landscapes Photography

Softcover. New York , Matthew Marks Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, 116 pages, softcover, 52 duotone illustrations. Designed by Catherine Mills. Produced in conjunction with a 2003 New York gallery exhibition, this is a somber volume that reproduces fifty-two photographs taken by Robert Adams between 1974 and 1984 of everyday folks traversing parking lots and city streets in the metropolitan Denver area. Like new in publishers shrink-wrap.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages with 164 tritone photographs. beautiful copy still in shrinkwrap. Like new. Turning Back: A photographic journal of Re-exploration is published to coincide with the bicentennial of the Lewis and Clark Expedition.

Hardcover. San Francisco, Fraenkel Gallery, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages with 164 tritone photographs. beautiful copy still in shrinkwrap. Like new. Turning Back: A photographic journal of Re-exploration is published to coincide with the bicentennial of the Lewis and Clark Expedition.

Hardcover. Berlin , Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Robert Polidori is known for his large format photographs of habitats and rooms saturated with the traces of human intervention. In EYE and I, he turns the lens around to reveal the portraits of people he has encountered in his work of over thirty years photographing around the world, particularly in the Middle East and India. These instantaneous portraits of mutual recognition reveal the photographed subject and the photographer intersecting with each other in a fleeting gaze of mutual regard.

Hardcover. London/NY, Phaidon Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Photography has played an important role in how architecture is communicated and this book examines the critical relationship between the two practices today through the work of fifty international renowned and emerging artists including Annie Liebovitz, James Welling , Thomas Struth, Wolfgang Tillmann's, Walter Niedermayr and many others. Lavishly illustrated with color reproductions of many iconic buildings. Divided into five chapters, the book covers collaborations between photographer and architect, globaL urbanization, alterations to the landscape, reappraised Modernist icons, and imagined environments. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Santa Fe NM, Museum of New Mexico Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 165 pages. Little is known about the fifth and last western expedition of the celebrated explorer John Charles Frmont. The great effort to survey a transcontinental railway route across the 38th parallel ended short of success in the snows of Utah in 1854 but involved a meticulous photographic documentation-in daguerreotypes-of the route from the Mississippi westward. It was believed that a central railroad across the country would favor abolitionists in the great debate then raging in the country over slavery. Solomon Nunes Carvalho was hired by Frmont to photograph the expedition-the first time a western expeditionary survey had been systematically documented in photographs. Tragically, the daguerreotypes were destroyed by fire, and Fremont's fifth expedition was lost to history. Author and daguerreotypist Robert Shlaer remarkably has reconstructed the expedition in 120 original daguerreotypes. Using Frmont's maps, expedition documents, and Carvalho's diary accounts, Shlaer recreates the lost expedition across America's most breathtaking landscape using photography's first and most venerable method of daguerreotypy.

Hardcover. NY, Aperture, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 78 pages. Introduction by N. Scott Momaday. Color photography throughout. Clean copy.

Hardcover. NY, Prestel, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 176 pages. This book features the vintage archaeological photography of John Beasley Greene, one of the first photographers in Egypt and Algeria. Few figures in 19th-century photography remain as elusive and intriguing as John Beasley Greene (1832-1856). Over the course of an exceptionally brief career he created a body of photographs that were publicly admired by his peers and continue to capture the imagination of contemporary audiences. Born in France to an American banker, he made his first expedition to Egypt in 1853, where he photographed ancient Egyptian monuments and is thought to be the first archaeologist to use photography. In these photographs, he positioned his horizon lines with precision, at times placing them so low in the frame that the photograph is nearly all blank sky, or so high that the monuments are almost swallowed up by vast seas of sand. Some of his Egyptian landscapes are so visually spare they appear to be of nothing at all. Greene also traveled to Algeria where he photographed the ancient cliff-top city of Constantine and the seaport town, Cherchell. By contrast, Greene's photographs from Algeria frequently present a densely layered abundance of visual detail. Breathtakingly beautiful, Greene's photographs construct a visual record of archaeological monuments and landscapes. Featuring some 100 vintage prints, this comprehensive book aims to introduce Greene's work to a new audience and to reconsider his place in the history of photography. Clean copy in shrinkwrap.

