trees

Hardcover. London, Richard Bentley and Son, 1st, 1894, Book: Very Good, Dust Jacket: None, 228 pages with 9 family trees. Red boards with gilt title to spine and gilt crest to front. Hinges cracked. Previous owner signature. Soiling to edges.

Hardcover. NY, Harcourt, Brace & Company, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 248 pages. This short story collection contains: A Time of Learning; The Mysteries of Life in an Orderly Manner; Love, Death, and the Ladies' Drill Team; Home Coming; The Battle of the Suits; Tom Wolfe's My Name; Learn to Say Good-by; A Little Collar for the Monkey; Public Address System; Foot-Shaped Shoes; Horace Chooney, M.D.; The Linden Trees; Breach of Promise; and The Singing Lesson. Stated first edition. Clean copy.

Softcover. Utica NY, North Country Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 155 pages, b&w illustrations. Originally published in 1965 as the initial book published by North Country Books. Rev. Frank Reed lived and worked in lumber camps for many years and was an eyewitness to the changes that occurres in the Adirondacks throughout the middle of the 20th century. Clean copy.

Hardcover. London/NY, Thames & Hudson, 1st US, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. At the edge of the forest, Mrs. Fox looks out at her babies frolicking in the snow. Suddenly, the little ones stray too far away and in an instant Mrs. Fox loses sight of them. She embarks on a search for the missing kits, hampered by the dense trees and the deep snow. Can the reader help her find them? Mrs. Fox is a classic hide-and-seek story told through clever and beautiful paper cutouts and engaging illustrations. Young readers will enjoy finding the little foxes on the page as much as flipping through the large format, die cut pages. Illustrated in color throughout.

Softcover. NY, Denise Bibro Fine Art, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 32 pages, 11 color plates. SIGNED BY SPEYER on the front fly leaf. Clean, bright copy.

Hardcover. NY, Michael di Capua Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated by Feiffer. SIGNED BY BOTH JUSTER AND FEIFFER on title page. After a nearly 50-year wait, Juster's reunion with his Phantom Tollbooth collaborator Feiffer is squarely in keeping with their earlier fairy tale drollery. Feiffer's ogre, scrawled in scribbly brown outline, snores on his back in a forest of Lilliputian trees in one spread, then strides off in search of a snack in the next. (Feiffer often draws him from the boots up, the better to convey his massive size.) The ogre's victims usually cower hopelessly before him, but this time, the specimen he encounters--a slim, wide-eyed young woman in a long blue dress--undoes him with kindness. Oh, you're not really so terrible, she says sweetly. I'll bet if you brushed your teeth, combed your hair, found some new clothes, and totally changed your attitude you'd be quite nice. The ogre's mighty tantrum shakes the forest, but she remains calm. Would you consider doing that for the orphans' picnic next week? I know the children would love it. The ogre's speedy exit--he drops dead--is a bit of a throwaway, but Juster's narrative insouciance and Feiffer's pen and brush haven't lost their magic.

Hardcover. New York, Michael di Capua Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated by Feiffer. SIGNED BY BOTH JUSTER AND FEIFFER on title page. After a nearly 50-year wait, Juster's reunion with his Phantom Tollbooth collaborator Feiffer is squarely in keeping with their earlier fairy tale drollery. Feiffer's ogre, scrawled in scribbly brown outline, snores on his back in a forest of Lilliputian trees in one spread, then strides off in search of a snack in the next. (Feiffer often draws him from the boots up, the better to convey his massive size.) The ogre's victims usually cower hopelessly before him, but this time, the specimen he encounters--a slim, wide-eyed young woman in a long blue dress--undoes him with kindness. Oh, you're not really so terrible, she says sweetly. I'll bet if you brushed your teeth, combed your hair, found some new clothes, and totally changed your attitude you'd be quite nice. The ogre's mighty tantrum shakes the forest, but she remains calm. Would you consider doing that for the orphans' picnic next week? I know the children would love it. The ogre's speedy exit--he drops dead--is a bit of a throwaway, but Juster's narrative insouciance and Feiffer's pen and brush haven't lost their magic.

1968, Book: Very Good, Color art of apple tree in blossom against a red barn. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1977, Book: Very Good, Color cartoon of 10 Koren creatures carrying decorated Christmas trees. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1970, Book: Very Good, Color art of bare trees in a winter landscape by Preston. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1964, Book: Very Good, Color cartoon by Arno of two moose smiling at smug hunters from behind trees. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1971, Book: Very Good, Color art by Karasz of a treehouse flying the American flag. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1973, Book: Very Good, Color art by Karasz of trees with fall foliage. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1977, Book: Very Good, Color art by Martin of park scene in the mist. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Taschen, 1st revised, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 706 pages. Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon and painted on by Salvador Dali, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stones--all of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new ones--most notably Iman--back to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenya's population explosion, which challenged finite resources and stressed animal populations--including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw--with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. Ithaca, Urban Horticulture, 1st Edition, 2003, Book: Very Good, Dust Jacket: None, 127 pages. Softcover. Black & white illustrations throughout, including graphs & charts. Clean unmarked copy.

