theater

Hardcover. Kent, OH, The Kent State University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 348 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Conrad Wise Chapman (1842-1910) is unique among Civil War artists: he painted and sketched while on duty as a Confederate soldier who served in three theaters of the war. Chapman's first-hand knowledge is evident in his work. Ben Bassham has written both a critical study of Chapman's art and a biography, incorporating Chapman's correspondence and Civil War memoirs.

Hardcover. Boston, Little Brown , 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages, b&w photos. In a bright, unclipped dust jacket with a couple closed tears, mild soil.

Hardcover. New York, Schirmer Books, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, illustrated throughout with photos in b&w. Introduction by Paul Padgette. Clean, unmarked copy with only minor wear to dust jacket. In this large format book, Paul Padgette presents more than 200 of Van Vechten's finest works, selected from more than 5,000 photographs left by Van Vechten to the Dance Collection at Lincoln Center.

Hardcover. NY, Samuel French, 1st, 1932, Book: Very Good, Hardcover, blue cloth with paper label on spine. 131 pages. covers slightly splayed, clean copy. Robert Caplan and his wife are entertaining her brother and sister-in-law. Because Robert insists on uncovering the truth about his brother Martin's 'suicide', many unpalatable revelations ensue which cause Robert to shoot himself. At this point, the opening scene is repeated, but this time they bypass the dangerous corner at which the truth is demanded, thus averting the disaster.Written in 1932 this forms one of the three 'time plays'.

Hardcover. Los Angeles, St. Ann's Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. American-born photographer Levinthal has earned national recognition by creating potent, ironic, and sometimes controversial visions using miniature figures and toys as characters in staged tableaux. He executed his series Modern Romance in the mid-1980s. Echoing the paintings of Edward Hopper and film noir, these are scenes of urban life in dreamy neon-lit color and television blues. Levinthal shows us figures lingering on street corners, entering movie theaters, passing through alleys, conversing in diners, and interacting in confined spaces.

Hardcover. NY, Knopf, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 480 pages, b&w photos. The first full-length biography of the 'Prince of Broadway' highlights the wit and sophistication of playwright and director Moss Hart as it describes his rise from poverty to success in the New York theatrical world, his remarkable contributions to the American theater, and his sometimes turbulent private life. Clean copy.

Hardcover. NY, Atheneum, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 317 pages, b&w illustrations. Portrays the history of the ballet company, the Ballet Russes de Monte Carlo, and examines the achievements of its choreographers and dancers

Hardcover. NY, McGraw Hill, reprint, 1994, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 601 pages. Detailing production design for theater, opera, and ballet, Designing and Drawing for the Theater provides a professional picture and encyclopedic reference of the design process. Lavishly illustrated with detailed lined drawings and photographs, the book conveys the beauty and excitement of production design. To further convey a real-life picture of the design process, each chapter is followed by a conversation with an outstanding designer working in today's theater. Old price label on rear cover, otherwise clean.

Hardcover. NY, Reinhold, 1st US, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 104 pages, many b&w illustrations and diagrams. A handbook of scenic design written by the designer of the LAMDA Theatre, opened in London in 1963 . Part one, illustrated with 60 designs including four in color, includes a survey of five centuries of scenic art, and a history of worldwide theater practice. Part two includes line drawings and diagrams in an explanation of planning, building, painting, and setting up stage scenery: with advice on open stage and arena productions, and the use of new materials. Clean copy.

Hardcover. New York, Holt, Rinehart, and Winston, 1st, 1975, Book: Very Good, Dust Jacket: None, 412 pages. Hardcover with NO dust jacket. Fading to spine of laminated boards. Foxing to text block, otherwise clean and bright internally. Color pictures throughout.

Hardcover. New Haven CT, Yale University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of "America" and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings.Illustrated with more than 130 photographs of their influential designs, this book tells the engrossing story of Urban and Bel Geddes. Christopher Innes shows how these two men with a background in theater lent dramatic flair to everything they designed and how this theatricality gave the distinctive modernity they created such wide appeal. If the American lifestyle has been much imitated across the globe over the past fifty years, says Innes, it is due in large measure to the designs of Urban and Bel Geddes. Together they were responsible for creating what has been called the "Golden Age" of American culture.