Hardcover. US, 5 Continents, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Like new in publisher's shrink-wrap. French photographer Olivier Mriel (b. 1955) has practiced photography for over 26 years. His work focuses on landscapes with a taste for the obscure. The son of a chemist, he lives and works in France in the small seaside town of Saint Aubin-sur-Mer, just as his ancestors did before him. His photographs perfectly capture the feeling of history this region is steeped in. Mriel's landscapes, while dark and moody, ultimately document his search for light. This light is reflected off the land and as surfaces act as mirrors, they exude a subtle glow that seeps into even the darkest corners. A human presence that is felt but not seen subtly leads us to explore and to contemplate the secrets of these magical places and the profound meaning of existence.

Hardcover. San Francisco, Chronicle Books, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with a dark brown cloth spine and a pictorial label on the cover. No dust jacket issued. Legendary for his massive photographic undertaking, The North American Indian, Edward Sheriff Curtis (1868-1952) recorded much more than portraits of Native American tribespeople. Among his huge body of work are numerous images of all manner of native dwellings: tipis, hogans, huts, cliff houses, adobes, and many more that are far less familiar to the public eye. Though people are largely absent from these photographs, each image speaks volumes about the lives and lifestyles of the tribes to which they belonged. Other structures such as tombs, religious buildings, granaries, and totem poles are also featured prominently, further glimpses into ways of life that were in the process of disappearing. Taken from the Dan and Mary Solomon collection,Sites & Structures: The Architectural Photographs of Edward S. Curtis is the first book of Curtis photographs to explore these dwellings and structures, faithfully reproduced from the original prints and gravures.

Softcover. Tokyo, Bijutsu Shuppan-Sha, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 111 pages. Japanese photographer on the road from Xi'an to Kashi and back again. Color throughout.

Hardcover. NY, Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages, b&w plates. An accomplished photographer of the American scene presents a unique artistic record that captures a vanishing part of our country, the main streets, barber shops, schoolhouses, and inhabitants of our small towns. In his 19th book on the American scene, Plowden has focused on what epitomizes small towns-before this endangered species disappears altogether. The well-produced images, arranged roughly by topic (e.g., schools, theaters, churches, home interiors, restaurants, stores, and grain elevators) and representing towns in many states (including Iowa, Kansas, West Virginia, New York, Minnesota, and Idaho), speak eloquently of small-town life. Even more so, they speak of change; by the time Plowden photographed these towns, most had been cut off from their rural heritages. Nevertheless, the photographs convey order, calm, and congeniality; the best of them evoke the work of Walker Evans, who, like Plowden, left scenes unaltered when he photographed them. Clean copy.

Hardcover. NY, Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages, b&w plates. An accomplished photographer of the American scene presents a unique artistic record that captures a vanishing part of our country, the main streets, barber shops, schoolhouses, and inhabitants of our small towns. In his 19th book on the American scene, Plowden has focused on what epitomizes small towns-before this endangered species disappears altogether. The well-produced images, arranged roughly by topic (e.g., schools, theaters, churches, home interiors, restaurants, stores, and grain elevators) and representing towns in many states (including Iowa, Kansas, West Virginia, New York, Minnesota, and Idaho), speak eloquently of small-town life. Even more so, they speak of change; by the time Plowden photographed these towns, most had been cut off from their rural heritages. Nevertheless, the photographs convey order, calm, and congeniality; the best of them evoke the work of Walker Evans, who, like Plowden, left scenes unaltered when he photographed them. Clean copy.

Hardcover. New York, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages, color plates. Like new in publishers shrink-wrap. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Hardcover. US, Carpet Bombing Culture, 1st, 2013, Book: Very Good, Dust Jacket: None, Unpaginated. Hardcover with no dust jacket. Clean, unmarked copy. If America is the Roman Empire of our time then New York City is Rome. The pulsating heart of the West pumps greenbacks through the veins of Manhattan, the richest place in the world. Power emanates from it's corporate brains and financial muscle across the whole surface of the globe. So how is it that even in the body of America, land of eternal youth, there is failure, death and decay hidden just beneath its glossy surfaces? A new breed of urban adventurers take a savage ride through the invisible story of the North Eastern USA. From NYC to the infamous Rust Belt, once home to America's heavy industry, States of Decay brings you a glimpse of the broken, the doomed, the entropic dreamlands on the flipside of the silver dollar coin. A unique exploration of everything from abandoned power plants, hospitals, asylums, schools, theatres, steel mills, prisons, factories, hotels, cathedrals, blast furnaces, convents to a boat graveyard. This extended photo-essay functions as a visual poem allowing the reader to draw their own experiences and conclusions from the images themselves. No interpretation necessary. This book will ask disturbing questions and inspire unexpected answers from anyone with an imagination and a heart. Sit back and let us take you on a walk around the Bad Apple.

