Hardcover. Barre VT, Vermont Historical Society, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 232 pages. Foreword by Harold Holzer & Donald H. Wickman. A very well done book on the history of the Union Soldiers of Vermont. B&w photos. Clean copy.

Softcover. Italy, Damiani, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. A collection of photographs of Hollywood actors, royalty and other celebrities from the golden age of Italian film--the 1950s and 1960s--arriving in Rome, back when comings and goings were event enough to merit a flash, and when the photographers who are now known as paparazzi could walk right up to the airplane steps. Here those independent lensmen--a profession and a genre born in the era documented here, one on the forefront of new realism and photojournalism--capture the salutes and waves, flamboyant and discreet, of Rome's stars as they descended to earth, seizing the mythical something that they seemed to bring with them from the sky to terra firma. Clean copy.

Hardcover. NY, Pegasus Books, 1st, 2024, Hardcover in a bright, unclipped dust jacket, 519 pages. At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time.' (Amanda Foreman) and a truly brilliant researcher has produced a most remarkable social history revealing the power, the pain and the pleasure involved in adorning the female body. She asks how custom, colour, class and sex fit into the picture, and shrewdly charts how the advances made by feminism collided with the changing shape of desirability. Clean copy.

Hardcover. Library of America , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 560 pages. Walter Wellesley "Red" Smith was the most widely read sports writer of the last century and the first to win the Pulitzer Prize for commentary. From the 1940s to the 1980s, his nationally syndicated columns for the New York Herald Tribune and later for The New York Times traversed the world of sports with literary panache and wry humor. "I've always had the notion," Smith once said, "that people go to spectator sports to have fun and then they grab the paper to read about it and have fun again." Now, writer and editor (and inventor of Rotisserie League Baseball) Daniel Okrent presents the best of Smith's inimitable columns--miniature masterpieces that remain the gold standard in sports writing. Clean copy.

Hardcover. Times Books, 2nd pr., 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong format, in a bright, price-clipped dust jacket. Features essays by Andy Grundberg and Anne W. Tucker. Stated first edition with the lowest number being 2. A powerful selection of 66 color photographs. "Joel Sternfeld traveled the country for around eight years with a 8x10 view camera and color film, a sojourn that produced his first and best-known book, American Prospects... The particular quality brought by Sternfeld to the 8x10 color-landscape aesthetic... is a clear sense of narrative... In American Prospects, each picture suggests an arcane drama being played out--an elephant stranded on a road in Oregon, or a pumpkin stall in Virginia behind which a house burns fiercely. These narrative hints are suggestive, sly, often ironic, frequently mysterious, making American Prospects less a series of photographs than a series of tales--unfinished, elliptical certainly--that add up to a cogent and persuasive view of America..." (Parr/Badger, The Photobook). Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. NY, Doubleday Doran, reprint, 1928, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with faded gilt lettering. 322 pages, frontis. portrait. Autobiography of Edward Livingston Trudeau (1848-1915), American physician who established the Adirondack Cottage Sanitarium at Saranac Lake for the treatment of tuberculosis. Dr. Trudeau also established the Saranac Laboratory for the Study of Tuberculosis, the first laboratory in the United States dedicated to the study of tuberculosis. First published in 1915. Name on inside front cover, otherwise clean.

Hardcover. NY, Aperture, 1st, 1988, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with 2 closed tears. Introduction by Ann Beattie. 37 black-and-white photographs by Sally Mann. 53 pages. Slim square 4to, light grey cloth, Dust jacket with $25.00. Book and pages clean and bright.

Hardcover. Cambridge MA, The MIT Press, 1st thus, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. August Sander (1876-1964) spent his life intending to create a collective portrait of the German people, an undertaking which remained incomplete at the time of his death. This reconstruction by Keller, a professor of art history, in collaboration with Gunther Sander, the photographer's son, was compiled from Sander's notes and negatives. The photographs cover the years of the Kaisers, the Weimar Republic, the Nazi regime, and the early Federal Republic and have become a landmark in the history of photography. 512 pages; 431 full-page duo-toned b&w plates + 75 text illustrations; 9.25 x 11.75 inches. Bibliography. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Simon & Schuster, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Collects, for the first time in book form, more than two hundred of Ettlinger's most famous photographs. Immortalized in these pages are many of America's greatest writers, including Raymond Carver, Francine Prose, Walter Mosley, Mary Karr, John Irving, Joyce Carol Oates, Truman Capote, Cormac McCarthy, Patricia Highsmith, Ken Kesey, Edwidge Danticat, and Jeffrey Eugenides. Shot exclusively in natural light and in black-and-white film, each of these images is an intimate artwork, putting the reader closer than ever before to the writers they revere and admire. Bright, clean copy.

