Softcover. NY, Thames & Hudson, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 220 pages. This comprehensive catalogue traces the career of Cindy Sherman, examining her achievements as one of the leading American artists of our time. By exploring the myriad constructions of female identity and the body in our culture, Sherman imitates and confronts assorted representational stereotypes, becoming for many an icon of the contemporary concerns of feminism and postmodernism.Essayists Amada Cruz, Elizabeth A. T. Smith, and Amelia Jones offer keen insight and observations from several distinct vantage points, demonstrating that Sherman's work is a lens through which to view contemporary art and its ongoing concern with the profound issues of the structures of the self. More than 200 images show the breadth of Sherman's body of work, from the Untitled Film Stills of the 1970s to series such as Centerfolds, Fashion, Disasters, Fairy Tales, and History Portraits, as well as photographs influenced by surrealist artists. Also included are intriguing excerpts from Sherman's notebooks, selections from her contact sheets, and numerous Polaroid studies, all of which shed light on the artist's process.

Softcover. New York, Pantheon, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 197 pages, b&w and color photographs throughout. Light yellowing to edges of wrappers. Else a very clean, tight copy. 39 b&w and 50 color plates; 8.5 x 10.5 inches. An early retrospective of photographs by Cindy Sherman; introduction by Peter Schjeldahl; afterword by I. Michael Danoff.

Hardcover. Saint-Ouen FR, Editions Intervalles, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 221 pages, b&w photographs, text in English and French. For more than twenty-five years, Xavier Lambours has portrayed those who made cinema a myth: actors (Robert De Niro, Clint Eastwood, Harvey Keitel, Sean Connery, Harrison Ford, Nicole Kidman, Liz Taylor), directors (Martin Scorsese, David Lynch, Orson Welles, Francois Truffaut, Wong Kar-Wai), screenwriters, cinematographers, set decorators; they all played the portrait game under the direction of this hugely talented eye.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Photographer Henry Horenstein presents his earliest photographs, made from 1970 to 1973: a collection of portraits of family and friends, landscapes, and period imagery. These photographs describe a time familiar to everyone, when one moves from adolescence to adulthood-remaining a part of a family while beginning to create a network of one's own.

Hardcover. Brooklyn NY, powerHouse Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Photographer Henry Horenstein presents his earliest photographs, made from 1970 to 1973: a collection of portraits of family and friends, landscapes, and period imagery. These photographs describe a time familiar to everyone, when one moves from adolescence to adulthood-remaining a part of a family while beginning to create a network of one's own.

Hardcover. Munich, Prestel, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color and b&w photos. In this stunning photographic series, Pieter Henket presents images of the children of Odzala-Kokoua telling the oral history of the Congo in enchanting and creative ways. Shot over the course of a month, Henket documented the children of this remote region as they designed, planned, created costumes for, and acted out a series of myths - about their tribes, their landscape, and the animals and plants that they live among. Text in English and French. Clean, bright copy.

Softcover. US, ILR Press, 1st, 2009-08-06, Book: Very Good, Dust Jacket: None, Softcover, 142 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Since 2001, Candacy A. Taylor (a former waitress herself) has traveled more than 26,000 miles throughout the United States collecting stories of these "lifers," as many waitresses aged fifty or over playfully call themselves. She interviewed fifty-seven waitresses in thirty-eight towns and cities. Their compelling stories are complemented and enhanced by Taylor's striking color photographs of the waitresses at work.Taylor expected that the waitresses she'd meet would feel overworked and underappreciated, but was surprised and delighted to find that the opposite was true. The proud, capable waitresses Taylor interviewed loved their jobs and, even if given the opportunity, "wouldn't do anything else." Nearly all the waitresses said that the physical labor of waitressing helped them to age more gracefully and that the daily contact with customers and coworkers kept them socially engaged. Lifers generally make more money from serving regular customers with whom they forge bonds over decades and their seniority earns them respect from their coworkers and managers. Taylor's sensitive and respectful portrayal of career waitresses who have turned their jobs into a rewarding lifetime pursuit turns Counter Culture into an invaluable portrait of the continued importance of community in our changing society.

