Hardcover. New York, Farrar Straus Giroux , 1st U.S., 1988, Book: Very Good, Dust Jacket: Very Good, 214 pages. Hardcover with dust jacket. SIGNED BY O'BRIEN on title page.
Hardcover. New York, William Morrow & Co, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 293 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.
Hardcover. New York , Viking , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 245 pages. SIGNED BY TREVOR on half title page. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. New York, HarperCollins, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED by RASCHKA. Raschka's and Radunsky's simpatico styles are at long last paired in this "doggy allegory" told in a hip-hop beat. Born into a litter of 16, the scruffy protagonist is the pup not chosen--the "saddest and the baddest." His solitude, however, facilitates his sensitivity to the sounds that permeate his urban environment, and while the "clatter makes him gladder," ultimately it's the strains of opera that motivate him to "bark it like Brunhilda." Raschka's musicality undergirds his street-savvy lingo, making the narrative fresh and lyrical. The font becomes bigger and bolder to indicate emphasis, a technique that is particularly helpful when the text spirals around the pages. "I'm the zoom-est and the boom-est, spread no gloom-est, say no doom-est. I'm the top-est, never stop-est, Boston Pop-est, be be bop-est. I jazzle dazzle like it as the Hip Hop Dog." Radunsky's caricatures of the moves of a canine version of Snoop Dogg manage to be convincing, poignant, and funny--no small feat. Loose lines, brushwork that allows the textured background to show through, and occasional bits of collage combine to create a gritty cityscape peopled with quirky personalities. This story of a neglected orphan who sings and struts his way to happiness will gladden the hearts of readers young and old.
Hardcover. New York, N.Y., Aperture Foundation, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, INSCRIBED on title page by photojournalist Ken Heyman. B&w photographs throughout. Light wear to dust jacket. Clean, tight copy. This collection of innovative b&w photos provides an intimate view of a summer urban landscape (NYC).
Hardcover. NY, Kodansha International, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 128 pages. Examines two Japanese artists' series of paintings which portray the aftermath of the bombing of Hiroshima. Illustrated in color and b&w. INSCRIBED BY JUNKERMAN, one of the editors, on the title-page. Clean copy.
Softcover. Barton, VT, Crystal Lake Falls Historical Association, 1998, Book: Very Good, Dust Jacket: None, 232 pages. Softcover with light wear to wrappers. SIGNED BY AUTHOR ON TITLE PAGE. Black and whit photographs throughout.
Hardcover. Weybridge, Weybridge Bicentennial Committee, 1st, 1991, Book: Very Good, Dust Jacket: None, 244 pages. Hardcover. Green cloth with titles in gilt. SIGNED BY AUTHOR ON TITLE PAGE. Illustrated with black & white photographs. Minor residue from local historians sticker at bottom edge of covers at spine - not ex-library - no stamping or library marking. Clean, unmarked text.
Hardcover. NY, Morrow, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BLOCK on title page.
Hardcover. NY, Morrow, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BLOCK on title page.
Hardcover. New York, Harper Collins, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Ashley Wolff and SIGNED BY WOLFF on half title-page.
Softcover. Lyndon VT, Lyndon Historical Society, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover. SIGNED BY AUTHOR. 166 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers.
Softcover. New York, Viking, uncor. proof, 1990, Book: Very Good, Dust Jacket: None, 347 pages. Softcover with minor wear to wrappers. Signed on title page. Tight copy. Crease on front top right corner.
Hardcover. New York, Robert M. Mc Bride and Company, 1st, 1938, Book: Very Good, Dust Jacket: None, INSCRIBED BY AUTHOR. Hardcover, 272 pages, b&w illustrations. Old tape marks on end papers, light staining; else a clean, tight copy.
Hardcover. New York, Allston & Depew, 1st, 1939, Book: Good, Dust Jacket: None, 184 pages, hardcover. SIGNED BY AUTHOR on front flyleaf. Illustrated blue boards. Illustrations by George R. Depew throughout. Moderate age toning to all edges. Spotting and soiling to panels, much less so to front panel. Fore and bottom edges rough-cut. Scarce. A tight copy.
Hardcover. New York , Lee & Low Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated throughout in color by Ted Lewin. SIGNED BY BOTH author and illustrator. Describes the Mongolian terrain, people, culture, and day-to-day activities while focusing on Naadam, the annual summer festival.
Hardcover. NY, Lee & Low Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated throughout in color by Ted Lewin. SIGNED BY BOTH author and illustrator. Describes the Mongolian terrain, people, culture, and day-to-day activities while focusing on Naadam, the annual summer festival.
