africa

Hardcover. Kampala Uganda, Saben's Directories, 1st, 1960, Hardcover, 312, 74, , 64 pages. Original publisher's brown cloth boards with black lettering at front and gilt lettering and illustration at spine. Illustrated throughout in black and white. Laid in is the envelope holding 3 folding maps: Uganda Protectorate Map, East African Railway Map, Kampala Street Plan. Some tanning at edges of pages. Binding is slightly cocked where maps were laid in. Previous owner's name inside front cover, otherwise clean.

Hardcover. NY, Twayne Publishers, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 271 pages, b&w photographs. An account of the author's trip to French Equatorial Africa and Albert Schweitzer's jungle hospital (Lambarene), the author's stay there and conversations with Dr. Schweitzer. The author convinced Schweitzer to lend his name to an educational movement in the U.S. (the nominal reason for the trip), and states that he believes Schweitzer is a much needed Prophet of the divided Western world. Clean, bright copy.

Hardcover. London, Viking, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 383 pages including glossary, bibliography, and index. "The history of the great African Safaris. It is the story of 150 years of the ultimate adventure, from the first safari in 1836, as Cornwallis Harris walked across the Transvaal with his double-barreled rifle and ox wagon, discovering the hunter's Garden of Eden, to the last of the great professional hunters, as they struggle today to carry on their tradition in the swamps of Tanzania and the high forests of Ethiopia". Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, G.P. Putnam's Sons, 8th pr., 1928, Book: Good, Dust Jacket: None, Hardcover, orange cloth with gilt lettering, 294 pages. Illustrated with 66 photographs by the author, the famous explorer Martin Johnson, who later became the noted documentary filmmaker in Africa with his wife, Osa. A story of adventure and exploration in Africa, with much information about the extraordinary wildlife, including elephants, lions, rhinos, and gorillas. Fold-out map in rear. Minor edge wear, slight dust soiling, a bit of pitting to the cloth along spine edge. Inscription on first blank page otherwise clean.

Hardcover. NY, Julian Messner, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, price-clipped dust jacket. Translated from the French by Katherine Woods. Engaging account of the author's camel trek across the untamed South Fezzen region of the Sahara Desert, encountering exotic vegetation and prehistoric cave paintings along the way. No markings.

Hardcover. NY, Hanover House, 1st US, 1954, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, chipped dust jacket, 280 pages. " A popular history of the Sahara and the men who have lived and died there to open this wild desert to the world". No markings.

Hardcover. Berkeley CA, University of California Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages. n 1984 Sebastiao Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, Sahel: The End of the Road is still painfully relevant.

Hardcover. Johannesburg, Tafelberg , 1st thus, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The South African edition of Sara Whitcher's Story, SIGNED BY YATES on title page. Dutch text. B&W illustrations by Nora S. Unwin.

Softcover. NY, Stein and Day, 2nd pr., 1974, Book: Good, Dust Jacket: None, Softcover, laminated card wraps, 112 pages, b&w illustrations. Ex-library copy with light stamping and bookplate on inside front cover. On the African influences on blues and jazz.

Hardcover. NY, The New Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Ellis and Smith provide a unique anthology of African American voices over the past 100 years. In doing so, they give voice to the voiceless with transcribed speeches of leading African American speakers of the twentieth century. Included are 2 80-minute CDs. Includes speeches by: Mary McLeod Bethune,Julian Bond, Stokely Carmichael, Shirley Chisholm, Louis Farrakhan, Marcus Garvey, Jesse Jackson, Martin Luther King Jr., Thurgood Marshall, Booker T. Washington, Walter White, others, Clean copy.

Hardcover. London, Chapman & Hall, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, publisher's red and black marble-patterned cloth, lettered in gilt to spine. Scoop is a humorous novel in which Waugh satirizes foreign correspondence and sensational journalism. Specifically, it tells the story of William Boot, an inexperienced journalist and author of a nature column for The Beast. This real life reporter was identified as Lord Deeds. Boot is mistakenly identified as his novelist cousin and sent to the fictional East African country of Ishmaelia to cover its socialist insurrection. Ironically, Boot's naivete allows him to get the real "scoop" not reported by more experienced journalists. Notably, Scoop is based on Waugh's own experiences working as a journalist for the British Daily Mail during Mussolini's 1935 invasion of Ethiopia. Clean, square copy.

Hardcover. Los Angeles, CA, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book brings together Salgado's photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises. NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Los Angeles, CA, Taschen, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 336 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This book brings together Salgado's photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.

Hardcover. NY, Aperture Foundation , 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, navy blue cloth cover, silver lettering on spine, 156 pages. Features essays by Eduardo Galeano and Fred Ritchin. Includes over 100 duotones taken from throughout the early years of Salgado's career. From a Brazilian mine where 50,000 mud-covered men haul heavy bags of dirt up and down slippery ladders in search of a stray nugget of gold, to a former lake in western Africa now swallowed by the encroaching desert, where emaciated, starving people walk over its surface of sand, photographer Sebastiao Salgado explores the live of the planet's often ignored people with a critical eye and an empathetic heart. 'Published on the occasion of a major exhibition presented by the San Francisco Museum of Modern Art, Oct. 4-December 2, 1990.'/ Includes bibliographical references (page 156). VG, dj has some edge wear, cover and pages clean and tight. DOMESTIC SHIPPING ONLY.

Hardcover. Berkeley, University of California Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 303 pages. Contains some black & white photos of the Sebei people. Dust jacket with edgewear, light soiling. No markings.