Hardcover. NY, Abbeville Press, 1st, 1991, Hardcover in a bright dust jacket, 397 pages, illustrated in b&w and color. In this thoughtful and thought-provoking art historical study, Peters first traces strands of Art Nouveau and Symbolist theory in the art of Georgia O'Keeffe. She then discusses other influences, from Arthur Dow as teacher to Paul Strand as photographer and friend. But by far the most sustained study in the text is the relationship between O'Keeffe's painting and the photography and philosophy of her husband, Alfred Stieglitz. Peters argues lucidly and always in accessible language for O'Keeffe's emergence as a great and deeply individual artist while illuminating these many influences and illustrating her points with lavish use of excellent reproductions. Clean copy.

Hardcover. Boonville NY, Black River Books, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 158 pages. B&w photo section. SIGNED BY AUTHOR on the title page. Clean copy.

Hardcover. NY, Atheneum, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In a clear, straightforward style, Katz describes the settlement of the Ohio and Mississippi Valleys (covering Ohio, Indiana, Illinois, Michigan, Wisconsin, Minnesota, Iowa, Kansas, and Missouri) by African Americans seeking freedom, including biographical sketches of men and women who formed churches, started schools, or were politically active in their region. Some of these settlers were fugitive slaves; several set up stations on the Underground Railroad with the aid of the Quakers; others were farmers, poets, and soldiers. In several states, they helped form black regiments in the Civil War. Chronologically arranged, the book introduces many lesser-known personages not found in most collective biographies and places them in a broader context of U.S. history as a whole.

Softcover. London, Greenhill Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. More than 200 images, together with the original German captions and English translations, portray the life and times of a career officer, from the German annexation of the Sudetenland in 1938, to operations in Russia, Greece and the Balkans during 1941-44. In comparison with other units of the Second World War, relatively little has been published about Germany's commando forces. This unique collection of rare images was sourced from the photograph album of Wilhelm Walther.

Softcover. Baltimore, Johns Hopkins University Press, 1st pbk, 1990, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 133 pages. For eighteen months in the mid-eighties, photographer Richard Misrach roamed through the natural beauty and man-made devastation of Bravo 20 [bombing range], while Myriam Weisang Misrach researched the history of military expansionism-and local protest- in the West. The result is a book that not only documents the ongoing battle for Bravo 20, but offers a suggestion on what best to do with the burst shells, bombed-out buses, automobile hulls, and other naval detritus: leave it right where it is. New. In shrink wrap.

Hardcover. Boston, Houghton Mifflin, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Illustrated in b&w by Burton. An attractive reprint of a book first published in 1941. Clean copy.

Hardcover. NY, Doubleday, Doran & Co./Junior Literary Guild, BC Ed., 1939, Book: Very Good, Dust Jacket: Poor, Hardcover, orange-yellow cloth with black stamping, in a very worn, torn dust jacket. 278 pages with line drawings by Ruth Holbrook. After two weeks of camping in a tent by the lake, Emily finds an arrowhead and becomes a real heroine when danger threatens. Endpapers map in green by Holbrook. Clean copy.

Hardcover. NY, Ecco, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY FORD on the title page. This copy of Pulitzer Prize winner Ford's novel presents the story of 15 year old Dell Parsons and his sister Berner, who must fend for themselves when their parents are arrested, convicted and imprisoned for a Montana bank robbery. Dell's sister runs while Dell is spirited into Canada to live with an American who has his own issues. Clean copy.

Hardcover. Chicago / New York, Eugene Dietzgen Co., 11th pr., 1921, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in black, 404 pages. Dietzgen was a manufacturer of drawing materials, surveying instruments, & measuring tapes. Profusely illustrated with b&w illustrations of tools offered. Pocket on back cover does not have a price list. Otherwise a clean, tight copy.

