western

Hardcover. NY, Philosophical Library, 1st US, 1948, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, 265 pages. B&w frontis. portrait. Previous owner's long inscription on front fly-leaf, otherwise clean.

Hardcover. Seattle, Eastland Press, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 251 pages with fold-out diagram in rear. Meridian therapy is a school of Japanese acupuncture which is distinguished by its emphasis on the classics, its utilization of the five-phase points in treating the root of disease, and the importance which it attaches to palpatory skills in diagnosis and point location. Japanese Classical Acupuncture: Introduction to Meridian Therapy is noted for the clarity and simplicity of its style, and is the most highly regarded introduction to this subject in Japan. The theoretical and historical basis, diagnostic framework and treatment strategies of meridian therapy are discussed in detail. The author provides a step-by-step introduction to pulse and abdominal diagnosis, and explains how to incorporate the concepts and techniques of meridian therapy into other styles of acupuncture. The text is interwoven with case histories and anecdotes from the author's lengthy practice. Extensively edited in collaboration with the author to fit the needs of Western acupuncturists, this book opens the door to Japanese classical acupuncture for Western practitioners. Small ownership stamp on front fly leaf, otherwise clean.

Softcover. Tokyo, DH Publishing, 2007, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A retrospective of the almost extinct phenomenon of billboard painting in Japan, this is a fascinating look at the golden age of cinema as seen through the eyes of Japanese artists and media. Contains cover-to-cover, full-color photos, film trivia and historical background. More than just a mine of retro-kitsch, this is a unique look at Western cinema from across the ocean, for both casual readers who wish to flick through and explore the vivid images, and those interested in the historical significance of the depiction of the West and Western films in Japan.

Hardcover. Garden City NY, Junior Books - Doubleday Doran, 1st, 1947, Book: Good, Dust Jacket: None, Hardbound, pictorial boards. Black & white and color illustrations by Tousey. Edgewear. Corners rubbed. Soiling to covers.

Hardcover. NY, Mnuchin Gallery , 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, 65 pages, fully Illustrated fabric bound catalogue designed by McCall Associates, New York and authored by art historian, professor and scholar Clayton Press. "Mnuchin Gallery is proud to present Joan Mitchell--Christine Ay Tjoe: an exhibition which sparks a dialogue between, Joan Mitchell and Christine Ay Tjoe, two trailblazers of 20th and 21st century abstraction... These two distinct artists use alternative means to address the same question: "What does it mean to make an abstract painting?" Mitchell and Ay Tjoe both engage with the canvas using a bevy of brushstrokes that vary in degrees of strength and depth. Through this process, they yield deeply introspective paintings that simultaneously allude to the real world with playful titles and harmonic color palettes. The paintings presented in Joan Mitchell-Christine Ay Tjoe underscore how these artists draw from their environments and cultures, as they ultimately seek to transcend generational boundaries and prescribed definitions of Eastern and Western artistic traditions." Clean copy in shrinkwrap.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Hardcover. Munich/NJ, Prestel, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. One of the most important German postwar artists, Joseph Beuys is known for his drawings, performance art, activism, and teaching, influencing a generation of younger artists and expanding the concept of what art is. He had an ambitious goal for his art: to transform western culture into a more peaceful, democratic, and creative place. He also considered everyone to be an artist and that art and life should not be viewed separately. This book pulls together all of the avant-garde artist's posters from his entire oeuvre. His earliest posters often announced exhibitions of his own performance art, while later posters expressed his philosophical and political opinions, such as those for Germany's Green Party, which he was a founding member of. This book includes full page illustrations of Beuys' most important posters, essays about Beuys' influence, an extensive biography of the artist and a complete catalogue of all posters created under his guidance. Text in English and German. Still in publisher's shrinkwrap.

Hardcover. Chicago, A.C. McClurg and Co, 2nd Ed., 1910, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped with 3-color decoration. Four Illustrations in color by W. Herbert Dunton. Illustrated end papers. Previous owner's signature on front fly leaf. Light edgewear to covers.

