to ask for hers. This candid moment ignited an obsessive, ongoing quest. Niquet began to reach out to the models he considered quintessential figures in his industry, for their epic beauty and remote auras. Deploying a sleuth's methods to locate these models around the globe, he collected 100 signatures, most of which are framed along with an iconic portrait. "My original purpose was to get beyond the abstract, incorporeal beauty of these icons, and bring back a sense of their physicality. For me, each signature restored a womanly reality to the imaginary being." This book highlights the unique personalities of celebrated or forgotten women from the late 1950s to the 1990s and what they all have in common: the power to awaken creativity in the people who see them. Through generations of cover stories, Models That Matter explores a multi-layered history of feminine beauty, from Jean Shrimpton to Jerry Hall, from Lauren Bacall to Linda Evangelista, from Anita Pallenberg to Naomi Campbell, muses for extraordinary fashion lensmen like Steven Meisel-who wrote the preface-to Irving Penn or Richard Avedon. Clean in shrinkwrap.
Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, Original black lettered cloth quarter laid on pictorial boards, 184 pages. A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century. This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue--whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers--emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.
Hardcover. NY, Donna Karan, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover. black & white portraits, fashion photos by Herb Ritts. Large,oversized, 11-1/4" x 14-1/4" coffee table book of photos of such stars as Diana Ross, Isabella Rossellini, Fred Ward, Francesco Clemente and his wife Alba, no doubt wearing Donna Karan clothing. All photograhs are black & white of selected pieces from fashion designer Donna Karan's Fall 1995 collection by fashion photographer Herb Ritts. Clean.
Hardcover. Te Neues Publishing , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Gorgeous photos of the German supermodel who once held the record for being the model with the longest legs in the world in the Guinness Book of Records. Various world-class photographers represented.
Hardcover. NY, Thames and Hudson, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 plates in color and duotone. 144 pages. A posthumous retrospective of his pioneering and experimentally dazzling female nudes (with a few male nudes thrown in for good measure, including a full-frontal self-portrait of the photographer). Features never-before-published photographs as well as celebrated images such as "Nude Under Wet Silk". One of the greatest fashion and lifestyle photographers of our time, Blumenfeld is also recognized as one of the most innately and profoundly erotic portrayers of the nude.
Hardcover. New York, Prestel USA, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Like new in publisher's shrink-wrap. Find out who's making their mark in a new century--and era--of fashion photography. The 21st century has brought about seismic changes in photography, technology, fashion, and art. At the nexus of these exciting movements is a group of fashion photographers who are breaking ground in a variety of ways, including cultural referencing, digital imaging, photo manipulation, and the use of new media. This stunningly illustrated book profiles more than 30 artists from around the world through exclusive interviews, commentary, and beautiful images. From Nick Knight's paint-soaked portrait of Lady Gaga to Mikes Aldridge's dark surrealism to Alice Hawkins's explorations of body image through satire, new fashion portraiture is challenging conventional ideas of beauty by confronting us with the unexpected. Throughout the book, these photographers explore new avenues previously off-limits in the world of couture, opening the art of fashion photography to thrilling possibilities.
Hardcover. Charta, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 112 pages. Electroclash, eighties retro, tiaras, tartan and makeup: it's all there in Nicole Trevillian's photo-record of London's new music clubs and the birth of Electroclash, from 2000 to 2010. At clubs such as the famous Trash, Nag Nag Nag, Electric Stew, Jacked, Return to New York, Drama, Computer Blue, DURRR and Smash and Grab, Trevillian captures the energy flash of this moment.
Softcover. Heidelberg, Kehrer Verlag, 1st, 2003, Book: Very Good, Dust Jacket: None, Flexi-softcover. Illustrated with full color photographs by Sandra Mann. Clean, bright copy.
Hardcover. NY, Rizzoli, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. One of the great pioneers of fashion photography, Norman Parkinson is famous for his sense of style and glamour. Heralded as one of the true innovators in his field, he pushed the boundaries of the day by bringing the model out of the studio and onto the street. He set the model against unusual and daring backdrops, such as the gritty working-class districts of London, and was a seminal influence on subsequent generations of fashion photogaphers. Norman Parkinson: A Very British Glamour is a lavish portrait of Parkinson's long career from the 1930s through the 1980s. In a unique collaboration with the Norman Parkinson archives in London, his iconic photographs for Vogue, Queen, and Harper's Bazaar are reproduced alongside a trove of previously unpublished fashion work. The classics of Parkinson's career are also shown here, providing the full breadth of his career. This exciting and definitive look into Parkinson's illustrious legacy is sure to rank among the most important publications on fashion and photography.