Softcover. New York, ILR Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 170 pages. Softcover with light edgewear to wrappers. Color pictures throughout. "Career waitresses do more than just serve food. They are part psychiatrist, part grandmother, part friend, and they serve every walk of American life: from the retired and the widowed, to the wounded and the lonely, and from the working class to the wealthy. The classic diner waitress is an icon of American culture.... This book takes a moment to honor and recognize waitresses' contribution to our communities. Doing this project has helped me to redefine my perspective on life, work, and happiness. It has made me reevaluate the myth of the American dream that says you need to have an 'important' job to be happy."

Softcover. NY, Crown, 1st wraps, 1995, Book: Very Good, Dust Jacket: None, Softcover, Black & white photos by Farley. 160 pages. "Farley has gathered these portraits of cowgirls - not showbiz cowgirls, but the real thing. Her subjects work in harsh, unpredictable climates, bring up families while they manage their ranches, and compete - and win - in rodeos alongside men. Her black-and-white photographs capture the spirit and energy of authentic working cowgirls and the raw beauty of the western landscape." Oblong format.

Hardcover. Boston, Bulfinch Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages, 73 duotone and 11 color photographs by David Bailey. Includes images of the Rolling Stones, Elton John, Queen, Bob Geldof, George Michael, The Beatles, Duke Ellington, U2, etc, Clean copy. Light fading to red spine, some yellowing to dust jacket.

Softcover. London, National Portrait Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. Color and B/W photographs throughout. Clean, unmarked copy in excellent condition.

Softcover. London, National Portrait Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. Color and B/W photographs throughout. Clean, unmarked copy in excellent condition.

Hardcover. Washington DC, National Portrait Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages, 300 color and b&w images. Like new in publisher's shrink-wrap. Accompanied by a major exhibition at the National Portrait Gallery, London, in spring 2014, which will then tour to venues on four continents, this book like the exhibition, is structured thematically, with iconic images presented alongside many lesser-known and previously unseen portraits. Essay by Tim Marlow.

Hardcover. London, Thames & Hudson, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. In this latest celebration of his art Bailey brings together for the first time the best of all his "beauty" photographs from the 1960s up to the present day. Commissioned by the best-known fashion magazines of the time, these portraits of what Vogue once called "The Bailey Kind of Girl" include models such as Jean Shrimpton, Marie Helvin, Penelope Tree, and Bailey's wife, Catherine Dyer. Blended with these are Bailey's startling ethnographic portraits of, for example, Asaro mud men and Indian dancers, and his own paintings. In his illuminating introduction, Robin Muir sets these photographs in the context of the period in which they were taken and reminds us that for over forty years Bailey has challenged our notions of female beauty with his own highly personal vision. The sensational color images collected here testify that few are more expert than this photographer on a subject that is today preoccupying us more than ever. No admirer of either beauty or Bailey will want to be without this book. 110 color photographs.

Hardcover. Steidl, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 96 pages. Determining the perfect exposure time for a photographic print in a traditional darkroom can be a time-consuming and tedious process, and the irreverent David Bailey (born 1938) has never had much patience for it. Normally a photographer makes a number of test strips, each showing different exposure times; but Bailey has always just intuitively torn off strips of the unexposed paper to find the desired result: "I would usually have it in the bag after three tears." Over the decades, Bailey has kept his "test tears," re-fixing and washing them to preserve the unpredictable and unique qualities of these "accidents." This book contains the best of Bailey's tears, which transform some of his most famous motifs into fascinating abstract pictures through their torn edges and myriad tones.

Hardcover. New York, Aperture, 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 214 pages. Excerpts from Weston's diaries covering the California period of 1923 - 1926. A remarkable documentation of the important and the mundane by an artist at the height of his powers. Includes 32 plates from the period. Crisp, clean and unmarked with tiny bit of sunning to board edges. Dust jacket with light tape repair, wear, unclipped.

Hardcover. New York, Horizon Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 290 pages. Excerpts from Weston's diaries covering the California period of 1927 - 1944. A remarkable documentation of the important and the mundane by an artist at the height of his powers. Includes 40 plates from the period. Crisp, clean and unmarked with tiny bit of sunning to board edges. Dust jacket with light soil, wear, price-clipped.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, illustrated with b/w photography throughout. 83 pages. Maggie Lee Sayre was born deaf near Paducah, Kentucky, in 1920. She lived 51 years of her life on a river houseboat as her family made a living fishing throughout Kentucky and Tennessee. This collection of her photos, accompanied by descriptive captions from Sayre, reveals a traditional river culture that is rooted in subsistence living. Clean copy.

