wwi

Hardcover. London, Osprey Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 134 pages, a collection of 250 illustrations from the archives of the Illustrated London News. Black cloth spine and boards, no dust jacket issued.

Hardcover. NY, St. Martin's Press, 1st US, 1985, Book: Very Good, Dust Jacket: None, Hardcover, olive green boards, gilt lettering on spine. Illustrated with B&W plates and maps; Large 8vo 9' - 10' tall; 686 pages; 'Allen's work deals primarily with the human elements of the forgotten war waged between the doomed empires of Great Britain and Japan in Southeast Asia between 1941 and 1945. The author's familiarity with Japanese sources enables him to strike a balance unusual in Western accounts. Allen's Japanese are as much prisoners of their culture as the British are of theirs. They are victims of incompetent command and inadequate logistics. They do not want to die, but their ready acceptance of death lends a special horror to Allen's descriptions of some of the century's most vicious fighting.' Clean bright copy, no dust jacket.

Hardcover. Potomac Books/University of Nebraska, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. Burning Japan is an investigation of how and why the air force shifted its tactics against Japan from a precision bombing strategy to area attacks. The guiding doctrine of the 1930s and 1940s called for focused attacks on specific targets deep behind enemy lines. Eager to prove itself, the nascent Army Air Force at first lauded the indispensability of strategic bombardment in areas otherwise unreachable by the army or navy. But when strategic bombing failed to yield the desired results in Europe and in initial efforts against Japan, the United States switched tactics, a shift that culminated in the area firebombing of nearly every major Japanese metropolis and the burning of sixty-six cities to the ground. Clean copy.

Hardcover. Seattle WA, Fantagraphics Books, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, World War II action/adventure from one of the all-time great cartoonists. No dust jacket issued.

Hardcover. Rosewell GA, Canton Street Press , 1st, 2013, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover. Extensive color illustrations throughout. Clean, tight copy.

Softcover. Crewe VA, E & H Publishing, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 465 pages, b&w illustrations. Captured, Not Conquered is a survey history of the American prisoner of war experience in the First World War. It encompasses U.S. forces as well as Americans in foreign service. It contains tables, charts and photographs from official records and documents over 100 escapes from Imperial German captivity. It documents German intelligence interrogation tactics, techniques and procedures, Allied intelligence activities, POW life and treatment and the evolution of POW intelligence. Includes bibliography, notes and index. Clean copy.

Hardcover. London, Conway, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages. During World War II, the British government issued a series of public warnings in the form of witty posters by the brilliant cartoonist Fougasse, a.k.a. Cyril Kenneth Bird. ("Don't forget that walls have ears!" a fashionable woman whispers to a friend, as Hitler's face peers ominously out of the wallpaper.) This illustrated tribute to one of Britain's most popular artists begins with his celebrated WWII posters and continues with his later work for Punch magazine and elsewhere. An important contribution to the history of both cartooning and propaganda, it compares the relative effectiveness of hard-hitting American wartime designs versus Fougasse's light touch.

Softcover. Chicago, Haymarket Books, 1st US, 2016, Book: Very Good, Dust Jacket: None, Softcover, 471 pages. Brings together leftist scholars from a variety of fields to explore the many different aspects of the origins, trajectories and consequences of the First World War. The collection seeks to visualise the conflict and all its immediate consequences (such as the Bolshevik Revolution and ascendency of US hegemony) as a defining moment in 20th century world politics, rupturing and reconstituting the 'modern' epoch in its many instantiations. Appeals to general readers and those focused on Marxian theory and strategy and leftist histories of the war.

Hardcover. NY, Random House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. At the beginning of World War II Cecil Beaton was commissioned by the British government to photograph the home front. He set to work recording both the destruction of the city, and the heroism of Londoners under attack. He conducted a survey of Bomber and Fighter Commands for the RAF, which was published with his own astute commentary. Beaton was an effective propagandist, but his voice, like his photographs, was touchingly elegant. Beaton's wartime work amounted to 7,000 photographs. He traveled through the Western Desert and on to Iraq, Palestine, Transjordan, Syria, and India, where he photographed the final days of the Raj in New Delhi and Calcutta before joining the Burma campaign. He ended the war deep in Chinese territory where he witnessed the Nationalist resistance to the Japanese. This collection of Beaton's masterful WWII photography captures the home front, the Middle East, arms and vehicle manufacturing in Britain, India, the Burma Campaign, and the war in China. It also includes a chronology placing events in Beaton's life alongside developments in photography, journalism, and the arts; war photography; and world events. His original photographs are reproduced large on the page, alongside his diary extracts, allowing for deep scrutiny and appreciation of the images and their artist.

Softcover. Torino, Societa Editrice Internazionale, 1st Italian, 1975, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, illustrated wrappers. An Italian journalist's memoir of a half century living in London. With a SiGNED letter laid in to the previous owner Cecil Roberts from the author. ITALIAN TEXT.