Hardcover. NY, Rizzoli, 1st, 2011, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.
Hardcover. NY, Rizzoli, 1st, 2011, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.
Hardcover. NY, Rizzoli, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Nostalgia in Vogue celebrates the popular and poignant coming-of-age memoir columns that have been enchanting Vogue readers since 2000. This elegant volume collects a wonderful selection of Vogue's famous "Nostalgia" columns and the stunning photographs that accompanied them. Writers, designers, models, and celebrities share coming-of-age stories based on a rich range of themes from fashion to art, Hollywood, music, childhood, work, and love, each triggered by an extraordinary photograph from Vogue's history.With a host of intriguing characters and stories, and images by legendary photographers such as Irving Penn, Richard Avedon, Henry Clarke, Helmut Newton, Horst P. Horst, and Henri Cartier-Bresson, Nostalgia in Vogue is both a visual treat and a fascinating read. Whether told from the point of view of a budding movie star or a teenager straining to make sense of the sophisticated adult world, each entry offers a unique slice of life sharply evocative of time and place. Nostalgia in Vogue is a must for devotees of fashion, pop culture, photography, and literary memoir and reaches across a readership of all ages. Text by Eve Macsweeney with a Foreword by Anna Wintour and essays by Joan Didion, Margaret Atwood, Patti Smith, Edmund White, Karl Lagerfeld, Carly Simon, John Galliano, Ann Packer, Anjelica Huston, Nora Ephron, A. M. Homes, and others.
Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 125 pages, 81 tritone and 56 four-color illustrations of a combination of Penn's photographs, drawings, and sketches.
Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 125 pages, 81 tritone and 56 four-color illustrations of a combination of Penn's photographs, drawings, and sketches.
Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 125 pages, 81 tritone and 56 four-color illustrations of a combination of Penn's photographs, drawings, and sketches.
Hardcover. NY, Simon and Schuster, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, glossy printed boards housed in a cardboard slipcase. Folio. 1st edition of Avedon's first book, a collaboration with Capote who supplies the text. A striking collection of full-page black and white images. 151 pages. No acetate dust jacket. Slipcase with light edgewear, soil. Book is a solid very good, clean.
Hardcover. New York, Clarkson Potter Publishers, 1st, 2019, Book: Very Good, Dust Jacket: None, 381 pages. Hardcover with no dust jacket. Color and b&w photos throughout. Bill Cunningham's photography captured the evolution of style, of trends, and of the everyday, both in New York City and in Paris. But his work also shows that street style is not only about fashion; it's about the people and the changing culture. These photographs (many never before seen, others having originally appeared in The New York Times and elsewhere) move from decade to decade, beginning in the 1970s and continuing until Cunningham's death in 2016. Here you'll find Cunningham's distinctive chronicling of the 1980s transit strike, the rise of 1990s casual Fridays, the sadness that fell over the city following 9/11, Inauguration Day 2009, the onset of selfies, and many other significant moments. Clean, tight copy.
Hardcover. New York, Clarkson Potter Publishers, 3rd printing, 2019, Book: Very Good, Dust Jacket: None, 381 pages. Hardcover with no dust jacket. Color photographs throughout. Clean, Tight copy.
Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. Gilt stamped black cloth. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. Small chunk gone from rear of dust jacket. 407 pages.
Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth with gilt lettering, no dust jacket. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. 407 pages. Clean copy.
Hardcover. Hatje Cantz Publishers, 1st, 2005, Book: Very Good, Dust Jacket: None, Text is in English and German. Oversized hardcover issued without a dust jacket. Cover has faint wear to corners and edges. Inside is bright and clean, 210 b&w photographs throughout. This handsomely illustrated volume reproduces fine vintage prints from Relang's early reportage career and from the height of her days as a documenter of style, while also providing valuable insight into the historical background of her work.