Hardcover. Boston , Little Brown, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, pictorial dust jacket featuring Ken Griffey, Jr. Walter Iooss, a Sports Illustrated photographer for over 30 years, captures what he calls in his introduction "a thread that has connected the various stages of my life, as well as my photographic career. Baseball." 160 color phots of the game's greats.

Softcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Diane Arbus (1923-1971) is renowned for her provocative and unsettling portraits of modern Americans. This book presents a significant body of previously unpublished pictures by Arbus and proposes a radically new way to understand her goals, strategies, and overall work. Diane Arbus: Family Albums examines unknown contact sheets from several of Arbus's portrait sessions, including more than three hundred photographs she took of a New York family one weekend in 1969. Anthony W. Lee and John Pultz put to the test Arbus's claim that she was developing a "family album." They present other images Arbus shot for Esquire magazine (including pictures of the families of Ricky Nelson, Jayne Mansfield, and Ogden Reid) and discuss her interest in photographic groupings of both traditional and alternative families. Challenging common interpretations of Arbus, the authors reveal a photographer far more savvy with the camera, more aware of photography as an artistic and commercial practice, and more sensitive to the social and cultural tensions of the 1960s than has been acknowledged before.

Softcover. New Haven CT, Yale University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. Diane Arbus (1923-1971) is renowned for her provocative and unsettling portraits of modern Americans. This book presents a significant body of previously unpublished pictures by Arbus and proposes a radically new way to understand her goals, strategies, and overall work. Diane Arbus: Family Albums examines unknown contact sheets from several of Arbus's portrait sessions, including more than three hundred photographs she took of a New York family one weekend in 1969. Anthony W. Lee and John Pultz put to the test Arbus's claim that she was developing a "family album." They present other images Arbus shot for Esquire magazine (including pictures of the families of Ricky Nelson, Jayne Mansfield, and Ogden Reid) and discuss her interest in photographic groupings of both traditional and alternative families. Challenging common interpretations of Arbus, the authors reveal a photographer far more savvy with the camera, more aware of photography as an artistic and commercial practice, and more sensitive to the social and cultural tensions of the 1960s than has been acknowledged before.

Softcover. Nordlingen, Greno, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 82 pages, b&w portraits. GERMAN TEXT. Contemporary (1980s) photographic portraits of people from the St.Pauli district of Hamburg.

Hardcover. New York, Aperture, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w photos throughout by Heyman, 112 pages. Clean, unclipped dust jacket.

Softcover. New York , Museum of Modern Art , 1970, Book: Very Good, Dust Jacket: None, Unpaginated (86 pages), maroon illustrated wrappers. This is an album of early photographs taken of the New York red light district around 1912 by Bellocq. Friedlander took prints from the original plates for this book and they provide a fascinating documentary on bordellos at this interesting time in history. Reputedly never taking 'dirty' pictures of the girls, Bellocq confined his endeavors to recording for posterity these ladies in both clad and unclad poses. The foreword takes the form of a conversation between Friedlander and Dan Leyrer, who was also a photographer and a contemporary of Bellocq.

Hardcover. NY, powerHouse Books, 1st, 2019, Hardcover in a bright dust jacket. For some 70 years, Leo Goldstein's East Harlembodyof work remained mostly untouched and unseen.The silver gelatin prints were catalogued in 2016,and a selection is gathered here for the first time.The photographs were taken over a number of years,beginning in 1949 when Goldstein was a memberof the Photo League.The East Harlem corpus, edited by Regina Monfort,represents an important and unique addition to thephotographic history of New York City. Because thereare no negatives in existence, it was of particularimportance to preserve the images in book form andmake them available to the public.The selected images reflect the postwar years in theEast Harlem community, which would grow intoa center of Puerto Rican culture and life in the U.S.From the families portrayed gathering on stoops, tothe kids at their shoeshine stations, to youths playingball in the streets, to posters on neighborhood walls,Goldstein's images of East Harlem provide a windowinto the socio-economic, cultural, and politicallandscape of the time.

Hardcover. New York, Aperture, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 96 pages. Illustrated with black & white photographs by Edward Weston. Clean, bright copy. Among some of the portraits are D.H. Lawrence, Frida Kahlo, Diego Rivera, Orozco, Robinson Jeffers, Henry Fonda, James Cagney, Stravinsky, E.E. Cummgs and many distinctive nudes. Clean copy.