Hardcover. NY, Time Life, reprint, 1983, Book: Very Good, Dust Jacket: None, 274 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. This memoir by Confederate General Richard Taylor is usually considered one of the best and least biased by a general officer. The work is full of considered analysis on both the strategy of the war and the personalities of his fellow officers. Taylor is always fair in his criticism and seems to have no real scores to settle. While he makes little mention of his own talents, his tactical brilliance and strategic insight does shine through. Many contemporaries said Richard Taylor was one of the best soldiers of the war, but he is comparatively little known due to his posting to peripheral theaters. While he was a man of his time, the work (with the exception of some of his Reconstruction writings) is much less tainted by Lost Cause polemics than most Confederate memoirs.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Luminaries include Jayne Mansfield, Mae West, William Golding, Susan Sontag, Norman Mailer, and many others. Clean, tight copy.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Remainder stamp to bottom edge, otherwise a clean, tight copy.

Hardcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Bottom right corners of covers lightly bumped. Clean, tight copy.

Softcover. NY, Praeger, reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 189 pages, b&w illustrations. This ground-breaking work brings dance into current discussions of the African presence in American culture. Dixon Gottschild argues that the Africanist aesthetic has been invisibilized by the pervasive force of racism. This book provides evidence to correct and balance the record, investigating the Africanist presence as a conditioning factor in shaping American performance, onstage and in everyday life. She examines the Africanist presence in American dance forms particularly in George Balanchine's Americanized style of ballet, (post)modern dance, and blackface minstrelsy. Hip hop culture and rap are related to contemporary performance, showing how a disenfranchised culture affects the culture in power. Clean copy.

Softcover. NY, Theatre Communications Group, 2nd printing, 2005, Book: Very Good, Dust Jacket: None, Softcover, 58 pages. SIGNED BY ACTRESS CHERRY JONES on title page. Clean, unmarked copy with only minor wear to wrappers.

Softcover. NY, School of the Arts, NYU, 1973, Book: Very Good, Dust Jacket: None, Softcover, 134 pages plus ads. Theatre and The Social Sciences with pieces by Richard Schechner, Peter Brook, Valentina Litvinoff, Ann Halprin, Franklyn Wepner, Ronald Argelander, Cdynthia Mintz, Daniel Stern. Pieces about Theatre and Kinesics and Scott Burton's "Behavior Tableaux". B&w illustrations, clean copy.

Softcover. NY, School of the Arts, NYU, 1974, Book: Very Good, Dust Jacket: None, Softcover, 138 pages plus ads. A focus on Rehearsal Procedure Issues and Berlin DADA. Text by Paul Ryder Ryan, The Living Theatre collective, Kate Davy, Richard Foreman, Victoria Nes Kirby, Frantisek Deak, Ronald Argelander, Charles Ludlam, Michael Kirby, Mel Gordon, Ben Hecht, Walter Mehring, George Grosz and others. B&w illustrations, clean copy.

Hardcover. Milwaukee, WI, Applause, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 192 pages. Color/BW photographs and illustrations. Clean, unmarked copy with only minor wear to dust jacket. William Travilla is one of the best costume designers of all time and Marilyn Monroe his most famous client. Dressing Marilyn: How a Hollywood Icon Was Styled by William Travilla focuses on the striking dresses that Travilla designed for Marilyn, from his early work on the thriller Don't Bother to Knock and the gorgeous pink dress in which Marilyn sang "Diamonds Are a Girl's Best Friend" to the legendary white dress from The Seven Year Itch , which arguably contributed to the collapse of Marilyn's marriage to Joe DiMaggio. Featuring Travilla's original sketches, rare costume test shots, dress patterns, photographs of Marilyn wearing the dresses, plus exclusive and never-before-seen extracts from interviews with Travilla, this book offers a fresh insight into the golden age of Hollywood.

Softcover. London, Victoria & Albert Museum, 1st, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 90 color plates, 10 black and white illustrations. This definitive and lavishly illustrated biography is the first to trace Kauffer's life and showcase his best work-posters, book illustrations, and theater designs.

Hardcover. US, VH1 Press, 1st, 2006, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.