Hardcover. New Haven CT, Yale University Art Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. "Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." 48 b&w images by Friedlander.
Hardcover. New Haven CT, Yale University Art Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. "Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today." 48 b&w images by Friedlander.
Hardcover. NY, Harper, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket that features glitter in the snow. Ride along with a girl, a boy, their pony, and a mischievous dog as they travel to Grandma's house. With playful animals in their path, their journey gets a bit sidetracked. But soon enough they arrive at Grandma's--where an unexpected visitor fills them with holiday cheer!
Softcover. NY, Rizzoli International Publications, 1st, 1990, Book: Very Good, Dust Jacket: None, Clean, unmarked copy with only minor wear to wrappers. 256 pages, profusely illustrated in bw and color. Published in conjunction with a traveling retrospective exhibition organized by the Museum of Contemporary Art, Los Angeles; Extensive text, as well as biographical and exhibition information.
Hardcover. New York , DK Publishing/Dorling Kindersley, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 128 pages, illustrated throughout in color by Burningham. Clean hardcover in a bright, unclipped dust jacket. SIGNED BY BURNINGHAM on a bookplate pasted to the front fly leaf.
Hardcover. London, Unicorn Publishing Group , 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 208 pages. A biography of British commercial illustrator John Hassall, "The Poster King," with one hundred color illustrations. In the early twentieth century, John Hassall (1868-1948) was one of Britain's best-known, highest-profile artists. Though he worked across a variety of disciplines, it was his commercial art for travel companies, political causes, and well-known brands that made him a household name. With bold lines, flat colors, and an engaging, cheery style, Hassall created some of the most famous and influential designs of the era. A century after his heyday, Lucinda Gosling presents an exploration of John Hassall's life, his art, and his legacy. Including photographs of his family and studio, the story behind his iconic "Jolly Fisherman" poster, and previously unpublished material from Hassall's archive at the University of Essex--including artwork, sketches, letters, diaries, and photographs--this is an unprecedented account of the artist's life and work.
Hardcover. New Haven CONNECTICUT, Yale University Press , 1st, 1995, Book: Near Fine, Dust Jacket: Near Fine, Hardcover, 239 pages, 134 pages of text, 135 b&w illustrations, 26 color plates. A catalogue of 533 items by this important American artist. Near fine in a slipcase, still in shrinkwrap. Sun fade to spine. John Smibert (1688-1751) was the first portrait painter of distinction to attempt to carve out an existence in colonial America. This book by Richard Saunders is both a catalogue raisonne of Smibert's work and a discussion of his life and career. Saunders explores Smibert's early Scottish and London training as well as his travels to Italy; his portrait practice in London; his arrival in America and his stylistic development; the creation of The Bermuda Group, Smibert's masterpiece; and, finally, the business of portrait painting in Boston.
Hardcover. NY, Philomel Books, 4th pr., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with mild fad to spine. The long-enduring American legend of Johnny Appleseed comes to life in the glorious folk illustrations and spirited storytelling of Will Moses. Everyone knows the story of Johnny Appleseed: how he traveled westward across our young country, spreading apple trees wherever he went and wearing outlandish hats, like a soup pot, on his head. But did you know that Johnny Appleseed was a real person? Born John Chapman in 1774, he grew up in a family of twelve children, and as a young man, struck out to find the frontier. It was along this journey that he discovered the wonders of apple trees, and where he had his life adventures. In the tradition of his great-grandmother, Grandma Moses, Will Moses's much-loved folk art perfectly illustrates this American tale.
Softcover. Philadelphia, PA, Philadelphia Museum of Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Exhibition catalog. 201 pages, illustrated throughout in color and b&w. Pictorial stiff wrappers. Minor wear to edges, slight wrinkle to lower front cover, else like new. This exhibition catalog explores the artist, his history, his views and his works in as comprehensive a fashion as any living artist could desire. Black and white and full-color plates on heavy coated paper. Essays by Mark Rosenthal and Richard Marshall. Exhibition travelled to Philadelphia, the Whitney in NY, Berkeley U. Art Museum, Walker Art Center and the Corcoran in Washington.
Hardcover. Barre MA, Imprint Society, 1st thus, 1971, Book: Very Good, Dust Jacket: None, Hardcover in a slipcase, 248 pages. Many illustrations from manuscript charts and drawings by Ingraham, introduction by Mark D. Kaplanoff, one of 1950 copies. Binding is decorated gray paper over boards, with yellow cloth spine and pasted on label. A record of a voyage for the sea otter trade, with a route that took the ship to the Sandwich (Hawaiian) Islands, the Marquesas, and China as well as to the northwest coast of North America.
Hardcover. New Haven CT, Yale University Press, 2nd pr., 1922, Book: Good, Dust Jacket: None, Hardcover, marbled boards with gray cloth spine, 333 pages plus index. Endpapers map. Janet Schaw, a supporter of the Crown, illustrates the extent to which the American Revolution had, by 1775, become a close, personal insurgency, pitting neighbor against neighbor. Schaw was a young, well-educated Scottish woman who traveled to North Carolina to visit her older brother Robert, the owner of a plantation on the Cape Fear River near Wilmington. She arrived in March of 1775 and while in North Carolina witnessed, among other things, land clearing through controlled burning and the killing of an alligator. More important, she observed a society that was splitting asunder under the stress of revolutionary politics. The decisions of the Wilmington Committee forced men and women along the Cape Fear to take sides. Worn covers with spine cloth coming loose. Binding is solid.
Hardcover. Boston, John P. Jewett & Co., 1st, 1852, Book: Very Good, Dust Jacket: None, Hardcover, original blind stamped cloth with gilt stamped lettering on spine. 479 pages with mild foxing to a few pages. Very good plus, no markings.
