Hardcover. New York , Random House, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 326 pages, b&w photos. Light shelf-wear to dust jacket, else a clean, tight copy. A personal history of 50 years in photo-journalism by one of the top journalists of the 20th century. John Morris tells the inside stories from the field, ranging from photos of the D-Day landing to the assassination of Robert Kennedy.
Hardcover. New York , W. W. Norton & Company, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. 352 pages, b&w illustrations. A photographic account of Jewish life in America draws on the archives of the premiere national Jewish newspaper, Forward, in a visual tribute that pairs essays by leading intellectuals, including Leon Weiseltier and Deborah E. Lipstadt, with images of such subjects as a shtetl beauty contest, Lower East Side pushcart markets, and labor rallies.
Hardcover. New York , powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 127 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. An unexplored visual history of the melding of art, photography and journalism, takes the reader back to the days before Photoshop abd reveals how newspaper editors would doctor images for effect and intent. These images, from 1900-1960 illustrate the range of art enhancement, from outlining and airbrushing to complete overpainting with subjects ranging from crime scenes, world events and social personalities.
Hardcover. New York , powerHouse Books, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 127 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. An unexplored visual history of the melding of art, photography and journalism, takes the reader back to the days before Photoshop abd reveals how newspaper editors would doctor images for effect and intent. These images, from 1900-1960 illustrate the range of art enhancement, from outlining and airbrushing to complete overpainting with subjects ranging from crime scenes, world events and social personalities.
Hardcover. London, Focal Point, 1st, 2008, Book: Near Fine, Dust Jacket: Near Fine, Like new in publisher's shrink-wrap. With the Middle East and Asia as his far-ranging home territory, Reza has chronicled 30 years of turmoil, hope, and splendor for a host of international publications. Reza trains his lens not just on war and conflict, but also on friendship and loyalty, family life and love. The book follows Reza's photographic career and is narrated in his own words, focusing our attention on the costs of war and the human condition. Sebastian Junger contributes an introduction, offering intimate insight into what it's like to work with his longtime friend and collaborator.
Hardcover. New York , Aperture Book, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated throughout in b&w. Light yellowing to edges and light shelf-wear to dust jacket, else a clean, tight copy. This book shows the life's work of one of the most brilliant photojournalists of our time, who raised the status of his craft to that of high art. In his bestselling autobiography, Unreasonable Behavior, Don McCullin told the extraordinary and sometimes harrowing story of how he grew up in north London's gangland and graduated from poverty to stardom as the most daring and self-sacrificing reporter of wars around the world - from Cyprus to Israel, the Congo and Biafra to Vietnam, Pakistan to Cambodia, Beirut to Iraq. But his interests go far beyond the battleground in all its degradation which he has captured so brilliantly. In this book he has collected some 200 of what he considers to be his best pictures. A few have become well-known icons, many have not been seen in a book before. They depict unemployed miners collecting coal from the beach at dawn, down-and-outs in the East End, the homeless in Bradford, but they also reveal a passion for landscape, especially in the mysterious light of India, and a moving contact between human beings in a harsh environment.
Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w images. Like new in publisher's shrink-wrap. Richards' response to the trauma of September 11, 2001, with interviews with some of the families who lost sons, daughters, husbands, wives, mothers, and fathers. According to one reviewer: "It may be the best photo book yet on those hard days." Photographs and afterword by Eugene Richards; interviews by Janine Altongy.
Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w images. Like new in publisher's shrink-wrap. Richards' response to the trauma of September 11, 2001, with interviews with some of the families who lost sons, daughters, husbands, wives, mothers, and fathers. According to one reviewer: "It may be the best photo book yet on those hard days." Photographs and afterword by Eugene Richards; interviews by Janine Altongy.
Hardcover. US, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Like new in publisher's shrink-wrap. This book will for the first time enable Ernest Cole to be seen in the perspective of international photography where he surely deserves an honored place, not simply for his remarkable courage and determination in the face of state oppression but for the perceptiveness of his seeing eye and his ability to put what he saw into photographs of remarkable rigor, subtlety and elegance. These qualities were often subordinated to the need for the strongest possible anti-apartheid statement in his acclaimed book House of Bondage, published in 1967. Many of the photographs have never been published before and others, which were cropped in the book for their maximum political effect, will now be seen un-cropped for the first time. Ernest Cole the Photographer accompanies an exhibition with the same title, produced by the Hasselblad Foundation. Ernest Cole, born 1940 in Eersterust, South Africa, started working as an assistant at Drum magazine in 1958. As a freelance photographer he began his seminal essay on what it meant to be black under apartheid in 1959. In 1966 he left his country with the dream of making a book that he knew was impossible to do in South Africa. House of Bondage, published in 1967, was immediately banned in South Africa, and so was he. He died in exile, in New York in 1990.
Softcover. Buffalo NY, Buffalo Fine Arts Academy, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 278 pages. Illustrated throughout with 195 b/w plates. Clean, unmarked copy with only minor wear to wrappers. The Cold War, Sputnik, Joseph McCarthy, Fidel Castro, the Rosenbergs, Marilyn Monroe, Rosa Parks, Father Knows Best and Rebel Without a Cause are just a few of the events, people, and cultural phenomena that marked the decade of the 1950s. This stunning book, a collection of two hundred large-scale duotone photographs of the 1950s culled from the New York Times photo archives, brings this watershed period to life and examines who and what was important and why.
Hardcover. Mechanicsburg PA, Stackpole Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w photos. Light scratching to dust jacket front cover. Clean, tight copy. They shot some of the most iconic footage of World War II while risking their lives, yet the stories--and sheer guts--of the U.S. Marine Corps combat cameramen have been overshadowed by the heroism of the men with the rifles. War Shots brings these photographers into sharp focus through the career of Norm Hatch, a true American character whose skill with a camera and knack for being in the right place at the right time thrust him to the fore of the effort to record the Marines at war in the Pacific.
Hardcover. Mechanicsburg PA, Stackpole Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 227 pages, b&w photos. Light scratching to dust jacket front cover. Clean, tight copy. They shot some of the most iconic footage of World War II while risking their lives, yet the stories--and sheer guts--of the U.S. Marine Corps combat cameramen have been overshadowed by the heroism of the men with the rifles. War Shots brings these photographers into sharp focus through the career of Norm Hatch, a true American character whose skill with a camera and knack for being in the right place at the right time thrust him to the fore of the effort to record the Marines at war in the Pacific.
