africa history

Softcover. NY, The New Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 403 pages. Edited by Ira Berlin, the Bancroft Prize-winning author of Many Thousands Gone, and Leslie Harris, Slavery in New York brings together twelve new contributions by leading historians of slavery and African American life in New York. Published to accompany a major exhibit at the New York Historical Society, the book demonstrates how slavery shaped the day-to-day experience of New Yorkers, black and white, and how, as a way of doing business, it propelled New York to become the commercial and financial power it is today. Powerfully illustrated with images from the New York Historical Society exhibit, Slavery and the Making of New York will be the definitive account of New York's slave past.

Softcover. UK, Cambridge University Press, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 352 pages, b&w illustrations. Wilma Dunaway breaks new ground by focusing on slave experiences on small plantations in the Upper South. She argues that a region was not buffered from the political, economic, and social impacts of enslavement simply because it was characterized by low black population density and small slaveholdings. By drawing on a massive statistical data base derived from antebellum census manuscripts and county tax records of 215 counties in nine states, on a vast array of slaveholder manuscripts, and on regional slave narratives, she pinpoints several indicators that distinguished Mountain South enslavement from the Lower South. These include a higher incidence of ethnic mixing between African and Native American slaves, heavier reliance on the field labor of women and children, and more frequent assignment of slaves to non-agricultural occupations. Dunaway also calls into question the notion that large numbers were necessary before slaves could engage in community building and resistance. Clean, bright copy.

Hardcover. New York, Philomel, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 32 pages illustrated in color by Small. So you want to be an explorer? What does it take, you ask? To find out, take a look at Judith St. George and David Small's witty collection of some of the best explorers the world has ever known.You know Marco Polo and Christopher Columbus, but what about Mary Kingsley, who studied cannibals in Africa, or cowboy Jim White, who, by mistake, found Carlsbad Caverns? Full of boundless energy and illustrations you won't forget, this historical jaunt will inspire the explorer in all of us, young and old.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1931, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering on spine, 331 pages, fold-out map in rear. Clean, bight copy.

Hardcover. London, Heinemann, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 303 pages, black & white photos and maps. Name on front fly leaf. Otherwise, clean.

Hardcover. Boston, Little Brown, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, b&w photos. Biography of the producer who made four great movies: On the Waterfront; African Queen; Bridge on the River Kwai; and Lawrence of Arabia and lots of mediocrities. Most successful when he assembled talent and let them work, he became controlling and destructive. Very good in a bright dust jacket.

Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 326 pages, b&w photos. Rosenblum, a journalist, and Williamson, a scientist, explore Africa in the 1980s and report ubiquitous disaster and tragedy. It weaves a backdrop of misguided charity, of bloated egos amid corruption and waste, and of our State Department consistently backing the wrong horse. It is a hard look at a depressing future. Pages tanning slightly, no markings.

Hardcover. London, Oxford University Press, 1st, 1944, Book: Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering on the spine, 212 pages, fold-out map in rear. Previous owners signature at top of front endpaper. Cover shows wear and sun fading.

Softcover. Nairobi, East African Publishing House, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 162 pages, index, genealogy of kings and chiefs, bibliography, chronology, notes. Name on front fly leaf, otherwise clean.

Hardcover. London , Titan Books , 1st, 2015, Book: Very Good, Dust Jacket: None, 191 pages. Hardcover without dust jacket. Extensive color illustrations throughout. Illustrated end papers and fly leafs. Clean tight copy. This book covers four complete comic strips from May 1940 to October 1943, and is continued on from "Tarzan in the City of Gold", Book 1 in the series.Mr. Hogarth carries on his new way of art form which is a pleasure to the eye, and the four stories are: Tarzan and the Peoples of the Sea and the Fire, Tarzan Against Dagga Ramba, Tarzan and the Fatal Fountain, and Tarzan and the Barbarians. There is also an introduction by Thomas Yeates.Relive four more tales of Tarzan as his adventures lead him across Africa, fighting for justice in lands unknown or forgotten to civilized man.

Hardcover. NY, Greenwood Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Hardcover set, 2 volumes complete, 1064 total pages. Brown cloth covers with gilt lettering on spine. A reprint of the 1930 edition that covered the Harvard African Expedition, 1926-1927. Illustrated with annotated b/w photographs, some in-text drawings and tables. Clean, bright set. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Boston, Thomas & Andrews , 6th Ed., 1812, Book: Good, Dust Jacket: None, Hardcover in contemporary calf, with gilt letting on red leather spine label and sound and bright internally with 3 fold-out maps (Africa, Asia/Arabia and Europe). Covers worn, bottom of spine has a small chunk gone from bottom, about a square inch. Interior clean, minor foxing. VOLUME 2 ONLY.