Hardcover. Boston, Bulfinch/Little Brown, reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a tiny chip to the front panel. Edited by Doris C. O'Neil. Features an introduction by Bryan Holme. An attractive collection of 141 duotones from this famous photographer who spent much of his storied career working for Life magazine.

Hardcover. Milan, Sei Swann, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Illustrated throughout with full-page color portrait plates, many folding. Slim folio, black cloth, d.w. First Sei Swann edition. A fine copy in a fine dust wrapper. An interesting book with photographs taken of people looking at themselves in a mirror -- they could not see the photographer or the camera.

Hardcover. US, Glitterati, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Hardcover, 272 pages. In his debut book of photography, with a foreword by one of the luminaries of NYC culture and entertainment, Adrian Buckmaster's monograph presents a staggeringly beautiful collection of portraits - a cross-section of humanity in all of its glorious diversity, from the ordinary to the extraordinary and everything in-between. Having spent his early years shooting commercial beauty and fashion, Buckmaster soon shifted focus to more personal projects, challenging conventional notions of beauty and celebrating the eccentricities of those whom society might classify as "misfits." Echoes of Buckmaster's early career remain, in the form of exquisite costuming, make-up, and scenic design. Despite an element of performance, there is an undeniable rawness to these portraits, in which subjects are both aware of the camera's gaze and sympathetically self-conscious, robing and disrobing, revealing and concealing. Buckmaster's photographic genius is encapsulated in his uncanny ability to fastidiously art direct while simultaneously stripping away layers of formality and convention. Arranged in three movements: Imposing, Revealing, and Inventing, this collection progresses from traditional portraiture to increasingly intimate portrayals, as subjects expose, create, and invent themselves. Included in this endlessly varied spectrum of characters are Burlesque performers, families, brides, lovers, and all manner of tattoos and body piercings. There are classical reclining nudes, reminiscent of Edouard Manet's Olympia or Titian's Sleeping Venus, dancers with incredible physical strength and dexterity, women costumed as peacocks and geishas, a contortionist inside a trunk, even a green-skinned man, bejewelled like an Indian deity.

Softcover. Koln GR, Taschen, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, color photos. Uniting the five leading lights of the Boston School of American photography, this is a showcase for some of the most striking and compelling imagery on the contemporary scene. Drawing on a similar range of influences -- fashion's studied glamour, Larry Clark's haunting lowlife, and the casual beauty of the snapshot -- all five contributors realise their visions in contrasting and highly idiosyncratic ways.

Hardcover. London, Hardie Grant Books, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Born into a wealthy New York family in 1898, Marguerite 'Peggy' Guggenheim was one of the greatest art collectors of the 20th century. Using her inheritance to open her first art gallery, Peggy's love of art lead her to eventually settle in Venice, where she relaunched her life after becoming the star of the 1948 Venice Art Biennale. For her, a life without the inspiration of her artist and writer friends would have been unthinkable. In Encounters with Peggy Guggenheim, renowned photographer stefan moses reveals his collection of photographs of Peggy, taken between 1969 and 1974, many of which have never been seen before. Striking, eccentric and dramatic, Moses photographed Peggy in her favourite places around Venice, as well as in her private palazzo at Canal Grande. Clean copy.

Hardcover. NY, Rizzoli, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, SIGNED BY BORGES on the title page. This collection of photographs by Phil Borges of indigenous and tribal people around the world is a testament to the strength and inherent dignity of the human spirit. Reproduced here are 80 hand-toned portraits of individuals who are striving to uphold their cultural diversity and traditions in countries where basic human rights are threatened - from Ethiopia and Kenya to Tibet, and from Mexico to Indonesia. This book is published in association with Amnesty International to mark the 50th anniversary of the Universal Declaration of Human Rights, a document adopted by the United Nations in 1948 which outlines fundamental rights for all people. Clean copy.