Hardcover. Montclair NJ, Allanheld, Osmun, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 266 pages. Illustrated with maps and tables, this study describes and analyse the social and ecological destruction of the 1968-78 Sahel drought and famine, during which more than 100,000 W. Africans died of starvation and hunger related diseases, and livestock herds and agricultural production were critically reduced. It traces the history of this disaster to the impact of French colonial government policy on the fragile ecology of the region and the effects of food and export regulations on agriculture and on the social structure and interrelationships of the tribes. Clean copy.

Hardcover. Zurich, Scalo, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 288 pages Illustrated with 206 b&w photos. What began as simple curiosity blossomed into an object of national pride; when Seydou Keita bought a camera to take pictures of his family, neighbors assumed his services were for hire and enlisted him to take portraits of themselves and their homes, turning a carpenter into a photographer and a hobby into artistic expression. In such a way did the self-taught Keita become the official photographer of Mali from 1962 to 1977, based almost solely on his impeccable reputation for quality and originality that developed by word of mouth. This stunning collection of 206 black-and white-portraits illustrates Keita's pride in his country and his gift for capturing the personalities of his subjects. His aim was to create the most natural settings and poses for the people in front of the lens, putting them at ease and gently nudging them into surrendering their inhibitions. Clean copy.

Hardcover. NY, Harry N Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A collection of words and images chronicle the life and habits of animals in the African wild, presenting essays on animal endangerment and drawings, paintings, and sculptures. 71 plates, 23 in color. Clean copy.

Hardcover. NY, Pellegrini & Cudahy, 1st US, 1950, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering, 260 pages. Originally entitled ADEPTS OF AFRICA, SHADOWS OF ECSTACY, which was written in seven weeks in 1925, was the first novel Williams wrote but the fifth to be published in 1933. Follows the story of Nigel Constantine, an evangelical preacher who discovers the ability to cheat death. The charismatic occult leader stirs up an African revolt against Western Europe, with predictably devastating results. An unusual work on the occult and spiritualism, dealing with themes of colonialism, power, and global politics. Charles Williams, 1886-1945, was an English writer and theologian. He was a friend of J.R.R. Tolkien and C.S. Lewis, and was a member of their informal Oxford literary group, the Inklings. Clean copy, no dust jacket.

Softcover. Urbana IL, University of Illinois Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 433 pages. From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, enslaved people created expansive forms of music from the United States to the West Indies and South America. Dena J. Epstein's classic work traces the course of early black folk music in all its guises. Anchored by groundbreaking scholarship, it redefined the study of black music in the slavery era by presenting the little-known development of black folk music in the United States. Her findings include the use of drums, the banjo, and other instruments originating in Africa; a wealth of eyewitness accounts and illustrations; in-depth look at a wide range of topics; and a collection of musical examples. This edition offers an author's preface that looks back on the twenty-five years of changes in scholarship that followed the book's original publication. Clean copy.

Hardcover. Long Beach CA, Safari Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 336 pages, color and b/w photographs, b/w sketches by the author. Brown boards, spine titled in gilt. Fine new copy in dust-wrapper. As the longtime editor of Safari magazine, Quimby had the chance to hunt on multiple continents for all the sundry game animals found there. In this book he tells us of hunts across North and South America; South Africa, Zimbabwe, Zambia, and other parts of Africa; Spain; Mongolia; and New Zealand. Also included is Quimby's successful quest to become one of the very few to take all ten of Arizona's big-game species. Several of his hunts were memorable for what went wrong. A horse panicked and fell off a series of ledges during a hunt for a mountain lion, which led to Quimby and a friend spending a cold New Year's Eve on a ridge without shelter or fire. Then, after he had waited thirty-nine years to draw an Arizona desert sheep tag, Bill is changing a tire on the first day of hunting when a bumper jack slips and breaks his arm. (He shot his ram and completed his "Big Ten" quest twelve days later by firing his rifle one-handed.) Some other stories include the time an Indian guide fell from a boat in the Northwest Territories and drowned on the author's caribou hunt; the time a storm on a Yukon moose hunt kept Quimby and his guide snowbound in a plywood shack for nine days. Still in publisher's shrinkwrap.

Softcover. UK, Cambridge University Press, Reprint, 2004, Book: Very Good, Dust Jacket: None, 236 pages. Softcover. Binding tight. Some underlining in pencil on a few pages, otherwise clean inside. A touch of foxing to top edge. Wrapper in great shape. Looks great.

Softcover. NY, The New Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 403 pages. Edited by Ira Berlin, the Bancroft Prize-winning author of Many Thousands Gone, and Leslie Harris, Slavery in New York brings together twelve new contributions by leading historians of slavery and African American life in New York. Published to accompany a major exhibit at the New York Historical Society, the book demonstrates how slavery shaped the day-to-day experience of New Yorkers, black and white, and how, as a way of doing business, it propelled New York to become the commercial and financial power it is today. Powerfully illustrated with images from the New York Historical Society exhibit, Slavery and the Making of New York will be the definitive account of New York's slave past.

Softcover. UK, Cambridge University Press, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 352 pages, b&w illustrations. Wilma Dunaway breaks new ground by focusing on slave experiences on small plantations in the Upper South. She argues that a region was not buffered from the political, economic, and social impacts of enslavement simply because it was characterized by low black population density and small slaveholdings. By drawing on a massive statistical data base derived from antebellum census manuscripts and county tax records of 215 counties in nine states, on a vast array of slaveholder manuscripts, and on regional slave narratives, she pinpoints several indicators that distinguished Mountain South enslavement from the Lower South. These include a higher incidence of ethnic mixing between African and Native American slaves, heavier reliance on the field labor of women and children, and more frequent assignment of slaves to non-agricultural occupations. Dunaway also calls into question the notion that large numbers were necessary before slaves could engage in community building and resistance. Clean, bright copy.