Hardcover. Radnor PA, Chilton Book Company, Revised Ed., 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, illustrated in b&w, 330 pages. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 472 pages. The prose writings of Charles Olson (1910-1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Clean copy.

Softcover. London, Merrell Publishers, 1st pbk, 2001, Book: Very Good, Dust Jacket: None, Softcover, 240 pages, mostly b&w photos, some color. Catalogue of an exhibition held at the Brooklyn Museum of Art, New York, Feb. 16 - Apr. 29, 2001. The 94 African American photographers whose works appear in this volume, have used their equipment as tools of social commentary and personal and artistic exploration, bearing witness to the changes in American society over the past 50 years. Clean copy.

Hardcover. London, Jonathan Cape, reprint, 1999, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with light edgewear, 144 pages. Hugh Brogan, while working on his book 'The Life of Arthur Ransome' Hugh Brogan chanced upon the unfinished script of a 13th swallows & Amazons story; It has no title (Brogan names it coots in the North) , but there were a few preliminary drawings which Ransome might have included if this book had gone on to be published. Clean copy.

Hardcover. Casterman, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. FRENCH TEXT. The history of Pratt's most famous character told in pictures and words. Illustrated in color and b&w. Clean copy.

Hardcover. NY, Scribner, 2nd pr., 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-Century America into an instantly recognizable and popular aesthetic. Now, for the first time, Dan Nadel, delivers a "gripping and essential account" (The Boston Globe) of how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact. Braiding biography with "cultural history and criticism...that honors the complexity of [its] subject, even, perhaps particularly, when it gets ugly" (Los Angeles Times), Crumb is the story of a richly complex life at the forefront of both the underground and popular cultures of post-war America. Including forty-five stunning black-and-white images throughout and a sixteen-page color insert featuring images both iconic and obscure. Clean copy.

Hardcover. Philadelphia, Chilton Company, 2nd pr., 1959, Book: Very Good, Dust Jacket: Very Good, Hardcver in a bright, unclipped dust jacket with $4.95 on the flap. This is the fascinating story of a naval squadron, a study in depth and in action of DesRon-23, of Arleigh Burke's tremendously significant doctrine of faith, and of the mystique which it produced to make this the greatest destroyer squadron in the history of the U. S. Navy. Included are authentic, minute-by-minute details, the scalp-tingling stories of the slashing naval battles of Tassafaronga, Savo Island, Rmpress Augusta Bay, and Cape St. George , battles fought against the Japanese in World War II. ' ... Six pages of maps. Index. Mild wear to dj, clean copy.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Luminaries include Jayne Mansfield, Mae West, William Golding, Susan Sontag, Norman Mailer, and many others. Clean, tight copy.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Remainder stamp to bottom edge, otherwise a clean, tight copy.

Hardcover. Westport CT, Greenwood Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 174 pages. B&w frontispiece portrait. Dorothy Parker (1893-1967) had something to say about virtually all her contemporaries among the literati, and they returned the favor in full measure. This well articulated primary and secondary bibliography covers the complete canon and its critical reaction, with illuminating annotations complemented by a biographical sketch. Included also are three personal views of Parker-- by Joseph Bryan, III, Richard Lauterbach, and Wyatt Cooper. The accumulated evidence suggests that Parker should be considered a major figure in American letters not just America's wittiest woman who happened to write. Clean copy.

Hardcover. Washington DC, University Press of Washington D.C., 1st, 1953, Book: Good, Dust Jacket: Good,

Hardcover. Austin TX, The Steck Company, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering, 131 pages. Clean, bright copy, no markings.

Hardcover. Washington DC, Vermont Historical Society, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with white cloth spine, dark brown lettering on front cover with original seal of Vermont. Records of Conventions in the New Hampshire Grants for the Independence of Vermont 1776-1777. The publisher is not stated but the Society has an introductory letter. 26 pages of text and letters. Majority of text block is photo-copies of original documents (unpaginated). Clean, bright copy.

Softcover. Chicago, Chicago Review, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, literary journal with entire issue devoted to the poet. Fairly scarce. New and bright all around wraps. Poems by Dorn, plus an interview, correspondence to and from, LeRoi Jones and Tom Raworth, and Dale Smith, an interview with Eleni Sikelianos.