Softcover. Washington DC, National Gallery of Art , 2nd pr., 203, Book: Very Good, Dust Jacket: None, Softcover, 334 pages illustrated with 224 color plates, 86 black & white. One of America's most innovative artists, Romare Bearden (1911-1988) made colorful and passionate images that reflected his life in a time of creative ferment. His influences ranged from the old masters to African art, as well as the world around him: popular religion and ritual, jazz clubs and brothels, the history and literature of his time, and the places he lived (the rural South, Pittsburgh and Harlem, the Caribbean island of St. Martin). The resulting images are fresh and evocative, filled with quirky details and rhythmic forms. This authoritative and beautiful book, which accompanies a major retrospective opening at the National Gallery of Art in Washington, D.C., provides a provocative and absorbing look at a beloved artist. The Art of Romare Bearden showcases compelling examples of his pioneering work: complex collages and photostats; watercolors, gouaches, and oils; little-known landscapes; his only known sculpture; costume designs; and book illustrations. Mildwear to corners otherwise very good, clean copy.

Softcover. London/NY, Verso Books, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 226 pages, b&w illustrations. Unravels the appalling mass of lies, hypocrisy and betrayals that have surrounded accounts of the 1961 assassination of Patrice Lumumba-the first prime minister of the Republic of Congo and a pioneer of African unity-since it perpetration. Making use of a huge array of official sources as well as personal testimony from many of those in the Congo at the time, Ludo De Witte reveals a network of complicity ranging from the Belgian government to the CIA. Patrice Lumumba's personal strength and his quest for African unity emerges in stark contrast with one of the murkiest episodes in twentieth-century politics.

Hardcover. Westport CT, Greenwood Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 177 pages. Postma draws on primary sources and current historical scholarship to offer secondary readers and researchers a comprehensive and well-written history. He covers the entire Atlantic slave trade era, from the 1400s to the final abolition of chattel slavery in the New World in 1888. The focus is on Africa and the entire New World. While he describes the many horrors of the Middle Passage, he also examines how the slave trade contributed to the development of the modern international economy. The last chapters discuss the efforts to abolish the slave trade and its legacy. Throughout, Postma documents the sources that support his discussion and conclusions. Chapter notes are supplemented by an extensive annotated bibliography that includes books, articles, films, and electronic resources. The volume concludes with biographical sketches of important people and excerpts from primary documents written by enslaved Africans and white officials. The black-and-white reproductions of period illustrations add little to the text. Clean copy.

Softcover. Norman OK, University of Oklahoma Press , reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. After nearly 200,000 African-American soldiers fought in the Civil War, Congress enacted legislation to authorize regiments of cavalry and infantry for service in the West. The Ninth and Tenth cavalries won fame as "buffalo soldiers" in the Indian wars, nearly overshadowing the critical support role of the Twenty-fourth and Twenty-fifth infantries. Now Arlen L. Fowler brings to light the story of African-American infantry service from 1869 to 1891 in Texas, Indian Territory, the Dakotas, Montana, and Arizona.

Softcover. Madison WI, University of Wisconsin, reprint., 2005, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 244 pages. The Blind African Slave recounts the life of Jeffrey Brace (ne Boyrereau Brinch), who was born in West Africa around 1742. Captured by slave traders at the age of sixteen, Brace was transported to Barbados, where he experienced the shock and trauma of slave-breaking and was sold to a New England ship captain. After fighting as an enslaved sailor for two years in the Seven Years War, Brace was taken to New Haven, Connecticut, and sold into slavery. After several years in New England, Brace enlisted in the Continental Army in hopes of winning his manumission. After five years of military service, he was honorably discharged and was freed from slavery. As a free man, he chose in 1784 to move to Vermont, the first state to make slavery illegal. There, he met and married an African woman, bought a farm, and raised a family. Although literate, he was blind when he decided to publish his life story, which he narrated to a white antislavery lawyer, Benjamin Prentiss, who published it in 1810. Upon his death in 1827, Brace was a well-respected abolitionist. In this first new edition since 1810, Kari J. Winter provides a historical introduction, annotations, and original documents that verify and supplement our knowledge of Brace's life and times. Clean copy.

Hardcover. UK, Osprey Military Books, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering on spine, 160 pages. The Boer War devastated the South African economy and left a legacy of bitterness. It saw the invention of the concentration camp and a new style of guerilla warfare. This history of the campaign includes artwork of maps, weapons and uniforms, with contemporary photography from the period. Clean copy. No dust jacket.