Hardcover. Long Beach CA, Safari Press, 2nd Ed., 20ll, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stone kept a series of journals during his arctic travels from 1896 through 1903 in which he recorded his struggles against raging blizzards, hostile natives, daunting physical risks, and mind-warping loneliness and boredom. B&w illustrations. Still in publisher's shrink wrap.
Softcover. NA, NA, 1st, NA, Book: Good, Dust Jacket: None, 51 pages. Softcover. No date or publication information. Library stamp at bottom left corner of front cover. Number stamped on reverse of title page. Text is clean, unmarked. Some light chipping to cover edges. The journal starts in 1848, with a voyage to Glasgow at fifteen years of age, for famine relief. Later voyages took Crockett to Paris, Russia, and Calcutta, Entertaining anecdotes about the passengers, his reading, and his wedding in Boston. The narrative is taken up later at his Golden Wedding. Entertaining and informative. Stapled in green wrappers.
Softcover. Bowling Green OH, Journal of Popular Culture, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, pages 701-909. Articles include: Philip Gordon on Ayn Rand. Louis F. Helbig on Struwwelpeter: an inquiry into the effects of violence in children's literature. French folk songs. D. L. Ashliman on the American Indian in German Travel Narratives and Literature. Clean.
Hardcover. London, Sampson Low Son & Co, 1st, 1860, Book: Very Good, Dust Jacket: None, 492 pages. Hardcover with 3/4 leather spine and marbled surfaces on all sides. First English edition published same year as first American edition. A clean, tight copy. moderate chipping to cover edges. and some rips to dry leather. Gilt title paste-down gone from spine.
Hardcover. NY, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, textured beige cloth, moderately soiled. No edition or printing stated on copyright page. Illustrated with 32 pages of b/w photographs, as well as endpaper maps, red and black frontispiece illustration. The story of the trip Auden and Isherwood made to China during its war with Japan, prior to the outbreak of the Second World War. Includes 32 pages of photographs, as well as several sonnets and one long poem by Auden. Narrative written by Isherwood. There is a tan stain that goes across pages 68-69, that looks like a rorschach test. Otherwise clean.
Hardcover. Chicago, Albert Whitman & Co, 1st, 1968, Book: Very Good, Hardcover, pictorial cloth/library binding, 32 pages illustrated in color and b&w. Ex-lib with endpaper stamp and residue. Interior is clean. Tales told in the MIddle East travel from storyteller to storyteller, from country to country. Sometimes they cross the ocean, as this story in one form did to be told in Detroit by an Armenian grandmother. An American scholar heard this story told of the Bedouins, while still another version is Turkish.
Hardcover. NY, St. Martin's Minotaur, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean, like new. While most travel to Concord, Massachusetts to relive America's Revolutionary past, Harvard professor Sweeney St. George has come looking for a different sort of history. An expert on funerary art, she roams the local cemeteries, fascinated by the macabre carvings of a celebrated stonecutter and hero of the Revolution--a project that takes a strange turn when a man dressed in a uniform of 1775 is found.
Hardcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 274 pages. Ex-library with a stamp on front fly leaf and a scar to rear endpaper where pocket was removed. The covers have light tape marks where dust jacket was attached to book. Otherwise clean. Junius and his father travel "over far" - back to the Caribbean to rescue his grandfather and to reclaim their lost heritage.
Hardcover. New York, Bradbury Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 30 pages. Color illustrations by Rick Brown. Dust jacket price clipped. Remainder mark on bottom edge. While enjoying a summer vacation traveling with her best friend, Lucy, through Texas, Oklahoma, New Mexico, and Arizona, Kate writes a series of letters home.
Hardcover. New York, Pantheon, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, color photographs throughout. Showcases work by American photographer Robert Bergman (b. 1944), who took these photographs with "a simple 35mm camera, amateur film, no tripod, and no special lighting." The pictures are a result of months of car travel throughout the Rust Belt (Chicago, Detroit, Pittsburgh, Gary) and the East Coast, presenting "everyday people who moved him profoundly." With an introduction by Toni Morrison and an afterword by Meyer Schapiro.
Hardcover. New York , Pantheon, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 60 pages. Clean, unmarked copy with only minor wear to dust jacket. For more than ten years, Robert Bergman--a brilliant artist who has purposefully withheld himself from the mainstream--traveled by car with two friends, for months at a time, throughout the Rust Belt (Chicago, Detroit, Pittsburgh, Gary) and the East Coast, taking color pictures of everyday people who moved him profoundly. Even as he used a simple 35-mm camera, amateur film, no tripod, and no special lighting, his was a monumental, Whitmanesque project: to document the physical appearance and spirit of Americans, and to gauge the climate of our times. A Kind of Rapture, which is certain to be a classic work of photography, brings together the first selection from Bergman's epic enterprise. Having taken, developed, and printed his own pictures since the age of five, Bergman has now, for A Kind of Rapture, created his own color separations, using high-resolution digital equipment, in an effort to exercise more control over the quality of reproduction than photographers have ever had. Bergman and his colleagues have helped define a new paradigm for art-book publishing--each and every image in this book is extraordinary for its fidelity to the artistic sensibility that informs its original print.
Hardcover. NY, W. W. Norton & Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Written by two members of archaeological expeditions which have excavated at Caesarea, the ancient city on the coast of Israel built by Herod the Great, this book tells the story of the great city, from its beginnings to its destruction in the 13th century. Readers discover this past through archaeologists' eyes, as the text considers not only artifacts and written sources but the processes by which archaeologists reconstruct the past. A companion volume to a traveling exhibition of Caesarean artifacts, this is very highly recommended for both its clarity and creativity. 244 pages illustrated in color plus index. Clean.