travel

Hardcover. Inianapolis, Bobbs-Merrill, 1937, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with color decoration on cover. School Edition. 314 pages. Profusely illustrated with b&w photos. Inscription on half-title page, otherwise clean.

Hardcover. Inianapolis, Bobbs-Merrill, 1938, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with color decoration on cover. School Edition. 316 pages. Profusely illustrated with b&w photos. Inscription on half-title page, otherwise clean.

Hardcover. New York, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Unpaginated. Color and black & white photography. British artist Long ( Walking in Circles ) takes nature treks--in England's Lake District, the Sahara, Japan, Nepal--and creates site-specific works along the way. He fashions a mud circle in the river Avon, traces a line of snow near a temple in Kyoto and erects a circle of stones on a Swiss mountainside. The spare, deeply meditative photographs that he took en route sometimes call to mind prehistoric British megalithic monuments or Native American earthworks, as if he wants to tune in on planetary patterns of energy. At other times Long simply records what he sees, providing dramatic vistas of Iceland's vast rolling hills, Bolivia's high plateau, Washington's forests and Mount Everest's calm majesty. His images, poetic captions and unobstrusive siteworks reflect an artist who is at once traveler, nature-lover and adventurer.

Hardcover. San Francisco, CA, Fraenkel Gallery, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 32 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. A tight copy. In the early 2000s, Richard Misrach (born 1949) began a series titled On the Beach, a body of work that traveled extensively and has been highly influential. These color photographs deal with the human figure seen at a distance, on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach has continued this work, while vast changes in photographic technology over the intervening decade have caused a shift in approach, both conceptually and technically. Untitled is an artist book based on two photographs: the one made by Misrach and the other made concurrently, at the time of exposure, by the subjects of his photograph. The extreme detail explored in this work concisely summates both the artist's concerns and the ubiquity of digital technology as we are portrayed and portray ourselves.

Hardcover. London, George Routledge & Sons, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth, gilt lettering on spine. 382 pages, 24 b&w plates, fold-out map in rear, short tear at crease. Clean copy.

Hardcover. NY, Doubleday, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY MILLARD on a tipped-in prlim page. The Rosetta Stone--discovered by French soldiers in 1799, seized by a British envoy, and deciphered 23 years later--set off an obsessive interest in Egypt, including by the newly established Royal Geographical Society, to find the headwaters of the Nile. Bestselling author Millard, a former writer and editor for National Geographic, offers a tense, vibrant history of several dramatic expeditions across East Africa that finally resulted in a successful discovery. Drawing on archival sources and her own multiple trips to Africa following the explorers' paths, Millard creates a palpable sense of the daunting task undertaken by three ambitious men: the magnetic, impulsive, and often combative Richard Burton; John Hanning Speke, an aristocratic infantry lieutenant and passionate hunter whose initial interest in East Africa was largely for the animals he could kill; and their devoted and resourceful native guide, Sidi Mubarak Bombay a former enslaved person whose intimate knowledge of tribes and terrain proved to be indispensable.

Hardcover. Boston, Houghton Mifflin, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 506 pages. The author recounts his voyage on American waters from sea to sea -- as he offers fascinating shipboard perspective on the country's rivers, lakes, canals, and landscapes, brimming with history, drama, humor, and wisdom. Clean copy.

Hardcover. NY, Orchard Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. n Cooper's flowing prose and stunning watercolor scenes, readers can follow a traveler's trek down the Hudson River as she and her canoe explore the wildlife, flora and fauna, and urban landscape at the river's edge. Through perilous weather and river rushes, the canoe and her captain survive and maneuver their way down the river back home. River is an outstanding introduction to seeing the world through the eyes of a young explorer and a great picture book. Maps and information about the Hudson River and famous landmarks are included in the back of the book.

Hardcover. teNeues, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. Photographer Edward Quinn chronicles the sweet life of the French Riviera in the 1950s and 60s in this homage to the stylish celebrities who lived and loved on this chic coastline. Born in Dublin in 1920, Edward Quinn played Hawaiian guitar in Belfast, then went into the Royal Air Force. He eventually made his way to the Cote d'Azur, where he photographed world leaders, glamour girls and playboys, as well as figures from the worlds of art, music and literature. His most memorable work included images of an unknown Audrey Hepburn, Grace Kelly's first meeting with Prince Rainier, and a precocious Brigitte Bardot. His exacting eye showcased Picasso, T.S. Eliot, and Gary Cooper. With a polished technique and great patience and charm, Quinn caught some of the post-war Riviera's most memorable moments.

Hardcover. NY, Alfred A. Knopf, 1st, 1964, Book: Good, Dust Jacket: Very Good, Hardcover in a lightly worn, chipped dust jacket. A young English novelist's journey through the Soviet Union in the early sixties (author also wrote "The Loneliness of the Long-Distance Runner', "The General", and others. Name on front fly leaf otherwise clean copy.

Softcover. Missoula MT, Mountain Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, pages, b&w illustrations. In Roadside History of Wyoming readers will learn about Native Americans who struggled to adapt to many sudden changes, mountain men who braved the wilderness, emigrants who suffered untold hardships, cattle and sheep drovers who took advantage of the open range, miners who sought wealth below the ground, and many others whose deeds help define the state's rich history. Clean copy.