Softcover. Paris, Histoire and Collections, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 132 pages. profusely illustrated in color and b&w. This second volume of the collection Resistance is devoted to the parachuting and picking up of agents, from 1940 to 1944. It is a gripping frieze of these operations and a vigorous tribute to those heroes of the resistance whom the author describes here, using both his extensive personal documentation, connections among the veterans and many museum conservators throughout Europe. The reconstitution is rigorous and the information precise about both material and methods, and the wealth of pictures will live up to the expectations of most enlightened amateurs. But above all, each reader can discover the personal life stories more intimately, from the training exercises in England awaiting departure, to the sacrifices made so freely in carrying out the missions. Clean copy.

Softcover. Mechanicsburg PA, Stackpole Books, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 218 pages, b&w illustrations. From their perches on islands such as Buka and Bougainville, coast watchers -- for the most part, Australian civilians -- monitored Japanese shipping and aircraft activity. They played a pivotal role during the battle for Guadalcanal in the fall of 1942, when their intelligence facilitated the interception and destruction of twelve Japanese transports. These reports from the participants themselves provide a fascinating account that will intrigue historians as well as World War II and espionage buffs. Clean copy.

Hardcover. New York, W. Colston Leigh, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles on front and spine, unpaginated, b&w cartoons throughout, drawings from Judge, The Bystander, Life, New Yorker and College Humor. SIGNED BY BAIRNSFATHER on the front fly leaf. Mild crease to first four pages, tight and clean copy.

Hardcover. Canada, Deutscher Kunstverlag, 1st, 2012, Book: Very Good, Dust Jacket: None, 159 pages. Like new in publisher's shrink-wrap. The material that was saved from Warsaw in 1939 included more than ten color slides. These slides are the only color photo documents showing that historic moment from the perspective of city residents. The slides were found only in recent years by the photographer's son, Sam Bryan. In addition to color slides this album also includes photographs recorded by Julien Bryan on black-and-white film at that time and iater subjected to a complicated process of colorizing. The colorizing took piace after Bryan's return to the United States in 1939.

Hardcover. NY, Praeger Publishers, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 331 pages. This is an eyewitness account of the The Anglo-Boer War of 1899-1902. In 1899 Reitz then 17 years old, enlisted in the Boer army to fight the British. After the Boer loss of Pretoria General Jan Smuts, who wrote the forward, decided to conduct guerrilla operations. The book is about Reitz's experiences in the guerrilla war. After the Boers lost the war, Reitz fought with the British in a South African unit in WWI. He later studied law and became a politician and ultimately the South African Deputy Prime Minister. Originally published in Britain in 1929. Clean copy.

Hardcover. Boston, Little, Brown and Company, 2nd pr., 1950, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume IV in The History of United States Naval Operations in World War II. 307 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, otherwise clean, tight copy.

Hardcover. NY, Stein & Day, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. General MacArthur's troops retreated here after the first surrender ever of an American Army in the Field, on the Bataan Peninsula. Reenacts the events of the Bataan and Corregidor battles of World War II through the eyes of the doctors, nurses, and soldiers interviewed after the war. Clean copy.

Hardcover. Tokyo, Sophia University, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 87 pages. INSCRIBED BY GEORGE M. WILSON ON FRONT ENDPAPER. Black boards, cream cloth spine with gilt titles, white dust jacket with illustration. Price-clipped, slight rubbing to dust jacket, pages crisp and unmarked; overall, a very clean, tight copy in great condition.

Hardcover. NY, Scholastic Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Bagram Ibatoulline. Two-time Newbery medalist Lois Lowry has crafted a beautiful picture book about the power of longing and the importance of reconnection between a girl and her father in post-WWII America.This is the story of young Liz, her father, and their strained relationship. Dad has been away at WWII for longer than she can remember, and they begin their journey of reconnection through a hunting shirt, cherry pie, tender conversation, and the crow call. This allegorical story shows how, like the birds gathering above, the relationship between the girl and her father is graced with the chance to fly.

Hardcover. New Haven CT, Yale University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright dust jacket, 278 pages. An important pioneer of the artform that became known as photomontage. Hoch (November 1, 1889 to May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Hoch was the lone woman among the Berlin Dada group, however she was dismayed to the Dadaists lip service to women's emancipation and her work echos her feelings that there were difference between women in media and reality. Marriage did not escape her criticism. She depicted brides as mannequins and children, reflecting the idea that women are not seen as complete people and have little control over their lives. A long-time German resident, her work fell out of favor after WWII although she continued to produce her photomontages and exhibit them internationally until her death in 1978.

Hardcover. UK, This England Books, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 205 pages. The author - Josephine Butler - was recruited by Winston Churchill in 1942, and was the only woman member of his elite 'Secret Circle' - Churchill's closest ring of intelligence agents. Codenamed 'Jay Bee' she worked with the French Resistance in occupied France. Map. Clean coy.

Hardcover. NY, Oxford University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 365 pages. A fascinating and poignant exploration of wartime America and of one generation's odyssey from childhood to middle age. The author views the experiences of ordinary children through the lens of developmental psychology and argues that WW II left an indelible imprint on the dreams and nightmares of an American generation, not only in childhood, but in adulthood as well. Clean copy.

Softcover. Burlington IA, Craftsman Press , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 190 pages, b&w illustrations. An infantryman's memoir of World War II in Europe's waning months. INSCRIBED BY BIED on half-title page. Clean copy.

Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.