Hardcover. Boulder CO, Westview Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages, b&w illustrations. INSCRIBED BY AUTHOR on front fly leaf to fellow anthropologist William Mitchell.Images of the Bushman--from the innocent hero of the hit movie, The Gods Must Be Crazy, to "vermin" eradicated by the colonists, to the superhuman trackers conscripted by the South African Defense Forces, and the living embodiment of prehistory for the academic--shape our perceptions rather than the actuality. Looking at this interplay between imagery, history, and policy, Robert Gordon focuses not on the Bushman but on the colonizers' image of them and the consequences of that image for the people assumed to be Bushmen. Clean copy.

Hardcover. Washington DC, Counterpoint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 642 pages. Hailed in 1849 as "a new department in the literature of civilization," the slave narrative forms the foundation of the African American literary tradition. From the late-eighteenth-century narratives by Africans who endured the harrowing Middle Passage, through the classic American fugitive slave narratives of the mid-nineteenth century, slave narratives have provided some of the most graphic and damning documentary evidence of the horrors of slavery. Riveting, passionate, and politically charged, the slave narrative blends personal memory and rhetorical attacks on slavery to create powerful literature and propaganda.The Civitas Anthology presents the seven classic antislavery narratives of the antebellum period in their entirety: The History of Mary Prince, a West Indian Slave , the first slave narrative published by a woman in the Americas; The Confessions of Nat Turner , written when Turner was asked to record his motivation for leading the bloodiest slave revolt in U.S. history; The Narrative of the Life of Frederick Douglass , an international bestseller and the first narrative to fashion the male fugitive slave into an African American cultural hero; The Narrative of William W. Brown , an account that explored with unprecedented realism the slave's survival ethic and the art of the slave trickster; The Narrative of the Life of Henry Bibb , the story of the struggles of the most memorable family man among the classic slave narrators; Running a Thousand Miles for Freedom , a gripping chronicle of one of the most daring and celebrated slave escapes ever recorded; and Incidents in the Life of Slave Girl , a dramatic text that exposed the sexual abuse of female slaves and pioneered the image of the fugitive slave woman as an articulate resister and survivor.Born out of lives of unparalleled suffering, the slave narrative captures all the bravery, drama, and hope that characterized the African American struggle against slavery. From these beginnings came some of the most influential novels in American literature, for the works of writers such as Harriet Beecher Stowe, Mark Twain, and Toni Morrison owe much of their power and social resonance to the slave narrative tradition. The Civitas Anthology gathers the most important narratives in this tradition into one volume for the first time, an indispensable resource for scholars, students, and general readers. Clean copy.

Hardcover. NY, Columbia University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 894 pages. Edited by Jay Parini and with poetry and poetry criticism by Anne Bradstreet and Edward Taylor by Francis Murphy, Early African American Poetry, by Carolivia Herron, The Epic in the Nineteenth Century, by John McWilliams, Longfellow in the Aftermath of Modernism, by Dana Gioia, The Transcendentalist Poets by Lawrence Buell, Emily Dickinson, Cynthia Griffin Wolff, Walt Whitman, by Donald Pease and many others, such as Dana Gioia, Gregory Orr, Ann Charters, William Pritchard, Helen Vendler, Edward Hirsch, and the work of Ezra Pound, William Carlos Williams, the Beat poets and Native American poets and others. SIGNED BY PARINI on the title page. Bright, clean copy.

Hardcover. Evanston IL, Northwestern University Press, 1959-1963, Book: Very Good, Dust Jacket: None, Four hardcover volumes: Vol. 1, East Africa November 1889 to December 1890, 432 pages. Vol. 2, East Africa December 1890 to December 1891, 481 pages. Vol. 3, East Africa January 1892 to August 1892, 454 pages. Vol. 4, Nigeria 1894-5 and 1898, 444 pages. Black-and-white illustrations and maps; Bindings vary: Vols. 1, 3 and 4 are matching green cloth with gilt lettering on spine. Vol. 2 is terra-cotta cloth with a black clorh spine. Previous owner'e signature in 1 and #. Otherwise clean and tight set.

Softcover. UK, Cambridge University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 317 pages, b&w illustrations. Translated from the Dutch by Diane Webb. "Rembrandt, Hals and Vermeer are still household names, even though they died over three hundred years ago. In their lifetimes they witnessed the extraordinary consolidation of the newly independent Dutch Republic and its emergence as one of the richest nations on earth. As one contemporary wrote in 1673: the Dutch were 'the envy of some, the fear of others, and the wonder of all their neighbours'. During the Dutch Golden Age, the arts blossomed and the country became a haven of religious tolerance. However, despite being self-proclaimed champions of freedom, the Dutch conquered communities in America, Africa and Asia and were heavily involved in both slavery and the slave trade on three continents." Clean copy.