Hardcover. NY, The Century Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in black, 486 pages, b&w photos by the author. A journal with bits of history of the West Indies in the early 20th century. It also covers some of the older history of the islands. There are some pictures of the ruins of Christophe's palace of Sans Souci, and of Cuba's new presidential palace. Bookplate and name on front endpapers otherwise clean.

Hardcover. Berlin , Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Robert Polidori is known for his large format photographs of habitats and rooms saturated with the traces of human intervention. In EYE and I, he turns the lens around to reveal the portraits of people he has encountered in his work of over thirty years photographing around the world, particularly in the Middle East and India. These instantaneous portraits of mutual recognition reveal the photographed subject and the photographer intersecting with each other in a fleeting gaze of mutual regard.

Hardcover. Rome, Silvana Editoriale d'Arte, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket. Italian text. B&w photos throughout by List.

Hardcover. NY, Macmillan, 1st, 1934, Book: Very Good, Dust Jacket: None, Hardcover, 329 pages, frontispiece, 31 b&w plates. Blue cloth covers w/ gilt lettering and design. Light edge wear to corners. Front hinge weak. Light bump to top corner of cover. Else a clean, tight copy.

Hardcover. Philadelphia, Edward Stern & CO., 1st, 1906, Book: Good, Dust Jacket: None, Hardcover, 16 full color plates, black & white line drawings by V. Floyd Campbell. 180 pages. Color plate of bears on front cover. Heavy wear to green covered cardboard covers. Pages browning.

Hardcover. NY, George H. Doran Company, 1sr, 1914, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth boards with gilt titles and a mounted paper label on the front board. Illustrated by John T. McCutcheon. A humorous vintage travel guide to the American West. Clean, bright copy.

Hardcover. Boston, DeWolfe, Fiske & Co., 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with yellow cloth spine, 344 pages. Undated, circa 1900 with name and 1902 date on front fly leaf. Well kept copy generously illustrated throughout with black and white engravings. Mild edgewear to boards. Clean, tight copy.

Softcover. Ithaca NY, Cornell University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 309 pages. A major contribution to the cultural and literary history of the Victorian age, Rule of Darkness maps the complex relationship between Victorian literary forms, genres, and theories and imperialist, racist ideology. Critics and cultural historians have usually regarded the Empire as being of marginal importance to early and mid-Victorian writers. Patrick Brantlinger asserts that the Empire was central to British culture as a source of ideological and artistic energy, both supported by and lending support to widespread belief in racial superiority, the need to transform "savagery" into "civilization," and the urgency of promoting emigration.Rule of Darkness brings together material from public records, memoirs, popular culture, and canonical literature. Brantlinger explores the influence of the novels of Captain Frederick Marryat, pioneer of British adolescent adventure fiction, and shows the importance of William Makepeace Thackeray's experience of India to his novels. He treats a number of Victorian best sellers previously ignored by literary historians, including the Anglo-Indian writer Philip Meadows Taylor's Confessions of a Thug and Seeta. Brantlinger situates explorers' narratives and travelogues by such famous author-adventurers as David Livingstone and Sir Richard Burton in relation to other forms of Victorian and Edwardian prose. Through readings of works by Arthur Conan Doyle, Joseph Conrad, H. Rider Haggard, Rudyard Kipling, John Hobson, and many others, he considers representations of Africa, India, and other non-British parts of the world in both fiction and nonfiction. Clean, bright copy.

Hardcover. Philadelphia, Carey and Hart, 1st, 1843-46, Book: Good, Dust Jacket: None, Five volumes bound into one, 537 total pages. Half leather with marbled boards, edgeworn. All first American editions. The final book's full title: The Military Operations at Cabul, Which Ended in the Retreat and Destruction of the British Army, January 1842. With a Journal of Imprisonment in Afghanistan. Condition good with some browning and foxing to paper. Front inner hinge repaired with tape.

Hardcover. NY, Julian Messner, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, price-clipped dust jacket. Translated from the French by Katherine Woods. Engaging account of the author's camel trek across the untamed South Fezzen region of the Sahara Desert, encountering exotic vegetation and prehistoric cave paintings along the way. No markings.

Hardcover. New York, Burt Franklin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 292 pages, b&w illustrations. Maroon covers w/ gilt lettering on spine. A very clean, tight copy in great condition.

Hardcover. New York, Simon & Schuster, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, SIGNED BY JOAN DIDION on front flyleaf. 108 pages. Hardcover with dust jacket. Clean, unmarked copy with some slight shelfwear. Corner fold on dust jacket front inside flap.Otherwise tight copy. Salvador is a 1983 book-length essay by Joan Didion on American involvement in El Salvador.

Hardcover. London, Sampson Low, Marston, Low, & Searle, 1st, 1873, Book: Good, Dust Jacket: None, 511 pages. Hardcover with gilt and black lettering on front and spine. Fraying on corners. Heavy soil on top page block. Illustrations and maps. Gutter crack on page 176.