Hardcover. Norman, University of Oklahoma Press, 2nd pr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY BILL SMITH on title page. 194 pages. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. Norman, University of Oklahoma Press, 2nd pr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, SIGNED BY BILL SMITH on title page. 194 pages. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, St. Martin's, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 294 pages. SIGNED BY AUTHOR ON TITLE PAGE. A clean, bright copy in a dust jacket.
Hardcover. NY, Hypeion, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Light edgewear on covers. Color illustrations by Feiffer. SIGNED BY FEIFFER on half title page.
Hardcover. London, Jonathan Cape, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 198 pages, like new in a bright dust jacket. SIGNED BY AMIS on title page. With The House of Meetings, Martin Amis may finally have written the novel his critics thought would never come. By taming his signature (and polarizing) stylistic high-wire act, Amis has crafted a sober tale of love and cynicism against the grim curtain of Stalin's Russia. The book's anonymous narrator--a Red Army veteran and unapologetic war criminal--and his passive, poetic half-brother, Lev, become pinned in a politically dangerous love triangle with the exotic Zoya, though their tactics (and intentions) are as divergent as their personalities. Swept up in the wave of Stalin's paranoid purges, the brothers are sent independently to Norlag, a Siberian internment camp where their respective fates are cast through their contrasting reactions to the depravity of the prison. Zoya and Lev share a night in "The House of Meetings," a room provided for conjugal visits with the prisoners, and the events of that night reverberate through the decades, the details of the liaison remaining concealed until the story's devastating denouement.
Hardcover. New York, Duell, Sloan and Pearce, 1st, 1958, Book: Good, Dust Jacket: None, Hardcover, 335 pages. SIGNED BY AUTHOR ON FRONT ENDPAPER. Previous owners name and date at top of front endpaper. Black cloth covers show standard wear. Clean, tight copy.
Paperback. Boston MA, G.K. Hall, reprint wraps, 1986, Book: Very Good, Dust Jacket: None, Paperback. 227 pages. SIGNED BY PROSE on title page. Like new condition.
Hardcover. New York, HarperCollins Publishers, 1st, 1995, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. SIGNED AND INSCRIBED BY ASHLEY WOLFF ON TITLE PAGE WITH ILLUSTRATED SKETCH. Blue board with black cloth spine, pictorial dust jacket, gorgeous full page color illustrations. Extremely slight rubbing to dust jacket, covers and pages crisp, clean and unmarked; a beautiful book in excellent condition.
Hardcover. New York, HarperCollins Publishers, 1st, 1995, Book: Near Fine, Dust Jacket: Near Fine, Hardcover. SIGNED AND INSCRIBED BY ASHLEY WOLFF ON TITLE PAGE WITH ILLUSTRATED SKETCH. Blue board with black cloth spine, pictorial dust jacket, gorgeous full page color illustrations. Extremely slight rubbing to dust jacket, covers and pages crisp, clean and unmarked; a beautiful book in excellent condition.
Hardcover. New York, Orchard Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. INSCRIBED BY HENRY AND AMY SCHWARTZ on title-page. Color illustrations by Amy Schwartz. Tight copy.
Hardcover. New York, Farrar Straus Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. SIGNED BY THE AUTHOR AT BOTTOM OF TITLE PAGE. Full color illustrations by Shulevitz. Clean, bright copy.
Hardcover. New York, Farrar Straus Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. SIGNED BY THE AUTHOR AT BOTTOM OF TITLE PAGE. Full color illustrations by Shulevitz. Clean, bright copy.
Hardcover. NY, HarperCollins, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong, 64 pages. Originally published in 1963. Color illustrations by Maurice Sendak. A charming tale about a lost child who encounters a turtle, with a very surprising ending. SIGNED BY SENDAK.
Hardcover. New York, Katherine Tegen Books, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. SIGNED BY AUTHOR AND ILLUSTRATOR ON TITLE PAGE. Otherwise, clean, unmarked copy with only minor wear to dust jacket.
Hardcover. NY, Atria Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. INSCRIBED BY HURT on the half-title page. Talk to any and all golfers, be they Tour professionals or once-a-month country clubbers, and you'll hear that they want to improve their game in some way. But up until now, most expert books on golf instruction have focused only on the approach advocated by a particular teaching pro or famous player; the authors usually talk about "the golf swing" or "the putting stroke" as if there is only one way to do it -- their way. With How to Learn Golf, the first comprehensive guide to contemporary golf instruction, Harry Hurt III will help you become a better golfer by identifying what type of player you really are, and which of the several leading methods are right for you and your golfing goals. Based on Hurt's sessions with all of America's top ten instructors, this book helps you choose between the two main types of golf instruction available -- error correction, which offers a quick fix for a specific swing flaw, and swing development, where the focus is on building the swing from top to bottom. Hurt provides illuminating detail on the most effective approaches to improving each aspect of your golf game: putting, the full swing, the short game, and the all-important mental game. Clean copy.