Softcover. Redwood City, CA, 5 Associates, 1st thus, 1970, Book: Very Good, Dust Jacket: None, Softcover, 96 oages. Text by Newhall. Clean.

Hardcover. NY, Prentice Hall Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, b&w illustrations. A revealing look at the changing face of the American landscape, from the 1850s to today, as depicted by some of America's greatest photographers. 150 photographs provide a fascinating view of our land, juxtaposing what it once looked like with what it is today. Mild fade to dj spine, clean copy.

Center for American Places, 1st, Book: Very Good, Dust Jacket: None, Softcover, 180 pages, profusely illustrated in b&w. Foreword by Bill Kurtis. Contemporary Photographs by Judith Bromley and James Iska. Historic images from the Chicago Park District's Special Collections. Even Chicagoans who routinely enjoy its diverse open spaces -from the magnificent lakeshore parks to intimate neighborhood settings- may be surprised about their parkland legacy. The City in a Garden, developed in association with the Chicago Park District, is the first official history of Chicago's parks and it reveals why they are second to none in America and abroad. Clean copy.

Hardcover. Boston, Little, Brown & Co., 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 183 pages in color. Introduction by Ansel Adams. A wonderful collection of color photos taken from a small single engine plane of various places around the United States. Mild fading to dust jacket along spine edge. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New Haven CT, Yale /Houston Museum of Fine Arts, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 168 pages. Chen Changfen (b. 1941) began to photograph the Great Wall twenty years before the Chinese government officially adopted it as the national symbol in 1984. This fascinating book presents a small fraction of his decades-long study of the monumental form and conveys the fertile range of themes and ideas that Chen has investigated, each informed by traditional Chinese art, history, and philosophy. Combining a unique blend of traditional and contemporary technical processes, Chen's richly evocative photographs at once celebrate the remarkable series of building campaigns that produced the Wall and memorialize the thousands of conscripted laborers whose lives were sacrificed to its construction.One of the most striking features of Chen's photographs is their unexpected variety of perspectives and moods, capturing the vicissitudes of weather, time, and human history that have acted upon it. By excluding the people, highways, factories, and modern buildings that encroach on and daily destroy sections of the Wall, however, Chen eliminates major aspects of the Wall's present reality from his pictures. In a thoughtful essay and interview with the artist, Anne Wilkes Tucker probes the meanings of such omissions and guides the reader through Chen's extraordinary images. The Great Wall of China is essential reading for photographers, historians, and travelers.

Hardcover. Princeton Architectural Press , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. With photos taken in the mid 1980s the author takes us on a pictorial trip along the former Iron Curtain from the Baltic sea coast at Travemunde (West-East Germany) to the Adriatic sea coast at Trieste (Italy-Yugolsalvia [today Slovenia]); with a separate chapter on the Berlin Wall. They are superb photos full of (sad) atmosphere, poignancy and historical importance.

Hardcover. Center for American Places, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. The Mississippi River flows through American history and culture as a mythic waterway brimming with tragedy and hope, and awash in passionate ambitions and harsh realities. In 1953, a young Charles Dee Sharp traveled twice down the Mississippi (first by towboat and then by car along the renowned river road Highway 61) to make a documentary film of it, taking black-and-white photographs of the river, its communities, and its people.While Sharp's documentary never came to fruition, the striking images he captured survived as moving and evocative historical testaments to a lost era, now collected in his new book The Mississippi in 1953. These images create a vivid portrait of America's heartland a half century ago, and they are enriched with excerpts from Sharp's original trip journal, intriguing anecdotes from the people he encountered along his journey, and an engaging environmental history of the river by historian John O. Anfinson. The Mississippi in 1953 offers an original and poignant look at the living artery of the American landscape and how it molded the United States into the nation it is today.

Hardcover. London, Merrell, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, Color and b&w images throughout by various photographers. In publisher's shrinkwrap.