Softcover. New York , Princeton Architectural Press, 2nd printing, 2002, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Light edgewear to wrappers, else a clean, tight copy. 45 RPM: A Visual History of the Seven-Inch Record celebrates a often overlooked, yet vital form of art, that of the seven inch sleeve. Not only are there more than 200 pictures display in this book, but an excellent history detailing the rise and fall of this format. There are basically five main chapters starting with the 50's all the way to the 90's. Each chapter is preceded by a written piece authored by different individuals, ranging from a record collector, renown sleeve artists, a music journalist and a music critic. Each provides thoughful, authorative, and interesting insights into the period of time they are introducing. The real meat is the pictures, and there are a lot of them.
Hardcover. Kent OH, Kent State Univ Pr, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Zoar, Ohio, a German-Christian utopian community founded in 1817, encouraged tourism and "gawkers." This has left a rich photographic record of the community, which includes tourists's photos and Zoarite-produced postcards. Fernandez uses many previously unpublished photos, captioned with the words of journalists, diarists, and other visitors.
Hardcover. San Francisco, CA, Auad Publishing, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 207 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This lavishly illustrated book covers every aspect of this important artist's career with authoritative articles, hundreds of incredible full color illustrations and rarely seen photographs. One of America's best known magazine illustrators from the 1940's to the 1960's, Al Parker was an innovator, a trend setter and a constant experimenter. Each chapter describes his top work for every key American magazine, from fiction illustrations to advertising to covers. He was the go-to artist in all the early "slicks," the highest peak a commercial artist could attain in his day. Colliers, Ladie's Home Journal, Cosmopolitan, Good Housekeeping, McCall's. And in genre pieces: Grand Prize Automobiles, Jazz, and the series Jane's Blanket, plus Kit Parker films. A chapter captures his wonderful photography, "From Models to Print" using beautiful models as well as himself and his family.
Hardcover. US, Edition Stemmle, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 208 pages, illustrated throughout in sepia. Light edgewear and tanning to dust jacket, else a clean, tight copy. Alvin Langdon Coburn (1882-1966) is remembered today as one of photography's early masters and great innovators. This monograph investigates the unconventional nature of his personal and artistic achievements. Coburn's landscapes, cityscapes, portraits, and Vortographs reflect his unprecedented steps towards the creation of a photography of symbol and abstraction.
Hardcover. Washington DC, Library of Congress/Musee d'Art Giverny, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover exhibition catalog with a dust jacket. 200 pages, 218 bw plates. An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. The accomplishment of these professional and amateur photographers clearly demonstrated a mastery of the medium and made a strong impression on those in attendance. Ambassadors of Progress explores this largely unknown event. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color and b&w plates.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 182 pages, hardcover illustrated in color and b&w. Like new in publishers shrink-wrap. Accompanies a major exhibition at The Museum at the Fashion Institute of Technology, New York, reveals that great design and great style were consistent elements in the work of American's best fashion designers. Patricia Mears introduces many great forgotten figures, as well as many familiar names: work by lesser-known figures such as Jessie Franklin Turner, Ronaldus Shamask, and Charles Kleibecker is discussed alongside pieces by more celebrated creators, such as Halston and Charles James; work by designers of the past is juxtaposed with that of present-day designers such as Rick Owens, Yeolee Teng, and Maria Comejo.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 182 pages, hardcover illustrated in color and b&w. Like new in publishers shrink-wrap. Accompanies a major exhibition at The Museum at the Fashion Institute of Technology, New York, reveals that great design and great style were consistent elements in the work of American's best fashion designers. Patricia Mears introduces many great forgotten figures, as well as many familiar names: work by lesser-known figures such as Jessie Franklin Turner, Ronaldus Shamask, and Charles Kleibecker is discussed alongside pieces by more celebrated creators, such as Halston and Charles James; work by designers of the past is juxtaposed with that of present-day designers such as Rick Owens, Yeolee Teng, and Maria Comejo.
Hardcover. US, Feral House, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 287 pages, illustrated throughout in b&w. Clean, tight copy. American Grotesque is a lavish retrospective of grotesque, occult, and erotic images by the forgotten Hollywood photographer William Mortensen (1897-1965), an innovative pictorialist visionary whom Ansel Adams called the "Antichrist" and to whom Anton LaVey dedicated The Satanic Bible. Mortensen's countless technical innovations and inspired use of special effects prefigures the development of digital manipulation and Photoshop. Includes a gallery of more than one hundred striking photographs in duotone and color, many of them previously unseen, and accompanying essays by Mortensen and others on his life, work, techniques, and influence.
Hardcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Like new in publisher's shrink-wrap. The enigmatic and charismatic John Graham (1886-1961) was an important influence on his fellow New York artists in the 1920s through 1940s. Graham and his circle, which included Stuart Davis, Arshile Gorky, and Willem de Kooning, helped redefine ideas of what painting and sculpture could be. They, along with others in Graham's orbit, such as Jackson Pollock and David Smith, played a critical role in developing and defining American modernism. American Vanguards showcases about eighty-seven works of art from this vital period that demonstrate the interconnections, common sources, and shared stimuli among the members of Graham's circle. Three essays by notable scholars investigate the complex relationships among Graham and his New York artist-colleagues during this formative period. William C. Agee positions Graham and his circle within the movement of New Classicism, which drew upon classical and Renaissance examples in an attempt to overcome the devastation of World War I. Irving Sandler focuses on the social, political, and intellectual dynamics among Davis, Gorky, Graham, and de Kooning in the mid-1930s. Karen Wilkin discusses the circumstances that brought these artists together, their common commitment to modernism, and the fascinating artistic cross-fertilization evident in their work. This critical reconsideration sheds new light on the New York School, Abstract Expressionism, and the vitality of American modernism between the two world wars.
Hardcover. San Francisco, Chronicle Books, 2nd printing, 2010, Book: Very Good, Dust Jacket: Very Good, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Created by McSweeney's in celebration of their 11th anniversary, this book showcases the independent literary publisher's award-winning art and design across all its activities, including McSweeney's books, quarterly journals, Wholphin DVDs, and The Believer magazine. Hundreds of images - from napkin sketches to final objects - offer insights into McSweeney's creative process, and a narrative history in interviews explores the incidental, accidental, and deliberate ways they have helped transform the visual experience of reading. hundreds of photos and illustrations, and interviews with the staff and writers and artists such as Rick Moody, Sarah Vowell, John Hodgeman, Lawrence Weschler, Michael Chabon, Chris Ware, Ben Katchor, Charles Burns, and many more.
Hardcover. Boston, David R Godine, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, b&w photos. Light edgewear to dust jacket, else a clean, tight copy. A survey that displays the variety of imagery, much of it developed anonymously in small studios, much of it taken by inspired amateurs, in early-twentieth-century America. Notes, List of Postcard Photographers Working Before 1930, Selected Bibliography. More than 200 fine-line duotones.
Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages, softcover. This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Like new in publishers shrink-wrap.
Softcover. US, University of Illinois Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 190 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans. Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.
Softcover. US, University of Illinois Press, 1st, 2010, Book: Near Fine, Dust Jacket: None, 190 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans. Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.
Hardcover. US, Schirmer/Mosel, 1st, 2010-02-15, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Text in German. English language booklet included. Text by Kurt Forster. Color photos of Berlin's unseen corners.
Hardcover. US, Taschen, 1st, 2014, Book: Very Good, Hardcover, 904 pages, illustrated in color, b&w. Includes 56 page facsimile of a GDR family scrapbook. This is an absolutely amazing chronicle of life in the German Democratic Republic, from its establishment in 1949 up through the fall of the Berlin Wall in 1989 and subsequent reunification of the two Germanys. LIfe in East Germany is completely and accurately summarized and represented: everything from menus in restaurants, to shopping, transportation, education, home life, the State Security Service (Stasi), etc. Even what was available to drink and smoke is described and illustrated. It's as if the Wende Museum - the book's publisher - has take the entire collection of its East German and Cold War archives and put it into a coffee table book. But be careful, you'll need a strong coffee table: this publication weighs over eleven pounds. If you're interested in German history, particularly of the Cold War years, this book is a must.