Hardcover. NY, Bantam Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY CANNELL on title page. Clean, like new. After her obnoxious mother-in-law moves in permanently, Ellie Haskell falls in with three other local women also living with tyrannical mothers-in-law, and their imaginary scheme to solve their problems suddenly turns lethal.
Hardcover. NY, Scribner, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. His highly praised first novel (4th book).
Hardcover. New York, Riverhead Books, 1ST, 2012, Book: Very Good, Dust Jacket: Very Good, 213 pages. SIGNED BY AUTHOR. Hardcover. Gilt title on spine. Clean inside and out. From the dust jacket front flap: "Now, Diaz turns his remarkable talent to the haunting, impossible power of love--obsessive love, illicit love, fading love, maternal love."
Hardcover. Boston, Little, Brown & Co., 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, black boards stamped with gilt title, black cloth spine. INSCRIBED BY BENCHLEY on a blank prelim page. 242 pages with b&w photos. The author, a close friend of Humphrey Bogart, and the full cooperation of Bogart's wife, Lauren Bacall writes this dynamic story of Bogie, one of the greatest actors ever. Illustrated with one hundred photographs, many never before published, garnered from friend's private albums. Clean copy, lacks dust jacket.
Hardcover. Boston, Houghton Mifflin Books for Children, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY AUTHOR/ILLUSTRATOR on title page. Very clean and tight copy.
Hardcover. Edinburgh, Canongate Books Ltd, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 122 pages, SIGNED BY AUTHOR on front fly leaf. Very clean and tight copy.
Hardcover. New York, W.W. Norton & Co., 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, SIGNED BY AUTHOR on title page. Spotless and tight copy.
Hardcover. Englewood Cliffs, New Jersey, Bradbury Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Unpaginated. Hardcover with price clipped dust jacket with chipping. Illustrated in color by Rosemary Wells. SIGNED BY AUTHOR.
Hardcover. New York, Farrar, Straus and Giroux, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped jacket, 247 pages. SIGNED BY PROSE on title page. The author offers a sharp-eyed consideration of how men and women differ in their pursuit - and avoidance - of power, sex, and competition. A satire of the pieties of New Age religion and knee-jerk feminism.
Hardcover. New York, Farrar, Straus and Giroux, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped jacket, 247 pages. SIGNED BY PROSE on title page. The author offers a sharp-eyed consideration of how men and women differ in their pursuit - and avoidance - of power, sex, and competition. A satire of the pieties of New Age religion and knee-jerk feminism.
Hardcover. New York, Farrar, Straus and Giroux, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, 247 pages. Hardcover with dust jacket. INSCRIBED BY PROSE on half-title page. Tight copy with only minor wear to covers.
Hardcover. NY, G. P. Putnams, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BARR on title page. Autographed copy sticker on dust jacket front cover.
Hardcover. New York, Clarion Books, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, SIGNED BY WENDY WATSON TO HALF TITLE PAGE. Acetate-protected dust jacket, gorgeous full page color illustrations. No sign of wear, dust jacket, covers and pages crisp, clean and unmarked; a beautiful book in excellent condition.
Hardcover. NY, Dutton, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. A murder mystery set in Florida in the 1950s. INSCRIBED BY AUTHOR on half-title page.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 67 pages, INSCRIBED BY GRAHAM on half title page. The award winning poet's first book, scarce in hardcover. Very good in a similar dust jacket. There is a small ink notation on the last (copyright) page by the previous owner.
Hardcover. NY, Spiegel & Grau, 1st, 2009-10-20, Book: Very Good, Dust Jacket: Very Good, 198 pages. Hardcover with dust jacket. Photos in color and b&w. SIGNED BY MORGAN on title page. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. New York, Harry N. Abrams, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. SIGNED BY AUTHOR on title page. Remainder mark on bottom edge, light shelf-wear, else a clean, tight copy. A lively non-fiction account of an art dealer's long quest to own an original painting by Andy Warhol. An illuminating view of the inner workings of the art world and the interplay of artists, collectors, galleries, auction houses, etc.
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