Hardcover. Tulia TX, Y-8 Publishing Company, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, faux brown leather with orange gilt lettering to the front and spine. 100 pages, 15 full page color reproductions of Wyatt's paintings interspersed with themed quotes from many authors. Clean copy.

Hardcover. NY, E.P. Dutton, 1st US, 1966, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 214 pages, illustrated in b&w by Charles Keeping. Ex-lib with stamping and residue to endpapers. An adventure story from a 13th c folk-poem with elements from invasions of the 9th and 10th century, redone by a well known modern writer and illustrator. Prince Horn, driven from his father's kingdom at 15 by Turkish invaders, flees to Westernesse and becomes a page at the royal court. Then his love for the Princess is treacherously revealed and he is exiled to Ireland, from which he battles to free his kingdom and win his princess. Published when the author was 24, and the second of his many vivid translations and retellings of traditional narratives.

Hardcover. Boston, Little, Brown and Company, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 239 pages. Hardcover with dust jacket. Black and white pictures throughout. Clean, tight copy. More than 10,000 images reside in public archives and private collections, depicting every aspect of what popular historian Pierre Berton has called "one of the strangest mass movements in history." For this book, Berton selected 200 photographs, some iconic, some touchingly personal, and most previously unpublished.The Klondike Quest brings to life the panoramic drama of the great stampede for gold as seen by the ordinary gold-seeker. The photographs are beautifully reproduced and informatively and colorfully captioned. "One million people, it is said, laid plans to go to the Klondike. One hundred thousand actually set off. And so the Klondike saga is a chronicle of humanity in the mass.... For the next eighteen months, the Yukon interior plateau became a human anthill."

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, green cloth with blue lettering, dust jacket with edgewear and chipping, 308 pages. Rear dj lists to Wild Horse Mesa. Inscription, date on front fly leaf, with Christmas stamp, otherwise clean.

Hardcover. San Francisco, CA, Chronicle Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 298 pages. Dark blue cloth covers, embossed titles to spine, dark blue dust jacket with photographic illustration, profusely illustrated with gorgeous color photographs. Light rubbing to dust jacket, small nick to dust jacket at mid-spine, pages crisp and unmarked, clean boards; a beautiful book in great condition. Author Harvey H. Kaiser spent ten years exploring the historic architecture of the Western National Parks, from the rain forrests of the Olympic Peninsular to the awesome wonder of the Grand Canyon, and from rough-hewn travelers' cabins to Yosemite's spectacular Ahwahnee Hotel and Mount Hood's Timberline Lodge. Organized by region and park, and rich with historic detail.

Softcover. Cambridge UK, Cambridge University Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 217 pages. Emotions have long been a central concern in philosophy, psychological and sociological studies. When anthropologists began to study emotion, they challenged many assumptions shared by Western academics and lay persons by exposing the cultural variability of emotional meanings. In this collection of original essays by anthropologists concerned with the relationship of language and emotion, it is argued that the key focus to the study of emotion might be the politics of social life rather than the psychology of the individual. Through close studies of talk about emotion and emotional discourses in social contexts from poetry and song to therapeutic narratives, scholars who have worked in India, Fiji, the United States, Egypt, Senegal and the Solomon Islands show how emotion is tied to politics of everyday interaction. Their arguments and cross-cultural findings will intrigue and provoke anyone who has thought about the relationship between emotion, language and social life. The book will be of special interest to those who find the boundaries between cultural, psychological and linguistic anthropology, sociology, cross-cultural psychiatry, and social psychology too confining. Clean, bright copy.

Softcover. Stanford CA, Stanford University Press, 1st transl., 1944, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. Philosophical aesthetics has seen an amazing revival over the past decade, as a radical questioning of the very grounds of Western epistemology has revealed that some antinomies of aesthetic experience-and in particular of the limits of the aesthetical-can be viewed as a general, yet necessarily open model for human understanding. In this revival, no text in the classical corpus of Western philosophy has been more frequently discussed than the complex paragraphs modestly inserted into Kant's Critique of Judgment as sections 23-29: the Analytic of the Sublime.This book is a rigorous explication de texte, a close reading of these sections. First, Lyotard reconstitutes, following the letter of Kant's analysis, the philosophical context of his critical writings and of the European Enlightenment. Second, because the analytic of the sublime reveals the inability of aesthetic experience to bridge the separate realms of theoretical and practical reason, Lyotard can connect his reconstitution of Kant's critical project with today's debates about the very conditions-and limits-of presentation in general.