Hardcover. US, Reel Art Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Large heavy book, 448 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. This breathtaking tome is the definitive and comprehensive collection of Billy Name's black-and-white photographs from Warhol's Factory. Name's photographs from this period (1964-68) are one of the most important photographic documents of any single artist in history. Name lived in a tiny closet at the Factory. He was responsible for the legendary "silverizing" of the space using aluminum paint and foil to complete the instillation. When Warhol gave Name a Pentax Honeywell 35mm camera, he took on the role of resident photographer and archivist. This visual essay, produced in collaboration with Billy name, offers an extensive trip through Warhol's world. Name photographed the day-to-day happenings at The Factory with Andy, including visits from Lou Reed and the Velvet Underground, Nico, Edie Sedgwick, Ivy Nicholson and Bob Dylan, and filming Screen Tests and features such as Chelsea Girls, Vinyl and My Hustler.
Hardcover. US, British Library, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, illustrated in color. Clean, unmarked copy in excellent condition. Breaking the Rules draws upon the British Library's unrivalled collection of artists' books, manifestos, little magazines, literary manuscripts, sound recordings, and posters from across Europe in order to explore the rapid exchange of ideas through printed matter that marked the avant-garde movement--and led to its presence in cities as diverse as London, Brussels, Munich, Zurich, Florence, Rome, Barcelona, Copenhagen, Warsaw, Prague, Tbilisi, Budapest, and Belgrade, among others.
Softcover. Milano, Longanesi & Co., 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 94 pages. Text in Italian. Light edgewear to wrappers, faint foxing to edges and end papers.
Hardcover. New York, powerHouse Books, 2nd printing, 2005-06-01, Book: Very Good, Dust Jacket: None, Hardcover, 156 pages. Clean, unmarked copy with only minor wear to boards. Illustrated throughout in color and b&w. Jaw dropping, eye opening collection of found photos and snapshots of cross dressers and transvestites who would meet at Casa Susanna (as it became known) a somewhat rundown Victorian house somewhere up sate New York the early 1960's for weekends of fun. No dust jacket issued.
Hardcover. New York , HarperChildrens, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Clean, tight copy. As children, C.S. Lewis and his brother W.H. Lewis created the fantasy world of Boxen. This book collects stories and illustrations, history, geography etc of Boxen. Reproduced original illustrations by the authors. Introduction by Douglas Gresham. The History of Boxen by Walter Hooper.
Softcover. New York, Metro Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 272 page, illustrated throughout in color and b&w. Light shelf-wear to wrappers, else a clean, tight copy.
Softcover. US, University of South Carolina Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 125 pages, illustrated throughout in b&w. Remainder mark to bottom edge. Clean, tight copy.
Hardcover. Berkeley CA, University of California Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 267 pages, b&w photos. Clean, unmarked copy with only minor wear to dust jacket. This book examines the often-neglected role played by immigrant artists and critics in the circle of Alfred Stieglitz, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia O'Keeffe.
Softcover. US, Prestel, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 424 pages, color and b&w illustrations. Like new in publisher's shrink-wrap. No dust jacket, as issued. From the exhibition produced by the Montreal Museum of Fine Arts in partnership with the Museo Nacional de Belias Artes and the Fototeca de Cuba in Havana. A comprehensive history of Cuban art and design.
Hardcover. Hildesheim GR, Edition Olms, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 325 pages. Illustrated in color and b&w. Like new in publishers shrink-wrap.
Hardcover. US, Dark Horse, 1st, 2013, Book: Very Good, Dust Jacket: None, Elephant folio, hardcover, 104 pages in color. Like new in publishers shrink-wrap. One of comics' greatest artistic achievements gets its due in this deluxe 15" x 20" hardcover collecting the first two years of Tarzan Sunday strips by Hal Foster! Beautifully restored and printed at giant size, this first volume in Dark Horse's comprehensive collection of Foster's Tarzan Sundays reprints over one-hundred strips on high-quality paper and in eye-popping color, replicating when they first appeared! Includes a historical essay on Tarzan and Foster by comics scholar, Mark Evanier.
Hardcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages, color and b&w illustrations. Like new in publishers shrink-wrap. This engrossing book explores the impact of Westernization on Russia in the 18th and 19th centuries and presents a wealth of photographs of ordinary Russians in all their finery.