Hardcover. NY, Prestel, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 192 pages, color and b&w images. This first volume in a major new series of illustrated biographies of Magnum photographers traces the life and achievements of Eve Arnold, who captured an incredible array of subjects with remarkable clarity and compassion. Eve Arnold (1912-2012) was born to a poor immigrant family in Philadelphia and became a photographer by chance. In 1950 Arnold was a 38-year-old Long Island housewife when she enrolled in a six-week photography course that led to her groundbreaking photo essay on black fashion models in Harlem. She went on to become the first woman to join Magnum Photos and, eventually, one of the most accomplished photojournalists of her time. Filled with reproductions of Arnold's acclaimed photographs, shot in both color and black and white, as well as previously unseen archival images, this biography relates Arnold's bold images to the fascinating story of their making. Renowned for her intimate portraits of figures such as Marilyn Monroe, Malcolm X, and Queen Elizabeth, Arnold was equally comfortable documenting the lives of the poor and dispossessed. "I don't see anybody as either ordinary or extraordinary. I see them simply as people in front of my lens." To her images of migrant workers, disabled veterans, and protesters for civil rights in the US and against apartheid in South Africa, she brought an unflinching eye and a strong sense of social justice. This highly engrossing narrative tells a compelling story of an intrepid artist whose life's purpose was to report on the lives of others.

Hardcover. Just One Guy Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages. In his most recent body of work, Hollingsworth sends up his former home of Los Angeles, the vortex of American pop culture, playing the characters who populate and define it: personas ranging from the well-worn stereotypes to the forgotten and disenfranchised. Shot entirely on Polaroid film, the images have a mug-shot aesthetic, whereby each character seems to have been momentarily plucked from his immediate environment for scrutiny under the artist's no-holds-barred gaze.

Hardcover. Amsterdam, Waanders Publishers/Van Gogh Museum , 1st, 2000, Book: Very Good, Dust Jacket: None, Gray cloth hardcover, photo label on cover, interior unread, no d/j as issued, 144 pages, illustrated w/ 52 photos and 50+ plates, articles by Pam Roberts, Anne E. Having, Verna Posever Curtis, Edwin Becker, catalogue of 95 prints, notes, bibliography, index. Clean copy.

Hardcover. Chicago, Quadrangle Books, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with light edgewear. 180 pages, b&w photo by Feldman. Mild soil to rear panel of dust jacket, otherwise clean.

Hardcover. NY, Knopf, 1st, 2020, Book: Very Good, Dust Jacket: None, hardcover, 695 photographs. "[A] spectacular collection of images from the personal archives of Italian countess Camilla McGrath (1925-2007). McGrath and her husband, Earl--at various times a screenwriter, record producer, and art curator--had an outsized social life, and the sheer number of celebrities who passed through their orbit is mind-boggling. Among the photographs are ones capturing Jackie Kennedy lounging by a pool, Andy Warhol smiling alongside his dachshund Archie, and vacation shots with Princess Margaret and Bianca Jagger. As art dealer Beatrice Monti remembers of McGrath's gift, "She was able to capture something of each one of us even in the middle of a party." . . . These spellbinding photos will beguile photographers, artists, and those enamored of the glamour of a bygone era." No dj issued.

Hardcover. NY, Knopf, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 695 photographs. "[A] spectacular collection of images from the personal archives of Italian countess Camilla McGrath (1925-2007). McGrath and her husband, Earl--at various times a screenwriter, record producer, and art curator--had an outsized social life, and the sheer number of celebrities who passed through their orbit is mind-boggling. Among the photographs are ones capturing Jackie Kennedy lounging by a pool, Andy Warhol smiling alongside his dachshund Archie, and vacation shots with Princess Margaret and Bianca Jagger. As art dealer Beatrice Monti remembers of McGrath's gift, "She was able to capture something of each one of us even in the middle of a party." . . . These spellbinding photos will beguile photographers, artists, and those enamored of the glamour of a bygone era." No dj issued.

Hardcover. NY, Thames & Hudson, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. This groundbreaking publication announces the death of the conventional portrait. In an age when we are bombarded with flawless images of youthful beauty, when rejuvenation is available through a jar of cream or a scalpel, artists and photographers seek to portray the face in new ways.Through a variety of techniques, including computer manipulation, photomontage, and retouching, the artists present their new portraits. They replace clarity with blur, the split-second with the elastic moment, questioning the notion of a fixed identity, of universality of expression, of what constitutes beauty.Whether Cindy Sherman's disquieting disguises, Gillian Wearing's masked self-portrait, LawickMuller's composite portraits of couples, or Orlan's disturbing experiments with cosmetic surgery, these faces demand attention. 260 illustrations, 165 in color.