Softcover. Fleischmanns NY, Purple Mountain Press Ltd, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 320 pages illustrated in b&w. INSCRIBED on half-title page by Bellico and by Barbara Bartley on the title page. During the latter 19th century, inland waterways were a primary means of commercial and public transportation in the northeast. Captain Theodore D Bartley owned 3 Lake Champlain (NY-VT) canal boats and kept a daily descriptive journal of his life over 30 years. His routes included the Canadian Waterways north of the St Lawrence River along the Rideau Canal; the Northern Waterway from Quebec Province to New York Harbor; the Western Route via the Erie Canal from Troy NY to Lake Erie. He and his canal boat family witnessed many landmark historical events, as well as ordinary life alongside the canals. His original diaries of 1500 pages were transcribed by Bartley, Barbara B., great-grand-daughter-in-law of Theodore.

Hardcover. Kansas City, MO, Tell-Well Press, 1st, 1948, Book: Very Good, Dust Jacket: Good, Nonpaginated. Hardcover. Decorated endpapers. Vivid color illustrations throughout. Dust jacket unclipped, has some age wear, still intact and wrapped in protective brodart. Cover boards decorated with same image as dust jacket. Covers have a little soil a top and age wear. Clean inside and in great shape for its age.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 350 pages. Introduction + 10 essays. Specific societies noted incl Traditional China & India, Buddhist Village in North-East Thailand, Kerala, Islamic Learning in Western Sudan, Northern Ghana, Somali Nomads, Madagascar, Melanesia, Pre-Industrial England. Bibliography & Index. Clean copy.

Hardcover. New York , Charles Scribner's Sons, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, 433 pages, green cloth stamped in gilt and black, Scribner A on copyright page. A square and solid book with fading to spine and small stain to cover. Photo portrait of James, b&w illustrations by him. Previous owner's signature on front fly leaf. Same page with a crease. Internally sound and clean.

Hardcover. New York/Milano, Skira, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 224 pages, duotone photographs taken between 1904 and 1914 by a missionary working in China. In publisher's shrinkwrap. Leone Nani (1880-1935) lived in central China from 1904 to 1914. His missionary work took him to remote villages where he captured a world beyond the reach of other Westerners. Working in large format (mostly on glass plates he developed and printed himself in his mobile studio), Nani portrayed young couples, dignitaries, peasants and artisans. Equally gifted as an observer and reporter, he recorded everyday life scenes, religious ceremonies, architecture, and landscapes. 

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, light green cloth with black lettering, in a bright dust jacket with light edgewear, chipping, 297 pages. Rear dj lists to Wild Horse Mesa. Embossed stamp to half title page, otherwise clean.

Softcover. Rapid City SD, Black Hills & Western Railroad, 1927, Book: Very Good, Dust Jacket: None, Softcover, folding automotive road map, printed in red and black on beige paper stock. Dated 3-31-27 at bottom. Open size appox. 9 X 16". Ads on reverse side.

Hardcover. New York , Harry N. Abrams, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 175 pages, illustrated throughout with photos in b&w. Clean, unmarked copy with only minor wear to dust jacket. It was a major feat when, in December 1956, Marc Riboud became one of the first Western photographers to enter China after the Communist takeover of 1949. A member of the famed Magnum photo agency, Riboud was permitted to return to China at regular intervals over the next four decades, observing and recording the enormous changes that have taken place. French journalist Jean Daniel provides a thoughtful introduction and Riboud himself comments on each photograph, explaining the time, the place, and the circumstance. This is a book that will intrigue and disturb - through its insights into the soul of the Chinese people, and through its picture of a nation transforming itself with such wrenching speed.