Hardcover. UK, PS publishers, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. She may still be everyone's favourite yellow-tressed leopard-skin-clad Jungle Jane but, having made her first appearance almost 80 years ago (courtesy of Will Eisner and 'Jerry' Iger in the British mag Wags #1), Sheena, Queen of the Jungle could be forgiven for being somewhat less spritely swinging through the trees righting wrongs and wielding her knife. In 1938, she made it Stateside with her first showing in Jungle Comics #1 where she settled happily in every issue (plus a decade in her own title) until April 1953. There have been other incarnations, of course, but it's this classic material that strikes at the very heart of Good Girl Art! Collects issues #11-18, Spring 1951 to Winter 1952.

Softcover. University of Chicago Press, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 112 pages. It's hard to imagine a place more central to American mythology today than Silicon Valley. To outsiders, the region glitters with the promise of extraordinary wealth and innovation. But behind this image lies another Silicon Valley, one segregated by race, class, and nationality in complex and contradictory ways. Its beautiful landscape lies atop underground streams of pollutants left behind by decades of technological innovation, and while its billionaires live in compounds, surrounded by redwood trees and security fences, its service workers live in their cars.With arresting photography and intimate stories, Seeing Silicon Valley makes this hidden world visible. Instead of young entrepreneurs striving for efficiency in minimalist corporate campuses, we see portraits of struggle--families displaced by an impossible real estate market, workers striving for a living wage, and communities harmed by environmental degradation. If the fate of Silicon Valley is the fate of America--as so many of its boosters claim--then this book gives us an unvarnished look into the future. Clean copy.

Softcover. Montpelier, VT, Vermont life Magazine, 1st, 1993, Book: Very Good, Dust Jacket: None, 222 pages. Softcover with light wear to paper wrappers. Fading to spine. Front wrapper turned up on top, otherwise clean tight copy. Color pictures throughout by Paul Boisvert.

Hardcover. NY, Alfred A. Knopf, 2nd pr., 1942, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth, stamped in gray and black, 208 pages. In his two earlier novels, "The Sea of Grass" and "The Trees," Conrad Richter has made a solid contribution to the long shelf of Americana; in "Tacey Cromwell" he goes back into the Arizona Territory a half century ago, to find a protagonist in the hennaed sporting-house madam who gives the book its name. Like others of this celebrated sisterhood, Tacey yearns for a husband and social esteem. Clean copy.

Hardcover. Boston, L.C. Page, 1st, 1907, Book: Very Good, Dust Jacket: None, First impression. Hardcover, 8vo. in ruled green pictorial cloth with gilt letters. 210 pages. illustrated by Louis Rhead with color plates. Clean, tight copy.

Hardcover. NY, Farrar Straus & Giroux, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 16 pages of color illustrations. INSCRIBED BY AUTHOR on the half-title page. Nicknamed the "Real-Life Lorax" by National Geographic, the biologist, botanist, and conservationist Meg Lowman-aka "CanopyMeg"-takes us on an adventure into the "eighth continent" of the world's treetops, along her journey as a tree scientist, and into climate action. A blend of memoir and fieldwork account, The Arbornaut gives us the chance to live among scientists and travel the world-even in a hot-air balloon! It is the engrossing, uplifting story of a nerdy tree climber-the only girl at the science fair-who becomes a giant inspiration, a groundbreaking, ground-defying field biologist, and a hero for trees everywhere. Clean copy.

Softcover. Baltimore, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 155 pages. Thomas Dennis emigrated to America from England in 1663, settling in Ipswich, a Massachusetts village a long day's sail north of Boston. He had apprenticed in joinery, the most common method of making furniture in sixteenth- and seventeenth-century Britain, and he became Ipswich's second joiner, setting up shop in the heart of the village. During his lifetime, Dennis won wide renown as an artisan. Today, connoisseurs judge his elaborately carved furniture as among the best produced in seventeenth-century America. Robert Tarule, historian and accomplished craftsman, brilliantly recreates Dennis's world in recounting how he created a single oak chest. Writing as a woodworker himself, Tarule vividly portrays Dennis walking through the woods looking for the right trees; sawing and splitting the wood on site; and working in his shop on the chest-planing, joining, and carving. Dennis inherited a knowledge of wood and woodworking that dated back centuries before he was born, and Tarule traces this tradition from Old World to New. He also depicts the natural and social landscape in which Dennis operated, from the sights, sounds, and smells of colonial Ipswich and its surrounding countryside to the laws that governed his use of trees and his network of personal and professional relationships. Clean copy.