Hardcover. Chicago, University of Chicago Library, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publisher's shrink-wrap. With 2014 marking the one-hundredth anniversary of the commencement of World War I, En Guerre offers a fresh, thought-provoking exploration of the impact of the Great War as viewed through the lens of French graphic illustration of the period. Published in conjunction with an exhibition of these illustrations at the University of Chicago Library's Special Collections Research Center, this catalog draws from illustrated books, magazines, and prints to present a wide range of perspectives on themes essential to a deeper understanding of the war in France: patriotism, nationalism, propaganda, and the soldier's experience, as well as the mobilization of the French national home front as seen through fashion, music, humor, and children's literature. With a text by noted historians Neil Harris and Teri J. Edelstein and featuring more than one hundred reproductions of the vivid and colorful work of French illustrators, En Guerre reaffirms the persuasive role that art can play in the service of political and military power.
Hardcover. US, Flame Tree Publishing, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages, illustrated throughout in color. Light edgewear to dust jacket, else a clean, tight copy. Perhaps no individual is more associated with the 20th century art deco revival than Russian-born French artist and designer, Erte. Although his talent spanned many creative fields, Erte is perhaps best-known for his theatre and fashion designs, which were often later translated into beautiful silkscreen prints. Few can fail to be charmed by Symphony in Black, one of his most famous designs depicting a slender figure walking her dog. Throughout his lifetime Erte designed over 200 covers for Harper's Bazaar and his works have been reproduced and copied countless times since, oozing a timeless air of class and sophistication. Combining fresh and thoughtful text and beautiful illustrations, including jewellery and sculpture inspired by his two-dimensional designs, this coffee-table book is the definitive Erte companion.
Hardcover. New York , Bulfinch, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, illustrated throughout in color and b&w. Remainder mark to bottom edge, else a clean, tight copy.
Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 86 pages, illustrated throughout in b&w. Light shelf-wear to wrappers, else a clean, tight copy. 9 1/8 X 12 inches. Three essays 1) "The Art of the Human Document: Russell Lee in New Mexico" by J.B. Colson, 2) "John Collier, Jr.: Cultural Diversity and the Camera" by Malcolm Collier, 3) "Jack Delano and the Railroad Photography Project in New Mexico" by Jay Rabinowitz. Photographs follow by Russell Lee, John Collier, Jr., and Jack Delano. All photographs B&W and beautifully reproduced.
Hardcover. New York , Taschen, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in a slipcase. Like new in publisher's shrink-wrap. Presents the most memorable movies of the 1990s into a list of 100 titles from around the world. Packed full of photos and film stills, this title features: four to ten pages for each film; list of Academy and film festival awards; bloopers, trivia, memorable lines, gossip; and actor, director, subject, and title indexes.
Hardcover. Philadelphia, Running Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 416 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket. Clean, tight copy. George Hurrell is credited as the master of the Hollywood glamour portrait. He photographed every star from Greta Garbo to Humphrey Bogart to Sharon Stone. Written by historian and former Hurrell assistant Mark A. Vieira, George Hurrell's Hollywood is the definitive retrospective. Covers Hurrell's entire career, from his beginnings as a Los Angeles society photographer to his finale as the celebrity photographer who became a celebrity himself. Hundreds of pristine images showcase the photographer's work with Hollywood icons from 1929 to 1992. The text recounts the artist's life, from his childhood to the heyday of his career as a starmaker, through the previously untold stories of his fall from grace and eventual comeback.
Hardcover. New York , Harry N. Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. "Christian M. Nebehay, a leading Klimt scholar who knew the artist personally in the last year of his life, places Klimt in the context of the society which he both shocked and delighted. The best of his abundant sketches and the finished paintings which they precede are brought together for the first time, juxtaposed to alllow direct comparison" With 370 illustrations including 135 plates in full color.
Hardcover. US, NBM Publishing, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 110 pages, illustrated throughout in color and b&w. Clean, tight copy.
Hardcover. Chicago, University Of Chicago Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Wandering the streets of Harlem for the past forty years, Camilo Vergara has noticed and miraculously recorded those moments of great human invention that have been largely overlooked by the official chronicles of architecture and urban history. For this reason, his photographs are unique and indispensable.
Hardcover. Washington DC, Cooper Hewitt, Smithsonian Design Museum, 1st, 2008-09-15, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home.