Softcover. Dayton OH, The Dayton Art Institute, 1st pbk, 2004, Book: Very Good, Dust Jacket: None, Softcover, measures 12" X 12" - 342 pages, with 90 B&W, toned, and 10 color plates, plus text illustrations. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, McGraw-Hill, 8th pr., 1915, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 250 pages. B&w illustrations throughout. Clean, tight copy.

Hardcover. NY, Enchanted Lion Books, 3rd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Enormous Smallness is a nonfiction picture book about the poet E.E. cummings. Here E.E.'s life is presented in a way that will make children curious about him and will lead them to play with words and ask plenty of questions as well. Lively and informative, the book also presents some of Cummings's most wonderful poems, integrating them seamlessly into the story to give the reader the music of his voice and a spirited, sensitive introduction to his poetry. In keeping with the epigraph of the book -- "It takes courage to grow up and become who you really are," Matthew Burgess's narrative emphasizes the bravery it takes to follow one's own vision and the encouragement E.E. received to do just that. Lovely color plates by Kris Di Giacomo enhance the story. Clean copy.

Hardcover. NY, Aperture, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 61 b&w photographs by Josef Koudelka. Prepared and designed by Robert Delpire. Essay by Czeslaw Milosz. Koudelka's follow-up to Gypsies is a study of the physical and spiritual state of exile, investigating the lives of people in that situation, for one reason or another. Koudelka's brilliant photographs are nearly mythical in their portrayal of what John Szarkowski calls "the prototypical rituals." Nobel Prize-winning author Czeslaw Milosz contributes a stirring text, speaking vividly to the soul in search of a spiritual homeland. Clean copy.

Hardcover. NY, John Wiley & Sons, 3rd Ed., 1943, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth with blue lettering, 611 pages with index. A detailed study of cooking from a scientific point of view. Charts, tables, a few b&w illustrations. Light fading to covers, bookplate on inside front cover otherwise clean and tight copy.

Hardcover. London, Thames and Hudson, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 384 pages. Hardcover with dust jacket. Clean, tight copy with black and white photographs throughout. Light wear ton dust jacket. The life of Erwin Blumenfeld, one of the century's best-known photographers, was by no means conventional. By turns acerbic, self-mocking, playful, even absurd, his autobiography is a compelling, virtuoso account of an extraordinary man. All his subjects--his Jewish family, the Germans, the Vichy French, his models, New York publishers--are dealt equal measures of wit, mockery, and merciless irony. He spares himself least of all. Born in turn-of-the-century Berlin, Blumenfeld was drafted to serve in the First World War, first as an ambulance driver (although he couldn't drive) and then as a bookkeeper in a field brothel, and he was awarded the Iron Cross for giving his sergeant French lessons. Between the wars he was part of an avant-garde circle that included such artists as Else Lasker-Schler, George Grosz, and members of the Dada movement. During the Second World War, Blumenfeld was interned in a series of French camps but eventually arrived in New York, where he found work with Vogue and Harper's Bazaar, producing many of their most memorable covers and becoming fashion's highest-paid photographer. From the creator of some of the most striking and influential photographs ever taken, Blumenfeld's autobiography--published here in English for the first time--is a biting and iconoclastic take on the century, and the insightful, gripping story of an exceptional life. Remainder line to bottom edge.

Softcover. Koln, Benedikt Taschen, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. At the turn of the 20th century the cigarette was both symbolic of emancipation and evocative of female eroticism. The photographs collected in this volume illustrate the piquant fascination of that blue-grey haze. sepia tone photos throughout of partially clothed and nude women smoking and holding cigarettes. Erotic. Clean, bright copy.

Hardcover. NY, Abradale Press, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, An authoritative study of 309 drawings - including 134 plates in full color - from Wright's Taliezin Studio by a renowned authority on Wright's work. First 20 pages with faint creases to pages, otherwise a bright, clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Macmillan, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 212 pages. Stone is an important, though often overlooked, element of creating the perfect garden. Stone can combine with plants and water in an infinite array to bring us landscapes that range from the serene and contemplative to the boisterous and exuberant. While much has been written about plants and water in the garden, only scant attention has been paid to stone. Jan Kowalczewski Whitner finds this an injustice. "Stone is eloquent, and it speaks in many voices," says Whitner. "Some of our most imaginative gardeners have used stone to transform ordinary plots of land into the cumulatively rich and evocative landscapes we all hope to create." With photographer Linda Quartman Younker, Whitner travels across America, exploring some of the most imaginative uses of stone in gardens ranging from orderly formal gardens to relaxed and cozy cottage plots. A good deal of the book is devoted to specific types of stones and stonework, such as using gravel or working with outcrops, with accompanying lists of plants that work well with each. Clean copy.