Softcover. New York, Peter T. Tunney , 1st, 1992, Book: Very Good, Dust Jacket: None, Non-paginated. Softcover. Extensive color photographs throughout. Illustrated end papers. Mild soil to back cover, otherwise clean, tight copy.

Hardcover. Santa Fe, Twin Palms Pub, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, llustrated throughout in b&w. Light shelf-wear to dust jacket, else a clean, tight copy. For several years Nancy Burson has photographed children with craniofacial disorders. She uses a plastic Diana camera which imparts an "ethereal and almost spiritual quality" to her subjects. These camera-shy children and the artist have begun to see themselves and each other differently through this ongoing photographic experience, and in the process have perhaps understood better than most of us what beauty must be in order that our dreams and dignity may survive.

Softcover. Washington DC, National Portrait Gallery/ Smithsonian Institution Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 378 pages, illustrated with numerous b&w plates. Exhibition catalog for a show at the National Portrait Gallery in 1978. Tight, clean copy.

Softcover. NY, Knopf, 1st, 1981, Book: Good, Dust Jacket: None, Illustrated throughout in color. Softcover with light edgewear and rubbing to wrappers. Foxing to edges, faint musty smell. Falkland Road is a notorious street of prostitutes in Bombay. It is like any busy lower-class street in Bombay, densely populated by vendors, merchants and shops, but also overcrowded with girls, from 11-year-olds to 65-year-old ex-madams. The street is lined with old wooden buildings, which teem with prostitutes hanging out of the windows, in the viewing cages on the ground floor, and on the steps. From sunrise to sunset the customers pass down the street to survey the girls. Mary Ellen Mark's extraordinary portrait of Falkland Road was first published in 1981 and has long been recognized as one of the major bodies of work in the canon of this significant Magnum photographer. The book contains 65 photographs made over six weeks that show the daily life lived by the women (and men) of the street. Mark's images are beautiful, electric, shocking and remarkable for their emotional power and for the visceral brilliance of their color. Together with Mark's captions and introductory text, Falkland Road is an astonishing work of insight into a raw and frightening world, made accessible by the completeness of the photographer's involvement, by her humanity, and by the way she captures the variety of individual life and the color, passion and tenderness that still abide there.

Hardcover. Gottingen, Steidl, reprint, 2008, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.

Hardcover. Gottingen, Steidl, reprint, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 123 pages, 65 color plates. Like new in publishers shrink-wrap. Documentary project on the prostitutes of Falkland Road, Bombay. Originally shot as a photo-essay for Geo magazine, which deemed it too raw for American audiences, it was picked up by Stern and run in September 1981. The first book-form edition was released the same year by Knopf. This second edition is 2.5 inches wider, allowing the photos to run uncropped and has additional images.

Softcover. Washington DC, Smithsonian, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 60 pages. llustrated by Nicholas Nixon with 28 full-page b/w photos, 29 counting the cover photo. Includes an interview with him and a brief biography. Bound in the original white wraps.

Hardcover. London, Phaidon Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. An intimate collection of family photographs by over 50 photographers.

Hardcover. London, Phaidon Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. An intimate collection of family photographs by over 50 photographers.

Hardcover. NY, Abrams, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. A theatrical attorney's candid photos of celebrities over 25 yrs. fascinating pictures. 432 pages. 1,479 photos, 644 in color, pr release laid-in. Blue cloth, slightly faded at edges, gilt title to spine. Dust jacket with minor edgewear, protected in clear mylar sleeve. Clean, tight copy. There are especially written appreciations by Sir Noel Coward, Douglas Fairbanks,Jr., Sir John Gielgud, Anita Loos, Igor Stravinsky, Dame rebecca Westm and Orson Welles.

Hardcover. NY, Aperture, 1st, 2007, Book: Very Good, Hardcover. Essay by Carlo McCormick. Cosplay involves people dressing up and living part of their lives as characters in video games, Japanese graphic novels, and animated films. This phenomenon, long popular in Japan, has also become widespread in America. Winged sprites, samurai warriors, mad scientists, human feline hybrids, 144 pages. 75 color images. Striking full page color images of real people living out their fantasies in public. Clean copy. Still in publisher's shrinkwrap.