Hardcover. Washington DC, Cooper Hewitt, Smithsonian Design Museum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to dust jacket. Essays analyzing these beautiful, exquisitely detailed watercolors and their significance to the Museum's collection, accompanied by the watercolors and related objects from the permanent collection, document the evolution of the domestic interior in the nineteenth century, revealing the impact of economic, social, and political developments on the concept of the home.
Hardcover. US, Minnesota Historical Society Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 116 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New Haven CT, Yale University Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 416 pages, b&w photos. Light shelf-wear to dust jacket, else a clean, tight copy. A renowned curator and respected insider of the international art scene since the mid-1960s, Michael Peppiatt has spent his professional life with many of the greatest artists of the 20th century. His close friendships and frequent studio visits with Dubuffet, Sonia Delaunay, Francis Bacon, Henry Moore and others are included here.
Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 320 pages. Like new in publisher's shrink-wrap. Jan Lievens (1607-1674) was one of the most fascinating and enigmatic Dutch artists of the 17th century. Daring and innovative as a painter, printmaker, and draftsman, he created powerful character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images that were widely praised and valued during his lifetime. This beautiful book, the first overview of the full range of Lievens' career, features more than 50 paintings-many of them newly discovered in private collections-and more than 75 prints and drawings, providing a reassessment of his place in the history of art.
Hardcover. Paris, Flammarion, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Like new in publisher's shrink-wrap. The 150 photographs in this collection represent a unique vision of a nation struggling to define itself. These images are accompanied by essays from renowned Japanese experts, who provide social and historical insight into this period and its photographic output. The first comprehensive review of this period in Japanese photography,.
Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, profuse color and b&w illustrations and plates. The essays in John La Farge's Second Paradise explore the artist's reemergence as a plain air landscape painter, his use of the sketchbook, and his late decorative work, which was reinvigorated by the experience of light and color he discovered in the South Seas. Further discussions examine the prevailing notions of tropical paradise perpetuated since Captain Cook's "discovery" of Polynesia in the late 18th century, and offer the first extended comparison of the careers and art of La Farge and Paul Gauguin, who arrived in Tahiti only days after La Farge left in 1891. Featuring many previously unpublished works, this beautiful book is a major contribution to the study of La Farge's life and art. Like new in publishers shrink-wrap.
Hardcover. US, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 400 pages, over 600 illustrations, mostly color. The enduring lure of a material for over 60 years. Italian company Kartell, founded in 1949, is famous around the world for having invented the culture of plastic furniture and interior furnishings. This survey covers the entire history of the company decade by decade, exploring all aspects of its evolution as well as the social and technological qualities of Kartell products.
Softcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, 267 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. In 1915, Kazimir Malevich changed the future of modern art when his experiments in painting led the Russian avant-garde into pure abstraction. He called his innovation Suprematism--an art of pure geometric form meant to be universally comprehensible regardless of cultural or ethnic origin. His Suprematist masterpiece, White Square on White (1920-27), continues to inspire artists throughout the world. Focused exclusively on this defining moment in Malevich's career, Kazimir Malevich: Suprematism features nearly 120 paintings, drawings and objects, among them several recently discovered masterworks. In addition, the book includes previously unpublished letters, essays and diaries, along with essays by international scholars, who shed new light on this popular figure and his devotion to the spiritual in art.
Hardcover. New York , Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages, 173 illustrations, 131 in color. Although he is now seen as a progenitor of the "naive" style, during his lifetime Edward Hicks (1780-1849) was known only as a devout, impoverished Quaker minister who liked to paint. With a few exceptions, his extant body of work is made up of 62 "Peaceable Kingdom" pictures, based on Isaiah's biblical prophecy. Although these paintings, known for their charmingly wide-eyed and sensuous beasts, use potent color and effective design, they are technically unsophisticated and repetitive in the extreme. But they contain a powerfully serene devoutness, a mood probably expressed in compensation for Hicks's guilt about an avocation viewed as frivolous by other Quakers. As the popularity of folk art boomed in the early 20th century, Hicks's homely visions were popularized and became the focus of scholarly attention, and this work is probably the best to date. Weekley, the director of museums at Colonial Williamsburg, shrewdly considers Hicks's "secular" life and art through the filter of his intense piety and copiously illustrates her large-format book with brilliant color plates.
Hardcover. New York , Knopf, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 115 pages. Light shelf-wear to dust jacket, else a clean, tight copy. Photography by David Goldblatt.