Softcover. Boston, David R. Godine, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 95 pages, b&w photos by Tice. The enduring work of photographer George Tice is represented here in 80 black-and-white images, beautifully presented in a small format book. Clean copy.

Hardcover. Gottingen, Steidl/ICP , 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 175 pages. In 1934, after reading John Dos Passos' 1919, Gerda Taro left her home in Stuttgart for Paris. There she met the now legendary photographer Robert Capa, with whom she traveled to Spain at the start of the Civil War. As his lover and photographic partner--and as his manager--she is often credited with launching his career. She was also the first woman photojournalist to enter the heat of battle. The couple worked together until Taro was killed while photographing a crucial clash near Madrid in July 1937, just six days shy of her twenty-sixth birthday. The International Center of Photography holds by far the world's largest collection of Taro's work, including approximately 200 prints as well as original negatives. This selective survey of the ICP's holdings is organized chronologically, and set in context with the inclusion of magazine layouts; it is the first major collection of Gerda Taro's photographs ever published. Clean, bright copy.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Hartford CT, J. B. Burr & Company, 1st, 1868, Book: Good, Dust Jacket: None, Hardcover in polished calf, black spine label with gilt lettering. Frontis portrait of Grant, additional full page engravings, 631 pages plus publisher's ads. Both cover hinges cracked but holding, and text block is solid. No foxing in text.

Hardcover. NY, Doubleday and Co., reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, illustrations in 2-colors by Leonard Weisgard. Twelve poems reflect the author's feelings about various colors. A nice early printing ($3.95 on flap) of this classic first published in 1961.

Softcover. Philadelphia, Jewish Publication Society, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 238 pages illustrated in color. Today e-mail, Facebook, and Twitter are sometimes used to spread hateful messages and slurs masking as humor. In the late nineteenth and early twentieth centuries postcards served this purpose. The images collected in this volume make it painfully clear that anti-Semitic propaganda did not simply begin with the Nazis. Nor was it the sole province of politicians, journalists, and rabble-rousers. One of the most virulent forms of anti-Semitism during this time was spread by quite ordinary people through postcards. Of the millions of postcards exchanged during their heyday of 1890 through 1920, a considerable percentage carried the anti-Semitic images that publishers churned out to meet public demand, reflecting deep-seated attitudes of society. Over 250 examples of such postcards, largely from the pre-Holocaust era, are reproduced here for the first time-selected, translated, and historically contextualized by one of the world's foremost postcard collectors. Clean copy.

Softcover. Salem NY, Hebron Preservation Society, 2nd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 276 pages with b&w illustrations. Covers with light curl to corners, mild crease to first 20 pages. Clean copy.

Hardcover. NY, Viking Kestrel, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color illustrations by Kalman. Nighttime is the best time for stories. And Lulu is the best storyteller. She knows about the three cross-eyed dogs at a fancy restaurant, about blue and green mountains where fish fly, about the family party where Maishel Shmelkin forgot to wear his pants, and of course about the noodle woman the pointy red nose. The stories, told by a sister to her little brother, are short and sweet and make you remember things and forget things. Maira Kalman paints a wondrous and humor-filled world in a child's-eye view. It is full of wild invention, people familiar and outlandish, bittersweet moments and flights of fancy. Clean copy.

Hardcover. Rutland VT, Tuttle Co., 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, 83 pages, b&w illustrations. This copy has an actual photo of Peck taped to the page opposite the title page (taken in March 1929, 3 years after this book was published). The author was the town clerk for 40 years, the first 58 pages devoted to Ira's history. The second part is Peck's recollections of his experiences in the Great West 1866-67. Some of the white lettering on the book's cover has been chipped off but the volume is in very good, tight shape.